Poetry Selections for Kindergarten the Song
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In Nineteenth-Century American Theatre: the Image
Burlesquing “Otherness” 101 Burlesquing “Otherness” in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). Zoe Detsi-Diamanti When John Brougham’s Indian burlesque, Met-a-mora; or, The Last of the Pollywogs, opened in Boston at Brougham’s Adelphi Theatre on November 29, 1847, it won the lasting reputation of an exceptional satiric force in the American theatre for its author, while, at the same time, signaled the end of the serious Indian dramas that were so popular during the 1820s and 1830s. Eight years later, in 1855, Brougham made a most spectacular comeback with another Indian burlesque, Po-Ca-Hon-Tas; or, The Gentle Savage, an “Original, Aboriginal, Erratic, Operatic, Semi-Civilized, and Demi-savage Extravaganza,” which was produced at Wallack’s Lyceum Theatre in New York City.1 Both plays have been invariably cited as successful parodies of Augustus Stone’s Metamora; or, The Last of the Wampanoags (1829) and the stilted acting style of Edwin Forrest, and the Pocahontas plays of the first half of the nineteenth century. They are sig- nificant because they opened up new possibilities for the development of satiric comedy in America2 and substantially contributed to the transformation of the stage picture of the Indian from the romantic pattern of Arcadian innocence to a view far more satirical, even ridiculous. 0026-3079/2007/4803-101$2.50/0 American Studies, 48:3 (Fall 2007): 101-123 101 102 Zoe Detsi-Diamanti -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
AND 20Th-CENTURY BULGARIAN LITERATURE Roberto Adinolfi
ПЛОВДИВСКИ УНИВЕРСИТЕТ „ПАИСИЙ ХИЛЕНДАРСКИ“ – БЪЛГАРИЯ НАУЧНИ ТРУДОВЕ, ТОМ 53, КН. 1, СБ. Б, 2015 – ФИЛОЛОГИЯ, PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA RESEARCH PAPERS, VOL. 53, BOOK 1, PART В, 2015 – LANGUAGES AND LITERATURE SOME AMERICAN INFLUENCES IN 19th- AND 20th-CENTURY BULGARIAN LITERATURE Roberto Adinolfi Paisii Hilendarski University of Plovdiv In this paper I will talk about the reception of America and American literature in Bulgaria from the 19th century through till the mid 20th century. My paper does not aim at providing an exhaustive analysis of the subject; I will rather explore the way some American works were received, adapted and in some cases significantly altered by Bulgarian translators. The image of America in Bulgarian works will also be a focus. Key words: America, American literature, Bulgarian literature, Bulgarian schoolbooks, translations, remakes In this paper I will focus on some American influences in Bulgarian literature. The works I will focus on were written from the 19th to the first half of the 20th century. They include: Bulgarian translations of American works; works influenced by American literature; works that talk about America. The reason I have chosen to focus on such different periods is that in both epochs remakes of American works, which in my opinion are significant and worth to be mentioned, can be found. I do not aim at providing an exhaustive analysis. First of all, I will limit myself to the reception of North American literature and culture in Bulgarian; I do not aim at exploring either the relationships between Bulgaria and South American literatures 1 or the image of America in the works by contemporary writers. -
St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St
Loyola University Chicago Loyola eCommons St. Ignatius Collegian University Archives & Special Collections 1905 St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St. Ignatius College Recommended Citation Students of St. Ignatius College, "St. Ignatius Collegian, Vol. 4 (1904-1905)" (1905). St. Ignatius Collegian. Book 2. http://ecommons.luc.edu/st_ignatius_collegian/2 This Article is brought to you for free and open access by the University Archives & Special Collections at Loyola eCommons. It has been accepted for inclusion in St. Ignatius Collegian by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. m '•c\<e:?