Flight Into Fantasy
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Intimating Intimacy: Self-Shattering Intimacy in Christopher Paolini's
Intimating Intimacy: Self-Shattering Intimacy in Christopher Paolini’s Inheritance Cycle Although children’s and young adult literature often define intimacy in the context of familial and sexual relationships, intimacy encompasses so much more. Following the thoughts of Georges Bataille, intimacy shatters the self-contained individual; it changes the perception of the world. It brings people and nature into continuity. Intimacy overcomes the evil of subjugating others to the meager existence of utility. This result of intimacy becomes exceedingly important because it seeks to restore connection between people. Through dissolving the self, intimacy breaks the barriers people place around themselves, exposing them to others. This exposure breaks the cycle of disjoint individuals to shape continuity among people. The foundational movement here breaks the individual self by completely opening them to another being. Intimacy changes societal dynamics by denying the utility of others, moving beyond people as only a means to an end. People count as human beings again rather than only the service(s) they perform. In this way, intimacy brings people out of individualized self-centeredness into continuity across existence. Christopher Paolini’s Inheritance Cycle imagines intimacy as fostering a deeper connection with other forms of life. Paolini’s novels bring intimacy to the fore, creating a fantastical story of good triumphing over evil through intimacy. The intimacy of the Inheritance Cycle allows a person to see beyond the discontinuous individual self, moving to a space of continuity with the world. This understanding of intimacy follows directly from Georges Bataille’s theoretical understanding of eroticism and intimacy. This intimacy shatters the self and moves people into a space of continuity with all living things. -
Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada -
Embeddings for KB and Text Representation, Extraction and Question Answering
Embeddings for multi-relational data Pros and cons of embedding models Embeddings for KB and text representation, extraction and question answering. Jason Westony & Antoine Bordes & Sumit Chopra Facebook AI Research External Collaborators: Alberto Garcia-Duran & Nicolas Usunier & Oksana Yakhnenko y Some of this work was done while J. Weston worked at Google. 1 / 24 Embeddings for multi-relational data Pros and cons of embedding models Multi-relational data Data is structured as a graph Each node = an entity Each edge=a relation/fact A relation = (sub, rel, obj): sub =subject, rel = relation type, obj = object. Nodes w/o features. We want to also link this to text!! 2 / 24 Embeddings for multi-relational data Pros and cons of embedding models Embedding Models KBs are hard to manipulate Large dimensions: 105=108 entities, 104=106 rel. types Sparse: few valid links Noisy/incomplete: missing/wrong relations/entities Two main components: 1 Learn low-dimensional vectors for words and KB entities and relations. 2 Stochastic gradient based training, directly trained to define a similarity criterion of interest. 3 / 24 Embeddings for multi-relational data Pros and cons of embedding models Link Prediction Add new facts without requiring extra knowledge From known information, assess the validity of an unknown fact Goal: We want to model, from data, P[relk (subi ; objj ) = 1] ! collective classification ! towards reasoning in embedding spaces 4 / 24 Embeddings for multi-relational data Pros and cons of embedding models Previous Work Tensor factorization -
CARL Locations
