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Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Mp3, Flac, Wma
Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Country: Romania Released: 1968 Style: Classical, Romantic MP3 version RAR size: 1748 mb FLAC version RAR size: 1976 mb WMA version RAR size: 1671 mb Rating: 4.3 Votes: 619 Other Formats: MMF AU DTS MIDI AC3 FLAC VOX Tracklist Hide Credits Preludiu, Coral Și Fugă A1 Composed By – César Franck Suita Bergamască Composed By – Claude Debussy B2.1 I. Preludiu B2.2 II. Menuet B2.3 III. Clar De Lună B2.4 IV. Passepied Două Piese Pitorești Composed By – Emmanuel Chabrier B3.1 I. Peisaj B3.2 II. Scherzo - Vals Companies, etc. Printed By – I.P. Fabrica de Timbre – cd. 7006/968 Credits Graphics – Jean Eugen Liner Notes – Alfred Hoffman Photography By – Morel Volbură Piano – Aldo Ciccolini Notes Tiparul : I.P.F.T. cd. 7006/968 Made in Romania FT [I.P. Fabrica De Timbre] logo not printed rear sleeve Yellow lemon labels with purple and black print Barcode and Other Identifiers Other: N. I . 760/66 Other (Price): Lei 28 Other versions Category Artist Title (Format) Label Category Country Year Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier - ECE 0345 Claude Debussy / Electrecord ECE 0345 Romania Unknown Preludiu, Coral Și Fugă / Emmanuel Suita Bergamască / Două Chabrier Piese Pitorești (LP, Mono) Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier -
Nota Consolidato 1995
Class Editori 2014 Report on Operations and Financial Statements Share capital € 28,321,907.40 fully paid up Registered offices: Via Burigozzo 5, Milan Tax code and VAT number: 08114020152 R.E.A. 1205471 Page 2 Table of contents Class Group Directors and officers ......................................................................................................... 4 Report on operations of the Publishing House ................................................................... 5 Financial statement highlights of subsidiaries and associates ............................................ 30 Consolidated financial statements of the Publishing House .............................................. 35 Statement of changes in consolidated shareholders’ equity in 2013 and 2014 ................. 38 Consolidated cash flow statement ..................................................................................... 39 Consolidated financial position at 31 December 2014 pursuant to Consob Resolution no. 15519 dated 27/07/2006 ............................................................................ 40 Explanatory notes to the consolidated financial statements .............................................. 42 Schedule of significant equity holdings pursuant to art. 120 of Legislative Decree 89 no. 58/1998 ........................................................................................................................ Related-party transactions at 31 December 2014 ............................................................. -
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland PRESENTER & COMPOSER BIOS updated April 24, 2015 Adams, Bill J. Bill J. is a belting masterclass presenter and Art Song specialist who serves as the Coordinator of Performing Arts and associate professor at Nova Southeastern University in Fort Lauderdale FL. He is also a principal investigator for Music Counts: A Specialized Treatment Program for Children with Autism. New York credits include: The Rape of the Lock (Ariel), The Bartered Bride (VaŠek), Die ZauberflÖte (Monostatos), Madama Butterfly (Goro). Regional credits include: The Most Happy Fella (Ciccio) with William Michals, Cannibal: the Musical (Loutzenheiser), A View from the Bridge (Mike), Albert Herring (Mayor), Assassins (Zangara), The Coronation of Poppea (Arnalta), Falstaff (Dr. Cajus), Manon (Guillot), and One Flew Over the Cuckoo’s Nest (Cheswick). Adams, Daniel C. Daniel Adams (b. 1956, Miami, FL) is a Professor of Music at Texas Southern University in Houston. Adams holds a Doctor of Musical Arts (1985) from the University of Illinois at Urbana-Champaign, a Master of Music from the University of Miami (1981) and a Bachelor of Music from Louisiana State University (1978). He currently serves as the College Music Society Board Member for Composition and previously as South Central Chapter President. Adams is the composer of numerous published musical compositions and the author of many articles, encyclopedia entries and reviews on various music- related topics. His most recent article, “Indeterminate Passages as Temporal and Spatial Components of Three Selected Compositions for Snare Drum Ensemble” was published in the Fall 2013 issue of the Journal of the National Association of Wind and Percussion Instructors. -
