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PRLSC1LLA Filet iiffei Book pit

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v illil -, W. f.*: •;;.» » * *;?>" Mil Now Ready Bound Volumes of the Priscilla Fancy Work Instruction Books

Hundreds of thousands of Needleworkers have purchased the paper-covered Priscilla Instruction Books, and have been thoroughly delighted with their clear, simple instructions for various kinds of Fancy Work. However, there has long been a demand for these books in a more substantial form so that they could be added to home libraries and withstand the hard usage given books of reference. In response to this demand, we now offer you the entire set of Priscilla Instruction Books, handsomely and durably bound in red Law Buckram, with titles stamped in gold. Price, $1.35 per Volume, Postpaid Each volume contains four Instruction Books as follows: VOLUME 1 VOLUME II Irish Crochet No. 1 Irish Crochet No. 2 Hardanger Filet Crochet Wool Knitting Edgings and Insertion* Wool Crochet VOLUME III VOLUME IV VOLUME V Bead Work Punched Work Filet Crochet No. 2 Basketry French and Eyelet Embroidery Crochet Bedspreads Macrame Colored Cross Stitch No. 1 Netting Bobbin Colored Cross Stitch No. 2 Drawn Work

Every book in the Priscilla Library is a genuine teacher. All the different stitches are fully described and explained, then in addition there are a multitude of illustrations showing stitches, details, motifs and finished pieces, all of which makes the work just as clear and simple for the beginner as for the expert needleworker. Send your order for the volumes you wish at once as the first edition is limited.

Priscilla Publishing Co., 85 Broad St., Boston, Mass. f

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^rtecttiajftlet Crocfcet JSoofe

A COLLECTION OF BEAUTIFUL DESIGNS IN FILET CROCHET

EQUALLY ADAPTED TO CROSS-STITCH BEADS AND CANVAS

forking ®trectton£

BY

BELLE ROBINSON ,,,

PRICE, 25 CENTS

PUBLISHED BY

Wqz iPrtectlla $ubitstfnng Company

85 BROAD STREET, BOSTON, MASS.

Copyright, 1915, by the Priscilla Publishing Company Trade Mark Res. U. S. Patent Office All rights reserved Copyright in Great Britain and the Colonies No. 1450. Pillow in Filet Crochet and Cross Stitch Embroidery

See Page 5 and Figs. 12, 13, 15, 16, 18 Filet Crochet

The definition frequently given of Filet Crochet loops over the needle, one loop through the work, is, " crocheting in imitation of Filet.'' While that then crochet off two and two.

is true, yet it is, in a way, misleading. The word The first thing to do, is to find out whether one " " imitation " may be objected to because it usu- square." Many people do this natur- ally carries with it a meaning of inferiority. Al- ally; more, we are inclined to believe, do not. ways, a substitute, a pretence, a sham comes to Much time is saved if this is one's habit. mind when an imitation of the " real " is mentioned. Find out in this way; copy Working Model, Rather let us define it as " Crocheting in the Fig. 1. Notice there are ten meshes, then the style of Filet," for if Filet Crochet is rightly done foundation chain will be ten times 3, plus I, plus " it is no less a real " piece of work than the Filet 5 to turn, altogether 36 chain. which it is like. It requires no less skill, no less Turn, join with a d c in the 9th stitch from the care, and perhaps no less time to crochet a good needle, which completes the first open mesh. The piece of Filet than it does to net the fabric and following nine meshes are each made with 2 chain,

