Treball De Recerca

Total Page:16

File Type:pdf, Size:1020Kb

Treball De Recerca TREBALL DE RECERCA LA MÚSICA DELS S. XX/XXI 0 1- INTRODUCCIÓ En aquest treball de recerca tractarem el tema de la música del segle XX i segle XXI. També parlarem dels orígens del gèneres actuals i el que impliquen en la nostra societat. Anem a desenvolupar LA HISTÒRIA DE LA MÚSICA DELS SEGLES XX i XXI. Hem triat aquest tema perquè considerem que no hi ha res com la música per a uns melòmans com nosaltres, que estem gairebé tot el dia escoltant-la o amb ganes d’això. Com deia Plató: "La música es para el alma lo que la gimnasia para el cuerpo." 2- QUÈ ÉS LA MÚSICA? La música és l’art de compondre, mitjançant notes, figues i silencis, melodies les quals poden pertànyer a diferents gèneres amb les seves pròpies característiques però sempre amb una comú: transmetre emocions al receptor. S’expressa en pentagrames: Com va dir Kurt Cobain: ‘’La música es sinónimo de libertad, de tocar lo que quieras y como quieras, siempre que sea bueno y tenga pasión, que la música sea el alimento del amor.’’ 1 3- LA MÚSICA AL S. XX Al segle XX hi van haver molts moviments que van influir en la música, creant així molts estils i subestils que van acabar evolucionant en gèneres al s. XXI. Diferents orígens: GÈNERE ORÍGENS PERSONES CANÇONS IMPORTANT S O GRUPS Reggae R&B/Jazz/Mento/Calipso/ UB40 One Love (BM) Ska/Rocksteady Bob Marley http://www.youtube.com/watch? v=vdB-8eLEW8g Rock R&B/Country/pop/twist Elvis Presley Johnny B.Goode(CB) Chuck Berry http://www.youtube.com/watch? v=eWNykOk2ckE Rap Funk/Soul/Disco/Dub/R&B Violadores del Smoke Weed Every Verso Day (SD) Snoop Dog http://www.youtube.com/watch? v=b0UeLSMa_gs Pop Rock&Roll/Jazz/Doowop/ The Beatles Billie Jeans (MJ) Folk/Dance Michael Jackson http://www.youtube.com/watch? v=Zi_XLOBDo_Y Techno Krautrock/soul/disco/funk/ Chasis Fly On The Wings Of electro Dj Tiesto Love(Chasis) http://www.youtube.com/watch? v=WzZoB1GOGO0 Heavy Hard-Rock/Blues/R- AC/DC Thunderstruck Psicodèlic/Clàssica/Folk/ Metallica (AC/DC) Celta http://www.youtube.com/watch? v=v2AC41dglnM Jazz Blues/Folk/Marxes/Ragtime Louis What a Wonderful Amstrong World (Louis Amstrong) http://www.youtube.com/watch? v=m5TwT69i1lU ‘’Sin música la vida sería un error.’’ -Friedrich Nietzsche 2 3.1- R&B R&B El Rhythm and blues (R&B o RnB) és un Terme musical producte del màrqueting, introduït als Estats Units el 1949 per Jerry Wexler des de la revista Billboard. Va ser definit com una mescla de jazz, gospel i blues. Grups Impotants: Edgar wallace Jr., 98 degrees, Sly and the Family Stone... http://www.youtube.com/watch?v=0UDZ8m0-9Lo (Edgar wallace Jr.) Anunci de un concert de R&B 3 3.2- Jazz Jazz El jazz és un Gènere musical nascut a Nova Orleans (Louisiana, Estats Units d'Amèrica) a principis de la dècada del 1900, on és barreja una rítmica pròpia dels afroamericans dels Estats Units (blues, principalment, però también els work songs, el ragtime, els cançons dels "Minstrels") amb 1 instrumentació i una tímbrica genuïnes de les bandes de carrer (trompeta, corneta, clarinet, Trombó, tuba, baix, bombo i platerets). Les formen