Identity, Guns, and Nineteenth-Century Globalization: an Examination of Botswana
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Teddy Roosevelt's Trophy: History and Nostalgia
Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 89 THE AUSTRALIAN ACADEMY OF THE HUMANITIES § Annual Lecture 2004 TEDDY ROOSEVELT’S TROPHY: HISTORY AND NOSTALGIA Iain McCalman President, Australian Academy of the Humanities Delivered at Dechaineaux Theatre (School of Art), University of Tasmania, Hobart 19 November 2004 Australian Academy of the Humanities, Proceedings 29, 2004 Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 90 Australian Academy of the Humanities, Proceedings 29, 2004 Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 91 t the end of every Christmas dinner during my boyhood in Central Africa my A mother used to bring out from the sideboard what she called bon bon dishes containing lollies and nuts. These dishes, beautiful in their way, looked to be made of lacquered tortoiseshell with silver rims and silver ball feet. But their special status in the family had nothing to do with aesthetics. Scratched crudely on their honey- coloured sides were the initials ‘LJT from TR’, and they were actually the toenails of the first bull elephant shot by ex-President Theodore Roosevelt on his famous Kenya safari of 1909–10. He had given them as a commemorative trophy to my Australian great-uncle Leslie Jefferies Tarlton in gratitude for organising and leading the safari. I like to think that as soon as my sister and I learnt that these delicate objets d’art had been hacked from a stately wild elephant they became grotesque in our eyes, but this would be to read back from later adult perspectives. In fact, for some years after our migration to Australia in the mid-1960s the dishes were magnets for multiple secret nostalgias – they reminded my father of his Kenyan boyhood, my mother of being a white Dona in the Central African Raj, and my sister and me of African Christmases past. -
Persuasive Landscapes: Representations of Victoria Falls and Colonial Migration in the Mid-Nineteenth Century
Persuasive landscapes: representations of Victoria Falls and colonial migration in the mid-nineteenth century CHALA DODDS This article studies the representations of Victoria Falls through David Livingstone’s descriptions in Missionary Travels and Researches in South Africa and Thomas Baines’ colour lithograph, The Falls from the Western End of the Chasm, exploring how the portrayal of the landscape through text and image encouraged migration to the colony. Figure 1. Thomas Baines, 1865, The Falls from the Western End of the Chasm, Zambezi River, colour lithograph, 36.5 x 56.2 cm. Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953. <https://collections.britishart.yale. edu/catalog/tms:62325> [accessed 8 April 2021]. Following the abolition of slavery in Missionary Travels and several John Thomas Baines, born in Norfolk later.11 Both men documented their 1833, the civilising mission became the paintings of Victoria Falls by Thomas in 1820, sailed to Cape Town two years observations in great detail; Baines means to maintain control and power Baines can be analysed through these after Livingstone following a five- through a series of detailed sketches of in the African colonies by bringing lenses to explore how they sought to year apprenticeship as an ornamental Victoria Falls and Livingstone through religion, medicine, and education to fulfill these desires. This article will painter.5 His talent as an artist and Missionary Travels and Researches in those in the ‘dark continent.’ This study the works of Thomas Baines and cartographer enabled him to join a South Africa and later, A Popular Account approach meant that a number of David Livingstone, analysing their few expeditions. -
Life of Frederick Courtenay Selous, D.S.O. Capt
LIFE OF FREDERICK COURTENAY SELOUS, D.S.O. CAPT. 25TH ROYAL FUSILIERS Chapter XI - XV BY J. G. MILLAIS, F.Z.S. CHAPTER XI 1906-1907 In April, 1906, Selous went all the way to Bosnia just to take the nest and eggs of the Nutcracker, and those who are not naturalists can scarcely understand such excessive enthusiasm. This little piece of wandering, however, seemed only an incentive to further restlessness, which he himself admits, and he was off again on July 12th to Western America for another hunt in the forests, this time on the South Fork of the MacMillan river. On August 5th he started from Whitehorse on the Yukon on his long canoe-journey down the river, for he wished to save the expense of taking the steamer to the mouth of the Pelly. He was accompanied by Charles Coghlan, who had been with him the previous year, and Roderick Thomas, a hard-bitten old traveller of the North- West. Selous found no difficulty in shooting the rapids on the Yukon, and had a pleasant trip in fine weather to Fort Selkirk, where he entered the Pelly on August 9th. Here he was lucky enough to kill a cow moose, and thus had an abundance of meat to take him on the long up-stream journey to the MacMillan mountains, which could only be effected by poling and towing. On August 18th he killed a lynx. At last, on August 28th, he reached a point on the South Fork of the MacMillan, where it became necessary to leave the canoe and pack provisions and outfit up to timber-line. -
