National Marketplace
Executive Summary for Radio Research Consortium February 2014
Research Triangle Park, North Carolina National Classical Plan DeveloperSM April 2014
EXECUTIVE SUMMARY AND CONCLUSIONS
This section contains the key findings of the Plan DeveloperSM study completed for participating public Classical stations through the Radio Research Consortium. The section that follows this one, entitled “The Plan,” contains Coleman Insights’ recommendations based on these findings.
HEALTHY DEMAND FOR CLASSICAL EXTENDS TO YOUNGER AND ETHNIC CONSUMERS
By all accounts, interest in Classical music appears to be healthy among 30- to 64-year-olds in the 40 markets covered in this study. Among the roughly half of the study that was completed online, 16% of those attempting to take the study qualified by indicating that they are in the Weekly Cume audience of their local, public FM Classical station and/or rated “Classical music from composers such as Mozart, Bach and Beethoven” with a “4” or a “5” on a one-to-five scale. While it is unrealistic to conclude that all of those qualifying for the study are likely candidates for listening to public Classical radio, the fact that this figure is so much higher than the Nielsen Audio Cume Rating of every station participating in this study suggests that there is considerable upside for the format.
Even more encouraging is that the rates of qualification for the study were generally higher among younger listeners and ethnic listeners. In fact, listeners in their 30s qualified for the online study at twice the rate of listeners in their 50s.
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SLIGHT PEAKS FOR CLASSICAL MUSIC CONSUMPTION IN MIDDAYS, MORNINGS AND WEEKENDS AMONG MAJOR CLASSICAL MUSIC USAGE FINDINGS
At 21%, weekends are when consumers are most likely to say they “frequently” listen to Classical music, followed closely by weekday mornings and weekday middays at 20%. Seventeen percent (17%) of the consumers in our study say they “frequently” listen to Classical music on weekday afternoons, with fewer—at 14% and 13%, respectively, saying they do so at work and on weekday afternoons.
When we consider how many consumers indicate that they “occasionally” listen to Classical music by daypart, weekends and middays pull away from the other times to some extent. Listening to Classical music at work looks especially weak by this measure; in fact, more than half—52%—of the consumers in this study say they “never” listen to Classical music at work.
Among those who frequently listen to Classical music in each of these dayparts, local FM radio and personal collections finish as the top two sources in every case. Radio edges out personal collections in mornings, middays and at work, while personal collections are slightly more likely to be used frequently among frequent afternoon, evening and weekend Classical music listeners. Local FM radio and personal collections are more widely cited as sources than are streaming or satellite radio, although streaming and satellite provide more competition among the relatively few who say they frequently listen to Classical music at work.
We also observe that listening to Classical music when driving and at home are more prevalent than other locations and activities that were mentioned in the Focus Group study we completed in 2013. Thirty percent (30%) say they
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“frequently” listen to Classical music when driving and 29% say they do so at home. Fewer than a quarter of the consumers in our study say they “frequently” listen to Classical music when working on a project or doing chores around the house, while only 10% say they frequently do so when they are exercising.
The emphasis on listening while driving is especially noteworthy among those who identify themselves as Weekly P1 listeners to their local, public Classical FM station. Sixty-five percent (65%) of these P1s say they frequently listen to Classical music when driving, well ahead of the 47% of them who say they do so at home.
SLIGHT POSITIVE MOMENTUM FOR CLASSICAL MUSIC CONSUMPTION; CONSUMPTION VIA RADIO IS FLAT
The majority—60%—of those with a proclivity for listening to Classical indicate that they are consuming it in about the same quantities as in the past. More of them, however, indicate that they are doing so more than indicate they are doing so less, by a margin of 24% to 14%, demonstrating some slightly positive momentum for Classical music consumption. It is noteworthy that the youngest listeners in our study are in between the ages of 30 and 34 and are significantly more likely to claim that they are listening to Classical music more than they used to. This is also true among Hispanics, who are more likely to indicate increasing Classical music consumption than other ethnic groups covered in our study.
We do not, however, see nearly as much positive momentum when consumers assess their consumption of Classical music via local FM radio. Sixty-five percent (65%) of listeners say they are listening to Classical music on the radio about the same as they used to, with 16% indicating they are doing so more and 14% indicating they are doing so less. In fact, the overall positive momentum we observe for Classical music consumption cannot be pinpointed to any specific
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source or activity, even for newer means of consumption such as satellite radio or streaming.
Although relatively few indicate reduced consumption of Classical music or Classical radio, among those who do there does not appear to be a “smoking gun” pointing at obvious causes. Most of those who are listening less tie their reduced consumption to lifestyle reasons or changing tastes; they do not do so because of decreased satisfaction with what Classical radio stations offer.
CLASSICAL RADIO NOT DEEPLY PENETRATING THE APPETITE FOR CLASSICAL MUSIC
The public Classical FM radio stations in the markets covered by this study lead but do not dominate radio consumption among those interested in Classical music. In fact, only 20% of the consumers in our study report listening to their local Classical radio station for at least an hour in the past week and only 12% name that station as the one they listen to the most. By comparison, commercial News/Talk stations achieve an 8% Weekly P1 share, as do public News/Talk stations, with CHR (6%), Classic Hits/Oldies (5%), AC (4%) and Country (4%) not far behind.
A major cause of this lack of domination is that public Classical radio stations suffer from low awareness. In fact, only 25% of the consumers in our study are aware of their local, public FM Classical station on an unaided basis; even in this study of consumers with a proclivity for listening to Classical music, commercial News/Talk, Classic Hits/Oldies, CHR and AC stations had roughly the same Unaided Awareness levels as public Classical stations. (Furthermore, as an indicator of the low profiles that many public radio stations have, only 16% in this study are aware of public News/Talk stations on an unaided basis.)
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With relatively few listeners aware of public Classical stations, it is not surprising that few name them as a source for “Classical music from composers such as Mozart, Bach and Beethoven.” Public Classical stations’ Fit for this description is only 27%, meaning that nearly three-quarters of those with a proclivity for listening to Classical music do not associate public Classical stations with it. Thirty-five percent (35%) do not know what station to link with “Classical music from composers such as Mozart, Bach and Beethoven,” while another 24% associate it with a commercial radio station in their market.
Much of this is the result of extremely low recall of these stations’ marketing activities. Only 4% of the consumers in this study recall advertising efforts on behalf of public Classical stations, while only 3% recall these stations being visible “at a local arts event, concert or community event.”