les Big Bands, formades per saxos, trompetes, trombons (secció melódica) i piano contrabaix i bateria (secció rítmica). Grups destacats: Amy Winehouse, Eric Clapton... http://www.youtube.com/watch?v=Zx1jU8e97ao Grup de Jazz 4 3.3- Mento Mento Ment és un gènere tradicional de música de Jamaica precursor de l'ska i del reggae. Normalment, el moment se serveix d'instruments acústics, com la guitarra, el banjo, diferents tambors i la marímbula (un tipus de mbira en forma de caixa sobre la qual el músic pot seure quan la toca). La marímbula fa les funcions del baix en aquesta música. Grups coneguts: The Jolly Boys http://www.youtube.com/watch?v=XOwl-bMfIkc (The Jolly Boys) Grup de Mento 5 3.4- Calipso Calipso El calipso, o calypso, és un Tipus de cançó i de música d'origen afroantillà (de Trinitat i Tobago), Molt popular a les illes del Carib, a les Antilles i Jamaica, de ritme lent i cadenciós, AMB reminiscències africanes i hispàniques. És tant anglòfon com francòfon. També és popular a Veneçuela, Panamà, Costa Rica, Nicaragua, Jamaica i en l'Arxipèlag de Sant Andrés i Providència a Colòmbia, a més del nord del Brasil, principalment a l'Estat de Pará. Grups coneguts: Nené, Rice and Beans… http://www.youtube.com/watch?v=g5-UuVYFY64 (Nené) Jamaicans Cantant Calipso 6 3.5- Country és un estil musical sorgit als anys 20 del segle XX a les regions rurals del sud dels Estats Units i a les províncies marítimes del Canadà. En els seus orígens, va combinar la música folklòrica d'immigrants d'alguns països europeus, principalment d'Irlanda, amb d'altres formes musicals ja arrelades a Nord- Amèrica, com el blues i els espirituals. Grups importants: Taylor Switf, Bruce Springsteen... http://www.youtube.com/watch?v=lZD4ezDbbu4 (Bruce Sringsteen ) Cantant Country 7 3.7- Soul La música Soul és un estil de música que prové de la fusió del gospel amb el Rhythm and blues (R&B). Va aparèixer alsEstats Units a la dècada del 1950. La paraula soul significa "ànima" en anglès. Els instruments més comuns al Soul són: Guitarra, Baix elèctric, Bateria, Teclats, Òrgan, Vocals i Saxo. Grups Anunci de la música Soul Grups importants: Adele, Al Green, Alicia Keys... http://www.youtube.com/watch?v=PU63V2uZ8tQ&playnext=1&list=PLF09256D569C75D53&feature=results_main 8 3.6- Dub El Dub és un estil de música desenvolupat a Jamaica durant els anys 70. La seva evolució va ser paral·lela a la del reggae. La música dub inclou .habitualment efectes de so d'eco i reverberació afegits a una cançó ja existent, acompanyats moltes vegades de fragments de les lletres de les cançons originals. Generalment es retira gran part dels vocals i es fa més èmfasi en baix i bateria i s’utilitza molt la taula de mescles . Moltes vegades també s'inclouen altres efectes sonors com tirs, sons d'animals, sirenes de policia, etc. Grups coneguts: Alpha & Omega, Vibrations.. http://www.youtube.com/watch?v=mdV3CKp7NCw (Dub inc) Pòster de Dub 9 3.7- Hard Rock El rock dur o pesant (de l'anglès hard rock o heavy rock), és el fruit del desenvolupament i la barreja del blues i dels aspectes més innovadors del rock existent a la dècada del 1960, que es