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Get Ready for the Newest Broadway Musical Coming Your Way in 2014
ALADDIN – Get ready for the newest Broadway musical coming your way in 2014 from Disney Theatricals! With more information is coming soon, Aladdin is being adapted from centuries-old Arabian folktales including “One Thousand and One Nights,” will feature a full Broadway score including the five beloved songs from the film. Check back in November, 2013 for more information! ANNIE - The sun will come out this fall, when the legendary musical Annie returns to Broadway to delight a new generation of theatregoers. The plucky redheaded orphan and her scruffy mutt Sandy make their way in Depression-era New York from a dismal orphanage to the home of billionaire Daddy Warbucks. BIG FISH - With elements of adventure as well as fantasy, the musical creates a magical world complete with a witch, a giant, Siamese twins and a really big fish. Based on the novel by Daniel Wallace and the 2003 film. BOOK OF MORMON, THE -Have they written it on golden plates? Only the creators (South Park + Avenue Q) know for sure in this smash-hit Tony Award Winning Musical. BREAKFAST AT TIFFANY’S - Emilia Clarke ("Game of Thrones") takes on the iconic role of the self- invented Holly Golightly, a character played memorably by Audrey Hepburn in the 1961 movie version. In New York City in 1943, Fred, a young writer from Louisiana, meets Holly Golightly, a charming, vivacious and elusive good-time girl. Everyone falls in love with Holly — including Fred. But he is poor, and Holly's other suitors include a playboy millionaire and the future president of Brazil. -
The Critical Impact of Transgressive Theatrical Practices Christopher J
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 (Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices Christopher J. Krejci Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Krejci, Christopher J., "(Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices" (2011). LSU Doctoral Dissertations. 3510. https://digitalcommons.lsu.edu/gradschool_dissertations/3510 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. (IM)POSSIBILITIES OF THEATRE AND TRANSGRESSION: THE CRITICAL IMPACT OF TRANSGRESSIVE THEATRICAL PRACTICES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Christopher J. Krejci B.A., St. Edward’s University, 1999 M.L.A, St. Edward’s University, 2004 August 2011 For my family (blood and otherwise), for fueling my imagination with stories and songs (especially on those nights I couldn’t sleep). ii Acknowledgements I would like to thank my advisor, John Fletcher, for his expert guidance. I would also like to thank the members of my committee, Ruth Bowman, Femi Euba, and Les Wade, for their insight and support. -
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc. 312.751.5559/5528 [email protected]/[email protected] TICKETS GO ON SALE FRIDAY, FEBRUARY 13 AT 10 AM THE NEW BROADWAY MUSICAL BASED ON THE LIFE AND MUSIC OF SEVEN-TIME GRAMMY AWARD WINNER & INTERNATIONAL SUPERSTAR GLORIA ESTEFAN AND NINETEEN-TIME GRAMMY WINNING PRODUCER, MUSICIAN & ENTREPRENUER EMILIO ESTEFAN PRE-BROADWAY WORLD PREMIERE IN CHICAGO JUNE 2 – JULY 5 AT THE ORIENTAL THEATRE CHICAGO (Feb. 9, 2015) – Broadway In Chicago, The Nederlander Organization and Estefan Enterprises, Inc are pleased to announce that tickets for ON YOUR FEET!, a new musical based on the life story of seven- time GRAMMY® winning international superstar Gloria Estefan and her husband, legendary producer- musician-entrepreneur Emilio Estefan, go on-sale to the public on Friday, February 13 at 10 AM. ON YOUR FEET! will have its Pre-Broadway World Premiere in Chicago at Chicago’s Oriental Theatre June 2 – July 5, 2015. Directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Hairspray), ON YOUR FEET! tells the story of two people who — through an unwavering dedication to one another and their pursuit of the American dream — showcased their talent, their music and their heritage to the world in a remarkable rise to global superstardom. Set to Gloria’s chart-topping, smash hits such as “Rhythm Is Gonna Get You,” “Conga,” “1-2-3,” “Get On Your Feet,” “Don’t Want To Lose You Now,” and “Coming Out Of The Dark,” in addition to new music penned by the Estefans, the musical will be choreographed by four-time Drama Desk nominee Sergio Trujillo (Jersey Boys, Memphis) with a book by Academy Award® nominee Alexander Dinelaris (Birdman film, The Bodyguard Musical). -
Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain). -
MARTIN PAKLEDINAZ, Costume Designer
THE ELIXIR OF LOVE FOR FAMILIES PRODUCTION TEAM BIOGRAPHY MARTIN PAKLEDINAZ, Costume Designer Martin Pakledinaz is an American Tony Award-winning costume designer for stage and film. His work on Broadway includes The Pajama Game, The Trip to Bountiful, Wonderful Town, Thoroughly Modern Millie, Kiss Me, Kate, The Boys From Syracuse, The Diary Of Anne Frank, A Year With Frog And Toad, The Life, Anna Christie, The Father, and Golden Child. Off-Broadway work includes Two Gentlemen of Verona, Andrew Lippa's The Wild Party, Kimberly Akimbo, Give Me Your Answer, Do, Juvenalia, The Misanthrope, Kevin Kline's Hamlet, Twelve Dreams, Waste, and Troilus and Cressida. He won two Tony Awards for designing the costumes of Thoroughly Modern Millie and the 2000 revival of Kiss Me Kate, which also earned him the Drama Desk Award for Outstanding Costume Design. He has designed plays for the leading regional theatres of the United States, and the Royal Dramatic Theatre of Sweden. Opera credits include works at the New York Metropolitan Opera and the New York City Opera, as well as opera houses in Seattle, Los Angeles, St. Louis, Sante Fe, Houston, and Toronto. European houses include Salzburg, Paris, Amsterdam, Brussels, Helsinki, Gothenburg, and others. His dance credits include a long collaboration with Mark Morris, and dances for such diverse choreographers as George Balanchine, Eliot Feld, Deborah Hay, Daniel Pelzig, Kent Stowell, Helgi Tomasson, and Lila York. His collaborators in theatre include Rob Ashford, Gabriel Barre, Michael Blakemore, Scott Ellis, Colin Graham, Sir Peter Hall, Michael Kahn, James Lapine, Stephen Lawless, Kathleen Marshall, Charles Newell, David Petrarca, Peter Sellars, Bartlett Sher, Stephen Wadsworth, Garland Wright, and Francesca Zambello. -
LAURITZ MELCHIOR: a APPRECIATIO R, H) Jonathan Chiller - 5
' CoRN ExcHANGE BANK TRusT Co. Established 1853 A Bank Statement that any Man or Woman can Understand Condensed Statement as of Close of Business September 30th, 1939 Due Individuals, Firms, Corporations and Banks . $329,420,341.29 To meet this indebtedness we have : Cash in Vaults and Due from Banks . $136,209,114.30 Cash Items in Process of Collection 15,465,034.91 U. S. Government Securities . 119,336,598.65 (Direct and fully guaranteed, including $3,051,000 pledged to secure deposits and for other pur· poses as required by law. Canadian Government Securities 4,978,312.34 State, County and Municipal Bonds 3,949,336.41 Other Tax Exempt Bonds 5,785,235.96 Railroad Bonds . 5,673,756.93 Public Utility Bonds 7,361,634.67 Industrial and Other Bonds . 2,925,146.46 18,000 Shares Federal Reserve Bank of N. Y. 900,000.00 2,499 Shares of Discount Corp. of N. Y. at cost 299,880.00 9,990 Shares of Corn Exchange Safe Deposit Co. 824,000.00 Sundry Securities 387,735.00 Secured Demand Loans . 14,817,093.34 Secured Time Loans 1,994,164.72 *Loans and Discounts Unsecured 9,935,871.40 *First Mortgages 17,945,685.86 Customers' Liability on Acceptances 864,671.91 *Banking Houses Owned 12,055,11 8.92 *Other Real Estate Owned . 1,955,575.45 Accrued Interest Receivable 1,124,412.62 Other Assets 148,676.12 Tot1l to Meet Indebtedness . $364,937,055.97 This leaves . $35,516,714.68 *Less Reserves. -
Resume 2017.Pgs
JANE LABANZ www.janelabanz.com Height: 5’5” / Weight: 120 212 300 5653 Soprano/Mix/Light Belt AEA SAG/AFTRA Strong High Notes 330 West 42nd Street, 18th Floor New York, NY 10036 212-629-9112 [email protected] BROADWAY/NATIONAL TOURS Director Anything Goes Hope u/s (Broadway and National Tour) Jerry Zaks The King and I Anna (Sandy Duncan / Stefanie Powers standby) Baayork Lee The Best Little Whorehouse in Texas Ginger (Doatsey Mae u/s) Thommie Walsh (Cast album, w/ Ann-Margret) Eric Schaeffer Annie Grace Farrell Bob Fitch 42nd Street Phyllis Dale (Peggy u/s) Mark Bramble The Sound of Music (w/ Marie Osmond) Swing/Dance Captain Jamie Hammerstein Bye Bye Birdie (w/ Tommy Tune/Anne Reinking) Kim u/s (to Susan Egan) Gene Saks Dr. Dolittle (w/ Tommy Tune) Puddleby Tommy Tune Cats Jelly/Jenny/Swing David Taylor REGIONAL THEATRE Tuck Everlasting (World Premiere /Alliance Theatre) Older Winnie (Nanna u/s) Casey Nicholaw (Dir.) Love Story (American Premiere) Alison Barrett Walnut Street Theatre A Little Night Music Mrs. Nordstrom / Dance Captain Cincinnati Playhouse 9 to 5 Violet Newstead Tent Theatre I Love a Piano Eileen Milwaukee Repertory Always…Patsy Cline Louise Seger New Harmony Theatre The Cocoanuts (Helen Hayes Award, Best Musical) Polly Potter Arena Stage Noises Off Brooke Ashton Totem Pole Playhouse Cinderella Fairy Godmother / Queen u/s North Shore Music Theatre The Nerd Clelia Waldgrave Totem Pole Playhouse The Music Man Marian Paroo Pittsburgh Playhouse George M! Nellie Cohan Theatre by the Sea George M! Agnes Nolan (plus 9 other -