darn or weave or embroider through it the pattern. 1 d c in the 3d chain-stitch. Those who have done both can testify to the truth Take up two threads of the chain when crochet- of this. ing the first row. Crochet 5 chain-stitches to turn, Our grandmothers did more or less crocheting, join with a d c in the top of the next d c below, using this principle, so that it is nothing new; and taking up two threads. yet. possibly, it has remained for this twentieth Proceed in this way until ten rows are finished, century to bring forward and perfect the work, and if the piece is square, one may be sure of adapting it to more uses and larger designs, and crocheting easily. If the piece is longer from right carrying out the designs in finer threads. to left, then either the chain-stitches and top of It is, like Irish Crochet, at its very best when d c are too loose, or the d c is drawn up too short. done with fine thread and the very finest needle. In making the d c pull the top tightly, but do not And yet it may be done with coarse thread and a pull the whole d c too short. suitable needle and produce a very handsome piece It is easier to apply the remedy in a little piece of work, always providing that the crocheting is than in a large one, where a very little difference firm and evenly done. in the tension makes a big difference in the out- MATERIALS come. If, however, the greater length is in the other direction, the probability is that the d c is The materials used may be any spool thread drawn out too long. that is at hand, or one may select any good crochet Then try Working Model, Fig. 2, with the same cotton. number of stitches. The first row is ten open Of the pieces shown in this book, the of most meshes, like Fig. 1. The second row is made with the work was done with " D. M. C." Crochet Cotton S chain to turn, 1 d c in d c below, eight solid (Cordonnet Special), Nos. 10, 30, 50, and 100. meshes and one open mesh. For No. 10 crochet cotton, the A solid mesh is formed by a d c over the d c, should be about No. 10, not coarser. For No. 30, 2 d c over the chain, 1 d c over the next d c, a No. 12 hook, and anything finer best can be making 4 d c if it is a single solid mesh. If other done with No. 14. solid meshes follow then there is added 2 d c for Patterns readily suggest themselves for simple each chain and 1 d c over d c. bits of work, after one has started the crocheting, The number of d c in any number of solid meshes but for larger pieces and more elaborate designs, is equal to 3 times the number of meshes with any block pattern is easily followed. 1 d c in addition. The collection of patterns given in this book is culled from a variety of sources, and is equally adapted to Filet Crochet, Filet Brode, Cross-stitch, and various sorts of Canvas-work. Having procured the needle and thread and pat- tern (a simple equipment!), one is ready for the lesson. EXPLANATION OF TERMS D c — double crochet; having a stitch on the needle, one loop over the needle, one loop through the chain or top of stitch below, one loop through two on the needle, one loop through the remain- ing two. S c — single crochet, a stitch on the needle, a loop under the chain below, a loop through the two on the needle. This is used only in finishing edges, not in the designs. Fig Working Model of Filei Crochet, meshea c treble 10 T — crochet, a stitch on the needle, two square. 4

4th row — Turn with triangle, I

open, 2 solid, 1 open, 1 solid, 1 open. Turn with 5 chain.

5th row — Three open, 1 solid, 1

open, 1 triangle. 6th row — Turn with triangle, 2

open, 1 solid, I open.

7th row — Turn with 5, 3 open, 1 triangle, etc. In Filet, it is a rare exception that has not one row, or more, of open meshes outside the design, and we should follow the same rule in Filet Crochet. The edge of a medallion or insert is usually covered with single crochet, three stitches over each chain of two and four stitches over each triangular mesh. This corresponds nicely with the Fig. 2 buttonhole-stitch with which the netted medallion Working; Model of Pattern Fig. 3 is invariably finished. It will always be one more than a multiple of 3, Figure 6 is a model of the border of , as 10, 13, 16, 19, etc. 4, 7, Fig. 22, showing how to mitre the corner in a way In the 3d row (following Working Model, Fig. 2, similar to Fig. 4. The two outer rows give the and Block Pattern, Fig. 3) there is, 1 open, 1 solid, method used to finish the Centrepiece, No. 1452. 2 open, 2 solid, 2 open, 1 solid, 1 open. Figure 7 is the model showing the heart of 4th row — One open, 1 solid, 1 open, 1 solid, flower in the corner of Luncheon Cloth, No. 1454. 2 open, 1 solid, 1 open, 1 solid, 1 open. A chain of five is made to cover the space of 5th row — One open, 2 solid, 4 open, 2 solid, 1 two open meshes. open. In estimating the size a pattern will fill, with 6th row — Like 5 th. 7th row — Like 4th. 8th the various threads, it may be helpful to know row Like 3d. 9th row Like 2d. 10th row — — — that No. 100 D. M. C. Crochet Cotton makes very Like 1st. good fabric, ten meshes to the inch; No. 50, eight Always remembering to make 5 chain for the meshes to the inch; No. 30, six meshes; and No. 10, turn in the square work. This makes an open mesh, between four and five meshes to the inch. and it is always much better to have any design Individual workers vary some, but this is a good with at least one row of open meshes on all average, and represents the work here illustrated. four sides. When crocheting for any length of time, and It is really quite worth while to make a block working as tightly as possible, the fingers may like this Fig. 2 and find out if it is square. become chafed with the thread or needle. To avoid When doing a long strip or band, it may not be this, a good plan is to use chamois-skin glove so essential, although the work is prettier; but fingers wherever they are needed. Bits of chamois when making a square block, it should be square. skin may be sewed to fit whichever thumb or Working Model, Fig. 4, is a triangular block, finger suffers most. The right-hand thumb, which made after the pattern, Fig. 5. holds the needle, and the first and second fingers After making nine open meshes, use the t c of the left hand, which carry the thread and stop (with two loops), and join to make the last mesh the point of the needle, were all so protected in a triangle. To turn for the 2d row, make 3 rather doing much of the finished work in this book. loose or 4 quite tight chain-stitches and join with Although the crocheting, when in process, can d c to make another triangular mesh. This is the be kept immaculate, by powdering the hands, and first of 4 d c that form a solid mesh. Following keeping the work in a tightly covered box when the pattern — 1 open, 1 solid, I open, I solid, 1 open, not in process, yet it is very much improved by I solid, 1 open. (Turn with 5 chain at this end.) laundering. 3d row — Seven open meshes, I triangular mesh. This should be done by careful squeezing, rather than rubbing, in good soap-suds, and rinsing well without twisting the work. When it is soiled, dampen and lay it on a flat surface and rub soap well into it with a small bristle brush. Washing shrinks the thread until it is consid- erably smaller than the original measure. Iron- ing, face downward, between two pieces of cheese-cloth, on a thickly padded board (when not quite dry), will restore it to the exact size first measured. Careful fin- ishing with the iron next the wrong side, flattens the work and - Fig 4 brings out the design beautifully, pattern of Fig. Working Model of Pattern Fig. 5 Filet Crochet is so simple, so easily understood, there is nothing intricate about it; but the fact can- not be overemphasized that great care must be taken to do the work evenly and rather tightly. When one can be sure of the right proportion between the chain-stitch and the double crochet, that one is tight and the other just loose enough, then the worker who can crochet rapidly will make the best work. It becomes almost automatic, and

