Demarco on EIF 70 :: a New Library for Dunfermline
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STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site. -
Thundering Hooves Report [2006]
THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios.......................................................................................................................... -
The Misty Isle of Skye : Its Scenery, Its People, Its Story
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES c.'^.cjy- U^';' D Cfi < 2 H O THE MISTY ISLE OF SKYE ITS SCENERY, ITS PEOPLE, ITS STORY BY J. A. MACCULLOCH EDINBURGH AND LONDON OLIPHANT ANDERSON & FERRIER 1905 Jerusalem, Athens, and Rome, I would see them before I die ! But I'd rather not see any one of the three, 'Plan be exiled for ever from Skye ! " Lovest thou mountains great, Peaks to the clouds that soar, Corrie and fell where eagles dwell, And cataracts dash evermore? Lovest thou green grassy glades. By the sunshine sweetly kist, Murmuring waves, and echoing caves? Then go to the Isle of Mist." Sheriff Nicolson. DA 15 To MACLEOD OF MACLEOD, C.M.G. Dear MacLeod, It is fitting that I should dedicate this book to you. You have been interested in its making and in its publica- tion, and how fiattering that is to an author s vanity / And what chief is there who is so beloved of his clansmen all over the world as you, or whose fiame is such a household word in dear old Skye as is yours ? A book about Skye should recognise these things, and so I inscribe your name on this page. Your Sincere Friend, THE A UTHOR. 8G54S7 EXILED FROM SKYE. The sun shines on the ocean, And the heavens are bhie and high, But the clouds hang- grey and lowering O'er the misty Isle of Skye. I hear the blue-bird singing, And the starling's mellow cry, But t4eve the peewit's screaming In the distant Isle of Skye. -
Lockdown Legacy Webinar: the Digital Future of the Art and Cultural Heritage World 7 November 2020, 10Am-1Pm Keynote Speaker: T
Lockdown Legacy Webinar: The Digital Future of the Art and Cultural Heritage World 7 November 2020, 10am-1pm Keynote speaker: Terence Gould, Technology Manager, Art UK SESSION 1 Chair: Alice Strang, Art Historian and Curator of Modern & Contemporary Art 10.00 - 10.10am Welcome 10.10 - 10.30am KEYNOTE SPEAKER: Terence Gould, Technology Manager, Art UK, ‘Curating by all & for all: Art UK as a digital exhibitions platform’ 10.30 - 10.40am Abi Webster, Programme Assistant, Edinburgh Art Festival, ‘Performance in the digital realm: potentials and challenges for new commissions’ 10.40 - 10.50am Margaret Sweetnam, Marketing & Communications Manager, Aberdeen Archives, Gallery & Museums, ‘How To be More Joe Wicks - Finding our Digital Mojo’ 10.50 - 11.00am Q&A FIRST BREAK - 11.00 - 11.10am Visual presentation # 1 Isabella Wagner, University of Glasgow / The Hunterian ‘The Hunterian’s Approach to Digital Engagement’ Visual presentation #2 Bianca Callegaro, University of Glasgow & Co-Founder, Art Gate Blog, ‘Online Engagement with Culture in the New Normal: The case of Art Gate Blog’ SESSION 2 Chair: Shona Elliott, Lead Curator (Collections Access), Aberdeen Archives, Gallery & Museums 11.10 - 11.20am Welcome 11.20 - 11.30am Norman McBeath, Printmaker and Photographer, ‘Perdendosi’ 11.30 - 11.40am Sandy Wood, Collections Curator, Royal Scottish Academy of Art & Architecture, ‘Pandemic: The Royal Scottish Academy during lockdown and beyond’ 11.40 - 11.50am Alice Strang, Art Historian & Curator of Modern & Contemporary Art, ‘A Curatorial History of Lockdown in 164 Posts’ 1 11.50 - 12noon Q&A SECOND BREAK - 12.00 - 12.10pm Visual presentation Martin Disley, Artist and Technology Researcher Cartographic Hallucination: Generative A.I. -
Uig Development Brief
