music & sound studies new Books catalogue 2018-19 Comprising a diverse range of exceptional book and screenplay content from Bloomsbury and Faber & FROM SCRIPT Faber, Screen Studies is a dynamic and expanding digital platform. It supports academics and students of film history, TO SCREEN, theory and practice.
AND BEYOND Content Highlights • A growing number of iconic and contemporary screenplays, presented in industry-standard studio format and fully searchable, including Dunkirk, The Grand Budapest Hotel, and The Big Lebowski
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Screen_Studies_Cat_Ad_A4_FINAL.indd 1 04/09/2018 11:20 This year, Bloomsbury Academic celebrates Contents our 10th anniversary In our short history, we’ve become an award-winning publisher across the humanities, social sciences and visual arts and combined Music & Sound Studies the incredible publishing histories of Methuen Drama, The Arden Shakespeare, T&T Clark and Fairchild Books in one place. And we’re still growing: Bloomsbury is now the publisher of British Film Comprising a diverse range of 33 1/3...... 2 Institute's renowned list of books on film, andI.B. Tauris, a leading exceptional book and screenplay publisher in Middle East Studies, International Studies, History, Politics and Visual Culture joined Bloomsbury in 2018! content from Bloomsbury and Faber & Popular Music...... 3 EBooks FROM SCRIPT Faber, Screen Studies is a dynamic and Music and Media...... 6 Individual eBook: available for your e-reader expanding digital platform. It supports Library eBook: available for institution-wide access and also for pdf sale to individuals Sound Studies...... 8 academics and students of film history, See the website for details of vendors, or to purchase individual TO SCREEN, theory and practice. eBooks direct. Major Reference Works...... 11 Library eBook prices are available from your supplier. Review Copies Content Highlights Representatives and Agents...... 12 AND BEYOND For copies of books for review in journals, please email in North and South America • A growing number of iconic and contemporary screenplays, [email protected] and in the UK and rest of world. presented in industry-standard studio format and fully searchable, Editorial Contacts...... 13 [email protected] including Dunkirk, The Grand Budapest Hotel, and The Big Lebowski Standing Orders • Authoritative coverage of works by leading filmmakers such as Many of our series are available on a standing order basis. Wes Anderson, Agnès Varda, and Christopher Nolan, providing For further information contact our trade ordering departments insight into professional and creative practice listed on pages 12 and 13.
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“The series is probably the most remarkable regular event in rock journalism today.” New York Times Drive-By Truckers’ Southern 33 1/3 is a series of short books about popular music, focusing on Rock Opera 33 1/3 individual albums by a wide range of artists from Celine Dion to Rien Fertel, Independent Scholar, USA Neutral Milk Hotel. With over 130 volumes available, it has recently Southern Rock Opera takes listeners on a road trip expanded to cover music from soundtracks and video game scores. through the American South, with stops in Alabama steel towns and north Florida swamps, recording studios and tour buses, and even Heaven and Hell.
Along the way, the Truckers attempt to untangle the dc Talk’s Jesus Freak mess that is Southern history by exploring the contradictory, dualistic nature of the region. Like twin paths intersecting and diverging Will Stockton, Clemson University, USA & D. before meeting again, the opera’s libretto focuses on the lives of two Gilson, Texas Tech University, USA bands: the fictional Betamax Guillotine, a stand-in for the Truckers Late in the Reagan years, three young men at Jerry themselves, and Southern Rock gods Lynyrd Skynyrd. Falwell's Liberty University formed the Christian rap group dc Talk. The trio put out a series of records UK October 2018 • US October 2018 • 144 pages that quickly secured their place at the forefront PB 9781501331787 • £9.99 / $14.95 Individual eBook 9781501331800 of contemporary Christian music. But with their Library eBook 9781501331794 fourth studio album Jesus Freak (1995), dc Talk staked a powerful Series: 33 1/3 • Bloomsbury Academic claim on the worldly market of alternative music, becoming an evangelical group with secular selling power. This book studies this
