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The Marriage of Figaro

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The Marriage of Figaro 2018-2019 GUIDEBOOK A Letter to the Teachers Dear Teachers, Opera Colorado is pleased to provide engaging educational programs and performances for students across Colorado. What follows is a guide that we hope you and your students find useful, as we explore Mozart’s The Marriage of Figaro. In the spirit of exploration, we have included various lessons that connect The Marriage of Figaro with different subjects of learning. The lessons reference the new Colorado Department of Education’s Academic Standards: specifically, focusing on the fourth grade expectations. This does not mean, however, that these lessons should be limited to this age group. While we would be very pleased if you used these lessons in the exact - Cherity Koepke - Director of Education & Community Engagement format provided, we encourage you to expand, alter, [email protected] 303.778.0371 and adapt these lessons so that they best fit your students’ abilities and development. After all, the teacher knows their students’ needs best. We would appreciate your feedback on our teacher evaluation form found at the end of this guide, and we hope that you enjoy all that Opera Colorado has to offer! thank you! Opera Colorado makes every effort to ensure that the information provided in this guidebook is as accurate as possible. With the exception of materials used for educational purposes, none of the contents of this guidebook may be reprinted without the permission of Opera Colorado’s Education & Community Programs department. Dictionary definitions were taken from www.Merriam-Webster.com, and unless marked otherwise, educational information was gathered from www.Wikipedia.com . Unless otherwise noted, the materials in the Marriage of - Parisa Zaeri - Figaro guidebook were developed and compiled by Cherity Koepke and Amelia Manager of Education & Community Engagement Newport, and edited by Parisa Zaeri. [email protected] 303.778.7350 2 Table of Contents Cast List 4 Synopsis 5 Meet the Composer 9 Meet the Librettist 10 Meet the Playwright 11 Listening Activity 12 Compare & Contrast Activity 14 Storyline Activity 17 Visual Arts Activity 19 Creative Writing Activity 22 Logic Puzzles Activity 24 Word Search 28 Program Evaluation 29 3 The Marriage of Figaro Music by W.A. Mozart – Libretto by Lorenzo Da Ponte Adapted from a stage comedy by Pierre Beaumarchais Premiered in Vienna, Austria on May 1, 1786 Count Almaviva…………………..…..………………….……………….……..………………..……………………………………..…baritone (ahl-mah-VEE-vah) Countess Rosina………………………………………………………………………………………………...………………..…………soprano (ro-ZEE-nah) Susanna ……………………………..….…….………….the Countess’s maid………………………………..…….………..….soprano (soo-ZAH-nah) Figaro…………………………...…….….………..….the Count’s personal valet….…...…….………………………bass-baritone (FEE-gah-ro) Cherubino………………………………………………..….the Count’s page………….……….….………………..mezzo-soprano (keh-roo-BEE-no) Marcellina………………………………………….….Dr. Bartolo’s housekeeper……………….………..………mezzo-soprano (mahr-che-LEE-nah) Bartolo…………………………………………..……….….a doctor and lawyer……………………………………….………..………bass (BAHR-to-lo) Basilio………………………………………………….…….….a music teacher………………………………………….………..………tenor (bah-ZEE-lee-oh) Don Curzio…………………………………………..………….….a judge…………………………………………….….………..………tenor (KOOR-tsee-oh) Barbarina………………………………………………..….Antonio’s daughter ……………………………….………..……… soprano (bahr-bah-REE-nah) Antonio……………………………………………..….….the Count’s gardener……………….…………………………..…..………bass (an-TO-nee-oh) 4 Synopsis But their argument is interrupted by the arrival of Figaro ACT I and a group of peasants, who, at Figaro's instigation, are singing the Count's praises for having abolished the feudal Figaro is measuring a space for his nuptial bed while his right of the lord of the manor to sleep with his servant's fiancée, Susanna, tries on her bridal hat. She doesn't like bride. Figaro invites the Count to place the bridal veil on their new bedroom. Figaro doesn't understand why, as it's Susanna as a symbol of his blessing on their marriage, very convenient to the bedrooms of the Count and which is to take place later that day. The Count is forced Countess. But Susanna warns Figaro that it's too to agree, but privately vows to help Marcellina marry convenient for the Count, who is plotting with her music- Figaro instead. He also gets Cherubino out of the way by master, Don Basilio, to get her to sleep with the Count. drafting him into his regiment. Figaro teases the boy, for Susanna goes off when the Countess rings for her. Alone, he'll have to sacrifice his love-making and enjoy instead Figaro vows revenge ("Se vuol ballare") and storms off in a the "glories" of war ("Non più andrai, farfallone cold rage. amoroso"). Dr. Bartolo enters with his housekeeper, Marcellina. Figaro once promised to marry her, and ACT II Bartolo promises to find a