caracteritza per la important presència de guitarres elèctriques, ritmes contundents amb notable protagonisme de la bateria, i una veu que adquireix també un nou protagonisme pel que fa a la seva força, sense renunciar a la melodia amb el baix elèctric junt amb el teclat. Tot plegat va tenir el recolzament dels avenços tècnics que afectaven tant els instruments com els sistemes d’amplificació, cada cop més potents. Grups importants: Guns N’ Roses, The Eagles, Lynyrd Skynyrd.. http://www.youtube.com/watch?v=9Cyokaj3BJU (Lynyrd Skynyrd) Cartell de Guns n’ Roses- Grup de Rock 10 3.8- Celta Música celta és el terme utilitzat per a descriure un ampli grup de gèneres musicals que parteixen de la tradició musical popular dels pobles considerats de tradició celta d'Europa Occidental. Com a tal, no existeix un cos musical real que pugui ser descrit com celta, però el terme serveix per unificar tant músiques estrictament tradicionals de determinades regions geogràfiques, com un tipus de música contemporània d’arrel folklòrica amb un mateix origen etnològic i musical. Els instruments característics són la gaita, el bodhran, el violí, el tí i low whistle i la flauta travesera irlandesa, la bombarda i el arpa celta. Els grups més famosos són: Find Emma, Alan Bique, Black Beer, Stolen Notes, Los Celtas Cortos http://www.youtube.com/watch?v=Z9mH0rPunmg Pòster de “Celtas Cortos” 11 3.9 Disco La música disco és un gènere de música de ball derivada del R&B (rhythm & blues) que va mesclar elements de gèneres anteriors. Principalment: el funk i el soul, la música psicodèlica amb tocs llatins en molts casos, especialment la música salsa i el Pop rock. Els grups més populars són: Bee Gees, Toni Basil, pet shop boys… http://www.youtube.com/watch?v=ImRKO5KQpos (Bee Gees) Cartell Música Disco 12 3.10- Ska L'ska és un estil musical originari de Jamaica precursor del rocksteady i més tard, del reggae. En ser un gènere particularment apte per a fusions, ha incorporat, a través de diferents variants, els més diversos llenguatges musicals. Des d’un principi, les versions a ritme de ska de composicions populars per a cinema i televisió (The James Bond Theme, Exodus, A Shot in the Dark, The Untouchables, etc.) Li va gravar foc la seva particular identitat, entre del carrer, nostàlgica i "misteriosa", característica que conservaria a través de les èpoques. Està fortament associada als Moviments mod, rude- boys i skinhead. També pertany fortament a moviments republicans, anàrquics i comunistes. Els instruments més comuns són: contrabaix, guitarra, Baix, òrgan Hammond, Teclat. Els grups més coneguts són: Skaparàpid, Ska-P, Skalariak.. http://www.youtube.com/watch?v=AympFrDKAN8 (Skaparàpid) El Che- Simbol comunista 13 4. Reggae El reggae està, desgraciadament, malvist degut a la cultura rasta la qual promou l’ús terapeutico-religiós de la marihuana i els seus derivats. Com a representant principal tenim a Bob Marley, el qual va globalitzar el reggae i la seva cultura que es trobava atrapada a Jamaica i Etiopia. El missatge principal és el fet de ‘’il·luminar la foscor’’, comportar-se fraternalment els uns amb els altres.