AUDIENCE OF PUBLIC CLASSICAL RADIO SKEWS MUCH OLDER AND LESS ETHNIC THAN THE DEMAND FOR CLASSICAL MUSIC
With such low awareness and low recall of their marketing efforts, it is not surprising that public Classical radio stations struggle to attract listening from the younger and ethnic listeners among whom usage of these stations is not already habituated. Among 55- to 64-year-olds, public Classical stations achieve a 19% Weekly P1 level, which is dramatically higher than any other age group covered in this study. Eleven percent (11%) of 44- to 54-year-olds with a proclivity for listening to Classical music name their local, public FM commercial station as the one they listen to the most; the Weekly P1 performance of these station drops into the single digits with younger listeners. Similarly, public Classical stations garner Weekly P1 shares of only 7% each with African Americans and Hispanics; among the rest of the sample, the Weekly P1 level is almost twice as high at 13%.
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RELAXATION, STRESS RELIEF AND MOOD IMPROVEMENT ARE UNIVERSALLY RATED AS THE BIGGEST BENEFITS OF LISTENING TO CLASSICAL MUSIC
In the Focus Group study we completed in 2013, listeners to public Classical radio provided us with a number of benefits they personally derive from listening to Classical music. The most frequent themes we heard in those groups pertained to relaxation, stress relief and mood improvement.
This study provided us with an opportunity to quantify the value of those benefits, as well as a number of others that the Focus Group participants mentioned. That it “helps me relax” was the benefit consumers most strongly rated as a reason for listening to Classical music; that it “helps me escape from stress” and “improves my mood” scored second and third, respectively. Of the benefits tested, that listening to Classical music “raises my energy level” and “makes me feel smarter” scored the lowest in terms of how much it makes consumers listen to Classical music.
What is most striking is not that the three benefits that emerged most clearly from the Focus Groups score best in this study; instead it is the universality of this finding. This is especially true of “helps me relax,” which scores the highest with every age group; actually performing slightly better with younger listeners than with older listeners, both genders and all ethnic groups. Even among those most passionate about Classical music (i.e., the Classical Fans, those that rated “Classical music from composers such as Mozart, Bach and Beethoven” with a “5” on our one-to-five scale), “helps me relax” easily led all of the benefits tested. The strategic value of the “helps me relax” message is also supported by our finding that it is the best-testing benefit of those who qualified for this study because of their proclivity for listening to Classical music but do not currently listen to their local, public FM Classical radio station.
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HIGH SATISFACTION WITH ON-AIR PRODUCT
There are no signs of any problems with the on-air product of public Classical radio stations. To the contrary, our findings show how the Classical stations in the markets covered in this study enjoy a high Cume Conversion Rate on average, which is generally an indicator of listener satisfaction.
Our exploration of potential problems with the on-air products show that very few listeners aware of public Classical stations “strongly agree” that these stations have too much talk, repeat the same pieces of music too much, stop their music too often, play too much unfamiliar music, have boring hosts or play music that is “too sleepy” to listen to. They are, however, highly likely to “strongly agree” that they would be devastated if these stations went away, that these stations play music they love and that these stations play an important role in their local arts community. Furthermore, while there is less passion on these points, listeners generally feel positively about these stations’ on-air hosts, specialty shows and news and information content.
A more detailed examination of the latter two items yields important insights. First, while listeners generally feel positively about the specialty shows offered on these stations, Familiarity with any specific shows—especially nationally syndicated shows such as Sunday Baroque, Performance Today, From The Top and Pipedreams is very low. Even among the 12% of study participants who identify themselves as Weekly P1 listeners to their local, public FM Classical station, Familiarity levels for these shows barely crack the 50% threshold.
Second, there is a sense that the audience is somewhat split on the role of service elements on Classical radio. While there are generally positive perceptions about the news and information these stations provide, a small but
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not insignificant majority agrees with the idea that these stations should “stick to music and leave providing news and information to other radio stations.”
LITTLE DIFFERENCES OBSERVED WITH CLASSICAL RADIO CONTRIBUTORS
Those who claim to have made contributions to their local, public Classical FM radio stations—while generally demonstrating more passion for Classical music and being more likely to associate such music with their local, public Classical FM station—share similar appetites and perceptions to the overall pool of consumers in this study. For example, they are highly unlikely to recall advertising or other marketing activities on behalf of Classical radio and they are highly satisfied with the on-air products of such stations.
Perhaps most importantly, they derive similar benefits from listening to Classical music. In fact, they are even more likely to cite how listening to Classical “helps me relax” than is the average listener, making this the number one benefit they indicate drives their usage. Classical radio contributors also rate mood improvement and escape from stress more highly than any other benefit consumers are likely to get out of listening to Classical music.
With these conclusions in mind, Coleman Insights offers its recommendations to public Classical stations in the following section, entitled “The Plan.”
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“The Plan”
1. Classical radio should direct as many of its resources as possible towards the funding of external advertising. We strongly believe that these findings confirm a conclusion of last year’s Focus Group study—the ratings challenges public Classical radio stations face are due to marketing issues, not product issues. On the whole, the public Classical radio format is not on listeners’ “radar screens,” as listeners are not aware of Classical stations at sufficient levels and do not strongly associate them with Classical music, let alone the benefits listeners get out of listening to Classical music.
What this means is that adjustments and tweaks of the on-air products of most public Classical stations will not have a meaningful impact on their ability to attract listeners. This does not mean that these stations should not continue to strive to provide a compelling product for their audiences, but that if they truly want to “move the needle” and generate more listenership, they will need to make more listeners aware of them and build stronger positions in listeners’ minds.
The only way this is going to happen is through external marketing, specifically advertising that communicates a message that those with a proclivity for listening to Classical music will find appealing. Only about one in five consumers interested in Classical music are circulating through the Cume audiences of public Classical radio, so that advertising must reach consumers through other means beyond the stations’ own airwaves and their donor databases. This will
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require serious investment—television advertising, outdoor advertising, direct mail, digital advertising, etc. is not cheap— but can only be impactful if such investment takes place.
Fortunately, there are signs that such investment will pay for itself, as interest in Classical music appears much stronger than the listenership performances of most stations would indicate. This is especially true among younger listeners and ethnic listeners, who are far less present in the audiences of most public Classical radio stations than their appetites for the music suggests should be the case.
2. Classical radio should aggressively position itself as a source of relaxation and stress relief. The ease with which we make this recommendation cannot be overstated; it is striking how convincing the evidence is that all segments of the target audience find these benefits to be the biggest drivers of their usage of Classical music.
