TECHNOLOGY SHOWCASES Monday 4:00–7:00 P.M

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TECHNOLOGY SHOWCASES Monday 4:00–7:00 P.M CHECK OUT THE TITLE SPONSOR TECHNOLOGY SHOWCASES Monday 4:00–7:00 p.m. and Tuesday 8:00 a.m.–3:00 p.m Technology Showcase Map on pages 14-15 DIAMOND SPONSORS Global Broadcast Solutions #SVGSUMMIT GOLD SPONSORS Monday Workshop Schedule For additional details and workshop locations, turn to page 4 EVENT SPONSORS 10:00 – 11:30 a.m. Women’s Sports Media Initiative Annual Meeting 10:00 a.m. – Noon Remote Engineering Workshop 10:00 a.m. – Noon SVG College: New York 10:00 a.m. – Noon Cloud Workshop: Production & MAM Workflows 10:00 a.m. – 1:00 p.m. DTV Audio Workshop 1:00 – 4:30 p.m. Venue Production Workshop 1:00 – 4:30 p.m. Sports Asset Management & Storage Workshop 1:00 – 4:45 p.m. General Sessions 4:00 p.m. TECHNOLOGY SHOWCASE AREA OPENS 4:30 p.m. Opening Night Reception in Technology Showcase Area Tuesday General Sessions Schedule For additional details, turn to pages 6-8 8:00 a.m. Continental Breakfast in Technology Showcase Area 9:00 a.m. Sports-Production Highlights From the Year That Was 10:00 a.m. Producer Perspectives: Storytelling in the Digital Age 10:30 a.m. Networking Break in Technology Showcase Area 11:15 a.m. Leaders in Remote Production: The State of the Industry Noon Case Study: Oracle 12:15 p.m. Networking Lunch in Rhinelander Gallery 1:15 p.m. How Social Video Will Change the Way You Create Content 2:00 p.m. NEP: Augmented Reality Overview 2:15 p.m. Networking Break in Technology Showcase Area 3:00 p.m. Digital Leaders Perspectives: The Big Picture 4:00 p.m. Closing Keynote: NBA Commissioner Adam Silver FEATURING: streaming•social•mobile•data 12.12.2016 •nyc December 12-13, 2016 • New York Hilton page 10 page 12 DAY 1 MONDAY, DECEMBER 12 • WORKSHOPS WOMEN’S SPORTS MEDIA DTV AUDIO WORKSHOP INITIATIVE ANNUAL MEETING 10:00 a.m. – 1:00 p.m. 10:00 – 11:30 a.m. GRAMERCY SUITE EAST, 2ND FLOOR GIBSON SUITE, 2ND FLOOR The DTV Audio Group Workshop is designed for those who make a living creating, SVG’s Women’s Sports Media Initiative is a networking group that aims to enhance mixing, and delivering sports audio for 5.1-surround-sound broadcasts, mobile devices, the role of women in the creation, production, and distribution of sports content. This and more. Attend the workshop and learn about the latest trends and workflows that year’s meeting includes a special presentation by Sports Broadcasting Hall of Famer will make a difference in the way sports fans consume your content. The DTV Audio Andrea Berry on managing change. Group is sponsored by Calrec Audio/DiGiCo, Digital Audio Denmark, Dale Pro Audio, Dolby Laboratories, Harman, Lawo, Linear Acoustic, and Plus24/Sanken. REMOTE ENGINEERING VENUE PRODUCTION WORKSHOP WORKSHOP 1:00 – 4:30 p.m. SPONSORED BY 10:00 a.m. – Noon GIBSON SUITE, 2ND FLOOR GRAMERCY SUITE WEST, 2ND FLOOR The Venue Production Workshop will feature panel Topics at this year’s Remote Engineering Workshop include a 2017 Forecast for the discussions on how producers in the control room and the Broadcast Business by Josh Stinehour of Devoncroft Partners; Hardware Virtualization broadcast truck can share resources more effectively and engage fans everywhere, the and Why It Could Change Everything; and A Washington D.C. Update on the 2016 latest technology expectations in the control room, a look at in-venue closed captioning, Election’s Impact on Transporting Sports Video Equipment. and the future of venue video-signal transport. The SVG Venue Initiative is sponsored by Bexel, Canon, Cisco, Clear-Com, Crown Castle, Daktronics, EVS, Grass Valley, KMH THIS IS SVG COLLEGE: NEW YORK Audio-Video Integration, Panasonic, Quantum, Ross Video, and Sony. 10:00 a.m. – Noon SPONSORED BY SMART SPORTS ASSET MANAGEMENT & MADISON SUITE, 2ND FLOOR STORAGE (SAMS) WORKSHOP The SVG College Initiative returns to the SVG Summit 1:00 – 4:30 p.m. with a workshop offering informative presentations and GRAMERCY SUITE WEST, 2ND FLOOR TITLE SPONSOR discussions addressing the robust college-sports-video– production industry. Network with industry peers and SPONSORED BY leaders in technology development and help take your career and your organization This year’s SAMS Workshop opens with a “SAMS Straight Talk” session addressing to the next level. The SVG College Initiative is sponsored by Avid, Bexel, BlueFrame the hottest topics in the industry and is followed by discussions on how social-media Technology, Canon, EVS, Grass Valley, LTN Global Communications, Panasonic, analytics can enrich your metadata, the potential challenge that virtual-reality presents, Quantum, Ross Video, Sony, Tightrope Media Systems, and Wowza Media Systems. and how to plan for proxy support for next-gen content like VR. CLOUD WORKSHOP: GENERAL SESSIONS PRODUCTION & MAM WORKFLOWS 1:00 – 4:45 p.m. 10:00 a.m. – Noon TITLE SPONSOR TRIANON BALLROOM, 3RD FLOOR MORGAN SUITE, 2ND FLOOR SPONSORED BY The Cloud Workshop will focus on cloud-based production and media-asset-management workflows currently deployed by sports-production organizations through a trio of case studies The General Sessions