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Epica Lyriel Freedom Call Robin Trower Bret Hard
www.rtp-bonn.de Nr. 1 · Frühjahr 2012 KÖLN | DÜSSELDORF rockt! Region BONN | KOBLENZ | KOSTENLOS 24.03., Andernach, JUZ EPICA LYRIEL 30.03. FREEDOM CALL Andernach, JUZ ROBIN TROWER mit Terminkalender zum Herausnehmen BRET HARD RECORDS Liebe Leser, * 23.03.1932 � 25.02.2012 das Jahr 2012 ist nun schon zwei Monate alt und einige tolle Konzerte sind mit Erfolg gelaufen. Doch auch in den kommenden Monaten haben wir tolle Events für euch organisiert. In Andernach, Juz schwingen wir die Heavy Metal-Keule mit RAGE, EPICA, FREEDOM CALL, zudem stellen wir euch das Juz vor (schade, so etwas gibt es in Bonn nicht!). Außerdem gibt es Interviews zu kommenden Konzerten mit ROBIN TROWER, PERZONAL WAR, LYRIEL etc. Im Businesstalk stellen wir Chris von Bret Hard Records vor. Wir wünschen euch ein schönes Jahr 2012 und viel Erfolg bei euren Plänen und Vorsätzen. Ach ja, ab jetzt ist das Wir möchten diese Ausgabe dem Bluesmusiker LOUISIANA RED (bürger- lich Iverson Minter) widmen, der am 25.02.2012 im Alter von 79 Jahren Heft komplett farbig, schreibt doch mal, wie Euch das unerwartet gestorben ist. Das geplante Konzert am 7.4. Bonn, Harmonie neue Layout gefällt. fällt damit natürlich aus. Er war einer der letzten großen amerikanischen Delta Blues-Musiker. Die beiden Konzerte, die wir in der Harmonie mit ihm Viel Spaß beim Lesen, veranstaltet haben (2006/07), werden uns immer in toller Erinnerung blei- Jürgen + Manni ben. Rest in Peace, Red! Impressum: INHALT SEITE Verlag: Interview: FREEDOM CALL . 4 SP Medienservice Friesdorferstr. 122, 53173 Bonn Interview: RAGE . 6+7 Tel.: 0228 / 390 22-0, Fax: 0228 / 390 22-10 Business Talk: Chris Brett Hard Records . -
The Stones Three Blind Mice CD / LP
The Stones Three Blind Mice CD / LP FNCT018 // RELEASE DATE: March 03, 2015 Of the four bands represented on the Dunedin Double EP, the early 80’s Flying Nun release that introduced that city’s fledging indie sound to the wider world The Stones are probably the least remembered and least appreciated. The Stones were birthed by singer/guitarist Wayne Elsey’s decision to quit ‘Bored Games’ to ‘start a band that sounded like The Clean. Their début came on the 25th April 1981 at an Otago University a gig headlined by Bored Games (Shayne Carter) and new comers The Chills and Verlaine’s (a line up which in retrospect, would make any The Stones CD/Download Flying Nun/low fi pop fan drool). Elsey’s vision for a band that sounds Three Blind MIce Bonus Live Tracks like The Clean didn’t really come to fruition. The Stones were to bright to not to create their own sound one wrapped in braggadocio and Gunner Ho It’s a Shame swagger. Fast, aggressive guitars, driving rhythm section with a knack See Red for fluid pop structures. Charismatic and smart The Stones had the abil- Mother/Father We Live ity to sound completely empathetic and threatening all at once. At the Café Everywhere Man Something New As all good things, The Stones were not to last, releasing one full Final Days Diamond Dirt length ‘Another Disc Another Dollar’ before breaking up two years in. Down and Around Think About It The band were part of the wave of Dunedin bands popular around Funky Conversations the country and mystery to the middle. -
Principia Discordia.Pdf
RAW Intro | Omar Intro | Title Page | Index | Version Notes | INTRODUCTION You hold in your hands one of the Great Books of our century fnord. Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce’s Ulysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel’s great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill. In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people from coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend – the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip. The legendry, the mystery, the cult grew very slowly. By the mid- 1970’s, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there. -