“Prisoners Ofthe Sea” I
Page Four DAILY WORKER. NEW YORK, SATURDAY, APRIL 20, 1929 MARGARET WYCHERLY ! aMadiscn Sq. Garden NAil by I TWICE DAILY 2 nnd 8 Movies Capitalists Each Used I] Special Entertainment* Night The New Plays § Sunday Afternoon nnd mbb Auroras amt Ringling Bros, and Barnum & Bailey >o Poison Minds of Workers Combined “MARRY THE MAN,” a play by Jean Archibald which ran in Chicago ==TH*’ATRE GUILD PRODUCTIONS' - ' ' By S. BRODY. dred and importing European pro- as “Companionate Marriage,” will be presented at tjie Fulton The- ductions, including Soviet atre on Monday. Vivian Martin and Lester Vail head the cast. Too little attention has been paid films,; CIRCUS (because they are artistically su-! to The- among us to the motion-picture—- “CARNIVAL”,a play by William A. Doyle, comes the Forrest 10,000 Marvel* Including perior to American products). On ; are Norman Foster “of all the arts the most important atre, on Monday night. The featured players HUGO ZACOHINI CAMEL “ THE contrary, of for us.” (Lenin). the the real line devel- and Anne Forrest. | THE HUMAN PROJECTILE” next opment is in the direction of the! will be Shot Through Space from Monster It may safely be said that “THE COME-ON MAN,” a comedy by Herbert Ashton, Jr., pre- - Century erection of monster “picture pal- j Cannon Sensation of THROUGH THE to the press the “movies” constitute 1 sented by Roy Walling on Monday at the Forty-ninth Street. George (incl. seats) SI.OO aces” seating thousands, (Roxy, to all the most powerful ideological weapon MacQuarrie, Mary Wall, Jane Marbury and the author are in it. -
Connolly .Indd
Matt Connolly Solidification and Flux on the “Gay White Way”: Gay Porn Theaters in Post-Stonewall New York City Abstract This paper traces the exhibition strategies of two gay porn theaters in New York City from 1969-1973: the 55th Street Playhouse and the Eros I. It draws upon contemporaneous advertising and trade press to reconstruct these histories, and does so in the pursuit of two interconnected goals. First, by analyzing two venues whose exhibition protocols shifted over the course of this time period, this paper seeks a more nuanced understanding of how gay porn theaters established, maintained, and augmented their market identities. Second, it attempts to use these shifts to consider more broadly what role exhibition practices played in the shaping of gay men’s experiences within the porn theater itself – a key site of spectatorial, erotic, and social engagement. The 1970s saw the proliferation of theaters in major my conclusions in some ways, but that will also urban centers specializing in the exhibition of gay provide the opportunity to investigate exhibition pornography.1 Buoyed by both seismic shifts in spaces within a city that is central to histories of both LGBT visibility in the wake of the 1969 Stonewall LGBT culture and pornographic exhibition.3 I will riots and larger trends in industry, law, and culture track two Manhattan theaters across this time period that increasingly brought pornography of all stripes to observe what films they screened and how they into the mainstream, these theaters provided a public advertised their releases: the 55th Street Playhouse venue for audiences of primarily gay men to view gay and the Eros I. -
Resume Payton Bioletto
