DOCSLIB.ORG

Michael Candelori

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michael Candelori MICHAEL CANDELORI CONTACT: 215-452-3474 / [email protected] ​ ​ REEL & PORTFOLIO: https://www.michaelcandelori.com ​ ​ IMDb: http://imdb.me/michaelcandelori ​ ​ SUMMARY EDUCATION In a career spanning more than a decade, Michael has worked on a Chapman University wide variety of projects and formats, shooting three feature films and M.F.A., Film Production (2011) dozens of shorts, commercials and music videos; TV pilots for directors Catherine Hardwicke (Twilight) and Chris Bradley Denison University ​ ​ (Pittsburgh); and live dramatic works with actor-director Tim Robbins. B.A., Cinema (2008) ​ ​ SELECTED CREDITS SKILLS & TRAINING Cinematographer • Narrative feature & short form Los Angeles, CA; New York, NY / 2006-Present ​ cinematography • At Chapman University, Michael was nominated for the Kodak ​Documentary cinematography and Scholarship and twice awarded the Panavision New Filmmaker Grant. photography • ​Handheld, remote & geared head DP & “A” CAMERA OPERATOR operating • “Changing Hands” / Feature film, HVX200 ​Focus pulling - Official Selection, 2016 Atlantic City Cinefest • ​Film loading (35mm & 16mm) - Official Selection, 2015 Southern Appalachian Film Festival • ​Film loading (Premiere; Avid; FCP) “Placebo” / Feature film, Proprietary 2k digital capture • Color grading (Lustre; Resolve) - Best Cinematography, 2009 Festivus Film Festival Denver ​ ​ • Conform & DCP authoring (Avid Symphony; - Official Selection, 2009 Omaha Film Festival ​ Resolve; After Effects) - Official Selection, 2009 Newport Beach Film Festival - Official Selection, 2009 Philadelphia Film Festival “Homecoming” / Short film, 35mm Panavision - Best Short Film, 2011 Bahamas Int’l Film Festival ​ - Remi Award, 2012 Worldfest Houston ADD’L WORK EXPERIENCE - Finalist, 2011 Director’s Guild of America Student Awards Purplegator - Official Selection of more than 35 global film festivals Creative Director (2013-2016) - Recipient, Panavision New Filmmaker Grant - Recipient, Hollywood Foreign Press Ass’n Fellowship in Film Fox Searchlight Pictures “You’ve Come A Long Way, Baby” / Short film, 35mm Arri Asst to Sacha Gervasi (2012-2013) - Finalist, 2011 Kodak Scholarship ​ “Postman Clive” / Short film, S16mm Panavision Chris Morgan Productions (Universal) - Recipient, Panavision New Filmmaker Grant Executive Assistant (2011-2012) “The Historian Paradox” / Short film, DSLR - Audience Award, 2011 Big Island Film Festival Universal Pictures - Best Short, 2011 Martha’s Vineyard African-American Film Festival Creative Development Intern (2011) - Official Selection, 2011 Comic-Con Int’l Film Festival Physical Production Intern (2011) “Arrival” / Feature film, DSLR “Chokehold” / Documentary mini-series, HVX200 New York Film Academy Untitled ESPN Kart Racing Pilot / TV pilot, HVX200 Teaching Assistant (2009-2011) “Mothers and Daughters” / TV pilot, DSLR “Grandchildren - Where’s the Knife” / Music video, BMCC “GEMS - Empires Fall” / Music video, BMCC MICHAEL CANDELORI / CINEMATOGRAPHER & VISUAL JOURNALIST “Moby - Wait for Me” / Music video, S16mm Arri “Jerusalem Syndrome” / Short film, S16mm Arri “Asher’s Jeremiad” / Short film, S16mm Arri “Pillow Talk with Sylvia Plath” / Short film, S16mm Arri “Spaces” / Short film, S16mm Arri “Study Date” / Short film, S16mm Arri “Pyromance” / Short film, S16mm Arri “The Edge of 12” / Short film, DSLR “Try to Forget” / Short film, DSLR “The Bathroom Attendant” / Short film, DSLR “Things They Buried” / Music video, DSLR “Fidelity Hall” / TV pilot, DVX100 “Isle of Fortune” / Short film, HVX200 “Beaten” / Short film, Varicam “ShaLeah Nikole - Tears” / Music video, DSLR “4.0” / Short film, Varicam (Additional Photography) CAMERA OPERATOR / 2ND UNIT “Manifesto” / Short film, 35mm & S16mm Panavision (2nd Unit DP) “Mouthpiece” / Feature film, DSLR “Eclipse” / Feature film, HD (B Camera) “Anger Has A Secret” / Feature film, DSLR Untitled Verizon Series / Commercials, C300 “The Bullet Catcher” / Short film, 35mm Panavision “Chinese Takeout” / Short film, 35mm Panavision “$weethearts” / Short film, 35mm Panavision & Arri (B Camera) “Broken Crayons” / Short film, S16mm Aaton (B Camera) “The 5” / Short film, RED M-X “Over the Line” / Short film, RED One “Poetri-N-Motion” / TV movie, HVX200 “Called to Serve” / TV series, DSLR “Kimmie’s Kitchen” / TV series, DSLR CAMERA ASSISTANT “Baby Blue” / Short film, 35mm Panavision (1st AC) “Heal” / Short film, 35mm Arri (1st AC) “She’s A Fox” / Short film, 35mm Arri (1st AC & Loader) “Turn Around” / Featurette, 35mm Arri (1st AC) “Tijuaneros” / Short film, DSLR (1st AC) “Minus One” / Feature film, HVX200 (1st AC) “Kowalczyk” / Short film, 35mm Arri (2nd AC/Loader) “Life On Earth” / Short film, S16MM Aaton (2nd AC/Loader) “Fiasco” / Short film, 35mm Arri (2nd AC/Loader) “Our Business” / Short film, HVX200 (2nd AC) “Cutout” / Short film, Varicam (2nd AC) “Good Grief” / Short film, 35mm (Loader) Visual Journalist Various / 2004-Present Michael is an accomplished visual journalist, having captured images on assignment around the world for charities including the Special Olympics, African Education Program and National Multiple Sclerosis Society. His editorial photography has been featured by Getty Images, CNN, Zagat, Conde Nast, the Philadelphia Inquirer, Toronto Sun and Time Out London. 215-452-3474 / [email protected] .
Load more

Recommended publications
  • Racing Extinction
    Racing Extinction Directed by Academy Award® winner Louie Psihoyos And the team behind THE COVE RACING EXTINCTION will have a worldwide broadcast premiere on The Discovery Channel December 2nd. Publicity Materials Are Available at: www.racingextinction.com Running Time: 94 minutes Press Contacts: Discovery Channel: Sunshine Sachs Jackie Lamaj NY/LA/National Office: 212.548.5607 Office: 212.691.2800 Email: [email protected] Tiffany Malloy Email: [email protected] Jacque Seaman Vulcan Productions: Email: [email protected] Julia Pacetti Office: 718.399.0400 Email: [email protected] 1 RACING EXTINCTION Synopsis Short Synopsis Oscar®-winning director Louie Psihoyos (THE COVE) assembles a team of artists and activists on an undercover operation to expose the hidden world of endangered species and the race to protect them against mass extinction. Spanning the globe to infiltrate the world’s most dangerous black markets and using high tech tactics to document the link between carbon emissions and species extinction, RACING EXTINCTION reveals stunning, never-before seen images that truly change the way we see the world. Long Synopsis Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. They believe we have entered the sixth major extinction in Earth’s history, following the fifth great extinction which took out the dinosaurs. Our era is called the Anthropocene, or “Age of Man,” because evidence shows that humanity has sparked a cataclysmic change of the world’s natural environment and animal life. Yet, we are the only ones who can stop the change we have created.
