a m e s s age fr o m t h e artistic director

Thank you for joining us for Nixon’s Nixon by Russell Lees! We are excited to kick off our 35th anniversary season with this imaginative political satire and welcome back director Elaine Vaan Hogue. Elaine and the cast of Nixon’s Nixon have collaborated before on New Rep’s stage in Imagining Madoff and we are thrilled they have joined together again to explore Lees’ creative version of the infamous story of President Nixon’s resignation. As New Rep’s 35th season is my first as Artistic Director, we intend to fully incorporate our season’s theme of TRANSITION as we embark on a new chapter. We hope that this season’s plays will make you laugh, reflect, empathize with others, and spark conversation about the vital ideas of our time. We invite you to join us as our season continues with Trayf , a comedic coming- of-age story about young Chasidic men grappling with their friendship, identities, and assimilation. During the holidays we will continue with our seasonal tradition of a large-scale musical production with Oliver! I am thrilled to be directing this beloved musical. My hope is to bring new theatricality to this classic show with an exciting look and fresh perspective. Thank you again for visiting us today, and please do share your experience with friends and family. We appreciate your support and look forward to seeing you again soon as we transition into a new chapter of art-making and advocacy. Feel free to reach out to me at [email protected] and share your thoughts.

Michael J. Bobbitt Artistic Director

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2 new repertory theatre in residence at the Michael J. Bobbitt Mosesian Center for the Arts Artistic Director 321 ARSENAL ST, WATERTOWN

presents

NIXON’S NIXON

BY RUSSELL LEES DIRECTED BY ELAINE VAAN HOGUE

SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER AFSOON PAJOUFAR ZOE SUNDRA AJA JACKSON

SOUND DESIGNER STAGE MANAGER ELIZABETH CAHILL HEATHER RADOVICH*

cast (IN ALPHABETICAL ORDER)

JOEL COLODNER* Henry Kissinger JEREMIAH KISSEL* Richard Nixon

There will be no intermission.

NIXON’S NIXON is presented by special arrangement with Dramatist Play Service, Inc. New York.

NIXON’S NIXON was produced Off-Broadway by , Capital Cities/ ABC, Jujamcyn Theaters and Robert LuPone and Bernard Telsey. Originally produced by MCC Theater. Executive Directors: Robert LuPone and Bernard Telsey, Associate Director: W. D. Cantler, Administrative Director: Lynne McCreary.

SEASON SPONSORS

* Member of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

2019-2020 season 3 NIXON’S NIXON ADDITIONAL PRODUCTION STAFF

TECHNICAL DIRECTOR Joe Dunn

MASTER ELECTRICIAN Katie Hoolsema Lamm Catering with Distinc- PROPS MANAGER tion Sam Martin

PERFORMANCE PRODUCTION ASSISTANT Rose Mancuso

REHEARSAL PRODUCTION ASSISTANT Lucas Dixon

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4 new repertory theatre n ot e s fr o m t h e d i r ec to r Elaine Vaan Hogue

“Tell me, Nixon, do you contemplate what the history books will make of you? Do you wonder about your place in history?”

“They gave me so much power, why are they surprised I used it?”

Excerpts from Nixon’s Nixon by Russell Lees

Nixon. Kissinger.

Allies. Rivals. Paranoid. Insecure. Deceitful. Manipulative. Ruthless. Vulnerable.

Watergate. Kissinger referred to Watergate as the “domestic passion play”.

Russell Lees’ satirical comedy smartly conceives the complex relationship between these two powerful men and cleverly imagines their engagement in a moment of historical crisis.

In the words of the playwright—“…the play is not so much about historical personages and their character traits as it is about the very human and personal struggles in retaining or relinquishing great power and coming to terms with one’s legacy.”

Power is often described as being seductive. The use and abuse of power for personal gain in the political arena is inevitable. In Nixon’s Nixon we are witness to fierce, visceral debate between Nixon and Kissinger. As the two men role-play, taking on with relish the colorful personas of Brezhnev, Kennedy, Mao, Golda Meir, and even Julie Nixon, we enter a world of corruption and subversion, illuminated by Lee’s shrewd use of humor. The parallels one might make with the contemporary political landscape in America are striking. History, indeed, repeats itself.

“History repeats itself – first as tragedy, second as farce.”

—Karl Marx

“I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country…corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed.”

—Abraham Lincoln

2019-2020 season 5 n ot e s o n nixon’s nixon BY RUTH SPACK

Nixon continues to power. Unbeknownst to one another, they fascinate…. Somehow his “eavesdropped on themselves,” as historian paranoia, obsessiveness, Joan Hoff puts it. Nixon installed a secret grandeur and pettiness live, electronic recording system in the Oval stashed away in the dark Office, and Kissinger ordered his staff to tape, or transcribe from notes, all of his own phone closets of the American conversations and many of his meetings. psyche. We can’t help but air them out every now and then. MUTUAL LOATHING - Russell Lees, Playwright Nixon and Kissinger formed a powerful alliance in the White House, but tapes and transcripts reveal their loathing for INSPIRATION FOR NIXON’S NIXON one another. Behind closed doors, they Playwright Russell Lees had long wanted questioned each other’s mental stability. to write a play about American history, he Nixon called Kissinger “a crybaby,” “a told Deseret News, but he “couldn’t think dictator,” “psychopathic.” Kissinger declared of any successful examples.” Then a friend Nixon “a madman,” “a drunk,” “unfit to be who’d been reading a biography of Henry president.” They gave each other nicknames: Kissinger remarked that the night before Nixon was “Meatball Mind,” Kissinger “My President Richard Nixon resigned was “awfully Jewboy,” an epithet Nixon periodically used dramatic.” After reading the same biography, to taunt Kissinger, which Kissinger endured as well as biographies of Nixon and Bob in obsequious silence. Kissinger regularly Woodward and Carl Bernstein’s The Final leaked valuable information, thereby endearing Days, Lees knew he “had to write something!” himself to the press, which in turn fostered his popularity with the public. (He even gained SURPRISE APPOINTMENT a reputation as “a swinging single”!) Fearing Richard Nixon hardly knew Harvard he’d be overshadowed, Nixon felt aggrieved by professor Henry Kissinger when he appointed Kissinger’s growing stature. Kissinger mollified him Special Assistant to the President for Nixon with flattery. National Security Affairs in 1968. The appointment surprised many Washington WATERGATE OBSESSION insiders. The two men seemed to have little On June 17, 1972, burglars hired by Nixon in common, including their views on foreign appointees broke into Democratic National policy. Kissinger, an adviser to Nixon’s rival Committee headquarters at the Watergate Nelson Rockefeller, had been an outspoken complex in Washington, DC to install critic of Nixon’s candidacy. Yet Nixon and hidden microphones. For more than two Kissinger bonded over their distrust of years, Nixon denied involvement in a cover- bureaucracy, resentment of Congressional up of the break-in. He continued to work interference, predilection toward unilateral steadily, meeting daily with numerous leading decision-making, and preference for government officials, even after May 1973, covert activity. At the same time, each man when televised public hearings began on the strove to safeguard his own position of Watergate scandal, and July 1973, when he