^m^^^>; NON ^'^'ir ^ikm %;MiU»>^ >v. ; t. Jgnatius Collegkn Vol. IV Chicago, 111., Nov., 1904 No. 1 Ci)e (tontetnplation of Autumn. BOUNTEOUS nature has given to mortals a soulful love for A what is beautiful. The faculty exists in every human being, whether civilized or savage; but the degree of its develop- ment in any man may be said to determine the culture, in fact, the very civilization of the individual in question. It is born in every- one ; but in some, it is destined like the seed of the Scriptural para- ble, to die for want of nourishment. In others, it reaches, not per- fect maturity—for such an outcome is beyond the dwarfed capa- bility of humanity—but a sufficient degree of development to render its possessors genial and broad-minded men—a bulwark of morality and a credit to society in general. -
The Song of Hiawatha
: : \ ] of BY HENRY WADSWORTH LONGFELLOW WITH ILLUSTRATIONS FROM DESIGNS BY FREDERIC REMINGTON BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY ($fte fitoersibe press, Cambribge MDCCCXCV Copyright, 1855, BY HENRY WADSWORTH LONGFELLOW. Copyright, 1883, BY ERNEST W. LONGFELLOW. Copyright, 1890, BY HOUGHTON, MIFFLIN & CO. All rights reserved. The Riverside Press, Cambridge, Mass.. U. S. A. Electrotyped and Printed by H. O. Houghton & Co. CONTENTS PAGE INTRODUCTORY NOTE vii INTRODUCTION ...... 1 I. THE PEACE-PIPE .... 4 II. THE FOUR WINDS .... 10 III. HIAWATHA S CHILDHOOD ... 19 IV. HIAWATHA AND MUDJEKEEWIS . 26 V. HIAWATHA S FASTING .... 36 VI. HIAWATHA S FRIENDS ... 45 VII. HIAWATHA S SAILING .... 50 VIII. HIAWATHA S FISHING ... 55 IX. HIAWATHA AND THE PEARL-FEATHER 62 X. HIAWATHA S WOOING ... 71 XI. HIAWATHA S WEDDING-FEAST . 80 XII. THE SON OF THE EVENING STAR . 88 XIII. BLESSING THE CORNFIELDS ... 99 XIV. PICTURE-WRITING .... 106 XV. HIAWATHA S LAMENTATION . 112 XVI. PAU-PUK-KEEWIS . 119 XVII. THE HUNTING OF PAU-PUK-KEEWIS 127 M204797 iv CONTENTS XVIII. THE DEATH OF KWASIND 138 XIX. THE GHOSTS . .142 XX. THE FAMINE ... 149 XXI. THE WHITE MAN S FOOT . .154 XXII. HIAWATHA S DEPARTURE . 162 LIST OF ILLUSTRATIONS PAGE HENRY WADSWORTH LONGFELLOW, etched by S. A. Schoff, from a portrait by C. G. Thompson Frontispiece All the tribes beheld the signal, Saw the distant smoke ascending 4 Like a ghost that goes at sunrise, He beheld a maiden walking 12 Then, upon one knee uprising, Hiawatha aimed an arrow 24 Glared like Ishkodah, the comet, Like the star with fiery tresses 32 And he saw a youth approaching, Dressed in garments green and yellow 40 Pitched it sheer into the river . -
Rocky Mountain Classical Christian Schools Speech Meet Official Selections
Rocky Mountain Classical Christian Schools Speech Meet Official Selections Sixth Grade Sixth Grade: Poetry 3 anyone lived in a pretty how town 3 At Breakfast Time 5 The Ballad of William Sycamore 6 The Bells 8 Beowulf, an excerpt 11 The Blind Men and the Elephant 14 The Builders 15 Casey at the Bat 16 Castor Oil 18 The Charge of the Light Brigade 19 The Children’s Hour 20 Christ and the Little Ones 21 Columbus 22 The Country Mouse and the City Mouse 23 The Cross Was His Own 25 Daniel Boone 26 The Destruction of Sennacherib 27 The Dreams 28 Drop a Pebble in the Water 29 The Dying Father 30 Excelsior 32 Father William (also known as The Old Man's Complaints. And how he gained them.) 33 Hiawatha’s Childhood 34 The House with Nobody in It 36 How Do You Tackle Your Work? 37 The Fish 38 I Hear America Singing 39 If 39 If Jesus Came to Your House 40 In Times Like These 41 The Landing of the Pilgrim Fathers 42 Live Christmas Every Day 43 The Lost Purse 44 Ma and the Auto 45 Mending Wall 46 Mother’s Glasses 48 Mother’s Ugly Hands 49 The Naming Of Cats 50 Nathan Hale 51 On First Looking into Chapman’s Homer 53 Partridge Time 54 Peace Hymn of the Republic 55 Problem Child 56 A Psalm of Life 57 The Real Successes 60 Rereading Frost 62 The Sandpiper 63 Sheridan’s Ride 64 The Singer’s Revenge 66 Solitude 67 Song 68 Sonnet XVIII 69 Sonnet XIX 70 Sonnet XXX 71 Sonnet XXXVI 72 Sonnet CXVI 73 Sonnet CXXXVIII 74 The Spider and the Fly 75 Spring (from In Memoriam) 77 The Star-Spangled Banner 79 The Story of Albrecht Dürer 80 Thanksgiving 82 The Touch of the -
GG/Hiawatha Poem