mid-90s crossover phenomenon – a moment of cultural convergence between Christian and secular music and an era of particular political importance for American evangelicalism. Jawbreaker's 24 Hour Revenge Therapy UK November 2018 • US November 2018 • 144 pages Ronen Givony, Independent Scholar, USA PB 9781501331664 • £9.99 / $14.95 Individual eBook 9781501331671 Ronen Givony's 24 Hour Revenge Therapy is an Library eBook 9781501331688 extended tribute in the spirit of Nicholson Baker's Series: 33 1/3 • Bloomsbury Academic U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the '90s. At the same time, it offers Fugazi's In on the Kill Taker a quizzical look back to the toxic authenticity battles of the decade, Joe Gross, Independent Scholar, USA ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by this authenticity By June 1993, when Fugazi released their third debate becoming obsolete. full-length album, In on the Kill Taker, the quartet
was reaching a thunderous peak in popularity and UK April 2018 • US April 2018 • 232 pages influence. Fugazi chose an unsure moment to make PB 9781501323096 • £9.99 / $14.95 In on the Kill Taker: as Nirvana and Sonic Youth Individual eBook 9781501323119 Library eBook 9781501323102 were yanking the American rock underground into Series: 33 1/3 • Bloomsbury Academic the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast
to everything represented by the mainstreaming of a culture and worldview Fugazi held dear. Lou Reed's Transformer Ezra Furman, Independent Scholar, USA UK April 2018 • US April 2018 • 184 pages PB 9781501321399 • £9.99 / $14.95 Transformer, Lou Reed's most enduringly popular Individual eBook 9781501321412 album, is described with varying labels: a glam Library eBook 9781501321405 rock album, a proto-punk album, a commercial Series: 33 1/3 • Bloomsbury Academic breakthrough for Lou Reed, and an album about being gay. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Lou Reed managed to make a fun, accessible rock'n'roll record that is also a meditation on the ambiguities, both sexual and musical, that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores the beguiling question of how Transformer pulls off this brilliant sleight of hand, and the secrets it challenges us to uncover.
UK April 2018 • US April 2018 • 184 pages PB 9781501323058 • £9.99 / $14.95 Individual eBook 9781501323072 Library eBook 9781501323065 Series: 33 1/3 • Bloomsbury Academic
2 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] 33 1/3 Global 33 1/3 / POPULAR MUSIC
Inspired by the 33 1/3 series, 33 1/3 Global takes the format of the Merle Haggard's Okie from original series of short, music-based books and brings the focus Muskogee to music throughout the world, focusing on specific countries and Rachel Lee Rubin, University of Massachusetts regions. With initial sections focusing on Japanese and Brazilian Boston, USA music, the series will also include the popular music of Australia/ Oceania, Europe, Africa, the Middle East, and more. Every now and then, a song will grab the kind of attention that hosts conversations, debates,
disputes, and brawls. Merle Haggard's "Okie from Muskogee," released in 1969, is a prime example Cornelius's Fantasma of that important role of popular music. "Okie" immediately helped Martin Roberts, Dartmouth College, USA to frame an ongoing conversation about region and class, pride and In Tokyo in the early 1990s, an indie band called politics, culture and counterculture. But the conversation, useful as it Flipper’s Guitar was at the forefront of a new wave was, drowned out the song itself, along with the other songs on the in Japanese popular music known as Shibuya-kei. live album—named for "Okie" and performed in Muskogee—that The band’s founder, Keigo Oyamada, would go Haggard had carefully chosen to frame what has turned out to be his on to produce under the name Cornelius a series most famous song. of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada’s third UK March 2018 • US March 2018 • 160 pages album under his Cornelius alter-ego, Fantasma (1997), played a key PB 9781501321436 • £9.99 / $14.95 Individual eBook 9781501321450 role in putting J-pop on the world map of Western music fans, and Library eBook 9781501321443 Oyamada himself is today one of the most respected figures in the Series: 33 1/3 • Bloomsbury Academic Japanese music industry.