CARL Locations CARL•X Location Code CARL•X Location Name (Up to 6 Characters) ABC ABC Books ADULT Adult Collection AFRAM African American Collection ANF Adult Non Fiction ANIME Anime Collection ARABIC Arabic Collection ASKDSK Ask at Desk ATLAS Atlas AUDBK Audiobook Collection AUDMUS Audio Music Collection AUTO Automotive Collection BINDRY Bindery BIOG Biography Collection BKCLB Book Club BRAIL Braille BRDBK Board Book BUSNES Business Collection CALDCT Caldecott Collection CAREER Career CATLNG Cataloging CIRREF Circulating Reference CITZEN Citizenship Collection CLOBBY Circulation Lobby CLSFIC Classic Fiction COLLGE College Collection COLOR Books about Color COMIC Comic Collection COMPTR Computer Collection CONSMR Consumer Collection COUNT Counting Books CRICUT Cricut Cartridge DAMAGE Damaged DISCRD Discarded from collection DISPLY On Display DYSLEX Dyslexia EDUCTN Education Collection EMAG Electronic Magazine EMPLOY Employment Collection ESL English as a Second Language Collection ESYRDR Easy Reader FANTSY Fantasy FICT Fiction CARL•X Location Code CARL•X Location Name (Up to 6 Characters) GAMING Gaming Collection GENEAL Genealogy Collection GOVDOC Government Documents Collection GRAPHN Graphic Novel Collection HISCHL High School Collection HOLDAY Holiday HORROR Horror HOURLY Hourly Loans for Pontiac INLIB In Library INSFIC Inspirational Fiction INSROM Inspirational Romance INTFLM International Film INTLNG International Language Collection JADVEN Juvenile Adventure JAUDBK Juvenile Audiobook Collection JAUDMU Juvenile Audio Music Collection -
Small Renaissances Engendered in JRR Tolkien's Legendarium
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2017 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Dominic DiCarlo Meo Follow this and additional works at: http://commons.emich.edu/honors Part of the Children's and Young Adult Literature Commons Recommended Citation Meo, Dominic DiCarlo, "'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium" (2017). Senior Honors Theses. 555. http://commons.emich.edu/honors/555 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Abstract After surviving the trenches of World War I when many of his friends did not, Tolkien continued as the rest of the world did: moving, growing, and developing, putting the darkness of war behind. He had children, taught at the collegiate level, wrote, researched. Then another Great War knocked on the global door. His sons marched off, and Britain was again consumed. The "War to End All Wars" was repeating itself and nothing was for certain. In such extended dark times, J. R. R. Tolkien drew on what he knew-language, philology, myth, and human rights-peering back in history to the mythologies and legends of old while igniting small movements in modern thought. Arthurian, Beowulfian, African, and Egyptian myths all formed a bedrock for his Legendarium, and fantasy-fiction as we now know it was rejuvenated.Just like the artists, authors, and thinkers from the Late Medieval period, Tolkien summoned old thoughts to craft new creations that would cement themselves in history forever. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
The World of Fantasy Literature Has Little to Do with the Exotic Worlds It Describes
The world of fantasy literature has little to do with the exotic worlds it describes. It is generally tied to often well-earned connotations of cheap writing, childish escapism, overused tropes copied and pasted straight out of The Lord of the Rings, and a strong commercial vitality. Perhaps it is the comforting predictability that draws me in—but the same could be said of the delight that I feel when some clever author has taken the old and worn hero-cycle and turned it inside out. Maybe I just like dragons and swords. It could be that the neatly packaged, solvable problems within a work of fantasy literature, problems that are nothing like the ones I have to deal with, such as marauding demons or kidnappings by evil witches, are more attractive than my own more confusing ones. Somehow they remain inspiring and terrifying despite that. Since I was a child, fantasy has always been able to captivate me. I never spared much time for the bland narratives of a boy and his dog or the badly thought-out antics of neighborhood friends. I preferred the more dangerous realms of Redwall, populated by talking animals, or Artemis Fowl, a fairy-abducting, preteen, criminal mastermind. In fact, reading was so strongly ingrained in me that teachers, parents and friends had to, and on occasion still need to, ask me to put down my book. I really like reading, and at some point that love spilled over and I started to like writing, too. Telling a story does not have to be deep or meaningful in its lessons. -