AGENDA ITEM 9 REPORT NO. SR/11/19 HIGHLAND COUNCIL Committee: Isle of Skye and Raasay Area Committee Date: 3 June 2019 Report Title: Uig Development Brief Report By: Director of Development and Infrastructure 1. Purpose/Executive Summary 1.1 This report seeks approval for the finalised version of the Uig Development Brief along with the suggested Council responses to comments made during the public consultation. The Brief sets out an agreed planning framework which will guide the physical development and transformation of the area over the next 20 years. A key part of this is to identify and coordinate development and regeneration opportunities, including those which may arise from Transport Scotland's investment in the Skye Triangle ferry routes which involves a major upgrade of Uig Harbour. Subject to Committee approval, officers will take steps to formally adopt the brief as statutory Supplementary Guidance to the Council’s Development Plan. 2. Recommendations 2.1 Members are asked to: i. consider the summary of comments received on the Brief and agree the Council responses as set out in Appendix 1; and ii. agree to adopt the Uig Development Brief at Appendix 2 as part of the Development Plan, subject to any non-material amendments or formatting changes, and clearance by Scottish Ministers. 3. Purpose of Project and Context 3.1 The Uig Development Brief covers an area around the commercial core of Uig, which lies immediately to the west of the Harbour. The Council’s existing Development Plan seeks to consolidate Uig’s role as the principal settlement on the western flank of the Trotternish peninsula and as a ferry terminal which generates significant economic activity for the local area. -
FULL ATTENDEES Individuals
Contemporary Collections and Collecting in Scotland Series Record of Attendence Individuals First name Surname Organisation Position Jennifer Melville Aberdeen Art Gallery Keeper of Fine Art Liesbeth Bik Artist Christine Borland Artist Rose Frain Artist Jos van der Pol Artist Gerrie van Noord Artist Pension Trust, London Co-Director Andrew Brown Arts Council England Senior Strategy Officer - Visual Arts Louise Shelley Centre for Contemporary Art, Glasgow Head of Programmes Kate Gray Collective Gallery, Edinburgh Director Jenny Crowe Consultant Moira Jeffrey Consultant Kirstie Skinner Consultant Elaine Martay Cultural Strategy and Diplomacy Team, Scottish GoveInternationalrnment Policy Mark O'Neill Culture Sport Glasgow Head of Arts and Museums Ben Harman Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Victoria Hollows Culture Sport Glasgow / Gallery of Modern Art, GlasgowMuseum Manager Sean McGlashan Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Margaux Achard Culture Sport Glasgow/ Kelvingrove Jenny Brownrigg Duncan of Jordanstone College of Art and Design Exhibitions Curator Edwin Janssen Duncan of Jordanstone College of Art and Design Artist/Academic Leader Laura Simpson Duncan of Jordanstone College of Art and Design Assistant Curator, Exhibitions Graham Domke Dundee Contemporary Arts Curator Clive Gillman Dundee Contemporary Arts Director Judith Winter Dundee Contemporary Arts Deputy Director and Head of Programmes Joanne Brown Edinburgh Art Festival Director Ian -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Uig Development Brief Bhrath-Leasachaidh Ùig
Uig Development Brief Bhrath-Leasachaidh Ùig June 2019 www.highland.gov.uk Contents Uig Development Brief 1 Introduction | Ro-ràdh 2 Background and Purpose 2 Stages of Preparation and Consultation 5 2 Context | Co-theacsa 7 Planning Policy 7 Area Analysis 8 3 Development Framework | Frèam Leasachaidh 15 Development Objectives 15 Indicative Masterplan 16 Sites A and B - Existing terminal building and land to the rear 16 Sites C and D - Disused fuel tanks and HIE owned land 20 Site E - Scottish Fire and Rescue Service land 20 Site F - Isle of Skye Brewery Company 21 Site G - Bakur Bar 21 Site H - Short stay car park 22 Developer Requirements 22 Developer Contributions 26 Uig Development Brief The Highland Council 1 Introduction | Ro-ràdh Background and Purpose 1 This Development Brief covers the commercial core of Uig which lies immediately to the west of the Harbour (the boundary is shown in Map 1.1 'Development brief boundary'). The purpose of the Brief is to provide a structured framework for guiding the physical development and transformation of the area over the next 20 years. A key part of this is to identify and coordinate development and regeneration opportunities. This includes those opportunities which may arise from Transport Scotland's investment in the Skye Triangle ferry service which involves a new and improved ferry vessel and major upgrade of Uig Harbour. 2 The Brief sets out details of an agreed vision for the area including the identification development sites, acceptable land uses, together with guidance on appropriate siting and design of development, phasing and service provision. -
History of the Macleods with Genealogies of the Principal
*? 1 /mIB4» » ' Q oc i. &;::$ 23 j • or v HISTORY OF THE MACLEODS. INVERNESS: PRINTED AT THE "SCOTTISH HIGHLANDER" OFFICE. HISTORY TP MACLEODS WITH GENEALOGIES OF THE PRINCIPAL FAMILIES OF THE NAME. ALEXANDER MACKENZIE, F.S.A. Scot., AUTHOR OF "THE HISTORY AND GENEALOGIES OF THE CLAN MACKENZIE"; "THE HISTORY OF THE MACDONALDS AND LORDS OF THE ISLES;" "THE HISTORY OF THE CAMERON'S;" "THE HISTORY OF THE MATHESONS ; " "THE " PROPHECIES OF THE BRAHAN SEER ; " THE HISTORICAL TALES AND LEGENDS OF THE HIGHLANDS;" "THE HISTORY " OF THE HIGHLAND CLEARANCES;" " THE SOCIAL STATE OF THE ISLE OF SKYE IN 1882-83;" ETC., ETC. MURUS AHENEUS. INVERNESS: A. & W. MACKENZIE. MDCCCLXXXIX. J iBRARY J TO LACHLAN MACDONALD, ESQUIRE OF SKAEBOST, THE BEST LANDLORD IN THE HIGHLANDS. THIS HISTORY OF HIS MOTHER'S CLAN (Ann Macleod of Gesto) IS INSCRIBED BY THE AUTHOR. Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://archive.org/details/historyofmacleodOOmack PREFACE. -:o:- This volume completes my fifth Clan History, written and published during the last ten years, making altogether some two thousand two hundred and fifty pages of a class of literary work which, in every line, requires the most scrupulous and careful verification. This is in addition to about the same number, dealing with the traditions^ superstitions, general history, and social condition of the Highlands, and mostly prepared after business hours in the course of an active private and public life, including my editorial labours in connection with the Celtic Maga- zine and the Scottish Highlander. This is far more than has ever been written by any author born north of the Grampians and whatever may be said ; about the quality of these productions, two agreeable facts may be stated regarding them. -
Or Not? Berwick’S Russian Connection :: Italian Glass Artwork 197 March/April 2017 Page 2 Artwork 197 March/April 2017 Page 3
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 197 Pick up your own FREE copy and find out what’s really happening in the arts March/April 2017 From the exhibition ‘Entangled‘ at the Turner Contemporary in Margate. See the review in this issue by Mary Gladstone. Inside: ‘Better Outcomes’ for the Arts - or not? Berwick’s Russian connection :: Italian glass artWORK 197 March/April 2017 Page 2 artWORK 197 March/April 2017 Page 3 [email protected] CHECK OUT OUR OTHER TITLES artWORK www.artwork.co.uk MORE COLOUR THAN ANY OTHER West Highland Wayfarer JACKSONSART.COM www.westhighlandwayfarer.co.uk Courses THEWhisky Trailer Sources for www.whiskytrailer.co.uk www.northernbooks.co.uk Do you have a course in & Email: Poldrate Arts Crafts Centre, the arts to offer artists [email protected] Elizabeth Hamilton Buildings, Haddington, EH41 4DA or craft workers? These [email protected] columns are read by an The North*s Original Free Arts Newspaper + www.artwork.co.uk Haddington, East Lothian, EH41 4DA www.artwork.co.uk interested and informed PACC MEMBERS EXHIBITION 2017 readership £12.00 (6 issues) o Saturday March 25th - Sunday 2nd April OPEN 2 WEEKENDS & £18.00 (12 issues) EVENINGS DURING THE WEEK o Saturdays & Sundays NAME .................................................................................................................................................................. 