Magic & Illusion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pressive Cast of Thinkers and Performers
Table of Contents Long Synopsis Short Synopsis Michael Caplan Biography Key Production Personnel Filmography Credit List Magicians & Scholars Cover design by Lara Marsh, Illustration by Michael Pajon A Magical Vision /Long Synopsis ______________________________________________________ A Magical Vision spotlights Eugene Burger, a far-sighted philosopher and magician who is considered one of the great teachers of the magical arts. Eugene has spent twenty-five years speaking to magicians, academics, and the general public about the experience of magic. Advocating a return to magic’s shamanistic, healing traditions, Eugene’s “magic tricks” seek to evoke feelings of awe and transcendence, and surpass the Las Vegas-style entertainment so many of us visualize when we think of magicians. Mentors and colleagues have emerged throughout Eugene’s globe-trotting career. Among them is Jeff McBride, a recognized innovator of contemporary magic, and Max Maven, a one-man-show who performs a unique brand of “mind magic” to audiences worldwide. Lawrence Hass created the world’s first magic program in a liberal arts setting, where his seminar has attracted an impressive cast of thinkers and performers. The film, however, is Eugene’s journey. It began in 1940s Chicago, a city already renowned as the center of classic magic performance. Yale Divinity School followed, leading Eugene to the world of Asian mysticism. From there came the creation of Hauntings, a tribute to the sprit theatre of the 19th century, and the gore of the Bizarre Magick movement. Today Eugene’s performances and lectures draw inspiration from the mythology of India to the Buddhism of magical theory. On this stage, the magicians and thinkers open doors to an astounding world, a world that we rarely take time to see. -
Eugene Burger (1939-2017)
1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so. -
Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
The Magic Collection of David Baldwin
Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B. -
Download PDF Datastream
“Le Premier Cadre”: Theatre Architecture and Objects of Knowledge in Eighteenth- Century France by Pannill Camp B.A., University of Puget Sound, 1999 A.M., Brown University, 2001 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Theatre, Speech and Dance at Brown University Providence, Rhode Island May 2009 ii © Copyright 2009 by Pannill Camp iii This dissertation by Pannill Camp is accepted in its present form by the Department of Theatre, Speech, and Dance as satisfying the dissertation requirement for the degree of Doctor of Philosophy in Theatre and Performance Studies. _______________ ______________________ Date Spencer Golub, Advisor Recommended to the Graduate Council ________________ ______________________ Date Rebecca Schneider, Reader ________________ ______________________ Date Jeffrey Ravel, Reader Approved by the Graduate Council ________________ ______________________ Date Sheila Bonde, Dean of the Graduate School iv VITA Pannill Camp was born in Austin, Texas in 1977 and grew up in Aurora, Colorado, where he graduated from Overland High School in 1995. He studied English and Theatre at the University of Puget Sound, graduating with a B.A. degree in English Writing, Rhetoric, and Culture in 1999. Pannill began pursuing a master’s degree that year in theatre studies at Brown University, which he completed in 2001. During the course of his studies for this degree he directed The Wild Duck by Henrik Ibsen at Brown’s Production Workshop and Mac Wellman’s Dracula on the theatre department’s mainstage, for which productions he was awarded the Weston Award for Theatre Directing in 2001. After spending a year living and working in New York City and a year creating English language instruction materials for the Spanish Army in Madrid, Pannill returned to Providence in 2003 to begin work on his doctorate in theatre and performance studies in the Ph.D. -
Bibliography of Works by Roberto Giobbi Status: May 2019
Bibliography of Works by Roberto Giobbi Status: May 2019 Books • Fantasia in As-Dur, Magic Communication Roberto Giobbi, Basel 1987 • CardPerfect, Magic Communication Roberto Giobbi, Basel 1987 • roberto-light, Magic Communication Roberto Giobbi, Basel 1988 • Grosse Kartenschule Band 1, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 2, Magic Communication Roberto Giobbi, Basel 1992 • roberto extra-light, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 3, Magic Communication Roberto Giobbi, Basel 1994 • Grosse Kartenschule Band 4, Magic Communication Roberto Giobbi, Basel 1994 • Cours de cartomagie moderne Tome 1, Magix, Strasbourg 1994 • Gran Escuela Cartomagica, Volumenes 1 y 2, Paginas, Madrid 1994 • Card College Volume 1, Hermetic Press, Seattle 1995 • Gran Escuela Cartomagica, Volumenes 3 y 4, Paginas, Madrid 1995 • roberto super-light, Magic Communication Roberto Giobbi, Basel 1995 • Cours de Cartomagie Moderne Tome II, Magix, Strasbourg 1996 • Roberto Light, Paginas, Madrid 1996 • Roberto Super Light, Paginas, Madrid 1996 • Roberto Extra Light, Paginas, Madrid 1996 • Card College 1, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1998 • Card College 2, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1999 • Il sogno del baro, Florence Art Edizioni, Firenze 1999 • Card College 3, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 2001 • Roberto Light, Florence Art Edizioni, Firenze 2001 • Roberto Extra-Light, Florence Art Edizioni, Firenze 2001 • Roberto Super-Light, Florence Art Edizioni, Firenze 2001 • Card College Volume 1 (Japanese version), Tokyo 2001 • Card College Volume 2 (Japanese version), Tokyo 2002 • Card College Volume 5, Hermetic Press, Seattle 2003 • Grosse Kartenschule Band 5, Magic Communication Roberto Giobbi, Basel 2003 • Cours de Cartomagie Moderne Tome 3, Magix, Strasbourg 2005 • Card College Light, Hermetic Press, Seattle 2006 • Roberto Light (version française), C.C. -
The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
College of Magic – Annual Report 2018
