Extreme Close-Up Photography and Focus Stacking Free

FREE EXTREME CLOSE-UP PHOTOGRAPHY AND FOCUS STACKING PDF

I used a phone and a macro lens to get these great close-up shots of insects and plants. Here are some tips on how to do the same whether you use an iPhone or an Android phone. Close-up photos are popular especially for nature photography, because they can capture details of insects, flowers and more with incredible clarity. And you can achieve this effect even with your phone camera. Macro photography can make even tiny subjects like garden insects or flower petals look huge on screen or print, and you'll be amazed at how different such otherwise mundane things look when viewed so close. Note that while I'm using a Galaxy S10 Plus to take the images you see in this article, most of these tips will apply to any phone, whether you're shooting on Android or iPhone. The only thing you need to add to your phone to take macro shots is a macro lens. I use Moment's macro lens, which attaches to a dedicated Moment phone case. Moment's lenses are on the pricey side, but they're made from high-quality glass and are among the best quality around. You can also find clip-on macro lenses from companies like Olloclip Olloclip's clip system lets you attach lenses to almost any phone. There are a variety available on Amazon for much less, although I can't speak for the quality. Crucial to everything is finding a subject that works well in macro. Evidently, you need to think small. Really small. The natural world is full of possibilities -- just search "macro photography" in Google and the image results are dominated by pictures of insects and plant life. The great thing is, trying to find this sort of wildlife to photograph doesn't mean hopping on a plane to a remote nature reserve. Your garden Extreme Close-Up Photography and Focus Stacking a nearby park will likely be teeming with subject matter. But finding it can be more difficult. My tip is to Extreme Close-Up Photography and Focus Stacking attention to small sections of plants or bushes, looking out for any minibeasts that may be clinging to stalks or hiding under leaves. It can be time consuming, but once you get the hang Extreme Close-Up Photography and Focus Stacking how to find them and where they're more likely to be, it becomes easier. Remember though, this is their home. So don't break plants or pull leaves off just to get better shots. Getting a cool picture is not an excuse for destroying a habitat. If insects aren't your thing, have a scan for interesting flowers, leaves, rocks, loose feathers or other natural items that might look totally different up close. Even textures on clothing, food or skin can look interesting when magnified in an image. It doesn't have to be insects -- keep your eye out for any interesting small details that could make for a great macro shot. I almost always shoot in manual mode on my phone when I'm taking artistic images because I have so much more control over how the finished image looks. I also make sure I'm shooting in raw format, which gives me greater control over white balance and colors after I capture a photo and begin editing. In most Android phones -- including the latest Galaxy S10 Plus -- you'll find Pro manual mode as an option in the standard camera app. When I'm not shooting in manual, I sometimes shoot in the camera's standard mode. The main reason is because it enables me to use burst mode, which takes multiple photos in quick succession by simply pressing and holding on the shutter button. If an insect is in an awkward position, or is moving around, I've found that keeping my finger on the shutter button, firing off tens of photos a second is the best way to capture a good shot. The wind kept moving the bug on this leaf in and out of focus, but by shooting in burst mode, I was able to keep firing and choose the best shot afterward. By doing that, I keep the subject roughly in view while moving the lens in and out slightly. Hopefully, one of the 70 or so images will be nice and sharp. Most manual modes won't let Extreme Close-Up Photography and Focus Stacking use burst mode. As a workaround in manual mode, I tap as quickly as I can on the shutter button to take more images, thereby increasing the chances that at least one of them will look good. With that method I can shoot upward of 30 individual images of each subject, with maybe only one of them being any good. It's a hit or miss technique, but the hits are worth the effort! Ensuring your subject is in focus is the trickiest part of the whole task. Professional macro photographers will often use a technique called focus stacking, whereby multiple images at different focus points are combined in post to achieve a fully in-focus subject. That's difficult Extreme Close-Up Photography and Focus Stacking achieve in the field as it requires the subject to remain completely still while the photos are being taken. It's why, sadly, some macro photographers use dead insects in their work, or ones that have been kept in a fridge to slow their movements and subsequently shoot in a controlled studio. The Moment macro lens I use gives a brilliant close-up view on an insect, but it also has an extremely narrow plane of focus -- meaning that only a slim sliver of the scene is