UK August 2019 • US August 2019 • 80 pages PB 9781501330179 • £14.00 / $22.95 • HB 9781501330216 • £64.00 / $80.00 Individual eBook 9781501330186 Siouxsie and the Banshees' Library eBook 9781501330193 Peepshow Series: 33 1/3 Japan • Bloomsbury Academic Samantha Bennett, Australian National University, Australia
Siouxsie and the Banshees were always an awkward musical fit, shoehorned into punk history as ‘also Dona Ivone Lara's Sorriso Negro rans’ then lazily mislabeled post-punk ‘goths.’ Mila Burns, City University of New York, USA In a last-ditch attempt to resurrect their flailing More than simply a paragon of Brazilian samba, career, the self-proclaimed ‘non-musicians’ recruited a classically Dona (Lady) Ivone Lara’s 1981 Sorriso Negro is an trained cellist to embellish their modern, experimental soundscapes. album deeply embedded in the political and social Subsequently, in creating a record akin to a Hollywood film score, the tensions of its time. By looking at one of the most Banshees ‘broke America,’ were adopted into the US alt-rock canon important samba albums ever recorded (that also and scored a Billboard number-one hit. Starring Roger Corman, happened to be composed by a black woman), Bernard Herrmann, Walt Disney, and Louise Brooks, also featuring Mila Burns explores the pathbreaking career of Dona Ivone, tracing Hammer Horror and Hitchcock, Peepshow is the soundtrack to all the the ways in which she navigated the tense gender and race relations films Siouxsie and the Banshees ever saw. Or it might have been the of the samba universe to ultimately conquer the masculine world of soundtrack to the greatest film they never made. samba composers.
UK October 2018 • US October 2018 • 160 pages UK February 2019 • US February 2019 • 144 pages PB 9781501321863 • £9.99 / $14.95 PB 9781501324499 • £18.00 / $22.95 • HB 9781501324482 • £64.00 / $80.00 Individual eBook 9781501321870 Individual eBook 9781501324512 Library eBook 9781501321856 Library eBook 9781501324505 Series: 33 1/3 • Bloomsbury Academic Series: 33 1/3 Brazil • Bloomsbury Academic
Tori Amos's Boys for Pele João Gilberto and Stan Getz's Amy Gentry, Independent Scholar, USA Getz/Gilberto It’s hard to think of a solo female recording artist Bryan Daniel McCann, Georgetown University, who has been as revered or as reviled over the USA course of her career as Tori Amos. Amy Gentry How did Getz/Gilberto become the Brazilian album argues that these violent aesthetic responses to known around the world, crossing generational Amos’s performance, both positive and negative, and demographic divides? Bryan McCann traces are organized around disgust—the disgust the musical collaboration between leading figure that women are taught to feel. Released in 1996, Amos’s third of bossa nova João Gilberto and Philadelphia-born and New York- album, Boys for Pele, represents the height of Amos’s willingness raised cool jazz artist Stan Getz. Yet in spite of the album’s namesake, to explore the ugly qualities that make all of her music, even her it was more than just Getz and Gilberto who propelled the album’s more conventionally beautiful albums, so uncomfortably, and so international success. The less-understood contributors (Astrud wonderfully, strange. Gilberto’s unrehearsed, English-language vocals; Creed Taylor’s immaculate production; Olga Albizú’s arresting, abstract-expressionist UK November 2018 • US November 2018 • 144 pages cover art) created a perfect balance of talents that led to not just a PB 9781501321313 • £9.99 / $14.95 Individual eBook 9781501321337 great album, but a global pop sensation that still deserves to be taken Library eBook 9781501321320 seriously today. Series: 33 1/3 • Bloomsbury Academic
UK November 2018 • US November 2018 • 112 pages • 11 bw illus PB 9781501323959 • £18.00 / $22.95 • HB 9781501323966 • £64.00 / $80.00 Individual eBook 9781501323980 Library eBook 9781501323973 Series: 33 1/3 Brazil • Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 3
Kerouac on Record This Thing Called Life A Literary Soundtrack Prince, Race, Sex, Religion, and Music Simon Warner, University of Leeds, UK & Jim Joseph Vogel, Merrimack College, USA Sampas, Independent Scholar, USA "Vogel lets Prince's legacy shine in all its vague "Fresh approach to understanding the output of and erratic splendor." PopMatters On the Road the novelist, which uses music to Prince had the ability to attain mass, cross-racial The Bookseller illuminate his written work." popularity while doing so on his own terms and He was the king of the Beat Generation and the most dynamic novelist retaining his eccentric, often subversive individuality. of his time, but Jack Kerouac had a lifelong passion for music. The This Thing Called Life offers a vivid, multi-faceted look at the artist and novelist, most famous for his 1957 book On the Road, admired the demonstrates how profound his influence was and still is on American POPULAR MUSIC sounds of bebop and attempted to bring something of their original and global culture. energy to his own writing. In Kerouac on Record, contributors consider the writer's own recorded output, those rock tributes that have kept UK April 2018 • US April 2018 • 240 pages his memory alive, and the scores that have featured in a string of HB 9781501333972 • £19.99 / $24.95 Individual eBook 9781501333996 Hollywood adaptations of his fictional adventures. Library eBook 9781501334009 Bloomsbury Academic UK March 2018 • US March 2018 • 480 pages HB 9781501323348 • £28.00 / $35.00 Individual eBook 9781501323379 Library eBook 9781501323362 Bloomsbury Academic
EPMOW The Bloomsbury Encyclopedia of Popular Music of the World, over 20 years in the making, is a landmark reference work in its field. Each volume, authored by top contributors from around the world, includes discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres.