Fig. 7 Working Model, Heart of Flower, Fig. 37

the result is a beautiful uniformity throughout the whole piece, whereas if one must, in a labored Fig. 6 way, pull each stitch with a distinct effort, the work Working Model, Border, Fig. 33 is very likely to look pinched and drawn.

No. 1450. Pillow in Filet Crochet and Cross Stitch

This pillow, shown on page 2, is composed of Two rows of open meshes are made (in the twenty-five blocks, each four inches square. " Swan " block 3 rows are made) before beginning Twelve blocks are of Hardanger cloth, embroid- the design. In the 3d row of the " Dragon " make ered with cross-stitch, in D. M. C. Stranded Cotton. 2 open, 2 solid, 1 open, 1 solid, 6 open, 3 solid, the Two threads of the cotton are used. For the de- remainder of the row open. Turn, make 18 open, signs see Fig. 12 and Fig. 13 on page 7. 1 solid, 1 open, 2 solid, 6 open, 3 solid, 2 open, etc. Thirteen blocks are in Filet Crochet of D. M. C. The designs can be followed back and forth in Crochet Cotton No. 50. Three different designs this way until the squares are completed. Finish are used, " The Swan," " The Dragon," and a conventional figure, see Fig. 15, Fig. 16, and Fig. 18, on page 7. These blocks are 33 meshes, requiring 105 chain stitches for the foun- dation chain, this includes 5 chain to turn. Join in the 9th ititch from the needle with a d c. Two chain-stitches separate the d c, making an open mesh. Al- ways at the turn 5 chain are made for the first open mesh.

Fig. 8 33 x 35 meshes Fig. 9 65 meshes "

the edge around each square with s c, 3 stitches overcast together tightly, cross-stitched blocks and over each chain of 2. crocheted blocks alternating. The pillow-top is The cross-stitched blocks are cut a big seam ready for the back, which must be overcast to the larger than the crocheted blocks, machine-stitched top. No other seam is possible along the edges of just outside the turn, and are overcast in addition the crocheting. The color used for cross-stitch to keep them from fraying, as a seam in Hardanger «as old rose. The effect of this " patchwork cloth is always treacherous. Then the blocks are determined its selection as Frontispiece.

