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The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel
FOR IMMEDIATE RELEASE Two of the World’s Greatest Archeological Finds – The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel Museum, Jerusalem – go on display for the first time in Hong Kong from tomorrow at the Asia Society Hong Kong Center Hong Kong, November 3, 2014 – Two of the world’s greatest archeological finds – the Gabriel Revelation Stone often called the ‘stone scroll’ and a replica of the Scroll of Isaiah, the only almost complete version of any biblical book among the Dead Sea Scrolls, goes on display in Hong Kong and China for the first time at the Asia Society Hong Kong Center from tomorrow till January 25, 2015, along with some 50 key artefacts from the Israel Museum, Jerusalem. In Temple, Scrolls and Divine Messengers: Archeology of the Land of Israel in Roman Times, the exhibition unravels the secrets and meanings behind the Gabriel Stone and Isaiah Scroll and through them, explores the significance of Jerusalem in the Second Temple Period between the 1st century BCE and the 1st century CE. Through films and by examining the various stone, glass, and pottery vessels on display, the exhibition also looks at the life and times of the city’s inhabitants and the importance of rituals and customs that govern their everyday lives. The lead sponsor of the exhibition is MetLife Foundation. The exhibition opens to the public tomorrow for a strictly limited 11 week season, closing on January 25, 2015. A public and educational program comprising workshops and lectures runs alongside the exhibition. Speaking at today’s opening, Ms. -
From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean
THE FUTURE OF THE PAST: From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean Editors Konstantinos Chalikias, Maggie Beeler, Ariel Pearce, and Steve Renette http://futureofthepast.wix.com/culturalheritage HERITAGE, CONSERVATION & ARCHAEOLOGY ARCHAEOLOGICAL INSTITUTE OF AMERICA Contents 1. The Future of the Past: From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean .......................................................................................................................................................................................... 3 Konstantinos Chalikias, National and Kapodistrian University of Athens, Maggie Beeler, Bryn Mawr College, Ariel Pearce, Temple University, and Steve Renette, University of Pennsylvania 2. Go, Do Good! Responsibility and the Future of Cultural Heritage in the Eastern Mediterranean in the 21st Century ........... 5 Morag M. Kersel, DePaul University 3. Contested Antiquities, Contested Histories: The City of David as an Example ........................................................................... 11 Rannfrid I. Thelle, Wichita State University 4. Cultural Racketeering in Egypt—Predicting Patterns in Illicit Activity: Quantitative Tools of the 21st-Century Archaeologist .......................................................................................................................................................................................... 21 Katie A. Paul, The Antiquities Coalition -
When You Join IFIM, You Will Enjoy a Wide Range of Benefits, Depending on the Membership Option You Choose
When you join IFIM, you will enjoy a wide range of benefits, depending on the membership option you choose All options include the following Membership categories: benefits: Four Association membership cards Friend (annual donation of NIS 1,500; valid for a year from day of payment, 80% tax deductible) granting free admission to the Israel All of the benefits listed at left Museum, Shrine of the Book, Rockefeller Archaeological Museum, Israeli Patron (annual donation of NIS and Ticho House 4,000; 90% tax deductible) All of the above benefits, plus listing Invitation to curator-led guided tours in the internationally distributed Israel of new exhibitions after regular Museum Journal Museum hours – for members only Invitation to special cultural trips International Patron (annual donation abroad, including viewings of private of NIS 12,000; 95% tax deductible) collections (supplementary fee) All of the above benefits, plus listing Group visits to private collections in the internationally distributed Israel and museums in Israel Museum Journal. International Patrons also receive a Guggenheim Art Pass Meetings with Israeli artists granting free admission for two to Invitation to the Museum’s several major museums abroad. International Council (supplementary fee) Guardian (annual donation of NIS 30,000; 100% tax deductible) Discounts for performances, lectures, Guardians sponsor a week in honor of and other cultural events at the the person or occasion of their choice. Museum Their contribution subsidizes admission Discounts at Museum shops, cafés, fees for children, students, soldiers, and restaurants, including Anna the disabled, and senior citizens. The Italian Café at Ticho House Guardian’s name appears on a plaque in the Museum’s Entrance Pavilion for Invitations to exhibition openings the duration of the sponsored week, Use of the Israel Museum Art Library as well as in the Israel Museum Journal. -