Song of Hiawatha HENRY WADSWORTH LONGFELLOW By the shores of Gitche Gumee, by the shining Big-Sea-Water, Stood the wigwam of Nokomis, daughter of the Moon, Nokomis. Dark behind it rose the forest, rose the black and gloomy pine-trees, Rose the firs with cones upon them; bright before it beat the water, Beat the clear and sunny water, beat the shining Big-Sea-Water. There the wrinkled old Nokomis nursed the little Hiawatha, Rocked him in his linden cradle, bedded soft in moss and rushes, Safely bound with reindeer sinews; stilled his fretful wail by saying, “Hush! the Naked Bear will hear thee!” Lulled him into slumber, singing, “Ewa-yea! my little owlet! Who is this, that lights the wigwam? With his great eyes lights the wigwam? Ewa-yea! my little owlet!” Many things Nokomis taught him of the stars that shine in heaven; Showed him Ishkoodah, the comet, Ishkoodah, with fiery tresses; Showed the Death-Dance of the spirits, warriors with their plumes and war-clubs, Flaring far away to northward in the frosty nights of winter; Showed the broad white road in heaven, pathway of the ghosts, the shadows, Running straight across the heavens, crowded with the ghosts, the shadows. At the door on summer evenings, sat the little Hiawatha; Heard the whispering of the Pine-trees, heard the lapping of the water, Sounds of music, words of wonder; “Minne-wawa!” said the pine-trees, “Mudway-aushka! said the water. Saw the fire-fly Wah-wah-taysee, flitting through the dusk of evening, With the twinkle of its candle lighting up the brakes and bushes, And -
The Eastern Mail (Vol. 10, No. 10): September 18, 1856
Colby College Digital Commons @ Colby The Eastern Mail (Waterville, Maine) Waterville Materials 9-18-1856 The Eastern Mail (Vol. 10, No. 10): September 18, 1856 Ephraim Maxham Daniel Ripley Wing Follow this and additional works at: https://digitalcommons.colby.edu/eastern_mail Part of the Agriculture Commons, American Popular Culture Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Maxham, Ephraim and Wing, Daniel Ripley, "The Eastern Mail (Vol. 10, No. 10): September 18, 1856" (1856). The Eastern Mail (Waterville, Maine). 477. https://digitalcommons.colby.edu/eastern_mail/477 This Newspaper is brought to you for free and open access by the Waterville Materials at Digital Commons @ Colby. It has been accepted for inclusion in The Eastern Mail (Waterville, Maine) by an authorized administrator of Digital Commons @ Colby. T itttgcdlattL). peaceable Insirttmenlalilics gudrflntied by tha Const lution nnd tho laws of the land. In onf judgment, therefore, this, afld Ihi* almost ex. THE MY-STIO BELL. cldsively, Is the question which the hundreds 61 thousands of honest voters shotlld, in (he TBK OP AKDBESIW. present crisis, answer by their ballots, viz Toward err.ning, in the narrow streets of a How can the free principles and the fm msti* iargtt town, just as the sun was sinking, and the iiiiions—the true IJeraocrncy of the Nbrtli— elouds used to glitter Uke gold between the nut the geugrnpliicnl, sectional Nol'lh, btll the cbimflieti, a singular sound, like that of a church North iliflt t-cpt-csents the national AiM^oan bell, was often heard—sometimes by one, ilome- iih-a—be best sustained and extended t Clear times by another; but it only lasted a minute, ly that idea is in perj], Thcreis ho danger of for there was such a rumbling of carts, and’ a dissolution of the Union, biit there is dawger such a din of voicdKt thht slighter noises were I l.at liberty—without which the form hf • fft- drowned. -
Budds Barns Children's Books List 2020
Budds Barns children's books list 2020 This is a list of children's books available. They are split into the following categories; Baby, Primary, 10+ and Puzzle/coloring Books. If you would like a book/books please come ask. Name of book Category First picture book Baby Toys L’alphabet des animaux Baby A ladybird first picture book Baby The bouncy bunnies Baby Talkabout bedtime Baby Jack and Jill Baby And other nursery rhymes The daring ducks Baby The tale of the little heffalump Baby The three billy goats gruff Baby The three little pigs Baby The tale of squirrel nutkin Baby Teddy and the fire brigade Baby Large print Baby Learn to read Guess how much I love