Fig. 10. Conventional Flower Doily

This doily presents a problem not unlike the To make the doily, start with 12 meshes, that is, " proverbial fitting of a round peg in a square hole," chain 36 plus I plus 5 stitches equals 42, d c in and there is added the puzzling task of crocheting gth stitch and make 12 open meshes in the 1st row. to a foundation where there is no chain. 'Tis true 2d row — Chain 12, plus 5 to turn, d c in 9th st and make 4 open meshes (it is easy to carry out chain at the last end of a row, to widen at the first of the succeeding row), 12 solid meshes, then make 4 open meshes as follows:

Two chain, 1 double treble (d t) (3 loops) and join this d t at the top of the 1st row. Three times more, make this square mesh and join each time on a line with the top of the 1st row, forming 4 open meshes. At the end of each added mesh, the needle is left at the top of the mesh, ready to make another or to turn. This peculiar method is necessary in widening at the end of a row where there is nothing to crochet to, and three sides of a mesh must be made as one proceeds. To narrow, simply omit one or more meshes at the last end of the row. At the first end, draw the stitch on the needle the length of a mesh and slip in the top of d c. Repeat this for each mesh that is to be omitted, then make 5 chain for an open mesh and proceed according to the design, Fig. 43 on page 22. The loose threads left in this way are nicely

Fig. 10. Flower Doily. seeFig.43 72 meshes covered when the edge is finished with s c. one might break the thread and add a chain, but When the last row of twelve open meshes is it can be accomplished with one thread, as was finished, make one chain-stitch and cover the edge done in this case. Number 100 D. M. C. Crochet with 3 s c over each single side of a mesh, and 5 s c Cotton was used, and the doily measured 6% inches where two sides of a mesh form the edge. The in diameter. The crochet needle required is No. 14. final caution is to make the crocheting square.

FlG. II. See Fig. 36 1 —

Fig. 12. soeNo. 1450 45 meshes FlG. 13. See No. 1450 45 meshet

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FlG. See No. >45o meshes 15. 33 FlG. 16. See No. 1450 33 meshes

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'>Jt FlG. 14 12 meshes FlG. 17 31 meshes FlG. 18. See No. 1450 Figs. 16, 17, 18. Guest Towels 9 meshes (for pattern see border, Fig. 59), then widened to 18 meshes through the centre where These guest towels are of i6-inch huckaback, the initials, 14 meshes wide (Fig. 114), are made. and 30 inches long. The thread used is No. 30 Then the band is continued 9 meshes wide to the D. M. C. Crochet Cotton. One ball is sufficient end, reversing the pattern at the beginning. The for each towel. other end of the towel is finished with a band Figure 19 — Insertion, at one end, 16 meshes 4 meshes wide and readily followed from the cut. wide, with letters 14 meshes high (see Figs. 114 Fig. 22. Doily and 126), and a 5-mesh insertion (see Working Model, Fig. 6) at the other. Two medallions of 23 meshes (Fig. 98) and two of 25 meshes (Fig. 105) are inset in this n-inch Figure 20 — A band, 11 meshes wide, with letters doily. 7 meshes high (Fig. 128), finishes this guest towel The edge is shown at Fig. 6, page 5. This re- at one end, and at the other a band 5 meshes wide. quires one ball of No. 100 D. M. C. Crochet Cotton, (See Insertion for Baby's Pillow, No. 145 1.) and one-third yard of fine huckaback, 24 inches Figure 21 — This insertion is commenced with wide, will make two , useful and pretty.

Fig. 21. Guest Towel. See Fig. 101 Fig. 22. Doily. SeeFigs.6, gs, 105 No. 1451. Baby Pillow

This daintily embroidered pillow of linen sup- side, 20 meshes wide, until 79 rows are done. ports a hollow square of Filet Crochet insertion Break the thread and begin at the inside of the to frame " the baby's face." The centre of the frame, 20 meshes from the left edge and carry up pillow is reserved for that decoration or use. the left side 80 rows. The 80th row will end at the The insertion is made of No. ioo D. M. C. inside corner of upper left-hand. Do not break Crochet Cotton. For the design, see Fig. 32, the thread, but chain 179 and make 1 d c in the page 17. It is 100 meshes square and 20 meshes 1st stitch of the right-hand side. Finish this 80th wide, measuring 10 inches each way and 2 inches row across according to the pattern and make 20 wide. A little more than one-quarter of the design rows entirely across, reversing the first 20 rows. is given, the rest being reversed. It is started at Four yards of insertion are required for the the lower left-hand corner with 306 stitches (includ- ruffle. This insertion is 5 meshes wide. In the ing the turn). One row of open meshes, turn, 1 1st and 2d rows the centre mesh is solid. The open, 98 solid, I open. Turn, 1 open, 1 solid, 96 3d, 4th, and 5th rows are all open. Repeat these open, I solid, I open, etc. When 20 rows are fin- 5 rows for the length required. The pillow ap- ished, turn, and follow the design up the right-hand pears larger, but is only 16 inches square.

