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For Immediate Release

EllenELLEN Jacobs Associates JACOBS 611 BroadwayASSOCIATES Suite 403 New York, NY 10012 USA T: 212.245.5100 F: 212.397.1102 [email protected] www.ejassociates.org L-R: Hannah Marshall(2010), Dagny Hanrahan & Chase Finlay (2006) and Puanani Brown (2010) in Academy East productions of *

PREMIERES BY , JENNA LAVIN AND CLAUDIA SCHREIER, PLUS ’S CLASSIC ‘RAYMONDA VARIATIONS” HIGHLIGHT PERFORMANCES BY YOUNG DANCERS FROM BALLET ACADEMY EAST AT THE AILEY CITIGROUP THEATER, FEBRUARY 18-20

While pre-professional dancers have been integrated into professional productions ever since the early days of the Mariinsky Theater in St. Petersburg, it is unusual for ballet students to have especially choreographed for them. Welcome to Ballet Academy East’s season at Ailey CitiGroup Theater, where four new ballets choreographed for BAE’s most talented young dancers will be premiered February 18-20. Ashley Bouder, Jenna Lavin and Claudia Schreier choreographed the new works.

The program will also feature George Balanchine’s beloved classic “Raymonda Variations” staged by Darla Hoover, BAE’s artistic director and répétiteur for the Balanchine Trust.

Marking Ashley Bouder’s first foray into choreography, her ballet (title to come), set to Mozart’s ballet score “Les petits riens,” will have a cast of 13 dancers ranging in age from 12 to 15. Ms. Bouder is a principle dancer with Ballet.

A former , Jenna Lavin has created 18 ballets for BAE students over her 15 years teaching at the school. Set to Schubert’s “Piano Trio no. 2 in E flat major, Opus 100,” this year’s premiere “(S)EVEN” is comprised of a series of short solos performed en pointe and tailored to each of its seven female teenage dancers. Lavin has also created a short waltz, “Barcarolle,” set to the “Barcarolle” section of Offenbach’s “Tales of Hoffmann” for a group of 14 preteens, ages 10 to 12 years. Choreographed for 22 of the school’s most technically advanced dancers, Claudia Schreier’s premiere, aptly titled “Charge,” is defined by a driving energy that ebbs and flows throughout the ballet. Schreier’s dance challenges the performers’ traditional balletic movement by requiring a fluid use of their torso and a greater curvature of their shoulders and arms. “Charge” is set to “Piano Concerto: III” by the contemporary Dutch composer Douwe Eisenga.

“Raymonda Variations,” one of George Balanchine’s signature ballets, offers BAE’s advanced dancers a showcase for their diverse technical and virtuosic gifts. As a young student, Balanchine danced in the Mariinsky production of the original full-length story ballet, “Raymonda,” by Marius Petipa. Loving Alexander Glazunov’s music, but not the weight of the story, Balanchine discarded the narrative in his “Raymonda Variations,” creating a plotless ballet of shimmering lyricism and wit.

The commitment of the young performers is absolute. In order to achieve the professional pol- ish necessary for public performances, the advanced students have added three hours of daily rehearsal since January 1 to their three hours of technique class six days a week. And that’s in addition to the demands of their academics.

ABOUT BALLET ACADEMY EAST

In 1978, Julia Dubno, the founder and director of Ballet Academy East, was appointed by Chris- tine Fokine to run the Fokine Ballet School. That experience led to the opening of Ballet Acad- emy East in a brownstone on East 79th Street with one small studio in 1979. Today, the school has five studios and Dubno continues to manage the daily operations, working closely with its world-renowned faculty. The Pre-Professional Division faculty, led by Artistic Director Darla Hoover, , Maxim Beloserkovsky, Cynthia Birdwell, Olga Dvorovenko, Peter Frame, Gonzalo Garcia, Jenna Lavin, Joseph Malbrough, Tara Mora, Francis Patrelle, Eliza- beth Walker, and Cheryl Yeager, prepares dancers for professional ballet careers. Alumni of BAE are currently performing in companies across the country, including , Theatre, BalletMet, , , Ala- bama Ballet, and Washington Ballet.