    [Show full text]
  • A Film by Kim A. Snyder Produced by Maria Cuomo
    PRESENTS *OFFICIAL SELECTION – 2016 SUNDANCE FILM FESTIVAL* *OFFICIAL SELECTION – 2016 SXSW FILM FESTIVAL* A FILM BY KIM A. SNYDER PRODUCED BY MARIA CUOMO COLE OPENS IN THEATERS OCTOBER 7 2016 // USA // 85 Minutes NY Press Contacts Abramorama Contacts LA Press Contact Ryan Werner Richard Abramowitz Nancy Willen 917-254-7653 914-741-1818 [email protected] [email protected] [email protected] Charlie Olsky Liv Abramowitz 917-545-7260 914-741-1818 [email protected] [email protected] www.NewtownFilm.com #WeAreAllNewtown SYNOPSIS A proud Labor Day parade floats by as hundreds of parents and children line the streets in the last gasps of summer. It is made up of local leadership, a brigade of first responders, the town priest, a high school marching band and a magic school bus in a town that could be Anytown, America. Yet this isn’t any town. It’s Newtown. Twenty months after the horrific mass shooting in Newtown, CT that took the lives of twenty elementary school children and six educators on December 14, 2012, the small New England town is a complex psychological web of tragic aftermath in the wake of yet another act of mass killing at the hands of a disturbed young gunman. Kim A. Snyder’s searing Newtown documents a traumatized community fractured by grief and driven toward a sense of purpose. There are no easy answers, no words of compassion or reassurance that can bring back those who lost their lives during the shooting at Sandy Hook Elementary School. Instead, Snyder gives us exclusive access into the lives and homes of those who remain, all of whom have been indelibly changed by the events.
    [Show full text]
  • DAVID NORLAND Composer TELEVISION CREDITS
    DAVID NORLAND Composer David Norland is an English composer living and working in Los Angeles. Most recently he composed the score to the current HBO film My Dinner With Herve (HBO 2018) starring Peter Dinklage and Jamie Dornan. His work with Emmy-winning director Sacha Gervasi includes the award-winning documentary Anvil! The Story Of Anvil. Anvil! won the IDA Best Feature award, an Emmy award, the Indie Spirit Best Documentary award, and numerous other Best Documentary awards around the world. His most recent collaboration with Sacha was on November Criminals (Sony 2017) starring Chloe Moretz and Ansel Elgort. Since 2010, David has composed much of the music for USA broadcasting giant ABC’s primetime news documentaries. His work for ABC is broadcast in the USA and around the world on a daily basis. A chorister from an early age, David was singing daily in Westminster Abbey, was a boy treble in The Elizabethan Consort of Voices and sang in a reputable touring choral group during the time. Having a love for choral music, David also finds time to write for choir. In addition to composition & choral music, David was a successful recording artist and record producer. His electronic band Solar Twins was signed by Madonna to Maverick Records and rode high on the USA dance charts, and his record writing, production and mixing work with Jamaican legends Sly and Robbie has been nominated for a Grammy. TELEVISION CREDITS My Dinner with Hervé (TV Movie) Good Morning America (TV Series) (additional Director: Sacha Gervasi music) Daredevil Films
    [Show full text]
  • Married Life, for Better and Worse | Variety
    Married life, for better and worse NOVEMBER 30, 2012 | 04:00AM PT Golden Globe Update 2013 Diane Garrett (http://variety.com/author/diane-garrett/) Leslie Mann wants you to know that the Viagra sex scene in “This Is 40 (http://variety.com/t/this-is-40/)” didn’t happen to her. Sure, the movie, one of several spotlighting the ups and downs of married life this awards season, draws on her union with writer-director Judd Apatow. And it stars their kids. But don’t confuse Pete and Debbie with Apatow and Mann. “That’s not us,” Mann quickly asserts with a laugh when the chemically enhanced coitus scene comes up in conversation. The scene, which opens the movie, sets (http://variety411.com/us/los-an- geles/sets-stages/) the stage for frank treatment of marital relations. Over the course of “This Is 40,” Mann’s Debbie and Paul Rudd’s Pete bicker about cupcakes, their parents and money. They also steal away for a romantic getaway from their squabbling kids and worry about their individual businesses. “I think it’s emotionally true to us, but also true to everyone,” Mann says, citing common marital complaints of feeling neglected or that the kids are getting more attention than the spouse. “It’s universal in that way.” Apatow collaborated with Mann on the script for years. “We come up with ideas, and the reason why fights are balanced in the film is because I try to figure out Pete and she helps me figure out Debbie,” Apatow says. The goal, Mann says, was to present a relationship that rings true, for better and for worse.