Bloomsbury Encyclopedia of Bloomsbury Encyclopedia of Popular Music of the World, Popular Music of the World, Volume 11 Volume 12 Genres: Europe Genres: Sub-Saharan Africa Edited by David Horn, Independent Scholar, UK, Edited by David Horn, Independent Scholar, UK John Shepherd, Carleton University, Canada & & John Shepherd, Carleton University, Canada Paolo Prato, John Cabot University, Italy The EPMOW Genre volumes contain entries on The EPMOW Genre volumes contain entries on the genres of music the genres of music that have been or currently are popular around that have been or currently are popular around the world. This volume, the world. This volume, on the music of Sub-Saharan Africa, features on the music of Europe, features a wide range of entries and in-depth a wide range of entries and in-depth essays. Each concludes with essays. Each concludes with a bibliography, discographical references a bibliography, discographical references and discography, with and discography, with additional information on sheet music listings additional information on sheet music listings and visual recordings. and visual recordings. Written and edited by a team of distinguished Written and edited by a team of distinguished popular music scholars popular music scholars and professionals, this is an exceptional and professionals, this is an exceptional resource on the history and resource on the history and development of popular music. development of popular music.
UK November 2017 • US October 2017 • 936 pages UK February 2019 • US January 2019 • 496 pages HB 9781501326103 • £198.00 / $250.00 HB 9781501342028 • £198.00 / $250.00 Individual eBook 9781501326127 Individual eBook 9781501342035 Library eBook 9781501326134 Library eBook 9781501342042 Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic
4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] POPULAR MUSIC
This Must Be the Place British Progressive Pop An Architectural History of Popular Music 1970-1980 Performance Venues Andy Bennett, Griffith University, Australia Robert Kronenburg, University of Liverpool, UK Positioned between the psychedelic and counter- This book examines in detail the design and cultural music of the late 1960s and the punk and form of popular music architecture and charts new wave styles of the late 1970s, early 1970s British how it has been developed in ad-hoc ways by popular music is often overlooked. However, British non-professionals, such as building owners, popular music in the early 1970s was in fact highly promoters, and the musicians themselves, as well as professionally diverse with many artists arguably displaying an eclecticism and flair by architects, designers, and construction specialists. From music for musical experimentation.This book considers the significance of halls and Vaudeville in the 1800s to large-scale multi-million-dollar early 1970s British pop-rock as a period during which the boundaries area concerts, it explores the impact that the use of public space for between pop and rock were periodically relaxed, providing a platform performance has on urban identity and how it influences the city, and, for musical creativity less confined by genre and branding. to a lesser extent, how rural space is perceived and used. UK May 2019 • US May 2019 • 224 pages HB 9781501336638 • £96.00 / $120.00 UK March 2019 • US March 2019 • 240 pages • 40 bw illus Individual eBook 9781501336645 PB 9781501319280 • £19.99 / $34.95 • HB 9781501319273 • £80.00 / $120.00 Library eBook 9781501336652 Individual eBook 9781501319303 Bloomsbury Academic Library eBook 9781501319297 Bloomsbury Academic
Music Radio Joni Mitchell Building Communities, Mediating Genres New Critical Readings Edited by Morten Michelsen, University of Edited by Ruth Charnock, University of Lincoln, Copenhagen, Denmark, Mads Krogh, Aarhus UK University, Denmark, Steen Kaargaard Nielsen, Aarhus University, Denmark & Iben Have, Aarhus This book recognizes the cultural importance and University, Denmark innovations of the musician and artist Joni Mitchell and the need for a collection that theorizes her work Why is music so important to radio? This anthology as musician and composer, cultural commentator explores the ways in which musical life and radio interact, overlap, and antagonist. Showcasing work from leading literary, cultural, and have influenced each other for nearly a century. One of music and music studies scholars, this book's contributors respond to the radio’s major functions is to help build smaller or larger communities entirety of Mitchell's work, looking at particular songs, albums, and by continuously offering broadcast music as a means to create identity performances to explore Mitchell's wider cultural significance. and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry
UK January 2019 • US January 2019 • 224 pages • 2 bw illus by mediating and by gatekeeping. Focusing on popular music from HB 9781501332098 • £96.00 / $120.00 around the world, Music Radio discusses what music radio is and for Individual eBook 9781501332111 what purposes it is produced. Library eBook 9781501332104 Bloomsbury Academic UK December 2018 • US December 2018 • 304 pages • 17 bw illus HB 9781501343216 • £98.00 / $125.00 Individual eBook 9781501343223
Library eBook 9781501343230 Bloomsbury Academic Mute Records Artists, Business, History