No. 1451. Baby Pillow, see pig. 31, page 17

9 No. 1452. Centrepiece in Filet Crochet and Cross Stitch

This novel centrepiece, of No. 10 D. M. C. Cro- When 16 rows of the pattern are completed, " chet Cotton, is made somewhat after the fashion at B," the work is carried on 16 meshes wide until of the crocheted frame in the Baby Pillow, No. 21 rows of the right-hand side are finished. Leav- 1451. The hollow square is partly filled with a ing the ball of thread at that point, start another figure in the form of a Greek cross, leaving four thread at " C," and carry this baud up until 20 rows openings about 4 inches square. These are filled are finished. Cut and fasten the thread. with cross stitched, hemstitched blocks of Har- Start at "D" and finish 20 rows of this band, danger cloth. The crocheting (see Fig. 23) is cut and fasten the thread. Then take up the thread started at "A" with a chain of 276 stitches, making left at " E," chain 62 stitches, follow the pattern go meshes. across the middle band, chain 62, follow the pattern It may be difficult, in turning the work back and across the left band. This completes the 21st row forth, to distinguish right and left, but if a short of the central band and left side. thread is left at the beginning of the foundation Make 16 rows entirely across the work. chain, that is to be considered the left side. Starting from " F," make 21 rows, 16 meshes

No. 1452. Centrepiece in Filet Crochet and Cross Stitch Embroidery

Sec Figs. 33 and 52 wide, leaving the thread at " H " as at " E." Start only one row of open meshes for outside margin, another thread at " X," make 20 rows of the upper while the centrepiece has two rows. But the " central band, cut and fasten the thread. At " XX second of these is part of the border. 1st row — start another thread, make 20 rows of right-hand Fasten the thread at the top of a d c, make an open side, cut and fasten the thread. mesh (5 chain, 1 d c), * 8 chain, 1 d c on last d c, " Take up the thread left at H," chain 62, make I d c in next d c of centrepiece, 2 chain, I d c in

I row across centre band, chain 62, make 1 row next d c of centrepiece *. Repeat from * to *. across right-hand side. Sixteen rows of the pat- 2d row — Cover with s c, 7 or 8 over each scallop tern will complete the frame. Make the two outer and 2 or 3 along the meshes. rows of Fig. 6, page 5, for the edge. Different ways in which this handsome square The cross stitch design is Fig. 52, page 23, and may be used will suggest themselves, and one when the blocks are overcast in their places, the may also use the border and the cross independ- centrepiece is finished. The cross stitch is done ently. Omitting the fancy purl edge shown in the with stranded cotton, and the undivided cotton is illustration, a number of the squares might be used because the crocheting is quite heavy. joined together to form a counterpane, or the Upon comparing the centrepiece and the design, border alone could be set diamond fashion in the at first glance it may appear that the design has centre and enclose an initial or monogram.

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Fig. 23. Centrepiece Design. s« No. 1453, page 10 90 meshes

11 ( No. 1453. Peacock Pillow

meshes, then the design. One large insert of Filet Crochet, ninety-eight turn. Two rows of open Turn. meshes square, forms the centre of this very hand- 3d row — Fifty-two open, 1 solid, 45 open. Forty open, 1 solid, open, 2 solid, some pillow. 4th row — 4 4 1 open. Turn. The material of the pillow is Hardanger cloth, open, solid, 46 — Thirty-one open, 1 solid, 5 open, I which lends itself so nicely to cross stitch. The 5th row open, solid, open, 2 solid, border or frame surrounding the crochet being of solid, 8 open, 2 solid, 3 2 3 open, etc. that old, lately revived, much prized style of work. 40 Both feet being started, the design (Fig. 24) can This is so fine and so well worked that it appears be easily followed. When the square is finished to be woven in the cloth. For the cross stitch the edge with s c, over each chain. Over- design see Fig. 25 and Fig. 40. It is done with cover 3 it cloth, a generous of which is stranded cotton. The square of Filet Crochet, cast to the seam machine-stitched, overcast, and turned back. B, made of No. 100 D. M. C. Crochet Cotton, re- is the centre of the cross stitch design. quires a foundation chain of 300, that includes 5 to Fig. 25,

No. 1453. Pillow in Filet Crochet and Cross Stitch Embroidery See Figs. 24, 2$ and 40 Fig. 24. Design of Filet Crochet for Pillow No. 1453. 98 meshes