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • KT 30-1-2017.Qxp Layout 1
    SUBSCRIPTION MONDAY, JANUARY 30, 2017 JAMADA ALAWWAL 2, 1438 AH www.kuwaittimes.net Kuwait awaiting In one week, Expert advises Federer wins instructions to Trump shakes investors facing Nadal thriller implement US up Washington global rise in to clinch ban at airport3 and the7 world populist23 politics 18th20 Slam Ambassadors of globalization: Min 04º A new challenge for Kuwaitis Max 16º High Tide 00:31 & 14:20 Populism, nationalism, protectionism rising Low Tide 07:55 & 19:48 40 PAGES NO: 17126 150 FILS Amir attends flag ceremony By Bader N Al-Kharafi and Omar K Alghanim DAVOS: Every year, world leaders, global business elite and some of the world’s brightest academics attend the World Economic Forum’s (WEF) annual meeting in Davos, Switzerland. Attendees this year included Microsoft founder Bill Gates, JP Morgan Chase CEO Jamie Dimon, Chinese President Xi Jinping and many others. Kuwait is well represented at this event through ministers, busi- nessmen, and of course, the Kuwait Investment Authority. We participate in open and closed door discussions on topics ranging from the ‘Youth Imperative’ (ie addressing the 13 percent of the world’s youth that is unemployed - 30 percent in our region) to ‘Smart Cities as Innovation Hubs’; from ‘Climate Change’ to the ‘Future of the Digital Economy’. As business leaders of our organizations, we’ve had the privilege of attending and participating in the WEF annual meeting, as well as the regional meeting for many years. It’s safe to say - this year was unlike any other. The overar- ching theme of populism and radical nationalism loomed over every discussion.
    [Show full text]
  • Celebrating the Bold Spirit of Independent Film
    february 12-15 2009 Boulder International Film Festival celebrating the bold spirit of independent film 1 | BOULDER INTERNATIONAL FILM FESTIVAL 09 WWW.BIFF1.COM ORDER BIFF TICKETS AT 303.786.7030 OR WWW.BOULDERTHEATER.COM WWW.BIFF1.COM | 1 9:17 a.m. Breakfast at Jill’s. t 1:30 p.m. Spaaaaaah… 10:49 p.m. Tripped the light…and it was fantastic. TIME WELL Spent. .OAGENDA.OITINERARY *USTSPUROFTHEMOMENT JUSTTHEWAYYOULIKEIT3T*ULIEN )T`SWHATEVERYOUWANTITTOBE $/7.4/7."/5,$%2 v34*5,)%.#/- 2 | BOULDER INTERNATIONAL FILM FESTIVAL 09 WWW.BIFF1.COM To the legions of highly discerning individuals who actually read the welcome Robin Beeck, Executive Director letters in film festival programs, welcome! Boulder International Film Festival This year, the Boulder International Film Festival proudly presents a stellar program of films from the decade’s greatest filmmakers. We’ve gathered surprising, funny and courageous films that have been presented this year in some of the top film festivals in the world—Cannes, Berlin, Telluride, Toronto, Sundance and Human Rights Watch International, including seven films that are shortlisted for the 2009 Academy Awards. As always, we’ll also screen bold original works by new filmmakers that are just now bursting onto the horizon. Our international reach was greatly enhanced this year with our merger with the Boulder Asian Film Festival and access into the vast explosion of films from Asia. Recently, I read that the number one favorite activity of travelers is “people watching.” Thousands of people in Boulder have already discovered that the Boulder International Film Festival is the Photo by Mary Krafczyk-Johnston ultimate travel experience...a joyous feast of not only watching the exteriors of people from many countries and cultures, but also getting inside their heads, their hearts and their passions, and actually seeing the world through their eyes.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • Family & Domesticity in the Films of Steven Spielberg
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Emmet Dotan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Other Film and Media Studies Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Dotan, Emmet, "Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg" (2017). Senior Projects Spring 2017. 232. https://digitalcommons.bard.edu/senproj_s2017/232 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Senior Project Submitted to The Division of Arts of Bard College by Emmet Dotan Annandale-on-Hudson, New York May 2017 Acknowledgements I want to thank my advisor, Ed Halter, for pushing me to understand why I love the films that I love. I would also like to thank Natan Dotan for always reminding me why I do what I do.