way to make him do it. It would be the perfect revenge on Figaro, who blocked his In her boudoir, the Countess bemoans the Count's marriage to Rosina. Bartolo goes off to put his scheme infidelity ("Porgi, amor"). Susanna has told her about the into effect. Susanna returns, and Marcellina jealously Count's plans to seduce her. Figaro arrives. He knows spars with her, making Marcellina go off in a huff. The that the Count is plotting to help Marcellina. He has his teenaged page Cherubino now enters. He tells Susanna own plan: through Basilio, he will send the Count an that he is in love with the Countess, but the Count has anonymous note about the Countess's "lover." This is sure caught him with young Barbarina (Susanna's cousin and to drive him to distraction. Meanwhile, Susanna is to the gardener Antonio's daughter). Cherubino can't agree to meet the Count in the garden, only it will be contain his romantic desires ("Non so più"). Cherubino, disguised as Susanna, he will be wooing. The Countess can then surprise him in flagrante delicto. Figaro Cherubino hides behind a chair when the Count arrives to goes off to get the boy. beg Susanna for a meeting before he goes to London with Figaro on diplomatic business. But his wooing is Cherubino arrives and, at Susanna's urging, sings the interrupted by the arrival of Don Basilio, and it's the Countess a love song that he wrote for her ("Voi che Count's turn to hide. He heads for the same chair where sapete che cosa è amor"). He shows the Countess his Cherubino is hiding, forcing the boy to jump into the regimental commission, which he had just gotten from seat. Susanna hastily covers him with a cloth. Hearing Basilio. She and Susanna realize that it has no seal on Basilio's insinuating gossip about Cherubino and the it. Figaro has told Cherubino of the plan, and Susanna Countess, the jealous Count reveals himself. Basilio of begins to dress the uncomfortable boy as a woman. When course concludes that the Count and Susanna are an she goes into another room to get a ribbon, he takes item. This is all too much for Susanna, who begins to advantage of her absence to declare his love for the faint. The Count and Basilio rush to her aid and try to get Countess. At that moment, the suspicious Count bangs on her into the chair, but she revives just in time and orders the door, and Cherubino dives into the closet. them away. The Count vows to make Cherubino leave the castle. When Susanna expresses sympathy for the boy, The Count demands to know to whom the Countess was the Count tells her that it's not the first time Cherubino speaking, and she tells him it was Susanna, who has gone has been caught with a female. Recalling how he found into another room. He shows her the anonymous letter the page hiding under a tablecloth in Barbarina's room, he that Figaro had written about her "lover." A noise from lifts the cloth concealing Cherubino. The Count now the closet obliges the Countess to say that Susanna is in accuses Susanna of dallying with the boy. there, not in the other room. Susanna re-enters the room, unseen by the Count and Countess, and realizes that 5 there's some kind of problem, so she hides behind a screen. As Cherubino cowers, terrified, in the closet, the ACT III Count orders "Susanna" out, but the Countess forbids it. The Count is convinced that the Countess is hiding a Alone, the Count ponders the confusing situation. Unseen lover in there. As they argue, they warn each other not to by the Count, the Countess urges a reluctant Susanna to go too far and create a scandal. Susanna remains behind go ahead with the plan and tell the Count that she will her screen, horrified by the situation. The Countess meet him in the garden later. Because Cherubino is gone, absolutely refuses to open the closet, so the Count brings the Countess will impersonate Susanna. The Countess her with him to get something to break the closet open, takes herself off. Susanna overhears the Count talking to locking the door behind him. Susanna lets Cherubino out himself about Figaro marrying Marcellina. Emboldened, of the closet. In a panic, he escapes through the window, she approaches him, claiming that she has come to get and Susanna hides in the closet. some smelling salts for the Countess, who is having a fainting fit. He tells her that she should keep it herself, When the Count and Countess return, she finally admits because she is about to lose her intended husband. She that Cherubino is in the closet, claiming that it was just a counters that she will repay Marcellina's loan with the joke. He doesn't believe her protestations of innocence dowry the Count had promised her. But the Count claims and threatens to kill Cherubino. Drawing his sword, he he can't remember any such promise. She has no choice flings open the closet door. They are both astonished to but to flirt with him, and the pact is made.
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