New Directions in Popular Fiction
NEW DIRECTIONS IN POPULAR FICTION Genre, Distribution, Reproduction Edited by KEN GELDER New Directions in Popular Fiction Ken Gelder Editor New Directions in Popular Fiction Genre, Distribution, Reproduction Editor Ken Gelder University of Melbourne Parkville , Australia ISBN 978-1-137-52345-7 ISBN 978-1-137-52346-4 (eBook) DOI 10.1057/978-1-137-52346-4 Library of Congress Control Number: 2016956660 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Dragon Magazine #103
D RAGON 1 18 SPECIAL ATTRACTION 48 UNEARTHED ARCANA additions and corrections New pieces of type for those who have the book 35 26 Publisher Mike Cook Editor-in-Chief OTHER FEATURES Kim Mohan 8 The future of the game Gary Gygax Editorial staff How well tackle the task of a Second Edition AD&D® game Patrick Lucien Price Roger Moore 12 Arcana update, part 1 Kim Mohan Art director and graphics Explanations, answers, and some new rules Roger Raupp All about Krynns gnomes Roger E. Moore Subscriptions 18 Finishing our series on the demi-humans of the DRAGONLANCE world Georgia Moore Advertising 26 A dozen domestic dogs Stephen Inniss Mary Parkinson Twelve ways to classify mans best friend Contributing editors The role of books John C. Bunnell Ed Greenwood 31 Reviews of game-related fantasy and SF literature Katharine Kerr This issues contributing artists 35 The Centaur Papers Stephen Inniss and Kelly Adams Robert Pritchard Everything two authors could think of about the horse-folk Larry Elmore Bob Maurus 58 The Wages of Stress Christopher Gilbert Roger Raupp How to handle obnoxious people and make it pay Tom Centola Marvel Bullpen David Trampier Ted Goff Joseph Pillsbury DEPARTMENTS 3 Letters 88 Convention calendar 93 Dragonmirth 4 World Gamers Guide 86 Gamers Guide 94 Snarfquest 6 The forum 89 Wormy COVER Robert Pritchards first contribution to our cover is an interesting piece of artwork and thats always the main factor in deciding whether or not to accept a painting to use. But Roberts choice of a title didnt hurt a bit. -
Children's Fairy Tales Science Fiction and Fantasy
Children's Fairy Tales Science Fiction and Fantasy *Multiple Children's Fairy Tales, Science Fiction and Fantasy Locations Author Title Call # Abbott, Tony Secrets of Droon (Series) JF Adler, Carole S. Eddie’s Blue-Wing Dragon JF Alcock, Vivien The Monster Garden JF Alexander, Lloyd The First Two Lives of Lucas Kasha JF Alexander, Lloyd Prydain Chronicles (Series) JF* Alexander, Lloyd Vesper Holly Adventure (Series) JF Alexander, Lloyd Westmark Trilogy (Series) JF* Applegate, K.A. Animorphs (Series) JF Applegate, K.A. Animorphs Megamorphs (Series) JF Arnold, Louise Golden and Grey (an Unremarkable Boy and a RatherJF Remarkable Ghost) Austin, R.G. Famous and Rich JF Avi Crispin (Series) YA Avi Midnight Magic JF Avi No More Magic JMyst Avi Perloo the Bold JF* Avi Something Upstairs : A Tale of Ghosts YA Avi Windcatcher JF Babbitt, Natalie The Devil’s Other Storybook JF Babbitt, Natalie Tuck Everlasting JF* Banks, Lynne Reid The Fairy Rebel JF Banks, Lynne Reid The Indian in the Cupboard (books) JF* Banks, Lynne Reid The Magic Hare JF Barrie, James M. Peter Pan JF* Baum, L. Frank The Wizard of Oz (Series) JF* Beachcroft, Nina The Wishing People JF Bechard, Margaret Star Hatchling JF Bellairs, John Johnny Dixon Mystery (Series) JMyst Bellairs, John The House With a Clock in It’s Walls JMyst *Multiple Children's Fairy Tales, Science Fiction and Fantasy Locations Author Title Call # Bellairs, John Anthony Monday Mystery (Series) JMyst Billingsley, Fanny The Folk Keeper JF Billingsley, Franny Well Wished JF Blade, Adam Beast Quest (Series) JF Brittain, Bill Devil’s Donkey JF Brittain, Bill Dr. -