6 new repertory theatre refused to hand over tapes to the Watergate DEFIANCE special prosecutor. But in 1974, as his close In February, 1974, a Federal grand jury senior aides and attorney general were indicted secretly named Nixon an unindicted for their role in the break-in and cover-up, co-conspirator in alleged obstruction of and as evidence mounted exposing his own justice. In July, 1974, the US Supreme culpability, Nixon became so obsessed with Court unanimously decreed that Nixon the Watergate investigation he saw almost must comply with the special prosecutor’s no one in the White House. To maintain a subpoenas of sixty-four taped conversations. façade of industriousness, he kept up only his When Nixon resisted, providing many public appearances. In the words of political fewer tapes, the House Judiciary Committee scientist Matthew Beckmann, “Richard Nixon approved three articles of impeachment: effectively quit being president well before he obstruction of justice, misuse of power, and resigned the presidency.” contempt of Congress. On Monday August 5, the White House released transcripts of three RAGE AND BOOZE conversations ordered by Federal Judge John AND SUICIDAL DESPAIR J. Sirica. One of them, “the smoking gun,” While Nixon resented Kissinger’s grasping exposed Nixon’s involvement in an effort for power and influence, and occasionally to use the CIA to halt the FBI’s Watergate talked of firing him, Watergate made investigation. The next day, a still defiant Kissinger indispensable. Nixon sought to Nixon told his Cabinet he would not resign. use foreign policy crises to offset threats of impeachment, and Kissinger (now also secretary of state), was the face of US FEAR AND FAILINGS foreign policy. Eventually the balance of On Wednesday, August 7, a group of power shifted as Kissinger took advantage Republican Senators informed Nixon he of Nixon’s weakness. A long-time problem would not survive a Senate impeachment drinker and pill taker, Nixon became vote. When Nixon told his family he would increasingly erratic in his behavior. Matthew likely resign, they urged him not to. Later that Beckmann encapsulates the concerns of night, Nixon summoned Kissinger to the journalists and White House staff: Lincoln Sitting Room. In Nixon’s Nixon, Russell Lees includes known facts of that [C]olumnist Stewart Alsop worried meeting, but the play is not meant to reflect the President was “on the naked edge historical accuracy. Rather, as Variety theater of a nervous breakdown” … Hunter S. critic Mark Blankenship affirms, Lees Thompson reported Mr. Nixon was “crazy imaginatively enhances historical facts with with rage and booze and suicidal despair” “the fear and failings that so often turn … Woodward and Bernstein’s Final Days politics into drama.” (1974) depicted a distraught Nixon roving the White House, whispering to his predecessors’ portraits … Alexander Haig, Nixon’s final Chief of Staff, acknowledged that he had had the White House physicians PRODUCTION HISTORY hide the President’s pills for fear he might In 1996, after a four-week run at the MCC kill himself … David Gergen, a speechwriter Theatre, Nixon’s Nixon moved to the in Nixon’s White House, stated the Westside Arts Theatre/Downstairs and implication: “There was a time during the became a rarity for its time: a mainstream Watergate crisis when President Nixon was hit with a political focus. The play was nearly incapacitated.” revived at the Lucille Lortel Theatre in 2006.

2019-2020 season 7 FROM TOP LEFT COUNTERCLOCKWISE Ben Evett, Aimee Doherty, Christine Hamel and Bobbie Steinbach. Photos by Andrew Brilliant/Brilliant Pictures

8 new repertory theatre The cast of 1776. Photo by Andrew Brilliant/Brilliant Pictures New Rep, Your Way Want to come to a New Rep show, but are not sure where to begin? New Rep offers a wide variety of pricing options for individuals and groups, so that you can join us in the way that best suits your needs.

SUBSCRIPTIONS 6-Show Subscription | starting at $214 Nixon’s Nixon, Trayf, Oliver!, Hair: An American Tribal Love-Rock Musical, Lady Day at Emerson’s Bar and Grill, August Wilson’s Fences Music Lovers Package | $174 Oliver!, Hair: An American Tribal Love-Rock Musical, Lady Day at Emerson’s Bar and Grill Drama Lovers Package | $162 Nixon’s Nixon, Trayf, August Wilson’s Fences 3-Show A La Carte | Starting at $162 4-Show A La Carte | Starting at $216 5-Show A La Carte | Starting at $276

SUBSCRIPTION BENEFITS: Easy Ticket Exchanges Lost Ticket Insurance Missed Performance Insurance Discounted Guest Tickets NEW! Bring- a-Friend Bonus 6-show subscriptions only)— 2 complimentary ticket vouchers to any 2019-2020 show, pending availability.

GROUP SALES Save at least 15% when you bring a group of 10 or more to a performance! Ticket prices vary based on group size, and performance date and time. We’re also delighted to offer dedicated matinees for seniors and students.

For more information or to book your group today, please email [email protected].