Edited by Zuleika Beaven, Middlesex University, UK, Marcus O’Dair, Middlesex University, UK & Popular Music in the Post-Digital Richard Osborne, Middlesex University, UK Age Each chapter in this collection takes a distinctive approach to the wide-ranging impact of Mute Politics, Economy, Culture and Technology Records, drawing from disciplines such as popular Edited by Ewa Mazierska, University of Central music studies, musicology, fan studies, art & design, and creative Lancashire, UK, Leslie Gillon, University of industries management. The book offers insight into artists such as Central Lancashire, UK & Tony Rigg, University of Depeche Mode and Nick Cave, focuses on the musical output of art Central Lancashire, UK collectives such as Throbbing Gristle and the Residents, and exposes Popular Music in a Post-Digital Age explores how changes in economy the significant work of lesser-known acts such as Arca and Ut. Mute and technology affect popular music for both the industry and culture Records places the label within the contexts of these performers, the at large. Citing Jacques Attali’s theory that “music runs parallel to creativity of their fans, and the operations of the music business in a human society, is structured like it, and changes when it does,” this period of tumultuous change. book presents the required study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to UK December 2018 • US December 2018 • 224 pages • 15 bw illus HB 9781501340604 • £96.00 / $120.00 understand not only the future developments in the music industry but Individual eBook 9781501340611 also the value in treating the state of popular music as a litmus test to Library eBook 9781501340628 assess what will happen in the economy and in society. Bloomsbury Academic
UK December 2018 • US December 2018 • 280 pages HB 9781501338373 • £96.00 / $120.00 Individual eBook 9781501338380 Library eBook 9781501338397 Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 5
Transglobal Sounds Weekend Societies Music, Youth and Migration Electronic Dance Music Festivals and Edited by João Sardinha, Universidade Aberta, Event-Cultures Portugal & Ricardo Campos, Universidade Edited by Graham St John, University in Aberta, Portugal Fribourg, Switzerland and Griffith University, "Transglobal Sounds is an exciting volume that Australia focuses on an important demographic slice of the "A genuinely international treatment of migrant pie - youth, and the particular importance contemporary musical festivals, rooted in rich of music in addressing the challenges of deterritorialization and field work and sharp observation. It invites us to think in new ways return." Kimberly DaCosta Holton, Rutgers University, USA about utopian spaces, collective experience and the nature of This book contemplates migrant youth and the impact of music on the musical commodity. Highly recommended." Will Straw, McGill mobility, engaging with broader questions of how new modes of University, Canada mobility, sociality, and identification are born out of the interfaces EDM festivals have become stages for the performance of between youth, migration, and music. transnational meta-cultural aesthetics (e.g. techno, psychedelic, baile funk) and their potential synthesis. Weekend Societies illustrates how UK February 2018 • US February 2018 • 248 pages a complex array of regional, economic, social, cultural and political PB 9781501340208 • £28.99 / $39.95 Previously published in HB 9781501311963 factors combine to determine the fate of EDM festivals that transpire Individual eBook 9781501311987 at the intersections of the local and global. Library eBook 9781501311970 Bloomsbury Academic UK July 2018 • US July 2018 • 264 pages • 25 bw illus PB 9781501343773 • £28.99 / $39.95 Previously published in HB 9781501309311
Individual eBook 9781501309335 Library eBook 9781501309328 Creative Activism Bloomsbury Academic Conversations on Music, Film, Literature, and Other Radical Arts
Edited by Rachel Lee Rubin, University of
POPULAR MUSIC / AND MEDIA Massachusetts Boston, USA Sounds, Screens, Speakers "An indispensable compilation of oral histories— An Introduction to Music and Media and an often-exhilarating exchange of ideas on Charles Fairchild, University of Sydney, Australia the roles of artists on the front lines of activism At the advent of new forms of media, be it sound " Jeff Biggers, author of Resistance: Reclaiming an American today. recording, film, television, or the Internet, music Tradition (2018) has been a crucial participant in the social changes What does it means for an artist to be “political”? Moving away from brought about by new tools for making and listening a narrow idea about the politics of elections, advocacy groups, or to music. This book examines such changes from concrete manifestos, the subjects of Creative Activism do their work the late 19th century to the present. With readings at the end of most through song, poetry, painting, and other arts. The interviews take chapters, key questions to facilitate additional discovery and research, us from the Occupy movement to the fantasy worlds created by and direction to additional readings and resources on popular fascinating writers of spectacular fiction, challenging any notion that websites and news sources, this text serves as the ideal introduction to some other time was the golden age of political art. popular music and media.