Recommended publications
  • Stubborn Blood • Sara Bynoe • 108Eatio • Discqrder
    STUBBORN BLOOD • SARA BYNOE • 108EATIO • DISCQRDER'% RECORD STORfBAY SPECTACUW • FIVE SIMPLE STEPS TO HAKIMITAS A MUSICIAN • RUA MINX & AJA ROSE BOND Limited edition! Only 100 copies printed! 1 i UCITR it .-• K>1.9PM/C1TR.CA DISCORDERJHN MAGAZINE FROM CiTR, • LIMITED EDITION 15-MONTH CALENDARS ! VISIT DISCORDER.CA TO BUY YOURS CELEBRATES THIRTY YEARS IN PRINT. \ AVAILABLE FOR ONLY $15. ; AND SUPPORT CiTR & DISCORDER! UPCOMING SHOWS tickets oniine: enterthevault.com i . ISQILWQRK tteketweb-ca | J?? 1 Loomis, Blackguard, The Browning, Wretched instoreiScrape j 7PM DAVID NEWBERRY tickets available at door only j doors Proceeds to WISH Drop-In Centre j 6PM | plus guests 254 East Hastings Street • 604.681.8915 FIELDS OFGREENEP RELEASE PARTY $12t cdSS PAGAHFESLWITHEHSIFERUM $30* tickets onftie: tiCketweb.CS Tyr, Heidevolk, Trolffest, Heisott In store: Scrape tickets onfine: fiveatrickshaw.com GODSOFTHEGRMIteeOAIWHORE s2Q northemtJckets.com in store: doors | TYRANTS BLOOD, EROSION, NYLITHIA and more Scrape, Neptoon, Bully's 7PM MAY HIGHLIGHTS MAY1 KILLING JOKE with Czars CASUALTIES $20+S/Cadv, DOORS 6PM Dayglo Abortions m H23 $ MAY 4 SINNED Zukuss, Excruciating Pain, Entity PICKWICK 14: $9+S/Cadv. DOORS 8:30PM $ 0IR15 ROCK CAMP FEAT. BEND SINISTER 12^ in store: Scrape, Neptoon, Bully's doors MAY 5 KVELETRAK BURNING GHATS, plus guests Gastown Tattoo, Red Cat, Zulu 8PM ___ $16.50+S/C adv. DOORS 8PM M Anchoress, Vicious Cycles & Mete Pills i *|§ fm tickets online: irveatrickshaw.com MAY 10 APOLLO GHOSTS FINAL SHOW LA CHINOA (ALBUM RELEASE) *»3S ticketweb.ca In store: doors m NO SINNER, THREE WOLF MOON & KARMA WHITE $J2 door Scrape, Millennium, Neptoon 8PM plus guests $8+S/Cadv.
    [Show full text]
  • The Politics of Timothy Leary
    THINK FOR YOURSELF; QUESTION AUTHORITY CONTENTS INTRODUCTION 2 1. BIOGRAPHY 11 2. THE POLITICS OF ECSTASY/THE SEVEN LEVELS OF CONSCIOUSNESS (THE 60S) 18 2.1. Ancient models are good but not enough 18 2.2. “The Seven Tongues of God” 19 2.3. Leary’s model of the Seven Levels of Consciousness 23 2.4. The importance of “set” and “setting” 27 2.5. The political and ethical aspects of Leary’s “Politics of Ecstasy” 29 2.6. Leary’s impact on the young generation of the 60s 31 2.6.1. “ACID IS NOT FOR EVERYBODY” 34 3. EXO-PSYCHOLOGY (THE 70S) 37 3.1. S.M.I.²L.E. to fuse with the Higher Intelligence 39 3.2. Imprinting and conditioning 42 3.3. The Eight Circuits of Consciousness 43 3.4. Neuropolitics: Representative government replaced by an “electronic nervous system” 52 3.5. Better living through technology/ The impact of Leary’s Exo-Psychology theory 55 4. CHAOS & CYBERCULTURE (THE 80S AND 90S) 61 4.1. Quantum Psychology 64 4.1.1. The Philosophy of Chaos 65 4.1.2. Quantum physics and the “user-friendly” Quantum universe 66 4.1.3. The info-starved “tri-brain amphibian” 69 4.2. Countercultures (the Beat Generation, the hippies, the cyberpunks/ the New Breed) 72 4.2.1. The cyberpunk 76 4.2.2. The organizational principles of the “cyber-society” 80 4.3. The observer-created universe 84 4.4. The Sociology of LSD 88 4.5. Designer Dying/The postbiological options of the Information Species 91 4.6.