ABOVE: Rohina Malik in UNVEILED. Photo by Andrew Brilliant/Brilliant Pictures

2019-2020 season 9 meet the artists

JOEL COLODNER* Monday Night Football and co-written (Henry Kissinger) returns musical, The Foggiest Notion were produced to New Repertory Theatre by TWW. For several years, Russell served after performing inTwo Jews as the director of the French Language Walk Into a War…, Regular plays at the University of Utah, directing Singing, Freud’s Last Session, Indulgences, Three works by Molière, Lonesco, and Feydeau, Viewings, Imagining Madoff, and The Elephant among others. He studied under the aegis of Man. Regional credits include The Haunted Derek Walcott at Boston University/Boston Life, Native Gardens, A Christmas Carol, and Playwrights’ Theatre (BPT) which produced It’s a Wonderful Life at Merrimack Repertory The Case of the Blue Narcissus directed by Theater andOur Town at The Huntington Constantine Arvanitakis. His play Nixon’s Theatre. Originally from , he Nixon (initially workshopped at BPT) has now resides in Portsmouth, NH. enjoyed two off-Broadway productions and dozens of regional productions as well JEREMIAH KISSEL* as a world-wide tour and a production at (Richard Nixon) returns to the Harold Pinter Theatre in London’s New Rep after most recently West End. His play Monticel’, about the being seen in Two Jews Walk complicated relationships of Thomas Into a War…, Fiddler on Jefferson and the Hemings family, was the Roof, Imagining Madoff, and King of produced at BPT directed by Wesley Savick. Second Avenue. Kissel is a forty-year veteran Russell works writing interactive narratives of Boston’s professional theaters and has and was the creative director of The Dark played leading roles for Huntington Theatre Eye, an interactive adventure based on the Company, American Repertory Theater, tales of Edgar Allen Poe featuring the voice Merrimack Repertory Theatre, The Lyric of William S. Burroughs. Russell currently Stage Company of Boston, Shear Madness, lives in Montreal where he writes for the Commonwealth Shakespeare Company, and video game franchises Assassins Creed, Far various out of town companies when they have Cry, and Watchdogs. passed through Boston. Recent roles include Bernie Madoff at 59E59 in NY, Cyrano at ELAINE VAAN HOGUE (Director) Gloucester Stage Company, and Scrooge at returns to New Repertory Theatre after Central Square Theater. He is the winner of most recently directing Straight White Men, several IRNEs, as well as two Norton Best Oleanna, , The Amish Project, Actor Awards, most recently in 2014, and most Imagining Madoff(Elliot Norton nominee notably, the very first Norton Best Boston for Outstanding Production), and The Kite Actor Award in 1990. He is also the recipient Runner. In 2014 she co-curated the inaugural of the 2003 Norton Prize for Sustained Next Rep Black Box Festival. Regional Excellence. Screen credits include “The Town,” directing credits include The Tempest (Arts “The Fighter,” “Joy,” “Stronger,” “Body of After Hours);After Orlando--A Theatre Action Proof,” “The Wrong Car,” and “Castle Rock.” and A Disappearing Number (Central Square Theater);Metamorphosis (Boston Center RUSSELL LEES (Playwright) was a for American Performance); Walking the founding member of TheatreWorks/West Volcano (BCAP/BPT); Crave (Nora Theatre (TWW) in Salt Lake City where he was Company); Thin Air: Tales from a Revolution involved in producing, directing, and (UMKC); Infinity’s House (Majestic Theatre); performing for many seasons. His play Fen (New Theatre);Runaways , The Labyrinth

10 new repertory theatre of Desire, The Penelopiad, Execution of Justice, Poppea (New England Conservatory), and Lizzie Stranton, The Trestle at Pope Lick Creek, Ru Paul’s Drag Race Allstars Season 4. Sundra Angels in America and many others (Boston holds a degree from Massachusetts College University). As an actor she appeared in of Art and Design and teaches at the Boston the world premiere of Dark Room (Bridge Arts Academy and the Cambridge School of Repertory Theatre);Mrs. Packard (Bridge Weston. Originally from Hartford, CT, she Repertory Theatre/Playhouse Creatures); currently resides in Cambridge, MA. The Journey(BCAP/InMotion Theatre); Friends of Armenia (Faneuil Hall); The Road AJA JACKSON (Lighting Designer) to Mecca (BCAP); Creation: Mythic Weavings returns to New Repertory Theatre after most (Magdalena USA); and When Jennie Goes recently working on Becoming Dr. Ruth Marching (Olney Theatre Center). She is a and Straight White Men. Other regional fervent member of The Magdalena Project, credits include Photograph 51 (Nora Theater an international network of women in Company), The Black Odyssey (Central Square contemporary theatre and recently participated Theatre), Hear Word (American Repertory in her sixth Transit Festival at the Odin Teatret Theatre), Nat Turner in Jerusalem (Actors’ in Denmark. Upcoming projects include Shakespeare Project), Ragtime (Wheelock directing The Wedding Gift (Emerson Stage) Family Theatre), andBreath and Imagination and the premiere of Representation and How (Lyric Stage Company of Boston). Jackson To Get It in which she will play the visionary works as the Resident Lighting Designer an human rights activist, Julia Ward Howe. Ms. interdisciplinary movement company. She Vaan Hogue teaches in the School of Theatre at received her BFA from the Johnny Carson BU. Originally from Los Angeles, she resides in School of Theatre and Film, her MFA from Central Massachusetts. Boston University, and serves as a mentor at Brighter Boston. Originally from Omaha, AFSOON PAJOUFAR (Scenic Designer) Nebraska, she now resides in Brighton, MA. is a designer of stage and environment for theatre, opera, and performance. She is ELIZABETH CAHILL (Sound Designer) originally from Tehran, Iran. Her recent will make her New Repertory Theatre debut design credits include; Collective Noun at in this production of Nixon’s Nixon. Regional Paradise Factory, NYC, S.I.N.S.O.F.U.S at credits include The Wolves, Road Show, Camelot, Harvard University, The Lathe of Heaven Warrior Class (Lyric Stage), Small Mouth at -Boston, and Heartland Sounds, Men on Boats (SpeakEasy Stage), at New Repertory Theatre. Her design for Macbeth and Equivocation (Actors’ Shakespeare Cabaret was chosen for the 2019 American Project), Be More Chill, Cabaret, Tick Tick Boom Exhibition at the Prague Quadrennial (Baldwin Wallace University), Familiar (A.R .T. of Performance Design and Space. She Institute), Dark Room (Bridge Rep), The Earth currently resides in Brooklyn, NY. Room, Nomad Americána (Fresh Ink Theatre), www.afsoonpajoufar.com Photograph 51, The Revolutionists (The Nora), ‘Twas the Night Before Christmas, Alligator ZOE SUNDRA (Costume Designer) returns Road (Greater Boston Stage Company), The to New Repertory Theatre after most recently Hotel Nepenthe, and Hamlet (BrownBox working on 1776 as the Assistant Costume Theatre Project). Cahill holds a BFA in Theatre Designer. Regional costume design credits Design and Technology from Emerson College. include Ragtime, James and the Giant Peach, Originally from Northborough, MA, she and In the Heights (Wheelock Family Theatre), currently resides in Jamaica Plain, MA.