Tel Aviv Elite Guide to Tel Aviv
DESTINATION GUIDE SERIES TEL AVIV ELITE GUIDE TO TEL AVIV HIGHLIGHTS OF TEL AVIV 3 ONLY ELITE 4 Elite Traveler has selected an exclusive VIP experience EXPERT RECOMMENDATIONS 5 We asked top local experts to share their personal recommendations ENJOY ELEGANT SEA-FACING LUXURY AT THE CARLTON for the perfect day in Tel Aviv WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPERED 16 RELAX IN STYLE AT THE BEACH WHAT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 19 ➤ FEATURED EVENTS 21 ➤ SHOPPING 22 TASTE SUMPTUOUS GOURMET FLAVORS AT YOEZER WINE BAR NEED TO KNOW ➤ MARINAS 25 ➤ PRIVATE JET TERMINALS 26 ➤ EXCLUSIVE TRANSPORT 27 ➤ USEFUL INFORMATION 28 DISCOVER CUTTING EDGE DESIGNER STYLE AT RONEN ChEN (C) ShAI NEIBURG DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | TEL AVIV www.elitetraveler.com 2 HIGHLIGHTS OF TEL AVIV Don’t miss out on the wealth of attractions, adventures and experiences on offer in ‘The Miami of the Middle East’ el Aviv is arguably the most unique ‘Habuah’ (‘The Bubble’), for its carefree Central Tel Aviv’s striking early 20th T city in Israel and one that fascinates, and fun-loving atmosphere, in which century Bauhaus architecture, dubbed bewilders and mesmerizes visitors. the difficult politics of the region rarely ‘the White City’, is not instantly Built a mere century ago on inhospitable intrudes and art, fashion, nightlife and attractive, but has made the city a World sand dunes, the city has risen to become beach fun prevail. This relaxed, open vibe Heritage Site, and its golden beaches, a thriving economic hub, and a center has seen Tel Aviv named ‘the gay capital lapped by the clear azure Mediterranean, of scientific, technological and artistic of the Middle East’ by Out Magazine, are beautiful places for beautiful people. -
The Jack, Joseph, and Morton Mandel Wing for Jewish Art and Life, the Israel Museum, Jerusalem
reviews 107 The Jack, Joseph, and Morton Mandel Wing for Jewish Art and Life, the Israel Museum, Jerusalem. All Roads Lead to Jerusalem entire Jewish heritage, as it portrays all aspects of life, and does not exclude the books as merely an The renewed Jack, Joseph, and Morton Mandel Wing artifact. for Jewish Art and Life at the Israel Museum opens The exhibition Holidays and Days of Remembrance with a circular motif symbolizing three stages of displays two short videos, screened back to back, life. The permanent exhibition, set inside a round, one relating to Memorial Day and the second to enclosed glass cabin, is titled The Rhythm of Life: Birth, Independence Day. Since the eve of Independence Marriage, Death. The objects on display relate to these Day is celebrated just minutes after Memorial Day life stages: baby clothing, a circumcision knife, ritual is over, the videos’ display is very symbolic. They are wedding jewelry, and a glass for a burial society’s physically and visually connected, as are these days annual banquet. In order to see the whole exhibi- in the Israeli consciousness. Visible to the visitor, tion, the visitor must enter the glass cabin, which without the need to enter a specific room in order provides a quick glance into these three aspects of to view the film, Yael Bartana’s movie is projected, life, common not only to Jews, but to all human entitled “Trembling Time” dedicated to Memorial cultures. While observing an object from one stage Days. On the other side of the wall, the movie of life, the visitor may simultaneously see, on the “Sacrifice”, made by Doron Solomons in 2010, other side, objects from another stage of life. -
Jewish Immersive Adventure … Israel Traveling Is Not Only About Seeing New Places; It’S About Experiencing Them