    [Show full text]
  • Responsibility Studio Index
    2020 Studio Responsibility Index STUDIO RESPONSIBILITY INDEX 2020 From the Office of the President & CEO, Sarah Kate Ellis GLAAD created the Studio Responsibility Index in Two years ago, GLAAD issued a challenge - 20 2013 to track lesbian, gay, bisexual, transgender, percent of annual major studios releases must include and queer (LGBTQ) inclusion in major studio films LGBTQ characters by the 2021-year’s end, and that after seeing the progress our TV research had driven 50 percent must include LGBTQ characters by the in the industry and with creators. Entertainment is end of 2024. While the COVID-19 global pandemic America’s most widespread cultural export – reflecting has and will continue to have ripple effects across the the culture that produces it while also having the film business and all businesses, we still believe in this opportunity to shape culture through nuanced and challenge and reaffirm our commitment to holding inclusive storytelling – and wide release major studio the industry accountable for telling inclusive stories. films are marketed to and accessible by billions of Four studios individually hit this 20 percent goal: people across the U.S. and around the world. Yet, Paramount Pictures at 33 percent of their annual slate LGBTQ characters are still often sidelined or entirely including LGBTQ characters, United Artists Releasing excluded from major Hollywood releases. at 29 percent, Lionsgate at 25 percent, and Walt While we have seen consistent forward movement in Disney Studios rounding out at 21 percent – though no LGBTQ representation on television in recent years, studio hit the previous years’ established record high mainstream films continue to lag behind.
    [Show full text]
  • [email protected] Public Relations / United States
    Present A Planetary Collective in association with Reconsider Film PLANETARY COLLECTIVE Reconnect To Something Bigger. www.weareplanetary.com Running time: 85 mins, Color US & Canada Booking contact: [email protected] / 347-645-8924 Global Booking: [email protected] Public Relations / United States: [email protected] [email protected] / 212-445-7100 Communications/PR/Global: [email protected] / +44 7779 081 885 ABOUT THE FILM LOGLINE A provocative and breathtaking wakeup call - a cross continental cinematic journey, that explores our cosmic origins and our future as a species. SYNOPSIS We are in the midst of a global crisis of perspective. We have forgotten the undeniable truth that everything is connected. PLANETARY is a provocative and breathtaking wakeup call, a cross continental, cinematic journey, that explores our cosmic origins and our future as a species. PLANETARY is a poetic and humbling reminder that it's time to shift our perspective. PLANETARY asks us to rethink who we really are, to reconsider our relationship with ourselves, each other and the world around us - to remember that: we are PLANETARY. In a stunning visual exploration, the film interweaves imagery from NASA Apollo missions with visions of the Milky Way, Buddhist monasteries in the Himalayas, and the cacophonous sounds of downtown Tokyo and Manhattan, with intimate interviews from renowned experts including astronauts Ron Garan and Mae Jemison (the first African American woman in space), celebrated environmentalist Bill McKibben, National Book Award winner Barry Lopez, anthropologist Wade Davis, to National Geographic Explorer Elizabeth Lindsey, and Head of the Tibetan Buddhist Kagyu school, the 17th Karmapa. They shed new light on the ways our worldview is profoundly affecting life on our planet.
    [Show full text]
  • Steven Knight Writer
    Steven Knight Writer Steve Knight read English Literature at University College London, then worked as a copywriter/ producer for a Birmingham advertising agency and then as a copywriter/ producer at Capital Radio. In 1988 he and Mike Whitehill started a freelance writing partnership providing material for television. They wrote for Canned Carrott, Commercial Breakdown and The Detectives and many other programmes. They also devised game shows including WHO WANTS TO BE A MILLIONAIRE? with David Briggs. Steve has written screenplays, four published novels and a play for the National Theatre. Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits In Development Production Company Notes SERENITY IM Global As Writer/Director (with Matthew McConaughey, 2018 Anne Hathaway, Jason Clarke, Diane Lane) WOMAN WALKS IM Global / A24 As Writer, Dir Susanna White (with Jessica AHEAD Chastain, Sam Rockwell, Ciaran Hinds 2018 THE GIRL IN THE As Writer, Dir Fede Alvarez (with Claire Foy) SPIDER'S WEB 2018 PEAKY BLINDERS 5 Caryn Mandabach As Creator/Writer 2018 Productions United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes TABOO 2 Hardy Baker Sons As Co-Creator/Writer 2018 WWZ 2 Plan B As Writer 2018 Dir: J. A. Bayona Film Production Company Notes NOVEMBER Black Bicycle As Writer, Dir Sacha Gervasi (with Catherine Keener, CRIMINALS Entertainment Chloe Moretz, Ansel Elgort) 2017 ALLIED GK Films As
    [Show full text]