Quite simply, any “purists” who feel such positioning devalues the music in some way should get over themselves; they are clearly members of a tiny fraction of the potential audience for Classical radio. Similarly, any objectors who feel that such positioning would make Classical radio seem “old” or “boring” should recognize the universality of the need to relax, including that in our study younger listeners are slightly more likely to cite this benefit of listening to Classical music than are their older counterparts.
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This positioning of Classical radio should involve the adoption of positioning language that is always used in conjunction with each station’s call letters, dial position and/or brand. Any visual executions of the stations’ logos should be accompanied by this positioning language. Furthermore, and perhaps most importantly, the external advertising we recommended earlier should exclusively focus on two related goals—increasing awareness of public Classical radio stations and growing listener perceptions that they are a source of relaxation and stress relief.
We will add that the commercial radio landscape could not be more inviting than it presently is for public Classical radio to seek out the relaxation/stress relief position. Smooth Jazz has largely disappeared as a commercial format in most markets and most Adult Contemporary stations have had to adapt to a dramatic contemporization in the tastes of its targets listeners that they must focus on contemporizing their music images instead of reinforcing the relaxation utility that many of them have previously marketed. The marketplace is essentially handing this opportunity to public Classical radio; it is time for the format to step up and invest in the relaxation position accordingly.
3. Classical radio should recognize younger and ethnic listeners as potential sources of growth, but should not deviate from the broader market positioning strategy when courting them. There is upside for Classical radio in virtually all segments of the 30- to 64-year-old population we measured, but that upside is greater among the younger and
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ethnic demographic cells that are less likely to be currently using Classical radio. This is exciting for the format given its need to attract a new generation of listeners and donors and because of the increasing ethnic diversity of the American population.
It is important to note, however, that the message of relaxation and stress relief is as—if not more—compelling to the younger and ethnic audience as it is to overall target of consumers with a proclivity for listening to Classical music. Thus, while it is advisable for Classical stations to present themselves as youthfully and as inclusively as they possibly can, attracting younger and ethnic listeners will not require doing anything different than the broader goals of the format (i.e., raising awareness and increasing perceptions of it as a source of relaxation and stress relief). In fact, any efforts to bend over backwards to attract these listeners could distract from these broader goals.
4. Classical radio should move forward with confidence in the appeal of its on-air product. Much as we observed in last year’s Focus Group study, those who listen to public Classical radio are satisfied with the programming executions of these stations. The music mixes are in synch with their tastes, the hosts are appreciated and the specialty shows are well-liked. Furthermore, those aware of the stations who do not listen to them frequently do not cite any obvious reason for not using them more; in most cases, these listeners are seeking a more personalized music selection that is difficult for a radio station to cater to.
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5. Classical radio should be cautious about “going overboard” with news and service elements. The overall conclusion is that listeners are satisfied with the news and information they receive from public Classical radio stations, even if it is not a big usage driver for these stations.
There is, however, a meaningful minority of Classical radio listeners who agree that it would be preferable if these stations focused on music and left providing service elements to other stations. With that in mind, it is likely advisable for most public Classical radio stations to maintain their existing level of service elements and avoid expanding the amount of news and information they provide.
6. Classical radio should reassess its approach to arts community events. The bottom line is that consumers have no recollection of the extensive efforts many public Classical stations put into being present at events in their local arts communities. This means that (a) stations are not at events that generate significant traffic, (b) do not execute their presence at these events in memorable ways or—the mostly likely—(c) some combination of these two problems. We urge Classical stations to examine their arts community event planning closely to ensure that they are present at the right events and when they are, they execute their presences in a way that will enhance recall of their efforts.
COPYRIGHT APRIL 2014 COLEMAN INSIGHTS®
13 Sample Target Sample Composition By Age, Gender & Ethnicity
100 All respondents must be Weekly Cume listeners to their local public FM 80 Classical music station OR rate a Classical music descriptor with a "4" or "5" 68 60 on a one-to-five scale N = 1000 51 49 40
29 30 26 20 19 15 13
0 30-34 35-44 45-54 55-64 Male Female Caucasian/ African Hispanic Asian/ American Other Target Sample Composition By Region
Ohio Valley Northeast 15% 33%
Southeast West 11% 32% Central 9% The Classical Appetite Study Qualification Among Online Respondents By Age, Gender & Ethnicity
100 Younger listeners who completed this study 80 online qualified at a higher rate than older listeners Hispanics qualified at a higher rate than other 60 ethnic groups
40
26 24 20 22 19 17 17 15 15 15 13 11 12 0 30-34 35-39 40-44 45-49 50-54 55-59 60-64 Male Female Cauc- African Hispanic asian/ Amer- Asian/ ican Other Study Qualification By Region
Ohio Valley Northeast 14% 17%
Southeast West 12% 18% Central Qualification rates highest in West and Northeast 14% Classical Music Popularity Among All Listeners