Living Bible Travel ITINERARYSample Jewish Immersive Adventure … Israel Traveling is not only about seeing new places; it’s about experiencing them. No two congregations and no two trips are exactly alike. We take the time to understand your congregation’s unique travel needs and interests, and creatively translate them into your own customized travel experience. We offer places,s ites and cultural interactions not offered by typical tours. We will tailor a journey that engages your mind and inspires your beliefs. Experience Israel’s exciting and diverse modern culture. See history unravel before your eyes. The venues you know from the Bible come alive. Immerse yourself in the land where your faith began and rediscover your roots. LIVING BIBLE TRAVEL: Journey with us... experience the difference Contact us today: 847.964.9623 or [email protected] ITINERARYSample Living Bible Travel Jewish Immersive Adventure … Israel HIGHLIGHTS • Experience Kabbalat Shabbat by the Kotel • Visit the Qumran Caves where Dead Sea Scrolls • Attend a private lecture presented by an expert or were discovered scholar on a topic selected by your group • Visit a Druze community and enjoy a festive • Tour the desert in a jeep; ride ATVs in the Golan authentic meal in the home of a Druze family • Enjoy a Bedouin experience with camel rides • Experience the beauty of the Ramon Crater in the • Participate in an archaeological “Dig for a Day” Negev, with optional rappelling • Tour Yad Vashem Holocaust Memorial • Meet wounded Israeli soldiers from Achim • Tour -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
M a R K D I O N 1961 Born in New Bedford, MA Currently Lives In
M A R K D I O N 1961 Born in New Bedford, MA Currently lives in Copake, NY and works worldwide Education, Awards and Residencies 1981-82, 86 University of Hartford School of Art, Hartford, CT, BFA 1982-84 School of Visual Arts, New York 1984-85 Whitney Museum of American Art, New York, Independent Study Program 2001 9th Annual Larry Aldrich Foundation Award 2003 University of Hartford School of Art, Hartford, CT, Doctor of Arts, PhD 2005 Joan Mitchell Foundation Award 2008 Lucelia Award, Smithsonian Museum of American Art, Washington D.C. 2012 Artist Residency, Everglades, FL 2019 The Melancholy Museum, Cantor Arts Center, Stanford University, Stanford, CA Academic Fellowships 2015-16 Ruffin, Distinguished Scholar, Department of Studio Art, University of Virginia Charlottesville, VA 2014-15 The Christian A. Johnson Endeavor Foundation Visiting Artist in Residence at Colgate University Department of Art and Art History, Hamilton, NY 2014 Fellow in Public Humanities, Brown University, Providence 2011 Paula and Edwin Sidman Fellow in the Humanities and Arts, University of Michigan, Ann Arbor, MI Solo Exhibitions (*denotes catalogue) 2020 The Perilous Texas Adventures of Mark Dion, Amon Carter Museum of American Art, Fort Worth* Mark Dion: Follies, Laumeier Sculpture Park, St. Louis, MO Mark Dion & David Brooks: The Great Bird Blind Debate, Planting Fields Foundation, Oyster Bay, NY Mark Dion & Dana Sherwood: The Pollinator Pavilion, Thomas Cole National Historic Site, Catskill, NY 2019 Wunderkammer 2, Esbjerg Museum of Art, Esbjerg, Denmark -
Locating Digital Art Using the Test Case of Israeli Digital Artists
Susan Hazan Curator of New Media The Israel Museum, Jerusalem November 2004 [email protected] http://www.imj.org.il Locating [Israeli] digital art - artists think global and act local Introduction The Israel Museum, Jerusalem Global Versus Local Barriers of Language Online Beyond the Physical Museum and the National Anchor Simply denoted online Introduction This paper focuses on the problem of locating digital art using the test case of Israeli digital artists. Acting either globally or locally depends on three factors. The first would be concerned with affixing the national label, (such as Israeli artist), which would mean that at least the artist, if not the art work, could be actually located in a specific country. Through the Israeli case study it is apparent that many Israeli artists are not actually located in Israel and even if they are, they often reside and exhibit abroad. The second factor that determines how artistic [digital] work is disseminated and consumed globally or locally is a matter of artistic content. One of the ways that digital art becomes localised is through language, and through the incorporation of the Hebrew language into their palette, Israeli artists effectively limit their global reach. Of course this is not only a problem for Israeli artists but for all artists who draw on the written word as a crucial element of their digital creativity. The third issue this paper explores is concerned with locating digital art. When artists choose to exhibit their works online discarding both the physical museum and often their own national affiliation, the provenance of netart as a result becomes somewhat obscure. -
Nohra Haime Gallery
