Resilience Curated by Destiny Muhammad Soundbox
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RESILIENCE CURATED BY DESTINY MUHAMMAD SOUNDBOX 1 “Resilience fortifies, resilience uplifts, resilience guides.” —Destiny Muhammad 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. Langendorf Foundation Naoum Blinder Chair John Chisholm Second Century Chair Nadya Tichman, Associate Concertmaster Cathryn Down Barbara Bogatin San Francisco Symphony Foundation Chair Darlene Gray Phylis Blair Cello Chair Wyatt Underhill, Assistant Concertmaster Stan & Lenora Davis Chair Jill Rachuy Brindel 75th Anniversary Chair Amy Hiraga Gary & Kathleen Heidenreich Second Century Chair Jeremy Constant, Assistant Concertmaster Kum Mo Kim Sébastien Gingras Mariko Smiley Kelly Leon-Pearce Penelope Clark Second Century Chair Paula & John Gambs Second Century Chair Eliot Lev David Goldblatt Melissa Kleinbart Isaac Stern Chair Christine & Pierre Lamond Second Century Chair Katharine Hanrahan Chair Chunming Mo Carolyn McIntosh Yun Chu Polina Sedukh Elizabeth C. Peters Cello Chair Naomi Kazama Hull Chen Zhao Anne Pinsker In Sun Jang Yukiko Kurakata VIOLAS BASSES Catherine A. Mueller Chair Jonathan Vinocour, Principal Scott Pingel, Principal Suzanne Leon Yun Jie Liu, Associate Principal Daniel G. Smith, Associate Principal Leor Maltinski Katie Kadarauch, Assistant Principal Stephen Tramontozzi, Assistant Principal Sarn Oliver Vacant Richard & Rhoda Goldman Chair Florin Parvulescu Joanne E. Harrington & Lorry I. Lokey S. Mark Wright Victor Romasevich Second Century Chair Lawrence Metcalf Second Century Chair Catherine Van Hoesen Gina Cooper Charles Chandler David Gaudry Chris Gilbert David Kim Brian Marcus Christina King Wayne Roden Nanci Severance Adam Smyla Matthew Young 4 FLUTES TRUMPETS SAN FRANCISCO SYMPHONY CHORUS Tim Day, Principal Mark Inouye, Principal Members of the American Guild of Musical Artists Caroline H. Hume Chair William G. Irwin Charity Foundation Chair Robin McKee, Associate Principal Aaron Schuman, Associate Principal SOPRANOS Catherine & Russell Clark Chair Peter Pastreich Chair Cheryl Cain, Michele Kennedy, Ellen Leslie, Linda Lukas Guy Piddington Jennifer Mitchell, Natalia Salemmo, Daphne Touchais, Alfred S. & Dede Wilsey Chair Ann L. & Charles B. Johnson Chair Cindy Wyvill, Angelique Zuluaga Catherine Payne, Piccolo Jeff Biancalana ALTOS The Rainbow Piccolo Chair Terry Alvord, Karen Carle, Silvie Jensen, TROMBONES Margaret (Peg) Lisi, Brielle Marina Neilson, OBOES Timothy Higgins, Principal Leandra Ramm, Dr. Meghan Spyker, Merilyn Telle Vaughn Eugene Izotov, Principal Robert L. Samter Chair Edo de Waart Chair Nick Platoff, Associate Principal TENORS James Button, Associate Principal Paul Welcomer Seth Brenzel, Michael Desnoyers, Elliott JG Encarnación, Pamela Smith Vacant, Bass Trombone Samuel Faustine, Kevin Gibbs, Michael Jankosky, Dr. William D. Clinite Chair Jimmy Kansau, David J. Xiques Russ deLuna, English Horn TUBA BASS Joseph & Pauline Scafidi Chair Jeffrey Anderson, Principal Adam Cole, Mitchell Jones, Clayton Moser, James Irvine Chair Matthew Peterson, Chung-Wai Soong, Michael Taylor, CLARINETS David Varnum, Nick Volkert Carey Bell, Principal HARP William R. & Gretchen B. Kimball Chair Douglas Rioth, Principal Vacant, Associate Principal & E-flat Clarinet Vacant TIMPANI Jerome Simas, Bass Clarinet Edward Stephan, Principal Marcia & John Goldman Chair BASSOONS Bryce Leafman, Assistant Principal Stephen Paulson, Principal † Acting member of the San Francisco Symphony Steven Dibner, Associate Principal PERCUSSION Vacant Jacob Nissly, Principal Steven Braunstein, Contrabassoon James Lee Wyatt III The San Francisco Symphony string section utilizes revolving seating Bryce Leafman on a systematic basis. Players listed in alphabetical order change seats periodically. HORNS Stan Muncy† Robert Ward, Principal Second Century Chairs are supported in part by the Richard and Rhoda Goldman Foundation, ensuring the ongoing artistic excellence Mark