Rhodesiana Volume 29
1948 The Standard Bank Limited, Victoria Falls 1973 THOMAS MEIKLE, 1864-1939 The founder of the Meikle Organisation sailed from Scotland with his parents in 1869. The family settled in Natal where Thomas and his brothers John and Stewart gained their first farming ex perience. In 1892 the three brothers set off for Rhodesia with eight ox- wagons. Three months later they had completed the 700 mile trek to Fort Victoria. Here they opened a store made of whiskey cases and roofed over with the tarpaulins that had covered their wagons. Progress was at first slow, nevertheless, branches were opened in Salisbury in 1893, Bulawayo and Gwelo in 1894, and in Umtali in 1897. From these small beginnings a vast network of stores, hotels, farms, mines and auxilliary undertakings was built up. These ventures culminated in the formation of the Thomas Meikle Trust and Investment Company in 1933. The success of these many enterprises was mainly due to Thomas Meikle's foresight and his business acumen, coupled with his ability to judge character and gather around him a loyal and efficient staff. His great pioneering spirit lives on: today the Meikle Organisation is still playing an important part in the development of Rhodesia. THOMAS MEIKLE TRUST AND INVESTMENT CO. (PVT.) LIMITED. Travel Centre Stanley Avenue P.O. Box 3578 Salisbury i ii iii iv V vi RHODESIANA Publication No. 29 — December, 1973 THE RHODESIANA SOCIETY Salisbury Rhodesia vii Edited by W. V. BRELSFORD Assisted by E. E. BURKE Copyright is reserved by the Society Authors are responsible for their own opinions and for the accuracy of statements they make. -
Guide to Life and Literature of the Southwest REVISED and ENLARGED in BOTH KNOWLEDGE and WISDOM J. FRANK DOBIE DALLAS . 1952
Guide to Life and Literature of the Southwest REVISED AND ENLARGED IN BOTH KNOWLEDGE AND WISDOM J. FRANK DOBIE DALLAS . 1952 SOUTHERN METHODIST UNIVERSITY PRESS _Not copyright in 1942 Again not copyright in 1952_ Anybody is welcome to help himself to any of it in any way LIBRARY OF CONGRESS CATALOG CARD NUMBER: 52-11834 S.M.U. PRESS Contents A Preface with Some Revised Ideas 1. A Declaration 2. Interpreters of the Land 3. General Helps 4. Indian Culture; Pueblos and Navajos 5. Apaches, Comanches, and Other Plains Indians 6. Spanish-Mexican Strains 7. Flavor of France 8. Backwoods Life and Humor 9. How the Early Settlers Lived 10. Fighting Texians 11. Texas Rangers 12. Women Pioneers 13. Circuit Riders and Missionaries 14. Lawyers, Politicians, J.P.'s 15. Pioneer Doctors 16. Mountain Men 17. Santa Fe and the Santa Fe Trail 18. Stagecoaches, Freighting 19. Pony Express 20. Surge of Life in the West 21. Range Life: Cowboys, Cattle, Sheep 22. Cowboy Songs and Other Ballads 23. Horses: Mustangs and Cow Ponies 24. The Bad Man Tradition 25. Mining and Oil 26. Nature; Wild Life; Naturalists 27. Buffaloes and Buffalo Hunters 28. Bears and Bear Hunters 29. Coyotes, Lobos, and Panthers 30. Birds and Wild Flowers 31. Negro Folk Songs and Tales 32. Fiction-Including Folk Tales 33. Poetry and Drama 34. Miscellaneous Interpreters and Institutions 35. Subjects for Themes Index to Authors and Titles Illustrations Indian Head by Tom Lea, from _A Texas Cowboy_ by Charles A. Siringo (1950 edition) Comanche Horsemen by George Catlin, from _North American Indians_ Vaquero by Tom Lea, from _A Texas Cowboy_ by Charles A. -
ANGLO AMERICAN CORPORATION RHODESIA Salisbury Bulawayo PIONEER HEAD
WHEN TODAY IS AS OLD AS YESTERDAY Rhodesia Railways will be preparing to meet the challenge of tomorrow, thus ensuring that today and every day they can continue to provide a reliable transport service capable of meeting Rhodesia's growing demands, safely and efficiently RHODESIA RAILWAYS MOVES WITH THE TIMES "'11 THOMAS MEIKLE, 1862-1939 The founder of the Meikle Organisation sailed from Scotland with his parents in 1869. The family settled in Natal where Thomas and his brothers John and Stewart gained their first farming ex perience. In 1892 the three brothers set off for Rhodesia with eight ox- wagons. Three months later they had completed the 700 mile trek to Fort Victoria. Here they opened a store made of whisky cases and roofed over with the tarpaulins that had covered their wagons. Progress was at first slow, nevertheless, branches were opened in Salisbury in 1893, Bulawayo and Gwelo in 1894, and in Umtali in 1897. From these small beginnings a vast network of stores, hotels, farms, mines and auxilliary undertakings was built up. These ventures culminated in the formation of the Thomas Meikle Trust and Investment Company in 1933. The success of these many enterprises was mainly due to Thomas Meikle's foresight and his business acumen, coupled with his ability to judge character and gather around him a loyal and efficient staff. His great pioneering spirit lives on: today the Meikle Organisation is still playing an important part in the development of Rhodesia. THOMAS MEIKLE TRUST AND INVESTMENT CO. (PVT.) LIMITED. Travel Centre Stanley Avenue P.O. -