track extends over two days and is designed to put production by IMG/Premier League, MLB Network/NHL Network, and NBC Sports/Olympics. workflows, tools, and technologies front and center, with leaders from across This seminar aims to provide insight into how the cloud technologies are changing the the industry taking part in exclusive keynote conversations, presentations, panel video-production ecosystem. discussions, and debates. For more information, turn to pages 6-8. CHECK OUT THE TECHNOLOGY SHOWCASES! The Technology Showcase Area is bigger and better than ever, with more than 75 industry-leading vendors exhibiting their latest gear for sports production. Support our sponsors and check out the Technology Showcases! This is HDR. What if you could deliver a consistently high-quality HDR experience, regardless of content Monday 4:00 – 7:00 p.m. format or input? Technicolor’s smart HDR solution makes this possible by accepting a wide Tuesday 8:00 a.m. – 3:00 p.m. range of formats, and up-converting all SDR content to stunning HDR. And, by delivering SDR and HDR through a single stream, we minimize bandwidth utilization, avoiding the need Mercury Ballroom, Mercury Rotunda, Petit Trianon, Rendezvous, and Lobby for costly infrastructure upgrades and maximizing HDR coverage. Because HDR should belong to the many, not to the few. Get the whole picture. Visit OpenHDR.com The Technology Showcases are listed on page 13 • Showcase Map is on pages 14-15 ENTERTAINMENT INTENSIFIED. HDR UNLEASHED. page 4 / SVG SUMMIT #SVGSUMMIT DAY 1 MONDAY, DECEMBER 12 • GENERAL SESSIONS Trianon Ballroom, 3rd Floor 1:00 – 1:30 p.m. Jason Hedgcock, MLB Network, Manager, Remote Technical Operations Engineering Perspectives on IP and the SPONSORED BY Mark Hulsey, Big Ten Network, SVP, Production and Executive Producer Changing Production Landscape: Part 1 Leon Schweir, Pac-12 Networks, SVP, Production The engineering teams at both the remote-production–service providers and the networks John Ward, AT&T Entertainment Group, SVP, Content Operations are being challenged with integrating a tremendous amount of new technologies requiring 3:00 – 3:15 p.m. new ways to plan a production, integrate them within existing workflows, and ensure that operations run smoothly. How is the transition to IP progressing in the field? How are more- Networking Break bandwidth-intensive camera systems for high-speed and super-zoom needs being integrated 3:15 – 3:30 p.m. into traditional replay operations? And how is digital-media delivery affecting the engineering Case Study: The Next Chapter: SPONSORED BY side of the production? Leaders share their experiences and expertise. How IP Is Benefiting the Live Production MODERATOR: Ken Kerschbaumer, SVG, Co-Executive Director, Editorial Environment Today PANELISTS: Although it has taken time for video-over-IP standards to be resolved, only now is the transition Brad Cheney, Fox Sports, VP, Field Operations and Engineering truly beginning. This case study will reveal how VoIP is being used today by broadcasters, Michael Francis, CBS Sports, Director, Remote Engineering and Technical who benefit from the flexibility of IP-based live production, which brings efficiencies by using Operations multivendor equipment and technologies to deliver more content while cutting time and costs. Maciek Janiszewski, BroaMan, Applications Engineering Manager PRESENTER: Jason Taubman, Game Creek Video, VP, Design and New Technology James Stellpflug, EVS, VP, Product Marketing 1:30 – 1:45 p.m. SPONSORED BY 3:30 – 4:00 p.m. Case Study: Multi-Studio, Best Practices for HDR on Game Day Multi-MAM Sports Automation Design The industry is expecting more experiments in live HDR production in the coming months. Learn how high-end automation can revolutionize the productivity and flexibility of multi- How does live HDR production change the way people do their jobs? How does it change studio operations by bringing disparate products from multiple vendors into one integrated camera shading, monitor setup in a production truck, and more? Those who have tackled HDR − Enterprise-class Workflow −Editing Collaboration for system. production share their experiences and offer advice on how to best produce an event in HDR. Orchestration & Integration Adobe® Premiere® Pro CC PRESENTER: MODERATOR: Ken Kerschbaumer, SVG, Co-Executive Director, Editorial − Ingest, Edit, Archive, Distribution −Search, Import, Ingest, Check-In Jim O’Brien, Aveco, President PANELISTS: Joe Bogacz, Canon U.S.A, Advisor, Professional Engineering and Solutions Group −Multi-Site & Multi-Language −Proxy or HiRes editing, Background 1:45 – 2:15 p.m. Mark Coleman, Spectrum Sports, VP, Engineering and Operations −Logging, QC, Review & Approval, conforming and transfer Engineering Perspectives on IP and the Philip Garvin, Mobile TV Group, President/Founder/Co-Owner Studio Production tools −Project management templates Changing Production Landscape: Part 2 John Humphrey, Hitachi Kokusai, VP, Business Development and system administration MODERATOR: Ken Kerschbaumer, SVG, Co-Executive Director, Editorial 4:00 – 4:45 p.m.
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