100 More than a third rate “Classical music from composers such as Mozart, Bach and 80 Beethoven” with a “5” on a one-to-five scale
60 62
40 37
20
2 00 0 Love it Like It A Lot Like It Dislike It Dislike It A Lot Classical Music Popularity “Love It” By Age, Gender & Ethnicity
100 While passion for Classical is relatively consistent across demographic cells, it 80 peaks among 30- to 34-year-olds and among Hispanics
60
40 40 39 40 37 37 36 36 36 34 35
20
0 Total 30-34 35-44 45-54 55-64 Male Female Cauc- African Hispanic asian/ American Asian/ Other Classical Music Fit Among All Listeners
100 Barely a quarter associate “Classical music from composers such as Mozart, 80 Bach and Beethoven” with their local, public FM Classical station
60
40
35 27 20 24
10 0 Don't know Commercial Classical (NC) Non-Classical (NC) Classical Media Usage Classical Music Usage By Weekday Daypart
100
While not varying much by daypart, Classical 80 music usage is highest during middays
60
40
35 36 36 32 33 28 26 20 26 20 20 21 21 18 17 15 13
0 Mornings Middays Afternoons Evenings
Frequently Occasionally Rarely Never Classical Music Usage By Other Daypart
100 Many use Classical music on the weekend, while at- 80 work usage is low
60
52 40 41
20 21 21 18 20 14 12 0 Weekends At Work
Frequently Occasionally Rarely Never Classical Music Morning Usage By Source “Frequently” Among Classical Music Morning Users
100
Radio edges out personal collections as leading source 80 among those listening to Classical in mornings
60
40
26 20 24
16 15 13
0 Local FM Radio Personal Collection Computer Streaming Mobile Streaming Sirius XM Satellite Classical Music Midday Usage By Source “Frequently” Among Classical Music Midday Users
100
Radio edges out personal collections as leading source 80 among those listening to Classical in middays
60
40
20 24 23
15 13 11 0 Local FM Radio Personal Collection Computer Streaming Mobile Streaming Sirius XM Satellite Classical Music Afternoon Usage By Source “Frequently” Among Classical Music Afternoon Users
100
Personal collections edge out radio as leading source 80 among those listening to Classical in afternoons
60
40
20 20 19 11 10 9 0 Personal Collection Local FM Radio Computer Streaming Mobile Streaming Sirius XM Satellite Classical Music Evening Usage By Source “Frequently” Among Classical Music Evening Users
100
Personal collections edge out 80 radio as leading source among those listening to Classical in evenings 60
40
20 17 16 12 10 8 0 Personal Collection Local FM Radio Mobile Streaming Computer Streaming Sirius XM Satellite Classical Music Weekend Usage By Source “Frequently” Among Classical Music Weekend Users
100 Radio and personal collections tie as leading 80 sources among those listening to Classical on weekends 60
40
20 22 22
11 10 8 0 Personal Collection Local FM Radio Computer Streaming Mobile Streaming Sirius XM Satellite Classical Music At Work Usage By Source “Frequently” Among Classical Music At Work Users
100
Radio is leading source among those listening Streaming and satellite are 80 to Classical at work fairly competitive with radio and personal collections as sources among at-work 60 Classical listeners
40
20 23 19 18 16 15
0 Local FM Radio Personal Collection Computer Streaming Mobile Streaming Sirius XM Satellite Streaming Media Sources Among Those Who Listen To Classical Via Streaming
100
Pandora and YouTube are the leading sources among 80 those who listen to Classical via streaming
60
40
33
20 25
15 14 10 5 8 8 776 6 6 0 Pandora YouTube iTunes Amazon iHeart- iTunes- Spotify Radio Face- Apple Rhap- Radio- Hulu Radio Radio websites book store sody .com FM Classical Music Station Stream Usage Among All Listeners
Internet audio streams of FM Classical music stations
100
Fewer than a third report at 80 least occasionally listening to the Internet audio streams of FM Classical music stations 60
40
20 23
16 14 9 0 Frequently Occasionally Rarely Never Cable/ Satellite Classical Music Channel Usage Among All Listeners
Classical music via a cable or satellite television channel
100 A third of all listeners report occasional listening to 80 Classical music via TV channels
60
47 40
20 24 19
9 0 Frequently Occasionally Rarely Never Classical Music Listening Locations Among All Listeners
100
Driving a car and at home are where the most Classical 80 music consumption occurs of locations/activities tested
60
53
40 46 39 37 33 30 29 26 20 22 21 20 21 18 17 18 17 18 13 10 8 0 Driving a car At home Working on a Doing chores Excerising project around the house
Frequently Occasionally Rarely Never Classical Music Listening Locations “Frequently” By Age
100
Only among the 80 youngest listeners is where any meaningful usage of Classical 60 while exercising occurs
40
33 33 34 32 30 30 25 26 26 24 20 2222 22 19 20 16 18 11 8 7 0 Driving a car At home Working on a Doing chores Excerising project around the house 30-34 35-44 45-54 55-64 Classical Music Listening Locations “Frequently” By Gender
100
Little variation between 80 the genders
60
40
31 29 30 29 20 22 22 23 19
10 10 0 Driving a car At home Working on a Doing chores Excerising project around the house
Male Female Classical Music Listening Locations “Frequently” By Ethnicity
100 Lower in-car usage among African 80 Americans is only significant difference by ethnicity 60
40
31 31 31 29 28 20 26 21 21 21 22 18 19 14 10 8 0 Driving a car At home Working on a Doing chores Excerising project around the house
Caucasian/ Asian/ Other African American Hispanic Classical Music Listening Locations “Frequently” Among All Listeners Vs. Classical (NC) P1 Listeners
100 Weekly P1s to public Classical radio stations are significantly more likely to report frequently listening 80 to Classical music when driving
60 65
47 40
34 34 30 29 20 22 21
10 8 0 Driving a car At home Working on a Doing chores Excerising project around the house
Total Classical (NC) P1 Classical Music Listening Momentum By Age
100 Classical music consumption enjoys slight positive momentum, with the most positive momentum with 80 younger listeners
60 66 60 61 61
46 40 38
20 24 23 22 19 14 14 14 15 12 0 Total 30-34 35-44 45-54 55-64
More About the same Less Classical Music Listening Momentum Verbatim Among Those Listening “Less”
Why are you listening to Classical music less than you used to?