2019-2020 season 11 meet the artists continued

HEATHER RADOVICH* (Production ACTORS’ EQUITY Stage Manager) will make her New Repertory ASSOCIATION (AEA), Theatre debut with this production ofNixon’s founded in 1913, AEA represents Nixon. Regional credits include Pride & Prejudice (Actors’ Shakespeare Project), more than 51,000 actors and Elephant & Piggie ‘We Are in a Play’ stage managers in the United States. Equity (Wheelock Family Theatre),Power Play seeks to advance, promote and foster the art of (Shakespeare Now!), and stage manager for the 2018 season at Priscilla Beach Theatre. live theatre as an essential component of our Radovich holds an MFA in Stage Management society. Equity negotiates wages and working from the University of Nevada, Las Vegas and a conditions, providing a wide range of benefits, BA in Theatre Arts from Sonoma State University in Rohnert Park, California. including health and pension plans. AEA is a Originally from northern California, she now member of AFL-CIO, and is affiliated with FIA, resides in Jamaica Plain, MA. an international organization of performing

* Member of Actors’ Equity Association, the union of arts unions. The Equity emblem is our mark of professional Actors and Stage Managers in the United States FIORELLA’S TAKE~OUT CATERING MENU FIORELLA’S DINE~IN CATERING MENU ◊ excellence. actorsequity.org Half tray serves 8-10 | Full tray serves 15-20 Member of the Stage Directors and Choreographers Society

Half tray Full tray antipastiarancini 35 65 entréeschicken parmigiana with linguini 22 calamari 45 85 chicken basilico with penne pasta 23 FIORELLA’Scalzone TAKE~OUT platter –CATERING italian or MENUspinach 20 35 FIORELLA’Scheese ravioli DINE~IN with CATERING fiorella’s MENUsignature marinara sauce 20 Half tray servesfiorella 8-10 | ’ s Full signature tray serves 15-20garlic bread sticks 15 25 linguini with meatballs 20 toasted ravioli 35 65 eggplant parmigiana with linguini 21 caprese 40 75 baked gnocchi 22 Half tray Full tray baked haddock with rice & vegetables 24 antipastiarancini 35 65 entréeschickensalmon parmigiana romano with with linguinimashed potatoes & asparagus 22 28 calamari 45 85 Half tray Full tray chickenlemon basilico chicken with with penne penne pasta pasta 23 24 – inspiration from italy – calzone platterAddinsalata chicken – to italian any salad or spinach 20 1535 30 cheesechicken ravioli marsala with fiorella with penne’s signature pasta marinara sauce 20 24 hospitality from the heart fiorella’shouse signature salad garlic bread sticks 15 2525 45 linguinichicken with piccatameatballs with penne pasta 20 24 toasted raviolicaesar salad 35 2565 45 eggplantveal parmigiana parmigiana with linguini 21 26 caprese goat cheese & glazed walnut salad 40 3575 65 bakedshort gnocchi ribs with mashed potatoes & vegetables 22 30 baked haddock with rice & vegetables 24 salmonall romano dine~in with catering mashed entrées potatoes include & asparagus the following : 28 Half tray Full tray – inspiration from italy – Half tray Full tray lemonFiorella’s chicken signature with garlic penne bread sticks pasta with our signature marinara sauce 24 Addinsalata chicken toentréeschicken any salad parmigiana 15 4030 75 chickenSmall marsala house salad with penne pasta 24 hospitality from the heart house saladpenne bolognese 25 4045 75 chickenToasted piccata Ravioli with penne pasta 24 caesar saladshrimp scampi with linguini 25 6545 125 veal parmigiana with linguini 26 baked haddock 60 120 goat cheese & glazed walnut salad 35 65 short ribs with mashed potatoes & vegetables 30 meat lasagna 40 75 eggplant parmigiana 30 55 all dine~in catering entrées include the following: chicken gnocchi fra diavolo 60 115 dolcicannoli or tiramisu 4 Newton meatballs simmered in marinara sauce Half tray 35Full tray 65 Fiorella’s signature garlic bread sticks with our signature marinara sauce entréeschicken parmigianasausage with peppers & onions 40 4075 75 Small house salad 617.969.9990 penne bolognesechicken broccoli garlic ~wine 40 5075 95 Toasted Ravioli shrimp scampichicken with marsala linguini 65 55125 99 187 North Street, Newtonville | MA 02460 baked haddockchicken basilico 60 50120 95 barWe carry a wide selection of cocktails, beers and wines. 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For further Monday – Saturday 11:30am – 10pm chicken broccoli garlic~wine 50 95 information regarding our dine~in catering services please contact us. chicken marsala 55 Half tray99 Full tray Sunday 4pm – 9pm 187 North Street, Newtonville | MA 02460 chicken basilicosidesroasted vegetables 50 3095 55 barWe carryA a $ wide200 selectionnon~refundable of cocktails, deposit beers is required and wines. when A booking prosecco a room.toast is This available charge uponwill be request. applied to your lemon chickenoven roasted potatoes 55 3099 55 final bill. Pricing does not include tax or gratuity. All major credit cards are accepted. fiorellasnewton.com penne marinara 30 55 Prices are subject to change based on market value. We look forward to catering your next event and please visit our express locations cheese ravioli 40 75 making it a huge success! Brighton | Belmont | Cambridge baked gnocchi 45 Half tray85 Full tray dolcicannoli 40 75 fioropenellasexpress.com daily tiramisu 40 75 Fiorella’sinformation will customize a menu for your needs in order to make your event perfect. For further Monday – Saturday 11:30am – 10pm information regarding our dine~in catering services please contact us. Sunday 4pm – 9pm A 48 hour notice is preferred for take~out catering orders. Half tray Full tray sidesroasted vegetables 30 55 A $200 non~refundable deposit is required when booking a room. This charge will be applied to your oven roastedPrices dopotatoes not include tax. A 50% deposit is required on all orders over $20030 . The remaining55 balancefinal bill. PricingBefore does placing not includeyour order, tax pleaseor gratuity. inform yourAll majorserver creditif anyone cards in yourare accepted.party has a food allergy. will be charged upon pick~up of order. 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A 48 hour notice is preferred for take~out catering orders.