ABOUT THE ARTISTS

Ashley Bouder Born in Carlisle, Pennsylvania, Bouder began her training at age six at the Central Pennsylva- nia Youth Ballet. After attending the summer program at the School of American Ballet, the official school of the New York City Ballet, Bouder was invited by SAB to continue her train- ing during the Winter Session in 1999. In June 2000, Bouder was named an apprentice with the New York City Ballet. She became a member of the in October 2000. In February 2004, Bouder was promoted to soloist and became a in January 2005. She has been a guest teacher with Ballet Academy East. Darla Hoover Darla Hoover trained at the Central Pennsylvania Youth Ballet and completed her studies at the School of American Ballet. In 1980, George Balanchine invited her to join New York City Ballet, where for the next decade she appeared as a featured soloist in many ballets. She further expanded her repertory experience by making guest appearances throughout the and Europe. Today, Hoover focuses her attention on teaching and staging ballets. She is the artistic director of Ballet Academy East’s Pre-Professional Division and the associate artistic director of Central Pennsylvania Youth Ballet, where she directs a Teachers Workshop. Hoover guest teaches all over the world including , , Miami City Ballet, , New National Theatre Tokyo and . As a répétiteur, Hoover has staged works for the George Balanchine Trust and , Ballet Master- in-Chief of New York City Ballet, for companies including the Royal Danish Ballet, , Joffrey Ballet, New National Theatre Tokyo and . She was recently invited to stage Balanchine’s “Raymonda Variations” at the Vaganova Ballet Acad- emy in St. Petersburg, .

Jenna Lavin Originally from Queens, New York, Jenna Lavin graduated from the School of American Bal- let. At age 17, Lavin was invited to join the Chicago City Ballet. She then went on to dance with the Ballet for seven years before she became a principal dancer with the Nashville Ballet. Her performing career also includes the as well as Edward Villella’s Miami City Ballet where she danced as a soloist, and performed principle roles in many ballets. Lavin has been teaching ballet to young dancers throughout her career since she was 17. She has taught master classes in Atlanta, Michigan and for the Nashville Ballet School. Lavin has been on the faculty at Ballet Academy East since 2003 where she teaches and choreographs for the school’s Pre-Professional Program.

Claudia Schreier A native New Yorker, Claudia Schreier has been commissioned to create dances by companies and organizations including the Vail International Dance Festival, Lake Tahoe Dance Collec- tive, Intermezzo Dance Company, Ballet Academy East, the Ailey School, Columbia Ballet Collaborative, The Harvard Club of New York Foundation, Harvard , and the Academy of Music Arts. Her work has twice represented Harvard University for adjudication at the American College Dance Festival and was selected both times for the Gala Performanc- es. Schreier recently presented a full-evening performance of her own work, entitled Claudia Schreier & Company, at the Ailey Citigroup Theater in August 2015. She graduated from Harvard University with a B.A. in sociology and secondary degree in dramatic arts.

PERFORMANCE TIMES

Thursday, February 18 at 7pm Friday, February 19 at 7pm Saturday, February 20 at 2:30pm & 6pm Ailey Citigroup Theater is located at 405 West 55th Street between 9th and 10th Avenue.

TICKETS

Tickets are $50, and can be purchased online at www.ticketcentral.com, by phone at (212)-279- 4200 or at Ticket Central Box Office at 416 West 42nd Street, between 9th and 10th avenues. (Hours: 12pm-8pm)

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* Hannah Marshall is currently a member of corps de ballet at American Ballet Theatre; Dagny Hanra- han is currently a coryphée with ; Chase Finlay is currently a principal dancer with New York City Ballet; Puanani Brown performed with American Ballet Theater for three seasons. She is cur- rently a student at Harvard University.

All photos by Rosalie O’Connor

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