Richard S. Wheeler
FORGE BOOKS JUNE 2017 LEAD FICTION Eric Van Lustbader Any Minute Now From the New York Times bestselling author of the Jason Bourne series Red Rover--the blackest of black ops teams--is betrayed during a top-priority mission to capture and interrogate a mysterious Saudi terrorist. One of their own is killed; the remaining two barely get home alive. Then, without warning or explanation, the team is disbanded. Greg Whitman and Felix Orteño are left adrift in a world full of deathly shadows, blind alleys, and unanswerable questions. They hook up with Charlize Daou, a brilliant, wildly talented arms expert whose past is entangled with Whit's. Though Charlie grapples with damage of her own, she becomes their new center, their moral compass, and their reason for resurrecting Red Rover. ON-SALE DATE: 6/27/2017 The new Red Rover secretly sets out to find the protected Saudi terrorist, ISBN-13: 9780765385536 the first step in a perilous journey into the heart of a vast conspiracy that involves the NSA, a cabal of immensely wealthy mystics known as the EBOOK ISBN: 9780765385529 Alchemists, and an ageless visionary out to create an entirely new way of PRICE: $9.99 / $13.99 CAN. waging war. A war that will destabilize one of the great super-powers and PAGES: 352 forever rearrange the balance of power across the entire globe. SPINE: 0.840 IN CTN COUNT: 48 KEY SELLING POINTS: CPDA/CAT: 05/SUSPENSE/THRILLER * NEW YORK TIMES BESTSELLING AUTHOR: Starting with his ORIGIN: FORGE HC (8/16, breakout hit The Ninja, Lustbader is a regular fixture on the bestseller list 978-0-7653-8551-2) * ALL-NEW STAND-ALONE NOVEL: This novel is a new story and AUTHOR HOME: NEW YORK, NY; somewhat new style for Lustbader but with the same elements of suspense LONG ISLAND, NY that his readers love * NEW BOURNE MOVIE IN 2016: Lustbader's Bourne novels are top ten, multiple week bestsellers, fueled by a mega-blockbuster movie franchise. -
Toward a Theory of the Dark Fantastic: the Role of Racial Difference in Young Adult Speculative Fiction and Media
Journal of Language and Literacy Education Vol. 14 Issue 1—Spring 2018 Toward a Theory of the Dark Fantastic: The Role of Racial Difference in Young Adult Speculative Fiction and Media Ebony Elizabeth Thomas Abstract: Humans read and listen to stories not only to be informed but also as a way to enter worlds that are not like our own. Stories provide mirrors, windows, and doors into other existences, both real and imagined. A sense of the infinite possibilities inherent in fairy tales, fantasy, science fiction, comics, and graphic novels draws children, teens, and adults from all backgrounds to speculative fiction – also known as the fantastic. However, when people of color seek passageways into &the fantastic, we often discover that the doors are barred. Even the very act of dreaming of worlds-that-never-were can be challenging when the known world does not provide many liberatory spaces. The dark fantastic cycle posits that the presence of Black characters in mainstream speculative fiction creates a dilemma. The way that this dilemma is most often resolved is by enacting violence against the character, who then haunts the narrative. This is what readers of the fantastic expect, for it mirrors the spectacle of symbolic violence against the Dark Other in our own world. Moving through spectacle, hesitation, violence, and haunting, the dark fantastic cycle is only interrupted through emancipation – transforming objectified Dark Others into agentive Dark Ones. Yet the success of new narratives fromBlack Panther in the Marvel Cinematic universe, the recent Hugo Awards won by N.K. Jemisin and Nnedi Okorafor, and the blossoming of Afrofuturistic and Black fantastic tales prove that all people need new mythologies – new “stories about stories.” In addition to amplifying diverse fantasy, liberating the rest of the fantastic from its fear and loathing of darkness and Dark Others is essential.