Prices do not include tax. A 50% deposit is required on all orders over $200. The remaining balance Before placing your order, please inform your server if anyone in your party has a food allergy. will be charged upon pick~up of order. Consuming raw or undercooked shellfish, poultry or meat may increase the risk of foodborne illness. still to come... TRAYF by LINDSAY JOELLE directed by CELINE ROSENTHAL featuring KIMBERLY GAUGHAN, NILE SCOTT HAWVER, DAVID PICARIELLO and BEN SWIMMER a new england premiere OCT 12-NOV 3/2019 MainStage Theater OLIVER! music and lyrics by LIONEL BART directed by MICHAEL J. BOBBITT featuring AUSTIN PENDLETON, BEN CHOI-HARRIS, SHANNON LEE JONES, LUIS NEGRÓN, and ANDY PAPAS NOV 29-DEC 29/2019 MainStage Theater

HAIR: THE AMERICAN TRIBAL LOVE-ROCK MUSICAL book and lyrics by GEROME RAGNI and JAMES RADO music by GALT MACDERMOT directed by RACHEL BERTONE featuring YEWANDE ODETOYINBO and ANTHONY PIRES JR. JAN 25-FEB 23/2020 MainStage Theater

LADY DAY AT EMERSON’S BAR AND GRILL by LANIE ROBERTSON directed by SUMMER L. WILLIAMS MAR 28-APR 19/2020 MainStage Theater

AUGUST WILSON’S FENCES by AUGUST WILSON directed by BENNY SATO AMBUSH featuring JOHNNY LEE DAVENPORT and MARC PIERRE APR 25-MAY 17/2020 MainStage Theater

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2019-2020 season 13 Room to Party. Room to Park.

From intimate dinners in our Wine Room to large celebrations in our Tavern Room, we have a venue for you! Easy access from Boston with a 150 car parking lot, The Stockyard is an unforgettable setting.

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14 new repertory theatre a bo u t new rep m is si o n New Repertory Theatre produces plays that speak powerfully to the vital ideas of our time. w h at w e d o:

Through the passion and electricity of live theater performed to the highest standards of excellence, New Rep seeks to spark community conversations on crucial contemporary issues. Our work expands and challenges the human spirit of both artists and audiences. We present world premieres, contemporary plays and classic works in several intimate settings. Our productions are designed to be accessible to all. We are committed to education and enrichment for learners of all ages, with a special dedication to the creation of innovative in-school programming and outreach to underserved audiences. We embrace theater as the basis for enduring connections with our community and as a springboard for meaningful civic engagement. New Rep is an active advocate for the arts and a major voice in the national dialogue defining the role of theater in our culture.

New Repertory Theatre is the award-winning, professional theatre company in residence at the Mosesian Center for the Arts in Watertown, MA. For over 30 years, New Rep has been a leader of self-produced theatre in greater Boston, producing contemporary and classic dramas, comedies, and musicals in both the 340-seat mainstage theater and the 90-seat BlackBox Theater. Annually, New Rep has served over 40,000 patrons, including 2,000 season subscribers. In addition to its season of productions, New Rep produces Next Voices, a program dedicated to developing new plays by our Next Voices Playwriting Fellows. Under its Lifelong Enrichment Arts Programs (LEAP), New Rep also produces its Classic Repertory Company, Page to Stage, Insider Experiences, and Spotlight Symposium Series.

New Repertory Theatre, Inc. is a not-for-profit theatre company operating under a New England Area Theatres (NEAT) contract with Actors’ Equity Association and Stage Directors and Choreographers Society. New Repertory Theatre is a member of Theatre Communications Group, a national service organization for non-profit professional theaters; StageSource, the Alliance of Theatre Artists and Producers; ArtsBoston; the Producer’s Association of New England Area Theatres (NEAT); New England Theatre Conference; VSA Arts-Massachusetts, a service and support organization promoting accessibility; Theatre Arts Marketing Alliance (TAMA); Boston Arts Marketing Alliance (BAMA); National New Play Network (NNPN); and Massachusetts Advocates for the Arts, Sciences and Humanities.

2019-2020 season 15 a bo u t new rep continued

BOARD OF DIRECTORS

CHAIR Jo Trompet TREASURER Christopher Flynn CLERK Ruth Budd Lillian Sober Ain, Donald Giller, Miriam Gillitt, David Kluchman, Shari Malyn, Matt McGuirk, Anita Meiklejohn, Laurie H. Nash, Danielle Naugler, A.W. (Chip) Phinney III, Pamela Taylor

ADVISORY COUNCIL Andrew Brilliant, Gregory E. Bulger, Judi Cantor, Marcy Crary, Diane DiCarlo, Richard Dix, Jane Feigenson, Carol Fischman, C. Nancy Fisher, Ralph Fuccillo, Joan Gallos Jonathan Garlick, Virginia Inglis, Farida Kathawalla, B.J. Krintzman, Ted Kurland Paul Levine, Wendy Liebow, Michael McCay, Chris Meyer, Fred Miller, Peter Nessen, Daniel S. Newton, Carlos Ridruejo, Mary Rivet, Dan Salera, Phyllis Strimling