UK May 2018 • US May 2018 • 360 pages UK January 2019 • US January 2019 • 304 pages HB 9781501337215 • £102.00 / $130.00 PB 9781501336232 • £23.99 / $29.95 • HB 9781501336249 • £88.00 / $110.00 Individual eBook 9781501337222 Individual eBook 9781501336256 Library eBook 9781501337239 Library eBook 9781501336263 Bloomsbury Academic Bloomsbury Academic
Modern Records, Maverick Sonic Writing Methods Technologies of Material, Symbolic, and Technology and Process in Popular Music Signal Inscriptions Record Production 1978-2000 Thor Magnusson, University of Sussex, UK Samantha Bennett, Australian National University, Sonic Writing traces the material and symbolic Australia conditions of composition and performance Modern Records examines a critical period in in contemporary musical media through three commercial popular music record production: the transformative interconnected strands of inscription: 1) how the digital age from the late 1970s until 2000. The book traces the design of musical instruments and software systems encapsulates development of significant music technologies through the 1980s theory and thereby becomes a form of sonic writing, 2) how diverse and 1990s, reveals how changing attitudes and innovative techniques systems of musical notation have evolved in alignment with new of recording personnel reimagined recording processes and, finally, instruments, performance contexts and artistic ideologies, and 3) the exemplifies the impact of these technologies and techniques via genealogy of phonographic techniques, ranging from etching waves six comprehensive tech-processual analyses. Bennett interprets the onto disks to machine listening, and how these have affected musical development of music technologies in the analogue and digital notation and interpretation. domains as not in opposition, but in confluence; this meticulously researched and timely book reveals the complexity of recordists’ UK February 2019 • US February 2019 • 224 pages • 45 bw illus PB 9781501313868 • £19.99 / $29.95 • HB 9781501313851 • £74.00 / $110.00 responses to a technological landscape in flux. Individual eBook 9781501313882 Library eBook 9781501313875 UK December 2018 • US December 2018 • 256 pages Bloomsbury Academic PB 9781501344091 • £23.99 / $29.95 • HB 9781501344107 • £96.00 / $120.00 Individual eBook 9781501344114 Library eBook 9781501344121 Bloomsbury Academic
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Between Air and Electricity Sound Works Microphones and Loudspeakers as A Cultural Theory of Sound Design Musical Instruments Holger Schulze, University of Copenhagen, Cathy van Eck, Bern University of the Arts, Denmark, Carla J. Maier, Leuphana University Switzerland Lüneburg, Germany & Julia Krause, Humboldt University Berlin, Germany "This is a genuinely fascinating and underrepresented area of compositional research Sound Works provides a cultural theory of sound and activity, and the strongest portion of van design founded on historical, empirical and critical Eck’s book is the riveting overview of the repertoire." TEMPO analysis. When you turned on your computer this morning you had to listen to disjointed system sounds, start up chimes, alert noises and After the sound reproduction industry had claimed “perfect high auditory warning signals, perhaps accompanied by your favorite music fidelity” for sound recordings already at the beginning of the 20th in the background or on your headphones. Through the prehistory century, composers and sound artists challenged this perfection of such functional sounds since the advent of mediatisation and by tweaking microphones and loudspeakers to make them act as a electrification, this text introduces the selected practices, conflicts, and musical instrument instead of a mere sound reproduction device. This aporias of contemporary sound design. book explores the instrumental use of microphones and loudspeakers