White Man's Country: the Image of Africa in the American Century By
White Man’s Country: The Image of Africa in the American Century By Aaron John Bady A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Bryan Wagner, Chair Professor Donna Jones Professor Scott Saul Professor Michael Watts Fall 2013 Abstract White Men’s Country: The Image of Africa in the American Century By Aaron John Bady Doctor of Philosophy in English University of California, Berkeley Professor Bryan Wagner, Chair It is often taken for granted that “the West’s image of Africa” is a dark and savage jungle, the “white man’s grave” which formed the backdrop for Joseph Conrad’s hyper-canonical Heart of Darkness. In the wake of decolonization and independence, African writers like Chinua Achebe and Ngugi wa Thiong’o provided alternate accounts of the continent, at a moment when doing so was rightly seen to be “The Empire Writes Back.” Yet in the years since then, “going beyond the clichés” has itself become a kind of cliché. In the last decade in particular, the global investment class has taken up the appeal to “Re-brand Africa” with a vengeance. Providing positive images of Africa is not necessarily a radical critique of empire’s enduring legacies, in other words; it can also be an effort to brand and market “Africa” as a product for capital speculation. In White Men’s Country: The Image of Africa in the American Century, I describe how American literary investments in Africa grew, alongside the slow decline of European cultural imperialism. -
Livingstone's Cataract, by Robert Plummer
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Livingstone’s Cataract Robert Plummer PLMROB006 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts in Creative Writing Faculty of the Humanities University of Cape Town 2011 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed,Town and has been cited and referenced. Signature: CapeDate: of University Abstract In January 1860, the painter Thomas Baines returned to Cape Town in disgrace, having been dismissed from David Livingstone’s expedition to explore the Kebrabasa rapids on the Zambesi River. Livingstone’s Cataract is a historical novel that follows Baines’s involvement with the expedition. It is written from Baines’s point of view, in the first person. The novel traces the problems that the party faced: from their struggle to find a way through the river delta to the inadequacies of their steamer; from the war that was raging between the Portuguese authorities and rebel prazeros to intense conflicts between the members of the expedition; from the malaria that beset them to the hostile environment that resisted their attempts to map or navigate. -
NOTES and QUERIES Moray Comrie
73 Notes and Queries Macrorie House Museum: hope for the future If the compiler of Notes and Queries may be permitted a remark, it must be to reflect that Mr Frost's 1990 editorial prognostication that Graham Dominy would prove a considerable asset to Natalia's editorial committee has proven true. Mr Dominy's interests and concerns have provided several Notes for this number of Natalia, including this first. Many of them are cause for anxiety rather than satisfaction, but it is appropriate to open on a note of optimism. The future of Pietermaritzburg's well-known settler history landmark, the Macrorie House Museum, which has been hanging in the balance for several years, now looks much brighter. There has been persistent wrangling between the Simon van der Stel Foundation, the owners of the building who wish to sell it, the museum's Board of Trustees, the owners of the collection and managers of the property who cannot afford to buy it, and the Pietermaritzburg City Council which refuses to buy it for a market-related price (arguing that since it gave the Foundation the original purchase price of R 15 000 in the 1960s it should not have to buy it again). The Board of Trustees have been running the museum on a shoestring budget (aided by a small grant from the City Council and the Natal Provincial Administration) and have been unable to get adequate funds for the museum because of the dispute over the property. This has meant that the museum has become more and more run down despite its attracting increasing numbers of visitors. -
Big-Game Hunting in German East Africa in the Period Between 1891