sharp. Focusing on an insect's eye, for example, will likely mean its body will fall out of focus. While that means it's challenging to get a crisp shot, your background will also be attractively blurry, and you don't need to worry quite as much about distracting elements behind your subject. The technique I used Extreme Close-Up Photography and Focus Stacking for this piece involved shooting in the S10 Plus's manual mode, with manual focus set to its closest focusing point. Afterward, I steadily moved the camera toward the subject until just the part I wanted to look sharp came into focus, and then I took the picture. At that level of magnification, even a tiny shake will throw everything off focus, so it takes a steady hand. As with any sort Extreme Close-Up Photography and Focus Stacking photography, macro photography relies on great light falling on your subject. But getting that lighting in the right places is tricky. I shot many macro images under the midday sun as the bright light helped bring out the colors of the insects. It also allowed the phone to use the lowest ISO speed possible resulting in less image noise and the fastest shutter speed for sharper images. Extreme Close-Up Photography and Focus Stacking trying to find tiny insects in the foliage means you may well be hunting under bushes Extreme Close-Up Photography and Focus Stacking in forested areas where natural light may be scarce. Another issue is that you might block out the sunlight with your phone, since you'll need to get extremely close to your subject and the best angle may involve casting a shadow. The latter issue could be helped by simply trying different angles, but I also had great success with bringing in my own lighting. It's powerful enough to add a good amount of light onto your subject and its handheld size means you can easily move it around to put Extreme Close-Up Photography and Focus Stacking light in the most flattering angle. I also use the more recent Rotolight Neo II, which has a much higher light output, making it better for lighting macro subjects in daylight. Editing your Extreme Close-Up Photography and Focus Stacking is a great way of taking a simple picture and turning it into a truly artistic piece of work. Typically I adjust the white balance to get a natural and accurate look to the color and it's even easier if you've shot in raw. Then I play with the exposure to make sure the highlights aren't too overpowering and that detail hasn't been lost in the dark shadows. A simple crop, exposure balance and some selective brightening on the fly has really made this image pop. I then edit based purely on what I think looks good. I may use an adjustment brush to "paint" more light into the subject to help it stand out, and use a vignette to darken the edges of the frame, thereby drawing the Extreme Close-Up Photography and Focus Stacking more toward the subject in the middle. With nature and wildlife, I want to make sure I'm keeping the subject as natural as possible -- I like to enhance the scene, but not alter it -- so I avoid dramatically changing colors, or using strong filters. There's no right or wrong way to edit, so settle back with a cup of tea and enjoy tweaking those sliders to see what you can achieve with your newly captured set of captivating macro photos. Be respectful, keep it civil and stay on topic. We delete comments that violate our policywhich we encourage you to read. Discussion threads can be closed at any time at our discretion. Don't show this again. Andrew Hoyle. Best of all, you don't need much equipment or have to leave your backyard to get started. Get a macro lens for your phone The only thing you need to add to your phone to take Extreme Close-Up Photography and Focus Stacking shots is a macro lens. Moment's macro lens produces beautiful results. Find your subject: Insects and flowers work best Crucial to everything is finding a subject that works well in macro. Finding this tiny little spider was easy -- it came to me! Shoot in manual mode I almost always shoot in manual mode on my phone when I'm taking artistic images because I have so much more control over how the finished image looks. Use burst shooting When I'm not shooting in manual, Extreme Close-Up Photography and Focus Stacking sometimes shoot in the camera's standard mode. Get the focus right, even without focus stacking Ensuring your subject is in focus is the trickiest part of the whole task. Getting the focus right on this fly's eye wasn't easy. Bring in some extra lighting As with any sort of photography, macro photography relies on great light falling on your subject. Edit for impact Editing your image is a great way of taking a simple picture and turning it into a truly artistic piece of work. Galaxy S10 Plus: The cameras battle Focus Stacking for Landscape Photography - Joshua Snow Photography