COLLEGE OF MAGIC Annual Report 2018 2018 College of Magic Annual Report 1 for theAnnual year ended 31 Report December 2018 Country of Incorporation South Africa Nature of Organisation The Association is a non-profit organisation incorporated in terms of the Non-profit Organisations Act 1977, on 9 December 1999. Registration Number 007-517 NPO PBO Number 930 019 992 Nature of Operations The aim of this organisation is to see lives and communities transformed through the provision of education and development programmes with a specific emphasis on educational enrichment and supplementary tuition targeting the full diversity of the South African Youth. The organisation achieves this objective through the medium of the performing arts, with an emphasis on magic and the allied arts. Street Address 215 Imam Haron Rd (formerly Lansdowne Rd) Claremont, 7700 Cape Town, South Africa Postal Address PO Box 2479 Clareinch, 7740 Cape Town, South Africa Telephone +27 21 683 5480 Website www.collegeofmagic.com Auditors Horwath Zeller Karro Chartered Accountants (S.A.) Registered Accountants and Auditors College of Magic ‘Walk-about performers’ entertain Artscape Theatre guests at the Imagine! Show, in June 2018. 2018 Chairman’s Report n the midst of difficult socio-economic the future of our country. At the College Iconditions in South Africa, the College of Magic, our aim is to see lives and of Magic stands as a shining light of hope communities transformed through the and joy as we continue to pour our skills, provision of education and development experience, time, passion and energy into programmes with a specific emphasis the lives of young people from diverse and on educational enrichment and challenging backgrounds. -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Duane Laflin Magician and Illusionist S.A.M.S.A.M
June 2013 Official Publication of The Society of Young Magicians DUANE LAFLIN MAGICIAN AND IllUSIONIST S.A.M.S.A.M. SSPOTLIGHTPOTLIGHT Whats on the Web WWA brief look at what’s happening in magic on theW Internet Magic in Mind by Joshua Jay One of the most significant collections of magic theory ever assembled …and it’s yours, FREE! (See info on back cover the go to the link below to download) Download by going here http://www.vanishingincmagic.com 2 June 2013/The Magic SYMbol CONTENTSWHAT’S INSIDE 2 Spotlight - Convention Ad/What’s on the Web t10 Loopy Links 4 Letter From the Editor 11 Member Profile 5 SYM Member Essay - Duane Laflin 12 SYM Pin Program 6 International Magic Festival 13 SYM Pin Program 7 Coin Through Glass 14 Magic in Mind by Joshua Jay 8 S.Y.M. Pin Program Update 9 Six Spell Magic in Mind S.Y.M. WEBSITE S.A.M. WEBSITE www.magicsym.com www.magicsam.com The Society of Young Magicians (S.Y.M.) sponsored by The Society of American Magicians, is a world-wide organization for youth, ages 7 through 17. (At age 18 you graduate to membership in The Society of American Magicians.) The purpose of S.Y.M. is to promote interest in magic as a wholesome hobby that will help develop self-confidence and skill, the ability to speak in pub- lic, discipline that comes from learning, practicing and performing magic, and a sense of service to others through helping others learn magic and by performing magic at charitable events. -
Fall Magic Auction
Public Auction #027 Fall Magic Auction Featuring Personal Artifacts and Memorabilia From The Career of Channing Pollock and The Library of James B. Alfredson Complemented by a Selection of Collectible Magicana Auction Saturday, November 1, 2014 v 10:00 Am Exhibition October 29 - 31 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 Channing Pollock Channing West Pollock (1926 – 2006) was one of the most Snow-white birds materialized from the hands of the tall, dark, sophisticated, professional, accomplished—and imitated— and handsome magician. Then they vanished, along with the magicians of his generation. cage that held them. He began studying magic at the age of 21. Upon Pollock’s popularity was not only derived from his sleight of graduation from the Chavez College of Manual Dexterity hand technique, however. Often billed as “the most handsome and Prestidigitation in 1952, he was regarded as its most man in the world,” his appeal to general audiences led him into accomplished pupil and soon held a teaching position at starring roles in European films such as Judex and Rocambole, the school, but quickly moved on to a storied career in show and to regular appearances in American television on a number business. In 1954, he appeared on Ed Sullivan’s famous of popular programs. television variety show. Soon thereafter, Pollock went on to Although Pollock retired from show business completely conquer American stages, and then set his sights abroad to in 1969, he never lost his love for magic. -
Download Press
Press Resource Contents: page Why McBride? 1 The Shows 2 Bio. 3 Clients/ Awars 4 Magic Magazine Article 5-12 Reviews 12-21 JeffJeff McBrideMcBride Why McBride Magic is the perfect show for your showroom or event 1. If you want appreciative, excited audiences, McBride’s shows have a proven record for thrill- ing audiences and reviewers worldwide. 2. Do you have a mixed audience of different ages, or different cultures? McBride’s magic appeals to audiences of all types and nationalities. The show is a visual and aural spectacle which can be fully understood no matter what the viewer’s native language. 3. Looking for a way to generate publicity for your event or product? We have long experience working with our clients’ creative and marketing staffs to assure the show will meet your criteria for success on every level. 4. We have a time-tested set of technical requirements which we can tailor to your venue and situa- tion. Because we have performed in every kind of venue imaginable, we know how to get the most from whatever technical support you can provide, and to work well with your technical staff. 5. When budgets are tight, but you need to make a big splash, our small company (McBride, 1-5 Assistants, one Production Manager) puts on a very big show -- the most exciting magic show in all the world! We have shows of different sizes to fit any budget and space. 6. We enjoy doing community outreach types of promotion - appearances at local schools, fund-rais- ers, etc., that help you both to sell tickets and maintain good relations for your organization within the community.