100 Among the relatively few listeners indicating 80 that they are listening to Classical less than they used to, the reasons cited are largely out of the control of radio stations 60
40
27 20 22 15 5 87 0 Too busy Lifestyle change Music tastes Friends and Driving less Can't find a good have changed family don't like it station Classical Music Listening Momentum By Gender
100 Little difference by gender 80
60 60 62 58
40
25 20 24 23
15 14 13
0 Total Male Female
More About the same Less Classical Music Listening Momentum By Ethnicity
100 Momentum slightly more positive among Hispanics than 80 among other ethnic groups
60 63 60 61 57
40
31
20 24 23 24
14 15 12 12 0 Total Caucasian/ Asian/ African American Hispanic Other More About the same Less Classical Music Listening Momentum By Source
100 No specific source seen as the source of Classical music’s positive momentum, with 80 radio consumption stable
66 65 65 60 62 60 59 60
40
20 24
16 16 17 14 14 14 15 15 15 15 12 12 10 0 Total At Work Local FM Personal Satellite Computer Mobile Radio Collection Streaming Streaming More About the same Less Classical Music Listening On Local FM Radio Momentum By Age
100 Slightly more positive momentum for Classical radio usage among younger listeners 80
69 66 60 65 64 61
40
20 24 16 18 14 14 14 16 15 11 11 0 Total 30-34 35-44 45-54 55-64
More About the same Less Classical Music Listening On Local FM Radio Momentum Verbatim Among Those Listening “Less”
Why are you listening to Classical music on a local FM radio station less than you used to? 100 No widely reported problem with 80 Classical radio reported among the relatively few indicating that they are listening to it less 60
40
20
12 11 9 0 Music tastes have changed Too busy Can't find a good station Classical Music Listening On Local FM Radio Momentum By Gender
100 Momentum for Classical radio similar 80 by gender
60 65 65 65
40
20 16 18 14 13 15 14
0 Total Male Female
More About the same Less Classical Music Listening On Local FM Radio Momentum By Ethnicity
100 Little variation in Classical radio momentum by ethnic groups 80
65 66 60 65 63
40
20 16 16 1717 17 14 14 12 0 Total Caucasian/ Asian/ African American Hispanic Other More About the same Less Radio Listenership Unaided Awareness Among All Listeners
100 Commercial News/Talk and Classic Hits/Oldies stations 80 have the same level of Unaided Awareness as public Classical stations 60
40
25 25 20 25 24 23 16 16 15 14
0 Classical News/ Talk Classic CHR AC News/ Talk Country Hot AC Classic (NC) Hits/ Oldies (NC) Rock
NOTE: “(NC)” indicates non-commercial Unaided Awareness Among All Listeners (Continued)
100
80
60
40
20
13 12 10 5 8 8 77 0 Sports Rock Urban Alternative Christian/ Christian/ Spanish Other (NC) Religious Religious Language (NC) Weekly Cume Among All Listeners
100
While leading other 80 formats, only one-in- five report listening to a public Classical station for at least an hour in 60 the past week
40
20 20 14 12 12 12 10 8 8 7 0 Classical News/ Talk Classic CHR News/ Talk AC Country Hot AC Sports (NC) Hits/ Oldies (NC) Weekly Cume Among All Listeners (Continued)
100
80
60
40
20
44333 766 0 Classic Rock Urban Rock Christian/ Alternative Spanish Christian/ Other (NC) Religious Language Religious (NC) Cume Conversion Rate Among All Listeners
100 Public Classical stations converting Cume listeners into P1 listeners at a 80 very high rate
68 66 60 64 60 60 59 57 50 48 40
20
0 Other (NC) Christian/ News/ Talk Classical News/ Talk Christian/ Urban CHR Spanish Religious (NC) (NC) Religious Language (NC) Cume Conversion Rate Among All Listeners (Continued)
100
80
60
46 40 43 43 43 43 42 42 37
20
0 Country Hot AC Classic Rock Sports Alternative AC Rock Classic Hits/ Oldies Weekly P1 Among All Listeners
100 Only 12% of those with a proclivity for listening to Classical music name a public Classical 80 station as the one they listen to the most
More P1 listening is going to News/Talk than to 60 Classical, split roughly equally between commercial and public News/Talk stations
40
20
12 54433 8 8 6 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies Weekly P1 Among All Listeners (Continued)
100
80
60
40
20
3 3 3 2 2 2 22 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Spanish Alternative Religious Religious Language (NC) Weekly P1 Among All Listeners
100 Many more name a commercial versus a public station as the one they listen to the most 80
60
47 40
20 26
0 Commercial Non-Commercial Classical (NC) Listenership By Age
100 By every measure, listenership to public 80 Classical radio skews dramatically towards older listeners 60 66 61 53
40 40 36 29 20 23 20 18 19 16 15 15 11 6 8 0 Unaided Awareness Weekly Cume Cume Conversion Weekly P1 Rate
30-34 35-44 45-54 55-64 Classical (NC) Listenership By Gender
100
Public Classical 80 stations achieve similar listenership performances with both 60 genders 60 55
40
20 24 24 20 20
11 12 0 Unaided Awareness Weekly Cume Cume Conversion Weekly P1 Rate
Male Female Classical (NC) Listenership By Ethnicity
100 Public Classical radio listenership skews 80 towards non-ethnic listeners
60 57 58
47 40
28 20 23 18 15 15 12 13 7 7 0 Unaided Awareness Weekly Cume Cume Conversion Weekly P1 Rate
Caucasian/ Asian/ Other African American Hispanic Weekly P1 By Age
100
80
60
40
20 19
11 5 5 11 5 11 5 4 3 5 3 3 4 3 3 4 3 4 4 8 9 3 9 8 8 2 2 3 3 3 6 7 8 7 7 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies
30-34 35-44 45-54 55-64 Weekly P1 By Age (Continued)
100
80
60
40
20
5 3 3 3 3 4 3 3 333 3 2 3 1 2 2 2 1 1122221 2 1 112 1 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Alternative Spanish Religious Religious Language (NC) 30-34 35-44 45-54 55-64 Weekly P1 By Gender
100
80
60
40
20
11 12 5 4 5 4 10 3 3 2 4 3 3 888 6 6 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies
Male Female Weekly P1 By Gender (Continued)
100
80
60
40
20
4 3 2 2 2 2 2 2 6 1 1 2 1 2 1 1 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Alternative Spanish Religious Religious Language (NC) Male Female Weekly P1 By Ethnicity
100
80
60
40
20 16 13 5 9 9 344 5 5 2 4 3 4 8 2 1 7 7 6 6 6 6 6 2 23 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies
Caucasian/ Asian/ Other African American Hispanic Weekly P1 By Ethnicity (Continued)
100
80
60
40
20
5 4 5 3 2 3 2 2 2 3 3 2 2 3 22 1 0 1 1 2 111 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Alternative Spanish Religious Religious Language (NC) Caucasian/ Asian/ Other African American Hispanic Prior P1 vs. Weekly P1 Among All Listeners
100 Slightly more listeners name a public station as the one they listen to most 80 than indicate was the case a year ago
60
50 47 40
26 20 23
0 Commercial Non-Commercial
Prior P1 Weekly P1 Prior P1 vs. Weekly P1 Among All Listeners
100
80
60 Slightly positive P1 listening momentum for public Classical radio stations 40