Intégrale Des Concertos Pour Piano De Beethoven
Intégrale des concertos pour piano de Beethoven ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE MIKKO FRANCK direction 24|27|31 JANVIER 20H & 3 FÉVRIER 20H MIKKO FRANCK Intégrale des concertos pour piano de Beethoven ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE MIKKO FRANCK direction ELISABETH LEONSKAJA ALICE SARA OTT PIERRE-LAURENT AIMARD RUDOLF BUCHBINDER BERTRAND CHAMAYOU piano 24|27|31JANVIER | 3 FÉVRIER - 20H BEETHOVEN, LE PLUS GRAND OU LE SEUL ? Imaginons dans cinq siècles ce qui pourra rester du XIXe… En musique, un seul nom : Beethoven. Peut-être le plus grand, si tant est qu’on puisse mesurer et comparer le génie, mais sans doute le plus universel pour s’être nourri du passé (Haydn et Mozart, Bach et Haendel) et pour avoir été le pain quotidien de tous MERCREDI 24 JANVIER 20H MERCREDI 31 JANVIER 20H ceux qu’il semble avoir annoncés : Mendelssohn, Schumann et Brahms, Schubert, AUDITORIUM page 7 AUDITORIUM - page 17 Wagner et Bruckner, Berlioz, Bizet, Gounod et Saint-Saëns, Liszt, Smetana et Dvoˇrák, pour ne citer que les plus connus. Ludwig van Beethoven François Devienne S’avise-t-on de chercher à justifier la supériorité de Beethoven en soumettant l’une Fantaisie pour piano opus 77 Sonate en quatuor en fa majeur ou l’autre de ses œuvres au scalpel de l’analyse ? On y trouve plus souvent que George Onslow Ludwig van Beethoven chez tout autre l’application parfaite des règles de construction : deux thèmes, l’un Symphonie n°2 Concertos pour piano n°2 et n°1* rythmique, l’autre mélodique, appelés à s’affronter dans la section centrale, dite Ludwig van Beethoven Nels Lindeblad flûte de développement, menant sinon à la victoire du plus fort, du moins à celle de la Concerto pour piano n°4 Jérémy Pasquier alto tonalité initiale. -
ALLEGATO B Anno 2013 Emittenti COMMERCIALI Ministero Dello Sviluppo Economico Regione Titolare Denominazione Radio Magg
Elenco Emittenti ammesse al contributo ALLEGATO B Anno 2013 Emittenti COMMERCIALI Ministero dello Sviluppo Economico Regione Titolare Denominazione Radio Magg. (*) ABRUZZO RADIO C1 S.R.L. RADIO C1 CUGNOLI ABRUZZO RADIO CALIFORNIA DI MARRONE G. E C. SAS RADIO CALIFORNIA ABRUZZO PUBBLIFEBAR S.R.L. RADIO CENTRALE ABRUZZO NOVE NOVE SRL RADIO CIAO ABRUZZO RADIO DELTA 1 S.R.L. RADIO DELTA 1 ABRUZZO RADIO DELTA 1 S.R.L. RADIO DELTA 2 ABRUZZO RADIO G. GIULIANOVA S.A.S. RADIO G GIULIANOVA ABRUZZO RADIO INTERNATIONAL S.R.L. RADIO INTERNATIONAL ABRUZZO EDIZIONI SILVESTRI S.R.L. RADIO KETCHUP ABRUZZO INFOMEDIA GROUP S.R.L. RADIO L'AQUILA 1 ABRUZZO CENTRO ITALIA TRASMISSIONI RADIO LUNA S.R.L. RADIO LUNA ABRUZZO RADIO DELTA 1 S.R.L. RADIO LUNA ABRUZZO RADIO MONDO DI MARZIO ERNESTO E C. SAS RADIO MONDO ABRUZZO RADIO MONTE VELINO SAS RADIO MONTE VELINO ABRUZZO RADIO PARSIFAL SRL RADIO PARSIFAL ABRUZZO RADIO DELTA 1 S.R.L. RADIO PLAY CAPITAL ABRUZZO RADIO ANTENNA FUTURA S.R.L. RAF RADIO ANTENNA FUTURA ABRUZZO STUDIO 5 SRL STUDIO 5 FM BASILICATA G.P.M. COMUNICATION P. S. C. A R. L. CANALE 94 STEREO SI BASILICATA LASER MEDIA P.S.C.A R.L. CITY RADIO SI BASILICATA G.P.M. COMUNICATION P. S. C. A R. L. POLIRADIO SI BASILICATA PUNTO RADIO S.R.L. PUNTO RADIO SI BASILICATA RADIO ACTIVITY S.R.L. RADIO ACTIVITY SI BASILICATA EMMEDUE S.R.L. RADIO CARINA SI BASILICATA COMUNICARE SOC. COOP. RADIO COLOR SI BASILICATA AGI SRL RADIO EVA SI BASILICATA EMMEDUE S.R.L. -
Volume 71, Number 09 (September 1953) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1953 Volume 71, Number 09 (September 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 09 (September 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/114 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or . -
Nota Consolidato 1995