in music since the 1950s. The popular noise musician Merzbow and UK December 2018 • US February 2019 • 256 pages cult instrument inventor Hugh Davies, among others, made audible HB 9781501330223 • £96.00 / $120.00 what was supposed to remain silent. Library eBook 9781501330247 Bloomsbury Academic
UK August 2018 • US August 2018 • 216 pages PB 9781501344718 • £28.99 / $39.95
Previously published in HB 9781501327605 Individual eBook 9781501327612 Library eBook 9781501327629 Dangerous Mediations Bloomsbury Academic Pop Music in a Philippine Prison Video Áine Mangaoang, University of Liverpool, UK
This text examines the interplay between Michael Jackson’s songs and music videos and how they
MUSIC AND MEDIA / SOUND STUDIES Music as an Art Roger Scruton have been interpreted and performed by a group of 1500 Filipino inmates at the Cebu Provincial Bestselling author and philosopher Roger Rehabilitation and Detention Centre, who achieved Scruton follows up his classic work of criticism, viral video fame after the release of their 2007 performance of Understanding Music, by turning his immense critical Jackson’s Thriller. Reflecting on how Jackson’s performances pollinate faculties to contemporary and classical music. In across cultures and nations, this book demonstrates that audiovisual this new book he turns again to the meaning of digital platforms such as YouTube play an important role in shaping tonality and sound. His abstract, somewhat mystical, collective understandings and experiences, while ultimately arguing argument on these topics includes slashing attacks on Marxist for a deeper and more nuanced understanding of music’s power and reductionism, the authenticity of Early Music, on rival aestheticians affect in places of detention. such as Adorno, and on sentimentality and cliché in any form. As in
Understanding Music, he also expounds his views on pop music, in a UK March 2019 • US March 2019 • 200 pages • 30 bw illus most satisfying and provocative new work. HB 9781501331534 • £96.00 / $120.00 Individual eBook 9781501331558 Library eBook 9781501331541 UK August 2018 • 272 pages Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic HB 9781472955715 • £25.00 / $32.00 Individual eBook 9781472955722 Library eBook 9781472955708 Bloomsbury Continuum
Amplifications
Poetic Migration, Auditory Memory Sonic Rupture Paul Carter, RMIT University, Australia A Practice-led Approach to Urban Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective Soundscape Design on sound narrated through the experiences of Jordan Lacey, RMIT University, Australia a sound artist and writer. A work of reflective "An honest and refreshing take on the urban side philosophy, Amplifications sits at the intersection of of the acoustic ecology equation … The book’s history, creative practice, and sound studies, recounting this narrative overall project is one that is grounded in an through a series of themes (rattles, echoes, recordings, etc.). Carter artistic inquiry, and much of its research content offers a unique perspective on migratory poetics, bringing together his and knowledge is informed by the intuitive act of making by an own compositions and life’s works while using his personal narrative to urban dweller. It is an excellent example of research-creation, frame larger theoretical questions about sound and migration. and a welcome addition to the growing body of work in sound studies." Soundscape: The Journal of Acoustic Ecology UK February 2019 • US February 2019 • 288 pages PB 9781501344480 • £19.99 / $24.95 • HB 9781501344473 • £64.00 / $80.00 Sonic Rupture provides the domains of sound art, music, creative Individual eBook 9781501344497 Library eBook 9781501344503 practice, urban design, architecture and environmental philosophy Bloomsbury Academic with a unique perspective for understanding those affective forces.