20
10 12 0 Classical (NC)
Prior P1 Weekly P1 Weekly Cume And Weekly P1 Sharing Among Classical (NC) Cume Listeners
100 100
Cume listeners to public Classical 80 stations are more likely to also use News/Talk stations than any others, with usage to public News/Talk outlets leading 60 61 commercial News/Talk stations
40
20 21
13 13 11 5 3 22 2 6 8 0 7 661 0 Classical News/ Talk News/ Talk Classic AC Sports Country Classic CHR (NC) (NC) Hits/ Oldies Rock
Weekly Cume Weekly P1 Weekly Cume And Weekly P1 Sharing Among Classical (NC) Cume Listeners (Continued)
100
80
60
40
20
555 4 2 2 3 2 2 11 1 0 111 0 Hot AC Rock Other (NC) Christian/ Alternative Urban Christian/ Spanish Religious Religious Language (NC) Weekly Cume Weekly P1 Morning P1 Listenership Among All Listeners
Between 6am and 9am (M-F) 100
80 Commercial News/Talk leads public Classical on weekday mornings 60
40
20
5 4 4 3 2 9 766 0 News/ Talk Classical News/ Talk CHR AC Classic Hot AC Country Urban (NC) (NC) Hits/ Oldies Morning P1 Listenership Among All Listeners (Continued)
Between 6am and 9am (M-F) 100
80
60
40
20
22222211 0 Sports Classic Rock Christian/ Rock Christian/ Spanish Other (NC) Alternative Religious Religious Language (NC) Weekly P1 vs. Adjusted Morning P1 Among All Listeners
Between 6am and 9am (M-F)
100
80 Public Classical stations under perform 60 on weekday mornings
40
20
12 14 5 4 4 5 10 4 3 3 3 8 8 8 6 8 6 8 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies
Weekly P1 Adjusted Morning P1 Weekly P1 vs. Adjusted Morning P1 Among All Listeners (Continued)
Between 6am and 9am (M-F)
100
80
60
40
20
3 3 3 3 3 3 2 3 2 2 2 3 222 3 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Alternative Spanish Religious Religious Language (NC) Weekly P1 Adjusted Morning P1 At Work P1 Listenership Among All Listeners
100
80 Although leading other stations, public Classical stations are 60 named by only 4% as their most-listened-to station
40
20
4 33 222211 0 Classical CHR AC News/ Talk Classic Hot AC Country News/ Talk Urban (NC) Hits/ Oldies (NC) At Work P1 Listenership Among All Listeners (Continued)
100
80
60
40
20
11111100 0 Sports Classic Rock Christian/ Rock Christian/ Spanish Other (NC) Alternative Religious Religious Language (NC) Weekly P1 vs. Adjusted At Work P1 Among All Listeners
100
80 Public Classical stations slightly over perform in terms of at- 60 work listening
40
20
14 12 4 3 3 4 8 10 5 4 9 8 8 3 6 6 6 7 0 Classical News/ Talk News/ Talk CHR Classic AC Country Hot AC Urban (NC) (NC) Hits/ Oldies
Weekly P1 Adjusted At Work P1 Weekly P1 vs. Adjusted At Work P1 Among All Listeners (Continued)
100
80
60
40
20
3 4 3 3 3 3 2 2 2 1 2 2 221 3 0 Sports Classic Rock Christian/ Rock Other (NC) Christian/ Alternative Spanish Religious Religious Language (NC) Weekly P1 Adjusted At Work P1 Advertising Recall Among All Listeners
100
80
60 Only 4% recall advertising for public Classical stations 40
20
5 5 4 4 4 333 3 2 2 7 6 2 0 News/ CHR AC Classic Clas- Country Classic Spanish Hot AC Sports Rock News/ Chris- Urban Talk Hits/ sical Rock Lang- Talk tian/ Oldies (NC) uage (NC) Reli- gious Event Visibility Recall Among All Listeners
100
80
Recall of public Classical 60 stations’ appearances at a local arts event, concert or community event is a paltry 3% 40
20
5 4 3 3 333 2 2 22 0 CHR News/ Talk AC Hot AC Classic Classical Spanish Country Classic Sports Rock Hits/ (NC) Language Rock Oldies Classical Music Listening Benefits Classical Music Listening Benefits Evaluation Average Among All Listeners
On a scale of “1” to “10,” where “1” means it is not at all a benefit that makes you listen to Classical music and “10” means it absolutely is a benefit that makes you listen to Classical music, please rate each of the following benefits 10 Relaxation, stress relief and mood improvement are biggest benefits driving Classical listening 8 8.30 7.89 7.85 7.44 6.96 6.83 6 6.77 6.11 5.96
4
2
0 Helps me Helps me Improves Makes for Brings Helps me Makes me Raises my Makes me relax escape my mood a positive back focus on more energy feel from stress environ- positive what I'm knowled- level smarter ment when memories doing geable children from the about the are present past music itself Classical Music Listening Benefits – Selected Benefits Evaluation Average By Age
10 Relaxation leads with all age cells, with scores highest among youngest listeners
8.43 8.38 8 8.30 8.17 8.28 8.01 8.14 7.95 7.89 7.75 7.70 7.85 7.86 7.73 7.86
6
4
2
0 Helps me relax Helps me escape from stress Improves my mood
Total 30-34 35-44 45-54 55-64 Classical Music Listening Benefits – Selected Benefits Evaluation Average By Gender
10 Relaxation leads with both genders
8 8.30 8.25 8.34 8.04 7.96 7.89 7.70 7.85 7.71
6
4
2
0 Helps me relax Helps me escape from stress Improves my mood
Total Male Female Classical Music Listening Benefits – Selected Benefits Evaluation Average By Ethnicity
10 Relaxation leads with all ethnic groups 8.62 8 8.30 8.27 8.07 8.04 7.89 7.91 7.85 7.87 7.92 7.48 7.65
6
4
2
0 Helps me relax Helps me escape from stress Improves my mood
Total Caucasian/ Asian/ Other African American Hispanic Classical Music Listening Benefits Evaluation Average Among Classical Fans
On a scale of “1” to “10,” where “1” means it is not at all a benefit that makes you listen to Classical music and “10” means it absolutely is a benefit that makes you listen to Classical music, please rate each of the following benefits 10
8.55 8 8.27 8.20 7.91 7.47 7.40 7.39 6.85 6 6.55
Relaxation, stress relief and mood improvement also 4 drive listening among those who rate Classical with a “5” on a one-to-five scale 2
0 Helps me Improves Helps me Makes for Brings Makes me Helps me Raises my Makes me relax my mood escape a positive back more focus on energy feel from stress environ- positive knowled- what I'm level smarter ment when memories geable doing children from the about the are present past music itself Classical Music Listening Benefits Evaluation Average Among Potential Classical Cume
On a scale of “1” to “10,” where “1” means it is not at all a benefit that makes you listen to Classical music and “10” means it absolutely is a benefit that makes you listen to Classical music, please rate each of the following benefits 10
8 8.21 7.79 7.72 7.35 6.91 6 6.80 6.69 6.10 5.98
4 Relaxation, stress relief and mood improvement also drive listening among those who do not report listening to their local, public FM Classical station 2
0 Helps me Helps me Improves Makes for Brings Helps me Makes me Raises my Makes me relax escape my mood a positive back focus on more energy feel from stress environ- positive what I'm knowled- level smarter ment when memories doing geable children from the about the are present past music itself Classical Music Listening Benefits – Selected Benefits Evaluation Average By Frequent Classical Daypart Listeners