    [Show full text]
  • Generator Magazine, 4-8 One) to : Sven Vath Competition, Generator, Project for R&S, Due for Release in the Early Peartree Street, London, Ecl V 3SB
    and culture of Plus Going Global - British Dance Labels Take On The World! ISSN 0969-5206 11 111 " 9 770969 ,,,o,, I! I OW HMV • KNOW Contents April 1995 Vol 2 Issue 3 Features 10 Moby 14 Move D 19 Riccardo Rocchi 20 Danny Tenaglia 24 Crew 2000 2 6 Carl Craig 32 DJ Pierre 37 Dimitri 38 A Bad Night Out? 40 Havana 44 On-U-Sound 52 Caroline Lavelle 54 Going Global! 70 DJ Rap 81 Millennium Records Live 65 Secret Knowledge 68 A Positive Life Regulars 5 Letters 8 From The Floor 50 Fashion 57 Album Reviews 61 Single Reviews 71 Listings 82 The World According To ... Generator 3 YOU IOlC good music, ri&11t? Sl\\\.tle, 12 KILLER MASTERCUTS FLOOR-FILLERS ~JIIA1fJ}J11JWJ}{@]1J11~&tjjiiliJ&kiMJj P u6-:M44kiL~ffi:t.t&8/W ~-i~11J#JaJJA/JliliID1il1- ~~11JID11ELJ.JfiZW-J!U11-»R dftlhiMillb~JfJJlkmt@U¾l E-.fiW!JJlJMiijifJ~)JJt).ilw,i1!J!in 11Y$#~1kl!I . ' . rJOJ,t'tJi;M)J4&,j~ letters.·• • Editor Dear Generator, Dear Generator, and wasting hours-worth of Tim Barr Que Pasa? Something seems to My friends and I are wondering conversationa l aimlessness in Assistant Editor (Advertising) have happened at Generator about a frequent visitor to your an attempt to discover exactly Barney York HQ. One minute, there I was letters page. It seems that the where it was you left those last thinking your magazine was military have moved up north three papers, or, indeed, your Art Direction & Design Paul Haggis & Derek Neeps well and t ruly firmed up with and installed someone with head.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Sensación Táctil Y Audiotáctil En La Música
    1 Universidad Nacional de La Plata Facultad de Bellas Artes Doctorado en Artes Sensación táctil y audiotáctil en la música El caso de las músicas electrónicas utilizadas para el baile social en locales de baile de la Ciudad Autónoma de Buenos Aires y alrededores Doctorando: Sergio Iván Anzil Director: Gustavo Basso Codirector: Carlos Mastropietro La Plata, diciembre de 2016 2 El movimiento corporal está apretadamente atado de varias formas a la percepción y a otras formas de cognición y emoción. […] el cuerpo, a través de sus habilidades motoras, sus propios movimientos y su postura, informa y forma a la cognición. Shaun Gallagher1 Visualización de ondas sonoras y de choque originadas en la caída de un libro.2 1 "Bodily movement is closely tied in various ways to perception and to other forms of cognition and emotion. […] the body, through its motor abilities, its actual movements, and its posture, informs and shapes cognition." Citado en Zeiner-Henriksen, H. The PoumTchak pattern. Correspondences between Rhythm, Sound and Movement in Electronic Dance Music. pp. 26-27 2 Fuente de la imagen: Settles, G. y otros. (2008). Schlieren imaging of loud sounds and weak shock waves in air near the limit of visibility. pp.8 3 ÍNDICE GENERAL PREFACIO ................................................................................................................................................ 8 INTRODUCCIÓN ................................................................................................................................... 10 CAMPO
    [Show full text]
  • Data Specifications and Collection
    Ref. Ares(2018)2835897 - 31/05/2018 D2.1 – Data specifications and collection May 31st, 2018 Author/s: Manos Schinas (CERTH), Symeon Papadopoulos (CERTH) Contributor/s: Yiannis Kompatsiaris (CERTH), Frédéric Notet (MMAP), Quimi Luzón (BMAT), Geoffroy Peeters (IRCAM), Rebecka Sjöström (PGM), Daniel Johansson (SYB), Tommy Vaudecrane (BN) Deliverable Lead Beneficiary: CERTH This project has been co-funded by the HORIZON 2020 Programme of the European Union. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use, which may be made of the information contained therein. Multimodal Predictive Analytics and Recommendation Services for the Music Industry 2 Deliverable number or D2.1 – Data specifications and collection supporting document title Type Report Dissemination level Public Publication date 31-05-2018 Author(s) Manos Schinas (CERTH), Symeon Papadopoulos (CERTH) Contributor(s) Yiannis Kompatsiaris (CERTH), Frédéric Notet (MMAP), Quimi Luzón (BMAT), Geoffroy Peeters (IRCAM), Rebecka Sjöström (PGM), Daniel Johansson (SYB), Tommy Vaudecrane (BN) Reviewer(s) Julien Perret (BN), Maria Stella Tavella (MMAP), Vasilis Papanikolaou (ATC), Daniel Molina (BMAT) Keywords music data, data collection, API, database, music platforms, broadcast data, social media, music content, music knowledge base, data management Website www.futurepulse.eu CHANGE LOG Version Date Description of change Responsible V0.1 05/04/2018 First deliverable draft version, table of contents Manos Schinas V0.5 27/04/2018
    [Show full text]
  • Data Specifications and Collection V2 ​
    D2.3 – Data specifications and collection v2 ​ st May 31 ,​ 2019 ​ Author/s: Thomas Lidy (MMAP), Rémi Mignot (IRCAM), Manos Schinas (CERTH), Christos Koutlis (CERTH), Vasiliki Gatziaki (CERTH), Polychronis Charitidis (CERTH), Manios Krasanakis (CERTH), Symeon Papadopoulos (CERTH) Contributor/s: Quimi Luzón (BMAT) Deliverable Lead Beneficiary: MMAP This project has been co-funded by the HORIZON 2020 Programme of the European Union. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use, which may be made of the information contained therein. FuturePulse D2.3 Data specifications and collection v2 2 Deliverable number or D2.3 – Data specifications and collection V2 supporting document title Type Report Dissemination level Public Publication date 31-05-2019 Author(s) Thomas Lidy (MMAP), Rémi Mignot (IRCAM), Manos Schinas (CERTH), Christos Koutlis (CERTH), Vasiliki Gatziaki (CERTH), Polychronis Charitidis (CERTH), Manios Krasanakis (CERTH), Symeon Papadopoulos (CERTH) Contributor(s) Quimi Luzón (BMAT) Reviewer(s) Eva Jaho (ATC), Quimi Luzón (BMAT) Keywords music data, data collection, API, REST, database, music platforms, broadcast data, social media, music content, music knowledge base, data management, data exchange formats Website www.futurepulse.eu CHANGE LOG Version Date Description of change Responsible V0.1 29/03/2019 First deliverable draft version (based on v1) Thomas Lidy (MMAP) V0.2 02/05/2019 Second deliverable draft version Thomas Lidy (MMAP) V0.3 06/05/2019 Additions/comments
    [Show full text]
  • Trance Vol 1 2013
    Trance vol 1 2013 click here to download Download on iTunes: www.doorway.ru Listen on Spotify: www.doorway.ru Find album reviews, stream songs, credits and award information for Trance , Vol. 1 - Various Artists on AllMusic. Escucha canciones del álbum Sector Trance, Vol. 1, incluyendo "Black Room Boy (Above & Beyond Club Mix)", "Beautiful Life (Protoculture Remix)", "Amplified" y muchas más. Compra el álbum por $ Canciones Freefalling (Dennis Sheperd Club Mix). Dennis Sheperd & Cold Blue. Buy Trance - , Vol. 1: Read 8 Digital Music Reviews - www.doorway.ru Bringing you the 50 must-have tracks of today and tomorrow, the popular '''Trance Essentials''' series makes its grand return in Volume one gathers. Best Of Deepsink Digital Trance Vol 1. Various Artists | Total duration:1 h 06 min. My All (Original Mix) · Audile · Best Of Deepsink Digital Trance Vol 1. Shine (Original Mix) · Aaron Andrews · Best Of Deepsink Digital Trance Vol 1. Skyline (Original Mix) · Audile · Best Of Deepsink Digital. Listen to I Love Trance, Vol. 1 by Various Artists on Deezer. With music streaming on Deezer you can discover more than 43 million tracks, create your own playlists, and share your favourite tracks with your friends. | Fenology Records. I Love Trance, Vol. 1. Various Artists | Total duration min. Trance Vol. 1. By Various Artists. • 20 songs. Play on Spotify. 1. Alienated - Ecco. 2. Ancient Plans - Heatpump. 3. Andro - Noiseincarnation. 4. Antidode - NovaBeats. 5. Beautiful - Underground Proppers. 6. Burning Bright - Massive LC. 7. Creamy - PyroTäc. Adventure Trance Vol.1 (Compiled By Dawnchaser). By Various Artists. • 23 songs. Play on Spotify. 1. Symphony in Gminor - Deja Vu Remix - Denga, Man-Us.