Fig. 25. Border design of Pillow No. 1453. See corner, Fig. 40 qmuhcs

13 No. 1454. Luncheon Cloth

The combination of a corner of Filet Crochet 36 open, 6 solid, 7 open, 3 solid, 6 open. Turn with with Venetian cut-work makes a very pretty result S chain, etc., following the design. Where the long in this luncheon cloth. meshes are shown, in the heart of the Bower, make The corner is crocheted of No. loo D. M. C. 5 chain (see Fig. 7, Working Model, page 5). Crochet Cotton; one ball will make a corner. The Where so long a bias is to be cut in the linen, it design is Fig. 2J, page 15. In this triangle, the is best to mark outside the insert and machine- principle, seen at Fig. 4, Working Model, page 4, stitch 1-32 of an inch outside that line. A running is used. line, the same distance outside the stitching, will One hundred and two meshes is the size, requir- give a good body for the buttonhole, to which the ing a foundation chain of including turn. 312, Make insert is to be overcast. The cloth is 48 inches 101 open meshes, one triangular mesh with treble square, the hemstitched hem i" 4 inches wide, and (two the needle). loops over In turning at the it requires one-half dozen D. M. C. Coton Floche diagonal loose make 3 or 4 tight chain-stitches, and No. 8 to do the embroidery. The Venetian cut- loin with a d c — 17 open, 1 solid, 23 open, 1 solid, work scrolls are very easily and quickly made.

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Fig. 27. Design for Luncheon Cloth, No. 1454, page 14. See Fig. 7, page 5 ioameshe»

IS No. 1455. Pillow in Filet Crochet and Eyelet Work

This pillow of linen is beautifully embroidered, dered) are to be overcast to the buttonholed edge. and inset with one large and eight small medallions Lay the medallions in place, mark lightly (with of Filet Crochet. a hard pencil) outside each one. Make one line of

The larger medallion is 5J-2 inches square, 54 closely run stitches about 1-32 of an inch outside meshes. For design, see Fig. 28, page 17. the pencil mark, a second line the same distance The smaller medallions are 3 inches square, 31 outside the first. Buttonhole over these two lines meshes. For designs, see Fig. 29 and Fig. 30, with the edge of the buttonhole on the inner side. page 17. Cut close to the work and overcast the medallion One ball of D. M. C. Crochet Cotton, No. 100, in this little frame. The buttonhole should be will make the nine medallions. done with the thread used in the embroidery. The embroidery should be finished first and the D. M. C. Coton Floche, No. 12, is good for that, linen laundered, after which the medallions (laun- or any other embroidery cotton that one prefers.

No. 1455. Pillow in Filet Ckochet and Eyelet Work. Scep»gei7, F. g s. »s, wind 30 16 i;,;,v Fid

FlG. 2S. See No. 1455, page 16 54 meshes

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- nilMMIIIllllilllMII MIIIIIIMH FlG. 33. See top of Bag, page 19

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FlG. 30. See page 16 31 meshes FlG. 34 35 x 64 meshci

17 Figs. 35, 36. Towel with Filet Crochet

This towel, or scarf, of 24-inch huckaback is An insertion, 13 meshes wide, with name (g trimmed at one end with three initialed medallions, meshes high), repeated, forms the trimming of the 31 meshes square, connected by a band of 3 open other end; see page 6, Fig. 11. meshes, the width of the towel. One ball of No. 50 D. M. C. Crochet Cotton and The initials are 25 meshes high, from alphabet. 1% yards 24-inch huckaback are the materials. Fig. in, page 42.

Fig. 41. Baby's Bonnet

This charming bonnet was made of No. 100 D. 8th round — One open, I solid, * 2 open, 1 solid. M. C. Crochet Cotton, with a No. 14 crochet needle. *. Repeat from * to *. The directions are as follows: 9th round — One d c over each d c, 3 d c over Chain 6, join in a ring. each chain. 1st round — Twelve s c in the ring. 10th, nth, 12th, 13th, 14th, 15th, 16th, 17th, 18th, 2d round — Two s c in each stitch (making 24). rounds — Like 7th, 8th, and 9th. 3d round — * Two s c in 1st, 1 s c in each of 19th, 20th, 21st rounds — Open meshes all around next 2 *. Repeat from * to * (making 32). This completes the crown.

