Animal Studies Journal Volume 6 | Number 1 Article 6 2017 Making sense? Visual Cultures of De-extinction and the Anthropocentric Archive Rosie Ibbotson University of Canterbury, New Zealand Follow this and additional works at: https://ro.uow.edu.au/asj Part of the Art and Design Commons, Australian Studies Commons, Creative Writing Commons, Digital Humanities Commons, Education Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Fine Arts Commons, Philosophy Commons, Social and Behavioral Sciences Commons, and the Theatre and Performance Studies Commons Recommended Citation Ibbotson, Rosie, Making sense? Visual Cultures of De-extinction and the Anthropocentric Archive, Animal Studies Journal, 6(1), 2017, 80-103. Available at:https://ro.uow.edu.au/asj/vol6/iss1/6 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library:
[email protected] Making sense? Visual Cultures of De-extinction and the Anthropocentric Archive Abstract This article examines the operations of visual representations within discourses advocating deextinction. Images have significant agency within these debates, yet their roles, and the assumptions they naturalise, have not been critiqued. Demonstrating the affective, triumphant and subversive potentials of these representations, this article then turns to the implications of relying on images made by and for humans within the expressly multispecies space of de-extinction. Discourses around de-extinction tend to place undue weight not just on how candidate species look(ed), but on how they appear to human eyes after the mediating processes of representation, and the notion of recreating a nonhuman animal that looks the same as an extinct species is not only limited as an aim of de-extinction technologies, but is problematised when different species’ modes of seeing and optical capacities are taken into account.