PAYTON RAVOE BIOLETTO [email protected] Height: 5’5’’ Phone: (602) 908-0258 Vocal Type: Mezzo/Alto paytonravoebioletto.com REGIONAL Grease (upcoming 6/21) Marty Lyric Theater of Oklahoma/Michael Baron EDUCATIONAL / COMMUNITY THEATRE Spring Awakening Thea Texas State University/Tom Delbello Little Women Troll/Amy cover Texas State University/Alex Rodriguez What We Scream Underwater When No One Can Hear Us Georgia Texas State University/Allison Price The Crucible Mercy Lewis Texas State University/ Michael Costello Spring Awakening Wendla Spotlight Youth Theatre/Kenny Grossman Joseph and the Amazing Technicolor Dreamcoat Narrator Valley Youth Theatre/ Bobb Cooper The Addams Family Morticia Brophy College Prep/ Maureen Diaz The Wedding Singer Linda Spotlight Youth Theatre/ Mark Foreman High School Musical Sharpay Xavier College Prep/Janice Robillard West Side Story Francisca Valley Youth Theatre/ Bobb Cooper Seussical the Musical Gertrude Valley Youth Theatre/ Bobb Cooper OTHER Those British Girls Tribute Show TAD Management Teen Idols Tribute Show TAD Management WORKSHOPS / READINGS Mazkapan Texas State University Adam Quinn, Jared Goldsmith Switched Texas State University Jonatha Brooke, Sheryl Kaller, Geoffrey Nauffts TRAINING Texas State University BFA Musical Theatre (Class of 2021) - under the direction of Kaitlin Hopkins Shakespeare at The Globe/Royal Shakespeare Company Masterclasses: Andy Blankenbuehler, Ann Reinking, Tyler Hanes, Sheri Sanders, Carmel Dean, Megan Larche, Susan Stroman, Jon Rua, Sergio Trujillo, Camille A. Brown, Robyn Hurder Dance: Jazz, Ballet, Contemporary, Tap, Acrobatics Summer Programs: Open Jar Institute with Jeff Whiting SPECIAL SKILLS Improvisational riffing, walkovers, painting/drawing, music writing/producing/sound mixing, guitar, sewing. -
Jersey Boys Study Guide
How did four blue-collar kids become one of the greatest successes in pop music history? Have we got a story for you. Discovery Guide 1 WINNER! BEST MUSICAL ® 2006 TONY AWARD BEST MUSICAL ALBUM ® 2006 GRAMMY AWARD Directed by Des McAnuff Book by Marshall Brickman and Rick Elice Music by Bob Gaudio Lyrics by Bob Crewe Choreography by Sergio Trujillo For Jersey Boys Producers: Dodger Theatricals, Joseph J. Grano, Tamara and Kevin Kinsella, Pelican Group, in association with Latitude Link, Rick Steiner/Osher/Staton/Bell/Mayerson Group Music Direction, Vocal Arrangements & Incidental Music: Ron Melrose Scenic Design: Klara Zieglerova Costume Design: Jess Goldstein Lighting Design: Howell Binkley Sound Design: Steve Canyon Kennedy Projection Design: Michael Clark Wig and Hair Design: Charles LaPointe Fight Director: Steve Rankin Production Supervisor: Richard Hester Orchestrations: Steve Orich Music Coordinator: John Miller Technical Supervisor: Peter Fulbright East Coast Casting: Tara Rubin Casting West Coast Casting: Sharon Bialy C.S.A., Sherry Thomas C.S.A. Company Manager: Sandra Carlson Associate Producers: Lauren Mitchell, Rhoda Mayerson, Stage Entertainment Executive Producer: Sally Campbell Morse Promotions: HHC Marketing Press Representative: Boneau/Bryan Brown Jersey Boys Discovery Guide originally produced by Center Theatre Group, LA’s Theatre Company Susan Harper, Writer Rachel Fain, Managing Editor Additional Material Dodger Properties Jessica Phillips, Writer Photography Cover photo by Chris Callis All Jersey Boys production photographs ©Joan Marcus Design Maureen Rooney, Rooney Design Group Ltd Sidebar illustration©JupiterImagesCorporation 2 Introduction How did four blue-collar kids become one of the greatest successes in pop music history? Find out at the musical phenomenon, Jersey Boys. -
To Get a Job in a Broadway Chorus, Go Into Your Dance:" Education for Careers in Musical Theatre Dance
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 9-30-2019 "To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance Lauran Stanis [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Stanis, Lauran, ""To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance" (2019). Master's Theses. 108. https://digscholarship.unco.edu/theses/108 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LAURAN STANIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School “TO GET A JOB IN A BROADWAY CHORUS, GO INTO YOUR DANCE:” EDUCATION FOR CAREERS IN MUSICAL THEATRE DANCE A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree of Master of Arts Lauran Stanis College of Performing and Visual Arts School of Theatre Arts and Dance Dance Education December 2019 This Thesis by: Lauran Stanis Entitled: “To Get a Job in a Broadway Chorus, Go into Your Dance:” Education for Careers in Musical Theatre Dance has been approved as meeting the requirement for the Degree of Masters in Arts in the College of Performing and Visual Arts in the School of Theatre and Dance, Program of Dance Education Accepted by the Thesis Committee: _________________________________________________ Sandra L.