10
9.08 9.08 8.94 9.05 8.93 8.97 8.86 8.86 8.74 8.70 8.83 8.64 8.81 8.82 8.73 8.76 8.70 8.74 8 8.30 7.89 7.85
6
4 Relaxation leads with frequent listeners to Classical music, regardless of which time of day they report frequent listening 2
0 Helps me relax Helps me escape from stress Improves my mood
Total Frequent Morning Listeners Frequent Midday Listeners Frequent Afternoon Listeners Frequent Evening Listeners Frequent Weekend Listeners Frequent At Work Listeners Agree/Disagree Statements Agree/Disagree Statements Among All Listeners Aware of Non-Commercial FM Classical Stations
100
Agreement with all positive statements 80 about Classical radio stations
60 61 55 48 50 45 46 40 42 39 32
20 24 20 14 15 13 4 3 2 12 0 1 0 8 0 1 0 I would be devastated I really love the music [STATION] plays an The hosts on Beyond its regular Beyond the music it if [STATION] went on [STATION] important role in the [STATION] really add music programming, plays, [STATION] also away local arts community to my enjoyment of [STATION] airs a lot provides me with the station of special shows-such useful news and as concerts or shows information I need dedicated to a specific style of music-that I really enjoy Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among All Listeners Aware of Non-Commercial FM Classical Stations (Continued)
100 Small but meaningful minority seeking fewer service elements represents only agreement with negative 80 statements about public Classical radio stations
60 61 58 60 54 53 54 40 46
32 30 28 25 20 22
14 14 13 3 22211 10 6 8 7 229 6 0 I would prefer if The hosts on [STATION] plays [STATION] stops The hosts on [STATION] plays The music on [STATION] just [STATION] talk too the same pieces its music too often [STATION] are too much [STATION] is too stick to music and much over and over for talk and other boring to listen to unfamiliar music sleepy to listen to leave providing again to the point interruptions news and of being annoying information to other radio stations Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Classical (NC) P1 Listeners
100 High passion among P1 listeners to 80 public Classical stations
60 59 57 53 54 40 45 46 41 37
28 27 20 24 19 15 16 4 3 6 0 118 2 00 0 I would be devastated I really love the music [STATION] plays an The hosts on Beyond its regular Beyond the music it if [STATION] went on [STATION] important role in the [STATION] really add music programming, plays, [STATION] also away local arts community to my enjoyment of [STATION] airs a lot provides me with the station of special shows-such useful news and as concerts or shows information I need dedicated to a specific style of music-that I really enjoy Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Classical (NC) P1 Listeners (Continued)
100 P1 listeners disagree with negative 80 statements about public Classical stations 60 66 61 60
51 52 48 45 40 41 34 30 30 20 26 16 5 13 10 3312 10 11 2 22226 6 0 I would prefer if The hosts on The music on [STATION] plays [STATION] stops The hosts on [STATION] plays [STATION] just [STATION] talk too [STATION] is too the same pieces its music too often [STATION] are too much stick to music and much sleepy to listen to over and over for talk and other boring to listen to unfamiliar music leave providing again to the point interruptions news and of being annoying information to other radio stations Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Classical Fans Aware of Non-Commercial FM Classical Stations
100 Those who rate Classical music highest agree with positive 80 statements about public Classical stations 60 59 56 55 56 46 48 40 43 40
28 30 20 26 19 16 14 4 3 9 0002 8 1 2 0 I would be devastated I really love the music [STATION] plays an The hosts on Beyond its regular Beyond the music it if [STATION] went on [STATION] important role in the [STATION] really add music programming, plays, [STATION] also away local arts community to my enjoyment of [STATION] airs a lot provides me with the station of special shows-such useful news and as concerts or shows information I need dedicated to a specific style of music-that I really enjoy Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Classical Fans Aware of Non-Commercial FM Classical Stations (Continued)
100 Classical fans disagree with negative 80 statements about public Classical stations 60 59 59 60
49 47 47 40 42 42 37 33 32 28 20 16 14 14 4444 12 12 3 22 7 7 7 7 0 I would prefer if The hosts on [STATION] plays The music on [STATION] plays [STATION] stops The hosts on [STATION] just [STATION] talk too the same pieces [STATION] is too too much its music too often [STATION] are stick to music and much over and over sleepy to listen to unfamiliar music for talk and other boring to listen to leave providing again to the point interruptions news and of being annoying information to other radio stations Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Potential Classical Cume Aware of Non-Commercial FM Classical Stations
100 Reactions to statements about public Classical stations among those who do not Cume them do not suggest any 80 programming issues that prevent usage
60 59 53 53 50 40 38 38 35 35 32 26 20 24 21 18 3 3312 12 3 12 0 6 99996 9 0 [STATION] plays I really love the I would be The hosts on Beyond the music I would prefer if The hosts on an important role in music on devastated if [STATION] really it plays, [STATION] [STATION] just [STATION] talk too the local arts [STATION] [STATION] went add to my also provides me stick to music and much. community away enjoyment of the with useful news leave providing station and information I news and need information to other radio stations Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Potential Classical Cume Aware of Non-Commercial FM Classical Stations (Continued)
100
80
68 60 62
53 47 40 44 41
20 24 21 18 15 15 3 3312 12 660 9 9 009 0 Beyond its regular [STATION] stops its [STATION] plays too The hosts on [STATION] plays the The music on music programming, music too often for much unfamiliar [STATION] are boring same pieces over and [STATION] is too [STATION] airs a lot talk and other music to listen to over again to the point sleepy to listen to of special shows-such interruptions of being annoying as concerts or shows dedicated to a specific style of music-that I really enjoy Strongly Agree Agree Disagree Strongly Disagree Agree/Disagree Statements Among Non-Frequent Local FM Classical Radio Listeners
100 Very low “strongly agree” levels with statements 80 about product “problems” preventing more frequent use of Classical radio
60 55 55