Almond, Associate Principal LIBRARIANS of the San Francisco Symphony’s string sections. Bruce Roberts, Assistant Principal Margo Kieser, Principal Alexander Barantschik plays the 1742 Guarnerius del Gesù violin, on Jonathan Ring Nancy & Charles Geschke Chair loan from the Fine Arts Museums of San Francisco. Jessica Valeri John Campbell, Assistant Daniel Hawkins Matt Gray, Assistant Daniel Stewart’s appointment as Music Director of the San Francisco Symphony Youth Orchestra is generously supported by the Paul L. and Phyllis Wattis Endowment Fund. 5 Soundbox: resilience Destiny Muhammad curator AMBROSE AKINMUSIRE (arr. Matt Wong) Confessions to My Unborn Daughter Daniel Stewart conductor Destiny Muhammad harp Matt Wong piano Ron Belcher bass Leon Joyce, Jr. drums Linda Lukas flute Jerome Simas clarinet Sarn Oliver violin David Kim viola Peter Wyrick cello TRADITIONAL (arr. Destiny Muhammad) Butterfly Jig Destiny Muhammad harp Ron Belcher bass Leon Joyce, Jr. drums MARY LOU WILLIAMS (arr. Matt Wong) Tell Him Not to Talk Too Long Daniel Stewart conductor Destiny Muhammad harp and vocalist Ron Belcher bass Leon Joyce, Jr. drums Linda Lukas flute Jerome Simas bass clarinet Sarn Oliver violin David Kim viola Peter Wyrick cello 6 WILLIAM GRANT STILL Serenade Daniel Stewart conductor Destiny Muhammad harp Members of the San Francisco Symphony For a list of musicians performing Serenade, turn to page 16. ARTHUR CUNNINGHAM (arr. Matt Wong) Lullaby for a Jazz Baby Destiny Muhammad harp Mike Olmos trumpet Ron Belcher bass Leon Joyce, Jr. drums DESTINY MUHAMMAD (arr. Matt Wong) Hope on the Horizon Destiny Muhammad harp and vocalist Suzanne Leon · Cathryn Down violins Gina Cooper viola Barbara Bogatin cello Frank Zamacona director Taylor Joshua Rankin editor Luke Kritzeck director of lighting Adam Larsen projection designer 7 8 DESTINY MUHAMMAD ON RESILIENCE By Steve Holt How did you come up with the idea for Resilience? When the Symphony asked me to curate a SoundBox program, it was December 2020, almost a year into the pandemic. Within a very short time, all of my upcoming performances were canceled. And I thought, all of us who can reimagine ourselves during this crisis will come out of this stronger and wiser. I’ve Akinmusire Ambrose Mary Lou Williams seen folks struggle, and that’s been very painful. But some of us have been able to support one another in Let’s talk about the composers and their music, and whatever way we can as we move forward. what led you to include them in Resilience. During the pandemic, the resilience of not just my Ambrose Akinmusire (b. 1982) is my dude. I met artistic community but also my family has been so him when he was sixteen years old; now he’s a grown important. Thinking of what my family has been man with a child of his own. I don’t have biological through—not just in the current situation but also children, but people like Ambrose have become my throughout its history—that’s directly affected how I children, because I learn from them and share with put together this program. I think of my great- them my life experience. We’re playing his Confessions grandparents emerging from a history of slavery to to My Unborn Daughter. Many times, the image of setting up their own businesses. And my grandparents’ young Black fatherhood is minimalized, but with journey from Louisiana to Los Angeles, where they Ambrose, there’s a resilience that says, “I’m taking made a whole new life for themselves and their care of mine.” children. That’s resilience, not only theirs but the You’re also playing music from a Jazz legend, Mary Black community’s in general. Many times I’ve felt like Lou Williams (1910–81). I have to boss up to even come to the level of things She was an incredible giant, not just as a pianist, they’ve had to deal with. composer, and arranger, but also because she I’m a spiritual woman, and I always have prayed. mentored so many other musicians in the 1940s and Now my prayer practice has gone up 1,000%. And I am ’50s, amazing people like