Class Editori 2012 Report on Operations and Financial Statements Share capital € 10,560,751.00 fully paid up Registered office: 5, Via Burigozzo, Milan Tax code and VAT number: 08114020152 R.E.A. 1205471 Table of contents Class Group Composition of Corporate Bodies ...................................................................................... 4 Report on operations of the Publishing House ................................................................... 5 Financial statement highlights of subsidiaries and associates ............................................ 27 Consolidated Financial Statement for the Publishing House ............................................. 32 Statement of changes in consolidated Net Equity 2011 and 2012 ..................................... 37 Consolidated cash flow statement ..................................................................................... 38 Consolidated financial situation at 31st December 2012 pursuant to Consob Resolution no. 15519 dated 27/07/2006 ............................................................................ 39 Explanatory notes to the consolidated financial statements .............................................. 42 Schedule of significant equity holdings pursuant to Art. 120 of Legislative Decree No. 58/1998 ....................................................................................................................... 79 Related party transactions at 31st December 2012 ............................................................ 82 Certification -
Notices of the American Mathematical
ISSN 0002-9920 Notices of the American Mathematical Society AMERICAN MATHEMATICAL SOCIETY Graduate Studies in Mathematics Series The volumes in the GSM series are specifically designed as graduate studies texts, but are also suitable for recommended and/or supplemental course reading. With appeal to both students and professors, these texts make ideal independent study resources. The breadth and depth of the series’ coverage make it an ideal acquisition for all academic libraries that of the American Mathematical Society support mathematics programs. al January 2010 Volume 57, Number 1 Training Manual Optimal Control of Partial on Transport Differential Equations and Fluids Theory, Methods and Applications John C. Neu FROM THE GSM SERIES... Fredi Tro˝ltzsch NEW Graduate Studies Graduate Studies in Mathematics in Mathematics Volume 109 Manifolds and Differential Geometry Volume 112 ocietty American Mathematical Society Jeffrey M. Lee, Texas Tech University, Lubbock, American Mathematical Society TX Volume 107; 2009; 671 pages; Hardcover; ISBN: 978-0-8218- 4815-9; List US$89; AMS members US$71; Order code GSM/107 Differential Algebraic Topology From Stratifolds to Exotic Spheres Mapping Degree Theory Matthias Kreck, Hausdorff Research Institute for Enrique Outerelo and Jesús M. Ruiz, Mathematics, Bonn, Germany Universidad Complutense de Madrid, Spain Volume 110; 2010; approximately 215 pages; Hardcover; A co-publication of the AMS and Real Sociedad Matemática ISBN: 978-0-8218-4898-2; List US$55; AMS members US$44; Española (RSME). Order code GSM/110 Volume 108; 2009; 244 pages; Hardcover; ISBN: 978-0-8218- 4915-6; List US$62; AMS members US$50; Ricci Flow and the Sphere Theorem The Art of Order code GSM/108 Simon Brendle, Stanford University, CA Mathematics Volume 111; 2010; 176 pages; Hardcover; ISBN: 978-0-8218- page 8 Training Manual on Transport 4938-5; List US$47; AMS members US$38; and Fluids Order code GSM/111 John C. -
French Performance Practices in the Piano Works of Maurice Ravel
Studies in Pianistic Sonority, Nuance and Expression: French Performance Practices in the Piano Works of Maurice Ravel Iwan Llewelyn-Jones Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy School of Music Cardiff University 2016 Abstract This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have remained largely unexplored within Ravel scholarship: the origins of Ravel’s pianism and influences to which he was exposed during his formative training; his exploration of innovative pianistic techniques with particular reference to thumb deployment; his activities as performer and teacher, and role in defining a performance tradition for his piano works; his place in the French pianistic canon. Identifying the main research questions addressed in this study, an Introduction outlines the dissertation content, explains the criteria and objectives for the performance component (Public Recital) and concludes with a literature review. Chapter 1 explores the pianistic techniques Ravel acquired during his formative training, and considers how his study of specific works from the nineteenth-century piano repertory shaped and influenced his compositional style and pianism. Chapter 2 discusses Ravel’s implementation of his idiosyncratic ‘strangler’ thumbs as articulators of melodic, harmonic, rhythmic and textural material in selected piano works. Ravel’s role in defining a performance tradition for his piano works as disseminated to succeeding generations of pianists is addressed in Chapter 3, while Chapters 4 and 5 evaluate Ravel’s impact upon twentieth-century French pianism through considering how leading French piano pedagogues and performers responded to his trailblazing piano techniques. -