4th round — * Two s c in 1st, 1 s c in 2d *. Re- 22d row — Turn, with 5 chain, make 19 open, 1 peat from * to * (making 48). solid, 5 open, 1 solid, 15 open, I solid, 5 open, I

5th round — * Two s c in 1st, 1 s c in 2d *. solid, 15 open, I solid, 5 open, 1 solid, 15 open, 1 Repeat from * to * (making 72). solid, 5 open, I solid, 7 open (making 99 meshes). 6th round — Five chain, 1 d c in 2d stitch below, 23d row — Turn, make 7 open, 2 solid, 3 open, * 2 chain, I d c in 2d stitch below *. Repeat from 2 solid, 15 open, 2 solid, 3 open, 2 solid, 15 open, * to * (making 36 open meshes). 2 solid, 3 open, 2 solid, 15 open, 2 solid, 3 open, 7th round — One solid mesh (made by 3 chain, 2 solid, 19 open. 3 d c), 2 open meshes. Repeat all around. 24th row — Turn, and since two points of each

FlG. 35. TOWEL. See Alphabet, page 42, Fig. 1

FlG. 36. TOWEL. See Alphabet, page 6, Fig. 11

18 of four stars are started, they may easily be finished from the illustration, being sure to start the front row of alternating stars in the 36th row, the same row that finishes the first four stars. The 36th row follows — Turn, make 8 open meshes, I solid, 5 open, 1 solid, 4 open, 1 solid, 5 open, 1 solid, 4 open,

I solid, 5 open, I solid, 4 open, 1 solid, 5 open,

I solid, 4 open, 1 solid, 5 open, I solid, 4 open,

1 solid, 5 open, 1 solid, 4 open, 1 solid, 5 open,

1 solid, 4 open, 1 solid, 5 open, 1 solid, 7 open. Finish around the edge with 3 s c over each chain, making a picot of 4 chain after every 6th stitch.

Fig. 42. Hand Bag

This little bag measures 5 inches by 6V2 inches, and is made of No. 50 D. M. C. Crochet Cotton. The design used was Fig. 73 for the body and F'g- 33 for the top of 8 rows above the beading. Each side was crocheted separately, and the edges were held together and covered with s c. Fig. 41. Baby's Bonnet See page iS Figure 73 is 43 meshes, one more was added to each side, and the size could be varied at one's pleasure. Make 45 meshes, 141 chain, d c in 9th stitch from needle, etc. The beading is made of double trebles (3 loops) separated by 2 chain. Around the top it is finished with 6 s c, picot of 5, repeated. The cords are chains of Xo. 2 D. M. C. Crochet Cotton, 30 inches long, about 300 stitches. And balls of Xo. 2 are crocheted on the ends.

FlG. 38. 18x30 meshes

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FlG. 40 *7 meshes Fig. 42. Small Hand Bag Corner of Fig. 35 See Figs. 33 and 73 19 No. 1456. Bedspread in Filet Crochet

Use 8j4 lbs. of carpet chain and a steel hook spread. Two rows of open meshes are made to suit the thread. One-quarter of the spread before the design is started. Follow the first row is given, half the width and half the length, in the of the design to the centre mesh, which is the last pattern, No. 1456, offered at 10 cents. Begin the in the pattern. Reverse this half row, but do not work in the lower right-hand corner with a chain double the centre mesh, and this will complete of 784, and 5 to turn, to make 261 meshes. The the 3d row of work. Begin the 4th row at the pattern has 259 meshes, but one more on each right and work to the centre, then reverse for the side must be allowed to make a perfect copy of the last half of the row. Make each row in this way.

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No. 1456. Bedspread in Filet Crochet " '

I No. 1457. Bedspread in Filet Crochet and Relief Crochet

Fourteen pounds of white carpet chain and a Publishing Co., for 10 cents. This block or knob steel crochet needle are required to make this very is made of 5 d c worked in the space of one handsome bedspread. mesh, the needle is taken out and put in the The width is 243 meshes, which takes 729 chain first of the five, and the last loop taken through, and 5 to turn. Part of the design is in Relief make I chain and 1 d c over d c. Crochet. Bend the 5 d c either toward or away from you, The Relief block is represented by a dot in the according to which side, the right or wrong side, pattern, No. 1457, which is offered by the Priscilla is uppermost. The raised work is very effective.

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A Book for EVERY Kind of Fancy-Work

Priscilla Books are genuine Fancy-work teachers. Each book has a wealth of descriptive text, also scores of sharp, clear pictures which show just how to make the stitches and motifs and how the finished pieces should look. It is easy to do Fancy-work with the aid of Priscilla Books. Price, 25 Cents Each, Postpaid

Priscilla Irish Crochet Book No. 1. This book has all the stitches and fillings for Irish Crochet, together with a large assortment of floral motifs. Full directions for working are given.