UK December 2017 • US December 2017 • 208 pages • 57 bw illus PB 9781501338571 • £28.99 / $39.95 Previously published in HB 9781501309977 Individual eBook 9781501310003 Library eBook 9781501309991 Bloomsbury Academic
8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] SOUND STUDIES
Being Time Humming Case Studies in Musical Temporality Suk-Jun Kim, University of Aberdeen, UK Richard Glover, University of Huddersfield, UK, The first sound studies book to explore the topic, Bryn Harrison, University of Huddersfield, UK & Humming offers a unique and original examination Jennie Gottschalk, Independent Scholar, USA of the polarising categories of hums, from hums that are performed only to oneself, that are exercised In a highly accessible format using case studies, in religious practice, that claim healing, and that Being Time employs an ongoing dialogue to resonate with our bodies, to hums that can drive examine how various compositional concerns people to madness, that emanate from cities and towns, and that within experimental and minimal musics affect our sense of time and resound in the universe. By acknowledging the quirkiness of hums duration. Phenomenological lineage from Husserl through Merleau- within the established discourse in sound studies, Humming takes Ponty to Clifton infuses the discussion to provide experiential a truly interdisciplinary view on this familiar yet less-trodden sonic arguments, rather than abstracted hypotheses. concept in sound studies. An introductory chapter on experimental music is followed by studies of individual composers and artists, such as Morton Feldman, Manfred UK December 2018 • US December 2018 • 128 pages Werder, Bernhardt Günter, Richard Chartier, La Monte Young and PB 9781501324611 • £16.99 / $24.95 • HB 9781501324604 • £50.00 / $75.00 Individual eBook 9781501324628 Toshiya Tsunoda, who are embedded in the continuing discourse, Library eBook 9781501324598 along with issues of perception and memory in experimental music. Series: The Study of Sound • Bloomsbury Academic
UK December 2018 • US December 2018 • 176 pages PB 9781623564940 • £19.99 / $29.95 • HB 9781623568955 • £80.00 / $120.00 Individual eBook 9781628927016 Library eBook 9781628922721 Bloomsbury Academic Musical Encounters with Deleuze and Guattari Edited by Pirkko Moisala, University of Helsinki, Finland, Taru Leppänen, University of Turku, The Political Possibility of Sound Finland, Milla Tiainen, University of Helsinki, Fragments of Listening Finland & Hanna Väätäinen, University of Helsinki, Finland Salomé Voegelin, London College of Communication, UK This is the first volume to mobilize encounters between the work of Gilles Deleuze and Felix Guattari and the rich Eight independent yet thematically related essays developments in cultural studies of music and sound. Stretching from explore listening as a sociopolitical practice of movement improvisation, vocal performance art, reality TV talent sound, raising current aesthetic and political shows and deaf musicians to ethnographic fieldwork, artistic research questions. The themes of these essays emerge from and musical body studies, this book demonstrates how musical and and deepen discussions started in Voegelin’s previous books, Listening sonic practices and expressions can be reconsidered as instances to Noise and Silence and Sonic Possible Worlds, and further engage of becoming, actors in assemblages, and actualizations of virtual the relationship between aesthetic practice and political possibility. tendencies. Continuing the methodological juxtaposition of phenomenology and logic, each essay represents a fragment of listening to sound art, UK July 2018 • US July 2018 • 256 pages • 10 bw illus music and the soundscape, to hear their possibilities and develop PB 9781501343780 • £28.99 / $39.95 words for what appears impossible. Previously published in HB 9781501316746 Individual eBook 9781501316760 Library eBook 9781501316753 UK November 2018 • US November 2018 • 224 pages Bloomsbury Academic PB 9781501312168 • £19.99 / $29.95 • HB 9781501312151 • £66.00 / $100.00 Individual eBook 9781501312182 Library eBook 9781501312175 Bloomsbury Academic
Future Sounds The Temporality of Noise Stephen Kennedy, University of Greenwich, UK "Kennedy has brilliantly shown how the non- linearity and multi-temporality of noise has been productive of so-called digital culture. Key reading for anyone interested in the realities of the digital age and the most relevant philosophies of time and technology." Timothy Barker, University of Glasgow, UK What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is a frenzied and busy field? Future Sounds examines historical trajectories and conflicting ideas about time and the necessity to recontextualize and interpret them in the digital age.
UK July 2018 • US July 2018 • 176 pages HB 9781501321054 • £74.00 / $110.00 Individual eBook 9781501321078 Library eBook 9781501321061 Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 9 Stuck in a research rut? A study slump? Learn the skills to get you back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give you the essential tools to get you through your studies. www.bloomsbury.com/researchmethodsandstudyskills
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RM+SS_FY19.indd 1 13/08/2018 15:19 MAJOR REFERENCE WORKS
The International Encyclopedia of Surrealism Three-Volume Set Edited by Michael Richardson, Goldsmiths University of London, UK Surrealism is one of the most influential and popular art forms of the last century. It has shaped painting, literature, film, photography, music, theatre, architecture, fashion and design, as well as thinking about politics and culture. The Encyclopedia presents the first comprehensive and systematic overview of surrealism internationally, from its beginnings to the present day.
UK February 2019 • US April 2019 • 3 vols. • c.1,872 pages HB Pack 9781474226936 • £550.00 / $742.00 Special introductory price of £495.00 / $668.00 valid until 3 months after publication 100 colour & 4 bw illus Bloomsbury Visual Arts
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