PLAQUETTE-AVEC COUPES.Indd
Aldo Ciccolini en concert au Festival Opéra Berlioz / Le Corum Samedi 21 juillet Samedi 28 juillet 20h 20h30 Robert Schumann : Francis Poulenc : Scènes d’enfants, opus 15 Concerto pour deux piano (avec Gabriele Carcano) Trois fantasiestuck, opus 111 Camille Saint Saens Carnaval de Vienne, opus 14 Concerto pour piano et orchestre n°4 Sonate n°3, opus 14 Sergeï Rachmaninov : Concerto pour piano n°2 La Médiathèque Les Trois grâces Le Corum photos © Montpellier Agglomération Le Festival de Radio France et Montpellier Languedoc-Roussillon Il a été créé en 1985 à l’initiative de Radio France et de la Ville de Montpellier et confi é à la direction de René Koering, pour “concilier classique et inattendu, grands interprètes et jeunes espoirs, accents anciens et sonorités de demain... dans la grande tradition du service public... qui, seul, peut offrir un si grand choix” (Jean-Noël Jeanneney, Présidentdirecteur général de Radio France - 1985). Son goût de la découverte a conduit le Festival à de nombreuses récréations lyriques (de Henri VIII de Saint-Saëns à Cyrano de Bergerac d’Alfano, et en 2006 Fiesque de Lalo), mais aussi à proposer des formes inusitées de concerts (piano itinérant, concert match) et la découverte de musiques d’aujourd’hui (jeunes compositeurs, musique électro-acoustique). Diversité et densité des manifestations sont les maîtres mots du Festival : lyriques - symphoniques - récitals et musique de chambre - jazz - musiques électroniques - musiques du monde - fi lms - débats - expositions. Six manifestations par jour en moyenne, plus de cent manifestations au total chaque année. Depuis 2002, le public du Festival dépasse 100.000 spectateurs. -
Licia Albanese Christopher Paddack Martha Neumark Aldo Ciccolini
Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or . apprecia 10ND selections made ,Ill a D Iten times ' Good-Night, C·I Burnam ETUDE,the helpfu~ jan O~ly today, afterm- O Thot C To You: DTeddy "Bear s ried, C_I .. Burnam spiring arhcnes.h etroi 't Neios and the o Th. 0. Burncm reading t e . the composer Lvllob, t.cnd,thG·' D article concenhlln have I really o g o H ... Cernes e Rodeo Perc e '0b'm'00 Evange I'me Le'. man, Th... "w re "0,., 0" """'0", whi ,h w.,. '." '0 "b,,,II"", 0' - - C.,., k C·, .. Robinson decidedto wrlte,~u how much her a '".cio' 0'" {,om p,.".,. W.'hi., yo, w'" b.'''''''''d ,.'hi,0'" 0'0 tho Homm" "ob'",OO I cannot te) I Art-Song Th. PIANo PACKAGE OFFERg'." yo, 'o" P"'og" 0' ",w',". o Mook., Aot'",Jo c·'.somma"o article (Spehakl~~ve~lber (1952) H monlco e , C-2 .Sccrmclin,. -
MUSC 2011.04.18 Ragoneprog.Pdf (919.4Kb)
Upcoming Events at the University Center for the Arts COLORADO STATE UNIVERSITY April 13—23—Theatre: Endgame by Samuel Beckett SCHOOL OF THE ARTS University Theatre—see website for exact dates and times. MEET ME AT THE UCA Tuesday, April 19—Art: Tasteful Tuesdays Series SPRING 2011 CONCERT SEASON 4:30—5:30 p.m., University Art Museum—FREE April 19—20—Spring Opera Scenes 7:30 p.m. each night, Organ Recital Hall—FREE Virtuoso Series Concert Thursday, April 21—Music: Concert Band and Concert Orchestra Concert Aldo Ragone, Piano 7:30 p.m., Griffin Concert Hall—FREE April 22—23—Spring Dance Concert Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m., University Dance Theatre Tuesday, April 26 and Wednesday, April 27—Music: University Symphony Orchestra Concert, Festival of the Excess, Part I 7:30 p.m., Griffin Concert Hall Thursday, April 28—Creative Writing Reading Series 7:30 p.m., University Art Museum—FREE Friday, April 29—Combined Choral Concert, Part I Special Guests the Brigham Young University Singers 7:30 p.m., Griffin Concert Hall Saturday, April 30—Music: Combined Choral Concert, Part II 7:30 p.m., Griffin Concert Hall FREE Student Recitals See www.CSUSchooloftheArts.com for Student Recital Schedule Meet Me at the UCA Season “Green” Sponsor Monday, April 18, 2011, 7:30 p.m. event calendar • e-newsletter registration Organ Recital Hall, University Center for the Arts www.CSUSchooloftheArts.com Tickets: (970) 491-ARTS (2787) www.CSUArtsTickets.com Information: (970) 491-5529 Thank you for your continued support ww w.