Priscilla Irish Crochet Book No. 2. Supplement to first book. Gives a PRISCILLA large assortment of motifs and finished articles with full directions for The Priscilla Color- Crochet Book working. ed Cross Stitch Book No. 1. Thirty-five diff Priscilla Filet Crochet Book No. 1. Gives a variety of patterns in floral, ent Cross Stitch < conventional, and the quaint heraldic and mythological figures so charac- in actual colors of the teristic of . Many illustrations of finished work show the beau- work. Also complete tiful effects possible, and a multitude of designs are carried out in block alphabet. effect so that they can be easily copied. The Priscilla Colored Priscilla Fi'et Crochet Book No. 2. Shows over 80 beautiful, new de- Cross Stitch Book No. 2. signs. All the designs in this book are illustrated from the real work and Shows forty Cross Stitch can be easily carried out with the aid of the pictures and instructions. designs in full color. Priscilla Crochet Bedspreads Book. Contains a large number of The Priscilla Wool Knit- M& designs which are beautifully illustrated and have full directions. ting Book. Our latest instruction A striking novelty is a motto insertion in the New Priscilla book on Knitting. Full of good things Cameo Crochet. for those who knit. Priscilla Crochet Edgings and Insertions Book. Priscilla French and Eyelet Embroidery This book contains over 100 designs for beautiful Book. With the aid of this new book any crochet edgings and insertions which can be put one can learn this form of embroidery. De- to a multitude of uses. Handsomely illustrated. signs given for Table Covers, Baby Wear, etc. Complete instructions. Illustrations show stitches detail of nearly and a Priscilla Crocheted Centrepieces every design. and Doilies. Contains nearly 100 beautiful designs for centre- pieces and doilies with full directions Priscilla Punched Work Book. The beautiful de- t for work- signs in this book include articles for personal ing. All illustrations made direct from original wear, tab'e pieces, bedspreads, curtains, bureau- pieces. Many beautiful imported designs in this covers, cushions, pillows, lamp-shades, etc. All the collection. stitches are illustrated and full directions given. Priscilla Tatting Book No. 1. A lucid expo- Priscilla Hardanger Book. Shows the various sition of this fascinating work. Many new foundation stitches and their many combinations. designs never before published. Complete Also many attractive designs with details and '' *m » « w w v * m v * <' instructions. ' descriptive text. " '"'"—• '-^'•x L^'m*«, - Priscilla Tatting Book No. 2. Contains Priscilla Drawn Work Book. Designs from Porto nearly 100 new designs, all beautifully Rico, Fayal. Germany, Russia, and far-off China, besides many illustrated with full di- in the well-known Mexican work. Full sized details of each de- 1 1 , . ii. rections for working. j. N! a sign make even the most intricate patterns easy to copy. y y^j^ The newer ideas in tatting are given spe- Priscilla Macrame Book. Shows in detail how to do this fascinating cial attention and many , form of lace work. Over 100 designs for Bags, Dress Garniture, etc. charming designs are Priscilla Netting Book. One of our most handsome Books. Shows carried out by unusual nearly 100 of the prettiest designs ever published. Full directions for methods. plain and embroidered netting. Priscilla Cross Stitch Priscilla Book. The designs in this book take up the work Book. Has nearly two from the beginning, all the tools and materials being fully described. Beau- hundred working pat- tiful designs are given for Torchon, Cluny, Russian and Bruges , with terns. Many are suit- full directions for working. able for bead work. There are also six Priscilla Battenberg and Point Here are practical, illustrated Lace Book. alphabets and direc- directions for making Jace. Each step is taken up. Over one hundred J* tions for all kinds stitches are shown, both simple and complicated. of canvas work. Priscilla Basketry Book. Gives simple and complete instructions for mak- ing all sorts of bags, baskets, hats and novelties in reeds and raffia. •^-nWfftirfffi Priscilla Bead Work Book. The most complete and comprehensive book on Bead Work ever published. Contains a large assortment of illustrated designs for bags, purses, card cases, necklaces, pendants, chains, girdles, hair ornaments, etc.

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The Modern Priscilla is a profusely illustrated monthly magazine, brimful of lovely designs and interesting new ideas for needleworkers. It gives you the newest and prettiest designs for Em-

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