40 45 43 45 37 38 37 31 28 26 28 27 27 20 22 24 22 15 5 13 3 5 14 3 9 6668 10 8 2 0 I'm seeking I prefer to There are other They interrupt I never think to My local FM I don't like the I am not aware greater depth choose the styles of music the music too listen to my local Classical music music selection of any FM radio and variety than specific or audio often on my FM Classical station plays too on my local FM stations that the music my Classical music programming local FM music station much unfamiliar Classical music offer Classical local FM I listen to rather that I prefer to Classical music music station music Classical music than rely on listen to more station station offers what my local often FM Classical music station selects to play Strongly Agree Agree Disagree Strongly Disagree Familiarity Scaling Classical Music Familiarity Scaling Evaluation Average Among All Listeners
On a scale of one to ten, where “1” means only pieces of music you’re not familiar with and have never heard before and “10” means only pieces of music you’re familiar with and have heard before...” 10 Perceptions of music mixes offered by public Classical stations well-aligned with listeners’ 8 tastes in terms of Familiarity
6.88 6.68 6.71 6 6.59 6.39 6.46 6.57 6.08 6.15 5.97
4
2
0 All Listeners Classical (NC) Cume Classical (NC) P1 Classical Fans Potential Classical Cume
Ideal Mix Perception Specialty Shows Specialty Show Familiarity & Evaluation Among All Listeners
100 Little variation in the appeal of different 80 approaches to concert broadcasts
60 60 57 57 53 50 47 40 44 40 40 41
20
0 2 0 1 0 0 Concerts recorded in Metropolitan Opera Concert broadcasts Concert broadcasts Concerts broadcast live front of a live audience broadcasts featuring national and featuring local as they happen and broadcast at international symphony symphony orchestras another time orchestras and performers
Familiarity Excellent Poor Specialty Show Familiarity & Evaluation Among All Listeners (Continued)
100
80 Familiarity of four widely-carried syndicated shows very low 60
48 48 40 41 40 37 39 35 36 36 31 29 28 28 20 25
2 2 1 2 1 1 1 0 A show featuring A show featuring A show featuring Sunday Baroque Performance From The Top Pipedreams music from Broadway music Choral music Today movie soundtracks Familiarity Excellent Poor Specialty Show Familiarity & Evaluation Among Classical (NC) P1 Listeners
100 P1s feel similarly about different approaches to concert broadcasts 80 81 81 77 72 72 60
49 49 51 46 40 45
20
1 1 000 0 Concerts recorded in Metropolitan Opera Concert broadcasts Concert broadcasts Concerts broadcast live front of a live audience broadcasts featuring national and featuring local as they happen and broadcast at international symphony symphony orchestras another time orchestras and performers
Familiarity Excellent Poor Specialty Show Familiarity & Evaluation Among Classical (NC) P1 Listeners (Continued)
100 Even among P1s, Familiarity with syndicated shows is very low 80
60 62
54 53 53 52 53
40 44 39 35 37 31 31 26 20 21
3 1 60 000 0 A show featuring A show featuring A show featuring Sunday Baroque Performance From The Top Pipedreams music from Broadway music Choral music Today movie soundtracks Familiarity Excellent Poor Activities Activities - % Done In The Past Year Among All Listeners
100 14% identify themselves as public Classical radio 80 contributors
69 60 60
40
35
20
14
0 Attended a local arts Attended a Classical Made a donation to a Made a donation to a festival music performance public radio station local FM Classical music station Activities - % Done In The Past Year By Age
100 Those claiming to contribute skew slightly older 80
73 71 69 66 65 60 64 63 60 59 55
40 43
35 33 31 32 20 19 14 15 11 11 0 Attended a local arts Attended a Classical Made a donation to a Made a donation to a festival music performance public radio station local FM Classical music station Total 30-34 35-44 45-54 55-64 Activities - % Done In The Past Year By Gender
100
80 Men and women claim to be contributors at 70 69 68 roughly equal rates 60 64 60 56
40
35 34 35
20
14 14 15
0 Attended a local arts Attended a Classical Made a donation to a Made a donation to a festival music performance public radio station local FM Classical music station Total Male Female Activities - % Done In The Past Year By Ethnicity
100
80 Little variation in claims of contributions by 71 69 68 68 ethnic group 60 63 60 59 53
40
35 36 35 28 20
14 14 15 12 0 Attended a local arts Attended a Classical Made a donation to a Made a donation to a festival music performance public radio station local FM Classical music station Total Caucasian/ Asian/ Other African American Hispanic Classical Radio Contributors Profile Among All Listeners Vs. Classical Radio Contributors
100 Contributors rate Classical music higher and are more 80 likely to associate the format but have low recall of these with their local, public FM stations’ marketing activities Classical stations 60
50 51 40 37
27 20
12 3 9 8 0 Classical "Love It" Classical (NC) Format Classical (NC) Ad Event Visibility Fit Recall Total Classical Radio Contributors Classical Radio Contributors Profile “Strongly Agree” Among All Listeners vs. Classical Radio Contributors
100 Contributors are more likely to “strongly agree” with positive statements about public Classical radio 80
70 60 64
45 40 42
32 20 20
0 I would be devastated if [STATION] I really love the music on The hosts on [STATION] really add went away [STATION] to my enjoyment of the station
Total Classical Radio Contributors Classical Music Listening Benefits “Evaluation Average” Among All Listeners vs. Classical Radio Contributors
10
8.96 8 8.57 8.30 8.29 8.12 7.89 7.85 7.44 7.65 6.96 6
4 Relaxation, stress relief and mood improvement are biggest benefits driving Classical listening among contributors
2
0 Helps me relax Helps me escape Improves my mood Makes for a positive Brings back positive from stress environment when memories from the children are present past Total Classical Radio Contributors Classical Music Listening Benefits “Evaluation Average” Among All Listeners Vs. Classical Radio Contributors (Continued)
10
8 7.81 7.50 6.83 6.77 6.88 6 6.51 6.11 5.96
4
2
0 Helps me focus on what Makes me more Raises my energy level Makes me feel smarter I'm doing knowledgeable about the music itself Total Classical Radio Contributors National Plan Developer February 2014 Q U E S T I O N N A I R E Page 1
DKB 2/7/14 Final 3
INTRODUCTION/SCREENING
Hello, my name is ______. I am working for companies that provide music and other forms of audio entertainment. These companies would like your opinions about music so they can better serve their customers. By taking part in our survey, your opinions will have a direct impact on the music and audio entertainment choices available to you. (IF FEMALE ANSWERS, ASK:) We need to include a number of men in our survey. Is there a man in your household that I can speak with? (IF “YES,” REPEAT INTRO. IF “NO,” CONTINUE.)