    [Show full text]
  • Bachelorarbeit
    BACHELORARBEIT Herr Jan Sievers Versuch einer Markteroberung: Chancen und Probleme der Electronic Dance Music in China 2013 2 Fakultät: Medien BACHELORARBEIT Versuch einer Markteroberung: Chancen und Probleme der Electronic Dance Music in China Autor/in: Herr Jan Sievers Studiengang: Angewandte Medien – Medien-, Sport-, Eventmanagement Seminargruppe: AM10wS1-B Erstprüfer: Herr Prof. Peter Gottschalk Zweitprüfer: Frau Constanze Hundt Einreichung: München, 04.07.2013 3 Faculty of Media BACHELOR THESIS The Attempt To Capture A Market: Problems And Opportunities Of Electronic Dance Music In China author: Mr. Jan Sievers course of studies: Angewandte Medien – Medien-, Sport-, Eventmanagement seminar group: AM10wS1-B first examiner: Mr. Prof. Peter Gottschalk second examiner: Mrs. Constanze Hundt submission: München, 04.07.2013 4 Vorwort An dieser Stelle möchte ich mich bei all denjenigen bedanken, die mich während der Arbeit unterstützt und motiviert haben. Besonderer Dank ist Herrn Prof. Peter Gottschalk zuteil, der meine Arbeit betreut hat. Ebenso muss ich mich bei Frau Constanze Hundt, wissenschaftliche Mitarbeitern, bedanken, die sich bereit erklärt hat, mir als Zweitkorrektorin zur Verfügung zu stehen. Auch meinen Eltern gebührt Dank, die mir sinologische Fachliteratur zur Verfügung gestellt haben. 5 Inhaltsverzeichnis I. Abbildungsverzeichnis 07 II. Abkürzungsverzeichnis 08 1. Einleitung 09 2. Definition Electronic Dance Music 09 2.1 Geschichte der Elektronischen Musik und der Tanzmusik 10 2.2 Liste von Genres und Subgenres der elektronischen Musik 15 3. Internet in China 21 3.1 Die Rolle des Internets in China 22 3.2 Wer nutzt das Internet und wofür? 23 3.3 Staatliche Kontrollmaßnahmen 25 3.4 Wie hat das Internet den Umgang mit Musik beeinflusst? 26 4.
    [Show full text]
  • UC Irvine UC Irvine Electronic Theses and Dissertations
    UC Irvine UC Irvine Electronic Theses and Dissertations Title Towards a Postmodal Movement for Computer Musicians Permalink https://escholarship.org/uc/item/72b184qj Author Simmons, Josh Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Towards a Postmodal Movement for Computer MusiCians DISSERTATION submitted in partial satisfaCtion of the requirements for the degree of DOCTOR OF PHILOSOPHY in Integrated Composition Improvisation and TeChnology by Josh C. Simmons Dissertation Committee: Professor Kojiro Umezaki, Chair Professor Christopher Dobrian Professor NiCole MitChell Professor Vincent Olivieri 2019 © 2019 Josh C. Simmons Table of Contents Page ACKNOWLEDGMENTS iv CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi INTRODUCTION 1 CHAPTER 1: The Postmodal Movement 4 Importance for Artists 8 Towards a Definition of “Postmodal” 11 Lineage of Proto-Postmodal Art 15 Designing a Postmodal Work 16 CHAPTER 2: Notes on Research 19 MusiC-VR and Postmodal Art 21 VR MusiCal Instruments 22 Video Games 25 Game Studies 26 Lanier, VPL, and SiliCon Valley Culture 28 PsychedeliC Drugs 30 Display ErgonomiCs 32 AesthetiCs 33 Intermodal ConneCtions 34 Dreams 36 Cyberpunk Culture 38 Monomyth 43 ii CHAPTER 3: Synthesis of Research and Creative Work 46 ShowCase I Development Pipeline 49 ShowCase I Findings 51 ShowCase II Development Pipeline 53 ShowCase II Synthesis of Elements 57 CHAPTER 4: Summary and Conclusions 59 Audiovisual ConneCtions 59 The Medium is the Message 60 Towards Postmodality 61 BIBLIOGRAPHY 63 APPENDIX A: Digital Resources 70 iii Acknowledgements I would like to thank God for guiding me and providing reassurance through this process.