ARTISTIC AND PRODUCTION ADMINISTRATION ARTISTIC DIRECTOR Michael J. Bobbitt MANAGING DIRECTOR Harriet Sheets PRODUCTION MANAGER Hannah Huling ARTISTIC & EDUCATION ASSOCIATE Sarah Morrisette DEVELOPMENT DEVELOPMENT MANAGER Ari Herbstman PATRON SERVICES DEVELOPMENT ASSOCIATE Robbie Flanagan PATRON SERVICES MANAGER Angelica Potter GRANT WRITER PATRON SERVICES ASSOCIATE Sarah Vandewalle Mark W. Soucy, Robbie Flanagan HOUSE MANAGERS Becca Freifeld, Coriana Hunt Swartz, MARKETING Hazel Radvansky COMMUNICATIONS DIRECTOR Jaclyn Dentino MARKETING & BOX OFFICE ASSOCIATE Nada Shaaban LEGAL COUNSELOR Stanley B. Kay Jay Finkelstien of DLA Piper GRAPHIC DESIGN Carlos Ridruejo|caridossa. PHOTOGRAPHERS Andew Brilliant / Brilliant Pictures, ACCOUNTANT Eliott Morra, CPA Christopher McKenzie

IT SUPPORT Mark W. Soucy, Northlight IT

CLASSIC REPERTORY COMPANY DIRECTOR Leila Ghaemi COMPANY Isaiah Michael Grace, Alex Hanscom, Courtney Plati, Jamie Semel, Shanelle Villegas, Issy Zoppo

16 new repertory theatre n e w r ep donors & partners

New Repertory Theatre would like to thank all of our generous donors. The philanthropic contributions of the following individuals, foundations, corporations, and government agencies make possible all the art we produce. For more information, or to become a New Rep donor, please contact Ari Herbstman at 617-923-7060, x.8210, or [email protected]. co r p o r at e partnership pr o gr a m

SEASON SPONSORS

The following list represents in-kind contributions and cash gifts made between 2/1/2018 and 8/21/2019.

CORPORATE DONORS Framingham Cultural Council Residence Inn by Marriott – Amazon.com The Fuller Foundation Boston/Watertown Andover Cultural Council GHR Foundation Saugus Cultural Council The Arsenal Project Google Seasoned with Soul Artemis Yoga Granby Cultural Council Sensational Foods ArtsBoston Gregory E. Bulger Foundation Shrewsbury Cultural Council AT&T Hammond Real Estate The Shubert Foundation Athenahealth Hudson Cultural Council Sensational Foods Big-Picture Framing Hull Cultural Council Spindler Confections Blue Cross/Blue Shield IBM Matching Gifts Program Sotheby’s Realty Boston University igive.com The Spirited Gourmet Boxford Cultural Council Irving House Stanley B. Kay Brilliant Pictures, Ltd. J. Stallone Realty Group Stockyard Broadway in Boston Keller Williams Realty Sudbury Cultural Council Brookline Commission for the Arts Lawrence & Lillian Solomon Town of Sudbury Burlington Cultural Council Fund The Village Bank City of Cambridge Legit Band Vantage Graphics Cambridge Arts Council Marcus-Ekstrom Family Fund City of Waltham Cambridge Cultural Council Marlborough Cultural Council Waltham Cultural Council Capaldi Limited Partnership The Marshall Home Fund Town of Watertown Caridossa Mass Humanities Watertown Community Carver Cultural Council MASSCreative Foundation Catering with Distinction Massachusetts Cultural Council Watertown Commission on Commander’s Mansion Massachusetts General Hospital Disability Dedham Cultural Council Milford Cultural Council Watertown Cultural Council Donald Fulton Fidelity Charitably National Endowment for the Arts Watertown Savings Bank Trust National New Play Network, Ltd. Westford Cultural Council Eastern Bank Charitable North Light IT WGBH Foundation Partners Healthcare The William H. Harris Esther B. Kahn Foundation Premier Bartending & Beverage Foundation Fastachi Service Fiorella’s Cucina Regina Pizzeria Allston Foundation for MetroWest Roy A. Hunt Foundation

2019-2020 season 17 i n d i v i d ua l d o n o r s

Thank you to all of our individual contributors! Gifts of $100 and up to New Repertory Theatre, received and recorded between 2/1/2018 and 8/21/2019. We apologize if we inadvertently omitted or misspelled your name. Please contact our development office at 617-923-7060, x.8210 or [email protected] with corrections.

Visionary John Goodman & Virginia Jordan Sallie Craig & Douglas Huber $25,000 and up Shoshana Gourdin & John Wedoff Amanda Davenport Lillian Sober Ain Elizabeth Grady & Duncan Jeff Eisen Marcy Crary and Tim Hall Spelman Lee & Inge Thorn Engler Joy & A.W. (Chip) Phinney Garth & Lindsay Greimann Harold & Susan Farkas Anita Meiklejohn & Vincent Michael & Sharon L. Haselkorn Chris Farrow-Noble Piccirilli John & Shelia Hicinbothem Carol & Mitchell Fischman Abby Johnson & Chris McKown Harold & Carol Forbes Producer James Kamitses Lauren & Jonathan Garlick $10,000-$24,999 Farida Kathawalla Ernestine Gianelly Holly Crary George Kinder & Kathy Lubar Ellen Golde Jonathan Harris Edgar A. Knudson & Louis P.Mula Rona Hamada William & Helen Pounds Wendy Liebow & Scott Burson Carolyn Hebsgaard Wendy & Robert MacDonald Virginia Inglis Sponsor Larry Manchester & Kathleen Ann & Ted Kurland $5,000-$9,999 O’Connor Susie & Chuck Longfield Anonymous Joan S. Mathews Robert Mashal & Shawna Kyle Levesque Jan & Charlie McNamara Giggey-Mashal Jane Capaldi In memory of MMK John Neale Delia Flynn Evan Miller Leslie Nelken Christopher Flynn & Daniel Neal & Lynne Miller Jan Perry & Paul Landrey Newton Dorothy Mohr Barbara Poplack Harriet Sheets & Dave Brown Timothy and Deborah Moore Deborah Raptopoulos Jo Trompet Laurie Nash Patricia Robinson & Henry Finch Paul Walsh Danielle Naugler Elissa Rogovin Jerry Olderman Ann Ross Director Nancy S. Raphael Linda Roth $1,000-$4,999 R. Lynn Rardin & Lynne A. Chuck Schwager Anonymous O’Connell Stephen & Peg Senturia Shari Malyn & Jon Abbott Chris Meyer & Mary Rivet Peter Smith & Donna Coletti Cindy Aber Glenn Rosen & Ann Dannenberg Phyllis Strimling Mark & Carolyn Ain Donald & Abby Rosenfeld Herman & Joan Suit Betsey Ansin Lora Sabin & Jonathan Hecht Judith A. Thomson Mary & John Antes Maria E. Saiz & Athelia A. Tilson Evelyn & Joel Umlas David & Sandy Bakalar Lisa & Stephen Shapiro Denise Wernikoff Helen Bakeman Nancy Stavis Nancy Winsten, Barbara Hughey Emily Barclay & John Hawes Daniel MacLean Wagner & Marion Gross Henry & Sue Bass Jean Walsh & Graham Davies Lisa & Stephen Breit Barbara Wands Cameo Michael Broad & Grace Massey Robert A Kelly $250-$499 Ruth Budd & John Ehrenfeld Arlene Weintraub Anonymous Gregory Bulger & Richard Dix Deb Antonelli Ann S. Buxbaum Ingénue Janet Bailey Judi Taylor Cantor $500-$999 David Baxter & Anne H. Michael & Beth Davis Anonymous Anderson Laura & Michael Dreese Nancy Beckman & Theodore Robert Berk Lee & Amy Ellsworth Postol Stuart Bernstein C. Nancy Fisher John & Kathleen Bradley Paul & Linda Bicknell Annette Furst & Jim Miller Francine Brasseur Donald & Ellen Bloch Joan Gallos & Lee Bolman Bill & Maria Brisk Ellen and Donald Bloch Erika Geetter & David Siegel Jane & Christopher Carlson Doreen Beinart & Robert Brustein Don & Pam Giller Nancy & Steve Clayman Cameron Burnham