Apocrypha Discordiadiscordia Ðe Seconde Edityon
ApocryphaApocrypha DiscordiaDiscordia Ðe Seconde Edityon Compy’eled fromme Dyverƒ Sorƒeƒ by Hiƒ Wholineß ðe Rev DrJon Swabey Wið ILLUMINATIONS by Pope Phil Wlodarczyk III To the Prettiest One and to Blade, without whom. and in honour: Mal2 and Omar; Greg and Kerry; A couple of guys, A couple of saints. Dance with the Goddess (Jiggy-Jiggy) ILLUMINATIONS BY POPE PHIL WLODARCZYK III Content and Layout The Rev DrJon Swabey & a whole bunch of other Erisians, Discordians and Weirdos far too many to list here on this tiny page (sorry). Where identified, they’re all credited in the text. All effort has been made to verify the (K) status of individual items, however in the event of non - (K) items being accidentally included, please notify, and said items will be removed in subsequent editions. ( K ) 2001 ALL RITES REVERSED REPRINT WHAT YOU LIKE Second Edition 2002 3 5 7 9 8 6 4 2 Apocrypha Discordia with ILLUMINATIONS by Pope Phil Wlodarczyk III Assembled by His Wholiness the Rev DrJon on behalf of The Committee for Public Safety Approved for abuse in schools Give me your tired, your poor, Your huddled masses yearning to be free The wretched refuse of your teeming shore This country always needs more Soylent Green HAIL ERIS! — καλλιχτι — ALL HAIL DISCORDIA! Eristroduction You should have put that in there...”I found out I was dying, and used my last days to create a Discordian Manual...” Prince MuChao, Private correspodance, January 2002 Of course, I was wrong, Little Deluded Dupe that I am. Seven days before I was scheduled for Surgery, that quiet voice which I imagine also talks to Zen monks, Sufi mullahs and other Disreputable Persons at the End, rapped sharply on my skull and told me to get my shit in order within the week. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
Download the 2019 Programme
15-28 October 2019 hbaf.co.nz Welcome! This year we celebrate our fifth anniversary, so This is to highlight just a few of the exciting it seems fitting that we step it up a gear or two offerings we have this year… so grab some and bring you amazing Kiwi legends along with friends, get comfortable and take your time to outstanding local and international acts, with a go through the programme together and book programme featuring blues to burlesque, circus your favourites. to comedy, cabaret to Ceilidh, dance to delight, This year’s challenge for you is to bring theatre to thrill, and a fantastic selection of literary someone new, who hasn’t been to the festival treats in our Readers and Writers programme. before and share the joy of discovery with them We have the beautiful, 1930s Victoria Spiegeltent – they will thank you for the experience. as our hub, offering a unique experience in an The Festival is firmly cemented in the incredible atmosphere, with increased seating Hawke’s Bay calendar and is only possible capacity and better sightlines. Our fabulous Festival because of the generous support of Hastings Garden is there for you to relax with local food and District Council who provide our core funding, wine before, during and after the shows. alongside Creative NZ, the team at Harcourts The festival kicks off with our flagship show, (who have supported the festival from the Limbo, easily the biggest, boldest and greatest beginning as our naming rights sponsor), show to be included in our festival line up to date. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
SODOM „Lords of Depravity Part I“ DDVD ROAXFILMS Ein Ronald Matthes Film