    [Show full text]
  • Computer Based Composition
    Computer Based Composition Scott Hewitt 2013 June Boyce-Tillman. Constructing musical healing: The wounds that sing. London: Jessica Kingsley, 2000. B. Brewster and F. Broughton. Last Night a Dj Saved My Life: The History of the Disc Jockey. GROVE/ATLANTIC Incorporated, 1999. ISBN 9780802136886. URL http://books.google.co.uk/books?id=Np3dpRhTsxQC. B Chamish. Police raid trance parties in israel. Billboard, 110(37):40, 1998. Torsten Fassbender. The trance experience: An introduction to electronic dance music. Knoxville, Tenn.: Sound. org, 2005. Jimi Fritz. Rave culture: An insider’s overview. Small Fry Pub, 2000. Scott R Hutson. The rave: Spiritual healing in modern western subcultures. Anthropological Quarterly, pages 35–49, 2000. Iara Lee and Simon Reynolds. Modulations: a history of electronic music: throbbing words on sound. 2000. Matthias E Liechti, Alex Gamma, Franz X Vollenweider, et al. Gender differences in the subjective effects of mdma. Psychopharmacology, 154(2):161–168, 2001. R. Snoman. The Dance Music Manual: Tools, Toys and Techniques. Focal Press, 2012. Donna Summer. Love to love you baby, 1975. History of Electronic Music Scott Hewitt @scotthewitt Sound Recording Phonautograph 1857 Leon Scott Phonography 1877 Edison (Charles Cros) Gramophone 1887 Emile Berliner Magnetic Tape 1928 Fritz Fleumer Futurist The Art of Noises 1913 Luigi Russolo Cage The Future of Music - Credo 1937 Organisation of Sound Chicago House Music Love to Love You Baby Donna Summer 1975 Disco 1970’s Emmergence from Funk Music Night Fever 1977 Disco Sucks
    [Show full text]
  • Cyberia Life in the Trenches of Hyperspace by Douglas Rushkoff
    Cyberia Life in the Trenches of Hyperspace By Douglas Rushkoff Preface to the 1994 paperback edition A lot has happened in the year or so since I wrote this book. More than usually happens in a year. Thanks to technologies like the computer, the modem, interactive media, and the Internet, we no longer depend on printed matter or word of mouth to explore the latest rages, innovations, or discoveries. By the time a story hits the newstands, most insiders consider it "old news" and are already hard at work on the next flurry of culture-bending inventions and activities. Cyberia is about a very special moment in our recent history -- a moment when anything seemed possible. When an entire subculture -- like a kid at a rave trying virtual reality for the first time -- saw the wild potentials of marrying the latest computer technologies with the most intimately held dreams and the most ancient spiritual truths. It is a moment that predates America Online, twenty million Internet subscribers, Wired magazine, Bill Clinton, and the Information Superhighway. But it is a moment that foresaw a whole lot more. This book is not a survey of everything and everyone "cyber" but rather a tour through some of the regions of this new, fledgling culture to which I was lucky enough to gain access. Looking back, it is surprising to see how many of these then-absurd notions have become accepted truths, and disheartening to see how many of the most optimistic appraisals of our future are still very far from being realized. Cyberia follows the lives and translates the experiences of the first few people who realized that our culture was about to take a leap into the unknown.
    [Show full text]