11am - 4pm Monday – Friday 6.30pm – 8.30pm ADDRESS .......................................................................................................................................................... -
Rachel Maclean Born 1987, Edinburgh
Rachel Maclean Born 1987, Edinburgh. Lives and works in Glasgow. www.rachelmaclean.com Education: 2005 to 09 BA Honours Drawing and Painting, Edinburgh College of Art, Scotland 2008 School of the Museum of Fine Arts Boston, USA Video still from Make Me Up (2018) 1 Recent Press coverage: 2019 Guardian: https://www.theguardian.com/artanddesign/2019/jan/25/too-cute-review-birmingham 2018 Guardian: https://www.theguardian.com/artanddesign/2018/aug/05/rachel-maclean-artists-in- residence-channel-4-birmingham-bullring 2018 Financial Times: https://www.ft.com/content/a6cb6d0a-bfee-11e8-95b1-d36dfef1b89a 2018 BFI: https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews- recommendations/make-me-up-rachel-maclean-digital-suffragette-satire-art-history 2018 BBC: https://www.bbc.co.uk/programmes/articles/VH2tVhVH0qnRXxLpTGYjvV/day-glo- dystopia-rachel-macleans-techno-fable-make-me-up 2017 The Scotsman: https://www.scotsman.com/lifestyle/culture/art/art-review-rachel-maclean-spite- your-face-1-4447789 2016 Frieze: https://frieze.com/article/focus-rachel-maclean VR still from I’m Terribly Sorry (2018) 2 Solo Exhibitions: Upcoming November 2019 Solo exhibition at Tel Aviv Museum of Art, Israel Upcoming September 2019 Solo exhibition at Arsenal Contemporary NYC, USA 2019 Tales of Disunion, Solo exhibition at Nassauischer Kunstverein, Wiesbaden, Germany 2019 Make Me Up, Solo exhibition at Kunsthalle Winterthur, Winterthur, Switzerland 2018 Please, Sir…, Solo exhibition at Gus Fisher Gallery, University of Auckland, New Zealand 2018/19 The Lion and The Unicorn, The National Gallery, London, England 2018/19 Rachel Maclean: Solo Exhibition, KWM Arts Centre, Beijing, China 2018 Spite Your Face, Rachel Maclean, Chapter, Cardiff, Wales 2018 Rachel Maclean: Solo Exhibition, Zabludowicz Collection, London, England 2018 Just B Yourself, Rachel Maclean, Dublin City Art Gallery, Dublin 2018 New Worlds, State of Concept, Athens, Greece 2018 Rachel Maclean: Solo Exhibition. -
Edinburgh Art Festival Exhibition 'Eskimo'
Edinburgh Research Explorer Edinburgh Art Festival Exhibition 'Eskimo' Citation for published version: Adamson, L & Todd, G, Edinburgh Art Festival Exhibition 'Eskimo', 2008, Exhibition, Polarcap, East Lothian, Scotland. <http://www.polarcap.org.uk> Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 Edinburgh Art Festival 2008,’ Eskimo’ Eskmills, East Lothian Portfolio Submission Ref 2014 Eskimo is an exhibition and publication with commissioned essays and accompanying visual arts conference originated by artist Liz Adamson and Graeme Todd (Polarcap Contemporary Art Projects) as a principal venue of the Edinburgh Art Festival 2008. 1 Project Ref 2014 : Eskimo In the spring of 2008 we were approached by Malcolm Gillies of Isertal and Hot Tin Roof PR agency on the back of the success of our previous exhibition at Edinburgh Arts Festival, ‘No More Stars’ to work with Isertal construction, based at Eskmills in Musselburgh just outside Edinburgh to produce another exhibition that would again be included in the festival in the coming summer.