you Baby Postman pat Baby The secret Roaring rockets Baby Scarlette Beane Baby No trouble at all Baby Sammy the snail Baby Trains let’s go Baby Look and learn Baby ABC Wibbly pig Baby Likes bananas Teddy and the robot Baby Little kippers Baby Splosh! Qui se cache Baby Dans la ferme? Un livre animé surprise Where's that cat? Baby My chunky friend story book Baby Ladybird Teddy on safari Baby Teddy on television Baby Opposites Baby Peppa pig Baby The official annual 2009 Spot goes splash! Baby And other stories Teddy and the robot Baby Snow white and rose red Primary The snow queen Primary Your body Primary Learn about knots Primary Care of Henry Primary Hairy Maclary Primary Sit Hairy Maclary from Donaldson's dairy Primary Maisie goes to Hollywood Primary The polar express Primary The magic journey Old bear and his friends Primary The selfish crocodile Primary Aladdin Primary Beauty -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Asample Lesson from the Gold Book Poetry
A Sample Lesson from The Gold Book Poetry Poet’s Corner Henry Wadsworth Longfellow (1807-1882) was born in the busy seaport of Portland, Maine. The excitement and blend of people of the harbors provided Henry with a rich experience. From a very early age Henry was drawn to writing. He was greatly inspired by Washington Irving’s Sketch Book. As a young man he went to Europe to study as a linguist. He had opportunities to meet distinguished men and women of England and France, but he found he enjoyed the simple life in the countryside where he befriended peasants and farmers. Longfellow returned to America a few years later and began his professorship. He married, but his wife died a few years later. Years later, Longfellow remarried and established a happy home with five children. After resigning from Harvard, he took on the sole task of writing poetry, his great joy. Longfellow received honorary degrees at Oxford and Cambridge Universities. Of all the American poets, Longfellow is probably one the best loved. When the day came to cut down the tree that Longfellow referred to as “the spreading chestnut tree” in his poem “Village Blacksmith” the children of Cambridge had it made into a chair and gave it to Longfellow as a gift. He died in 1882 in Cambridge, Massachusetts. He was honored two years later with a bust that was placed in the Poet’s Corner of Westminster Abbey. He was the first American to receive this recognition. Longfellow’s poetry is full of beauty and marked with easy rhyme. -
Eight Views of the Xiao and Xiang
1 College of Arts at the University of Canterbury Art History and Theory in the School of Humanities ARTH 690 Masters Thesis Title of Thesis: The Eight Views: from its origin in the Xiao and Xiang rivers to Hiroshige. Jennifer Baker Senior Supervisor: Dr. Richard Bullen (University of Canterbury). Co-Supervisor: Dr. Rachel Payne (University of Canterbury). Thesis Start Registration Date: 01 March 2009. Thesis Completion Date: 28 February 2010. Word Count: 30, 889. 2 Abstract This thesis focuses upon the artistic and poetic subject of the Eight Views of the Xiao and Xiang, from its origin in the Xiao-Xiang region in the Hunan province of China throughout its dispersal in East Asian countries such as Korea and Japan. Certain aesthetics and iconography were retained from the early examples, throughout the Eight Views’ transformation from the eleventh to the nineteenth century. The subject‟s close associations with poetry, atmospheric phenomena and the context of exile were reflected in the imagery of the painting and the accompanying verses. This thesis will discuss the historic, geographic and poetic origins of the Eight Views, along with a thorough investigation into the artistic styles which various East Asian artists employed in their own interpretations of the series. Furthermore, the dispersal and diaspora of the subject throughout East Asia are also investigated in this thesis. The work of Japanese artist Andô Hiroshige will serve as the concluding apogee. The Eight Views of the Xiao and Xiang is an important East Asian artistic subject in both poetry and painting and contains many pervasive East Asian aesthetics.