NOHRA HAIME GALLERY MENASHE KADISHMAN (1932-2015) 1932 Born in Tel Aviv, Israel 1950-53 Works as a shepherd in Kibbutz Ma'ayan Baruch and Kibbutz Yizreel 1959 Moves to London 1972 Moves back to Tel Aviv EDUCATION 1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv 1954 Studies with sculptor Rudi Lehman, Jerusalem 1959-61 St. Martin's School of Art, London 1961-62 Slade School of Art, University of London PRIZES AND AWARDS 1960 America-Israel Cultural Foundation Scholarship 1961 Sainsbury Scholarship, London 1967 First Prize for Sculpture, 5th Paris Biennale 1978 Sandberg Prize, The Israel Museum, Jerusalem 1981 The Eugen Kolb Prize, The Tel Aviv Museum Prize of the Jury, Norwegian International Print Biennale, Fredrickstad 1984 The Pundik Prize, The Tel Aviv Museum 1989 King Solomon Award, America-Israel Foundation, New York ONE-PERSON EXHIBITIONS 1965 Grosvenor Gallery, London, England Harlow Arts Festival, Harlow, England 1967 Dunkelman Gallery, Toronto, Canada 1968 Goldberg Gallery, Edinburgh, Scotland 1970 The Jewish Museum, New York 1971 J.L. Hudson Gallery, Detroit, MI 1972 Museum Haus Lange, Krefeld, West Germany 1975 Israel Museum, Jerusalem, Israel Julie M. Gallery, Tel Aviv 1976 Rina Gallery, New York 1977 Unikorn Gallery, Copenhagen, Denmark 1978 Venice Biennale, Venice 1979 Israel Museum, Jerusalem: The Kadishman Connection Sari Levi Gallery, Tel Aviv 1981 Argaman Gallery, Tel Aviv University of Haifa Art Gallery, Haifa, Israel Sara Gilat Gallery, Jerusalem Goldman Gallery, Haifa Tel Aviv Museum, Tel Aviv 1982 Julie M. Gallery, Tel Aviv 500 WEST 21ST STREET, NEW YORK, NY 10011 212-888-3550 f: 212-888-7869 [email protected] nohrahaimegallery.com Sara Gilat Gallery, Jerusalem Art 13, Goldman Gallery, Basel, Switzerland 1983 Muhlenberg College, Allentown, PA CIAE, Goldman Gallery, Chicago, IL 1984 Julie M. -
Bringing Dance to Life
Home THEMARKER Economy & Finance Published 06:08 14.12.11 Latest update 06:08 14.12.11 Bringing dance to life Noa Eshkol, daughter of a prime minister and inventor of movement notation, lives on through the work of the American artist Sharon Lockhart in two new exhibitions. By Elad Samorzik Get Haaretz on iPhone Get Haaretz on Android When Sharon Lockhart was 22 and backpacking in Israel, in the early 80s, she spent two months tomato-picking in a Moshav in southern Israel, saving up for her next destination – India. Back then, one could hardly guess that decades later she would return, a successful artist, studying Noa Eshkol’s work and translating it into two exhibits: one in the Israel Museum in Jerusalem, which opened on Tuesday, and one in Tel Aviv’s Museum of Modern Art , which opens on Thursday. In fact, Lockhart had never even heard of Noa Eshkol until a few years ago. In 2008 she came to Israel for a short visit, part of a joint venture between the cities of Tel Aviv and Los Angeles, in order to examine ideas that might inform her work as an artist. Among them were museum preservation, anthropology, Bauhaus, textiles and post-modern dance. She rummaged in the textile division of the Israel Museum's storeroom for an entire day. It was great, she says, but Lockhart didn't really know what she was looking for. On her way back to Tel Aviv, Diana Shoef of the Center for Contemporary Art, who accompanied Lockhart on her visit, told her about Eshkol, who, along with the revolutionary movement notation she developed in the 1950s with Abraham Wachman, created dances and amazing wall carpets. -
Revisiting Israeli Art Canon: the Story of Mashkof Group, 1968-1970 Noa
International Journal of Art and Art History December 2016, Vol. 4, No. 2, pp. 27-44 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v4n2p3 URL: https://doi.org/10.15640/ijaah.v4n2p3 Revisiting Israeli Art Canon: The Story of Mashkof Group, 1968-1970 Noa Avron Barak1 Abstract This historiographical article’s main goal is to fill the critical gap in the historical narrative of Israeli art by uncovering the activity of a previously unstudied, yet highly influential, Mashkof group - a multidisciplinary group of painters, poets and musicians operated in Jerusalem during the years 1968 to 1970. The group aimed to challenge old forms of art made in the city and to undermine institutional conventions of art presentation. Mashkof operated duringan important era in Israeli art as it shifted from art of the object to conceptual art.While Mashkof is not considered to be part of the local, narrow-based, art canon, its role in this conceptual turn is crucial. This article will fill this lacuna in the research of Israeli art and argue that Mashkof’s unique group activity formed the basis for the growth of conceptual art and conceptualism in Jerusalem as early as the late 1960s, and established the institutional and public acceptance that allowed its nationwide spread in the 1970s. Keywords: Israeli Art, artists groups, proto- conceptual art, 1960s, 1970s. Introduction The late 1960s and early 1970s are a fascinating and turbulent time in Israeli art history. Much like the art hubs in Europe and the United States at the time, Israeli art responded to surrounding external and internal changes in the art scene; both the art world and art production and consumptions had undergone tremendous transformations.