18 new repertory theatre Renee Burns Susan Stott Gita & David Foster Ronald & Elizabeth Campbell Emily Smith-Sturr & Ted Sturr Nancy H. & Richard Fryberger Tayler Capaldi Paula Thier Margaretta Lyon Fulton Judith Chasin Curt & Rachel Van Emon Frank V. Gages Anna Clark Richard Walker Nancy Galluccio Lisa Danielsen Barnet & Sandra Weinstein Anita B. Garlick Lloyd David Curtis Whitney Sharon & Irving Gates Eric & Pam Diamond Jane & Larry Wilcox Charles Gazarian Paolo & Johanna DiFabio Michael Wood Judith Gentile Mary Dill Julianne Yazbek Susan Getman Vesna & Bill Dimitrijevic Walter Gilbert Owen Doyle Patron Miriam Gillitt Priscilla Cogan & CW Duncan $100-$249 Joseph Gimball & Joanna Strobel Glenn Edelson Anonymous Herbert Gish & Alfreda Piecuch Kenneth Elmore Joel & Robin Abrams Nyla Gislason Barbara Epstein & Scott Hebert Josh & Rachelle Ain Georgia Glick Glenda & Bob Fishman Colin & Melody Anderson Phillip Glynn Richard & Katherine Floyd Arthur Anderson & Sharon Marjorie Goode Ralph Fuccillo & Paul Newman Sisskind Mark & Janet Gottesman Ellen Glanz & Richard Berger Judith Becker Alan & Sandy Greenwald Donald Goldstein Eva Benda Tod & Jacqui Gross Kiki & Jim Gross Pamela Berger Jay Hanflig Christina & Chip Hall Barry Berman Ilana Hardesty & John Emery Scotty Hart Mary Bezjak Richard Harriman Edward P & Pamela M Hoffer Priscilla Biondi Dale Hartling Doreen Hogle Hellen Braun Peter Haydu & Dona Sommers Henry & Martha Jacoby Dr. Patricia Bresky Ann R. & Philip B. Heymann Paul Koch & Patti Marcus Tamar Brown Carole Hirsch Martin & Phyllis J Kornguth Michelle Brownlee Philip Horwitz Allen & Jeanne Krieger Judi Burten & Kevin Soll Elisabeth Howe Ksenia Lanin Yasmin Causer Jean Humez Leonard & Ruthann Laster Judith Chaffee Theodore & Martha Izzi Jillian Levine Beverly Char Richard & Ilene Jacobs Sigi & Steve Lindo Karen B Chieffo Mitchell Jacobs Julianne Lindsay & Richard Maureen Coffin Carol J. Jensen & Steven P. O’Connor Jacqueline Colby Willner Lisa M. & Melissa L. Caten Roxann Cooke Frederic Johnson Joanne Manning Donald Coppock Holly Kahn Patricia Meaney James W. & Linda Crawford Susan S. Kaplan Thomas Melone Bonnie Creinin Ellen Kazin Rick & Lynne Montross Harold Crowley Carolyn Keller Danielle Murstein & Benjamin Virginia Danielson & James Toth William & Rheta C. Keylor Wolozin Jeff & Chris DaRocha-Boyle Richard & Ronnie Klein Linda & Barry Nelson Barry David David & Chris Kluchman Robert & Pamela Norton Frances Davis Kate Haigney Krims Jackie & Bob Pascucci Mimi de Quesada Jeanette Kruger Reggie Pearse Alexis Dearborn David Lane Ellen Perrin Alison Dick Richard & Irene Laursen Anne Marie Plasse Karen DiGiovanni Barbara Lazaris David & Donna Podolsky Arthur & Nicky Dimattia Donald Levine Victor Polk Milton & Frances Dines Carolyn Libby Neva Reiner Glenn Dodge James Liddell Ulrike & Peter Rettig J. Patrick & Susanne Dowdall Cheryl Lindsay Jack Rich Janet & Dan Dubner Marcia Marlow Sharon Rich & Nancy Reed Kathleen Engel & Jim Rebitzer Alisa Marshall & David Kovacs Kristen Rupert Juan & Mary Enriquez Charlo Maurer Serge and Tanya Savard Janet & Mark Fagan Jack & Catherine McCarthy Daniel Sheingold Emanuel Farley Monique McIntyre & Gregory Brown Diane Shufro Ellen Farwell Jerome Medalie & Beth Lowd Susan Skelley & Daniel B. Green Pauline Fennel Harris Miller Ruth Spack Carol A. Flynn & Anna Yoder Roberta Miller & Alan Medville Nancy Stauffer & Jeffrey Hughes James Foley Lindsay M. Miller & Peter W. Ambler