British Wildlife is the leading natural history magazine in the UK, providing essential reading for both enthusiast and professional naturalists and wildlife conservationists. Published eight times a year, British Wildlife bridges the gap between popular writing and scientific literature through a combination of long-form articles, regular columns and reports, book reviews and letters. Professioneller Kundenservice Hilfe und Expertise. This practical book explains what is meant by macro photography and how to get even closer to your subject: not just a close-up of a butterfly, but details of the eye and wing scales. Extreme Close-Up Photography and Focus Stacking includes techniques suited to any budget, and looks at ways to photograph virtually any creature, whether Extreme Close-Up Photography and Focus Stacking, marine or freshwater. All the key elements to achieve extreme close-ups are built in a clear way, for both outdoor and studio use, and special attention is given to focus stacking, with both software and further enhancements covered. Julian Cremona is a naturalist, photographer, teacher and explorer. Deutsch English. Prothero Michael J. Benton Richard Fortey View All. British Wildlife. Weiter zu British Wildlife. Conservation Land Management. Weiter zu Conservation Land Management. By: Julian Cremona Author. Publisher: Crowood Press. Click to have a closer look. About this book Customer reviews Biography Related titles Recommended titles. Images Additional images. About this book This practical book explains what is meant by macro photography and how Extreme Close-Up Photography and Focus Stacking get even closer to your subject: not just a close-up of a butterfly, but details of the eye and wing scales. Customer Reviews Extreme Close-Up Photography and Focus Stacking this book. Recommended Reading. Current promotions. Mastering Bird Photography. More Info. Wildlife Photography in Botswana. Photographing Wildlife in the UK. Camera Trapping for Wildlife Research. Photographing Birds. The Traveling Nature Photographer. Photographing Birds Of Prey. Beyond Extreme Close-Up Photography. Mastering Macro Photography. Other titles from Crowood Press. Drawing and Painting Insects. Woodland Management. The Palaeoartist's Handbook. Insect Microscopy. Cacti and Succulents. Exotic Gardening. Botanical Painting with Watercolour. A Gardener's Guide to Snowdrops. Botanical Illustration. Browse titles from Crowood Press. Register No. Willkommen bei. Bestellen Sie jetzt in Euro auf nhbs. Continue to browse in english. Helicon Focus - Articles - Helicon Soft

Elements of Design. Principles of Design. Text Effects PS. Parts of the Camera. Camera Basics Lesson 1: Patterns and Repetition. Lesson 2: Rule of Thirds. Lesson 3: Leading Lines. Lesson 4: Frame Within a Frame. Lesson 5: Filling the Frame. Lesson 6: Shallow Depth of Field. Project: Portfolio 24 Images. Portfolio: Creating Your Video. Project 3: Toy Shoot. Depth of Field. Shutter Speed. Shutter Speed Challenge. Manual Mode. White Balance. Light Photography. Vertical Portraits. Bad, Better, Best Composition. Object Study Grid. Alphabet in Nature. Triptych Photography. Multiple Perspectives Joiners. Forced Perspective. Colour Replacement. Hair Colour Replacement. Portrait Re-touching. Splash of Colour. Animated GIFs. Silhouette Photoshop. Photoshop Composite - Tutorial. Final Project - Photoshop Composite. Photography Review. Photoshop Review. One-Word Photographs. Stop-Motion Music Video. Background Compression. Wide Angle. Portrait Lens 1 Extreme DoF. Portrait Lens 2 Portraiture. Tilt-Shift Miniature Fakes. Extreme Close-Up Photography and Focus Stacking Glass. Water Droplet Refraction. Colour Space Research. Projection Portraits. Additive Extreme Close-Up Photography and Focus Stacking Subtractive Colour. Custom White Balance. Colour Cast Correction. LAB Colour Space. Colour Grid. Close-up Filters Shoot. Extension Tubes Shoot. Reverse Lens Shoot. Sigma Lens Shoot. Distressed Photo. Face Paint Displacement. Dispersion Effect. Double Exposure. Comic Book Effect. Risks and Hazards. Timelapse Photography. Starburst Photography. Advanced HDR. The Great Outdoors! Off-Camera Flash. Inverse Square Law. Fill Flash. Basic Light Patterns. Speedlight External Flash. Portable Studio Speedlight. Rear-Curtain Sync. Desolate Landscapes. Split Toning. Selective Colour. Staple City. Focus Stacking Advanced Macro. Studio Portrait Portfolio. Light Painting. Ethics and Copyright for Photographers. Famous Photographers. InDesign Newsletter Tutorial. Service Photography Task. Hand in Projects via Website. Setting ISO. Keyboard Shortcuts in Photoshop. Cropping in Photoshop. Introduction to Lightroom. Mobile Extreme Close-Up Photography and Focus Stacking. Photo Contest: WPO. The only trick is that your kit lens is designed to have its aperture controlled by the camera and not manually, so there is a small hack involved. You need to wedge a small piece of folded paper into the slot on the back of the lens so that the aperture lever remains open picture in centre. Some websites advocate using sticky tack, but that doesn't hold as well. If you want to adjust your aperture and not just have it wide open, you'd have to cram a slightly smaller piece of paper in. If you leave the lens in manual focus and extend it to 55mm careful to to twist the zoom Extreme Close-Up Photography and Focus Stacking much that the reverse ring starts to unscrewyou'll Extreme Close-Up Photography and Focus Stacking a very powerful level of magnification. You also will receive no aperture feedback on the camera and will have to "chimp" i. One of the drawbacks of shooting macro is that depth of field is shrunk considerably, no matter what aperture you use.