CORE Metadata, citation and similar papers at core.ac.uk Provided by Universität Paderborn - Digitale Sammlungen Big-game hunting in German East Africa in the period between 1891 and 1916: an analysis from the perspective of social sciences / Großwildjagd in Deutsch-Ostafrika im Zeitraum 1891-1916: Eine Untersuchung aus sozialwissenschaftlicher Perspektive Abstract of the dissertation by Udo E. O. Riedel OBJECTIVES: In the context of a reflection of social sciences former big-game hunting should be described elaborately. Motives and attitudes of involved people should be identified. Methods: Methods mainly consisted in interpreting documents like (auto-)biographies, travelogue and travel diaries. Results: ’Heroic’ features of the ’White Hunter’ were often assigned to professional hunters of German East Africa and not always, but often denied to be attributable to hunting natives. This attitude was predominantly based on the belief in a cultural superiority of white men. A development from ’pioneer hunters’ to ’settler hunters’ like in British Kenya could be at least to some extent verified for German East Africa. The statement that the experiences and actions of colonial big game hunters were determined by an extreme form of ’masculinity’ could not be sufficiently substantiated. Thus, the sources also gave detailed desriptions of colonial ’hunting heroines’. The main motives in big-game hunting were the desire to appear ’athletic’ or skillful and the yearning for venturesomeness; the frustration from civilization also played a certain role. Conclusions: The hunters of big game in German East Africa were a rather heterogeneous group: there was, for example, a feeling of devotion to hunting in some characters, but there were also those whose main concern was the protection of their settlements and plantations from wildlife.. -
Comptes Rendus Hunters
afrika focus — Volume 27, Nr. 1, 2014 — pp. 103-106 reviews – comptes rendus Hunters David Chancellor Schilt Publishing Amsterdam, 2012 At the beginning of the previous century, hunting safaris became a fashionable pursuit among members of the affluent classes, particularly in Britain and the USA. Al- though this type of hunting also occurred in West Africa, it was more popular in southern and especially eastern Africa which had greater numbers of large game. Moreover, the completion of the Ugandan railway in 1901 provided easier access to the interior high- lands of British East Africa (now Kenya) where there was an abundance of large game such as elephants, lions, rhinoceros and buffalo. It was in Kenya then, that the tourist trophy hunting industry proper began. Wealthy European and American visitors paid set- tler farmers to guide them on hunting safaris in the country. And soon after the Kenya example the tourist hunting industry would developed elsewhere in Africa. The British colonial government quickly turned big-game hunting into a source of revenue, charging the tourists and hunters licensing fees for permission to kill game animals. In 1909, a UKP 50 hunting license in British East Africa entitled its purchaser to kill 2 buffaloes, 2 hippos, 1 eland, 22 zebras, 6 oryxes, 4 waterbucks, 1 greater kudu, 4 lesser kudus, 10 topis, 26 hartebeests, 229 other antelope, 84 colobus monkeys and unlimited numbers of lions and leopards, because these last two, which killed livestock, were classified as 'vermin'. The white hunter served these paying customers as guide, teacher, and protector. Currently, South Africa has the largest hunting industry. -
Donald-Crummey-African-Banditry
EnterText 4.2 DONALD CRUMMEY African Banditry Revisited Eric Hobsbawm’s Bandits is a powerful and beguiling work of historical imagination attentive to the rural poor, their capacity for political action and their potential as participants in larger processes of social change.1 It combines an enthusiasm and affection for popular heroes of the countryside with an extraordinary range of examples across space and through time. Central to Hobsbawm’s argument is that, from time to time, bandits rise from the level of criminality and vendetta to become vital articulators of the cause of the rural poor and actors on their behalf. In short, they become social bandits, the prototype for which, in the anglophone world, is Robin Hood, who stole from the rich and gave to the poor. Criticism seems pedestrian by contrast with Hobsbawm’s sweep and verve. However, as Hobsbawm points out, in the introduction to the first two editions of the book, Africa is conspicuously absent from his gallery of heroes, a shortcoming which he addresses by reference, in the first paperback edition, to the antics of Ghanaian cocoa smugglers in the 1960s, and, in the second edition, to the careers of the Mesazghi brothers, Eritrean bandits who found themselves swept up into anti-British politics of the 1940s.2 There was no great rush of Africanist scholarship to respond to Hobsbawm’s invitation and challenge. Ed Keller was pretty quick off the mark with a 1973 article Donald Crummey: African Banditry Revisited 11 EnterText 4.2 in the Kenya Historical Review,3 and Allen