2019-2020 season 19 i n d i v i d ua l d o n o r s continued

Michael Moran Brenda Reed Denise Takvorian Edmond Murad Alice Ain Rich Stacie Simon & Hal Tepfer Eileen Murray Carlos & Alisa Ridruejo Martin & Carol Thrope Jennifer Neely Peter & Sandra Roby Cristina Todesco Steve & Judi Nichols Adam Rosen Mark & Janis Urbanek Steve & Peg Ober Robert & Pauline Rothenberg Darshna Varia Sean O’Brien Jennifer Saal Vicki Vogt Joan OHalloran Rhoda & Stanley Sakowitz Ted & Kathy Wade Jim OHare Mary Scanlon & Victor Calcaterra Kristin Wainwright Alissa Onigman Nancy Schon Timothy Walsh Anne O’Sullivan Liliane Schor David Warnock Linda Palange Charlotte Seeley Samuel Warton Lowell Partridge Anne & Robert Selman Bonnie Waters Paras Patel Robert Shapiro Deborah & Scott Weiss Melissa Payne Robert & Laurie Shea Katherine Whidden & Brian Dara & Martin Perfit Joseph Shrand Hickey Burt & Roberta Perlmutter Rita & Harvey Simon David & Sharon White Deborah Peterson, Susan Falkoff, Carole Slattery Alan & Sandra Wiener & Janet Jameson Shelby Smither Walter & Margo Williams Dr. Ian C. Pilarczyk Bonnie Clendenning Snyder Robert Willis Brad Peloquin & Jeff Poulos Steven Solomon Evelyn Wolfson Thomas & Elena Powers Marvin Sparrow Sara Wyse-Wenger Bruce Price Elizabeth Starr Leon Yankwich Charles & Frances Przyjemski Martha Stearns Robert Zaret & Jean Holmblad Sally Quinn Bobbie & Bob Steinbach Ralph & Helen Zelinsky Eva & Alan Radding Lance Stockwell Geraldine Zetzel Iftekhar Rahman Alan Strauss Kenneth Ziebell Katharine & William Reardon Eileen Sviokla Michael Zimmer Robert & Wendy Reasenberg Paul A. Syrakos

20 new repertory theatre “SWEET, MELODIC, FUNNY, AND ... TASTY!” – LA TIMES AUG 30 - OCT 6

BOOK & LYRICS BY HOWARD ASHMAN M U S I C B Y ALAN MENKEN KATRINA Z PAVAO & DAN PRIOR

DIRECTED & NILE SCOTT STUDIOS CHOREOGRAPHED BY

BASED ON THE FILM RACHEL BERTONE BY ROGER CORMAN, MUSIC DIRECTOR, SCREENPLAY BY CHARLES GRIFFITH DAN RODRIGUEZ

2019 Tony Award Nominee for Best Play!

SPEAKEASYSTAGE.COM @speakeasystage

2019-2020 season 21 au d i en c e information

Large Print

BOX OFFICE INFORMATION The New Rep Box Office is open Tuesday - Saturday from noon until 5pm. On performance days, the window opens 2 hours prior to curtain and stays open until fifteen minutes after the last performance begins. For the most up to date hours, please visit newrep.org or call the Box Office at 617-923-8487.

ACCESSIBILITY Patrons requiring accessible seating should inform the Box Office staff when ordering tickets. The building is equipped with wheelchair-accessible restrooms on each floor. The MainStage theater is equipped with a Tele-Coil Loop System. Patrons with hearing aids and cochlear implants can set their devices to “T-Coil” to take advantage of the assistive listening system. Patrons wishing for assistive listening devices may pick up a headset from the Box Office upon arrival at the theater. Patrons wishing to use large-print or Braille programs can pick one up from the Box Office upon arrival. Patrons who will be bringing guide dogs to the theater should advise the Box Office staff when ordering tickets.

PARKING There is a free parking garage on the Arsenal campus, directly across from the Mosesian Center. The parking garage has handicap accessible parking and an elevator on each level. Please do not park in “15 minute” or “30 minute” spaces, or any space designated for a particular company when attending a performance.

CHILDREN Babes-in-arms are not permitted in the theater during performances. New Rep encourages the introduction of young audiences to the theatre. Children under 14 years of age are required to have a parent or guardian present with them in the theater during the performance. Some shows may contain strong language and/or mature themes; patrons may request additional information when purchasing tickets.

PHOTOGRAPHY & RECORDING All photography, videotaping, and audio recording are strictly prohibited inside the theater.

LATECOMERS All latecomers will be seated at the discretion of management in the most accessible seats, in order to minimize distractions.

There’s still time to subscribe! Packages from 3-6 shows start at just $162. Visit www.newrep.org or call (617)-923-8487 for more info.

22 new repertory theatre 2019-2020 season 23 24 new repertory theatre 2019-2020 season 25 classic repertory company TOURING FALL/2019 & SPRING/2020

To learn more, call 617-923-7060 x8207 or email [email protected]

26 new repertory theatre peterfuller.com | 617-924-1747 20 Coolidge Ave, Watertown 02472

2019-2020 season 27 TEAMWORK... IN THEATRE AND REAL ESTATE.

Introducing the BRILLIANT PLACES Real Estate Team

Your Agents: Your Attorney: Your Lender: Andrew Brilliant Law Offices of Andrew Marquis Carol Palmer Brilliant Barbara P. Lazaris Guaranteed Rate 617.694.9759 617.523.8869 781.897.5213

673 Centre Street Jamaica Plain, MA 02130 617.522.2200 | unlimitedsir.com

Sotheby’s International Realty and the Sotheby’s International Realty logo are registered service marks used with permission. Each Office Is Independently Owned And Operated. If your property is listed with a real estate broker, please disregard. It is not our intention to solicit the offerings of other real estate brokers. We are happy to work with them and cooperate fully. New Repertory Theatre’s Production of Amadeus 2012-2013, Photo by Andrew Brilliant.

28 new repertory theatre