SODOM „Lords Of Depravity Part I“ DDVD ROAXFILMS Ein Ronald Matthes Film Review: Klanggewitter Bevor Tom Angelripper (v., b.), Bernemann (g.) und Bobby Schottkowski (d.) zu den ‚Meistern der Verdorbenheit' werden konnten, entwickelten sie sich erst einmal zu den ‚Meistern der Verspätung'. Seit Anfang des Jahres 2004 wurde auf der offiziellen Sodom Homepage www.sodomized.info von der ersten DVD der Bandgeschichte gesprochen, der erste definitive Veröffentlichungstermin lag im März 2005. Nach ca. 666 Verschiebungen ist es nun endlich soweit: „Lords of depravity, part 1“ erblickt das Licht der Welt und so abgedroschen diese Floskel auch klingen mag das Warten, so sehr es den geneigten Sodom Fan im Vorfeld auch genervt hat, hat sich absolut gelohnt! Das sympathische Thrash Metal Trio hat bei der Aufarbeitung der eigenen Bandgeschichte schnell festgestellt, dass das vorhandene Material den Rahmen einer Doppel-DVD locker sprengen würde, zumal das Ganze kein liebloser Schnellschuß werden sollte, sondern eine wirklich umfassende Darstellung der Geschichte Sodoms unter Berücksichtigung und Hinzuziehung (nahezu) aller ex-Musiker. Aus diesem Grund umfasst „Lords of depravity, part 1“ nun die Jahre 1982 bis 1995, während der zweite Teil sich mit den letzten zehn Jahren der Bandgeschichte beschäftigen wird. Hält man das Produkt in der Hand, fällt einem direkt mal die liebevoll gestaltete, absolut edle Verpackung auf. In einem zweifach aufklappbaren DVD-Digipak im Pappschuber befinden sich zwei Silberlinge, sowie gleich zwei Booklets im DVD-Format. Die erste DVD ist betitelt mit „Historical depravity“, die zweite nennt sich „Live depravity“. Das Booklet zu „Historical depravity“ umfasst 28 Seiten, auf denen die Jahre 1982 bis 1995 schon recht umfassend in Schrift und Bild zusammengefasst werden. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Jorgensen 2019 the Semi-Autonomous Rock Music of the Stones
Sound Scripts Volume 6 | Issue 1 Article 12 2019 The eS mi-Autonomous Rock Music of The tS ones Darren Jorgensen University of Western Australia Recommended Citation Jorgensen, D. (2019). The eS mi-Autonomous Rock Music of The tS ones. Sound Scripts, 6(1). Retrieved from https://ro.ecu.edu.au/soundscripts/vol6/iss1/12 This Refereed Article is posted at Research Online. https://ro.ecu.edu.au/soundscripts/vol6/iss1/12 Jorgensen: The Semi-Autonomous Rock Music of The Stones The Semi-Autonomous Rock Music of The Stones by Darren Jorgensen1 The University of Western Australia Abstract: The Flying Nun record the Dunedin Double (1982) is credited with having identified Dunedin as a place where independent, garage style rock and roll was thriving in the early 1980s. Of the four acts on the double album, The Stones would have the shortest life as a band. Apart from their place on the Dunedin Double, The Stones would only release one 12” EP, Another Disc Another Dollar. This essay looks at the place of this EP in both Dunedin’s history of independent rock and its place in the wider history of rock too. The Stones were at first glance not a serious band, but by their own account, set out to do “everything the wrong way,” beginning with their name, that is a shortened but synonymous version of the Rolling Stones. However, the parody that they were making also achieves the very thing they set out to do badly, which is to make garage rock. Their mimicry of rock also produced great rock music, their nonchalance achieving that quality of authentic expression that defines the rock attitude itself. -
Dunedin Sound Sources at the Hocken Collections
Reference Guide Dunedin Sound Sources at the Hocken Collections ‘Thanks to NZR Look Blue Go Purple + W.S.S.O.E.S Oriental Tavern 22-23 Feb’, [1985]. Bruce Russell Posters, Hocken Ephemera Collection, Eph-0001-ML-D-07/09. (W.S.S.O.E.S is Wreck Small Speakers on Expensive Stereos). Permission to use kindly granted by Lesley Paris, Norma O’Malley, Denise Roughan, Francisca Griffin, and Kath Webster. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Dunedin Sound held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. -
Music Sources at the Hocken Collections
Reference Guide Music Sources at the Hocken Collections W.H. Allen, Elena Allen in her 1920s wedding dress, n.d, oil painting, 610x460mm, acc: 08/206. Reproduced courtesy of the artist’s family. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to music held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen.