DOCSLIB.ORG

Written & Created By

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Written & Created By Written & Created by James A. Rocco & Albert Evans with Heidi Karol Johnson Orchestrations by Patti Wyss & Ed Cionek Original Musical Direction & Dance Arrangements by Jason DeBord PRODUCTION SCRIPT www.stagerights.com STREAKIN’ THRU THE 70S! Copyright © 2001, 2018 by James A. Rocco & Albert Evans All Rights Reserved All performances and public readings of STREAKIN’ THRU THE 70S! are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronics, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY Streakin’ Thru the 70s! was originally developed at Cabaret Oldtown, Wichita, KS (Christine Tasheff, Producer), and Off-Broadway at Club Babalu (Steven Yuhasz, Producer). The 2018 production was developed by Thirty Saints Productions (James A. Rocco and Jeffrey P. Scott, Producers). Original NY Cast Gloria ............................................. Patty Reader & Christi Moore Tyrone .......................................... Everett Bradley & Darryl Jovan Chrissie ........................................................................... Tari Kelly Tripp ...................................................................... Danny Vaccaro Donny ................................................................... Monte Wheeler Angela ...................................... Simone DePalo & LaVonda Elam Understudies .................................................... Sandra Bargman, Trevor Richardson & Catherine Carpenter Original Wichita Cast Gloria ........................................................................ Patty Reader Tyrone ........................................................................ Corey Smith Chrissie ............................................... Jenna Tyrell & Cary Hesse Tripp ..................................................................... Kyle Vespestadt Donny ......................................................................... Brent Moon Angela ....................................... Ronda Kingwood & Linda Austin Streakin’! began as a workshop by creators/writers James A. Rocco and Albert Evans, who were responsible for the Off-Broadway hits Pageant and Nite Club Confidential. A six-week try-out at a small theatre in Wichita turned into a five-month run. Reaction to “How would you like a nice Hawaiian Punch?”, “Dy-no-mite!”, “It’s not nice to fool Mother Nature,” pet rocks, tube tops, hot pants, white polyester pantsuits and the Village Person, plus the popularity of the international sensation Mamma Mia, emphasized the universal appeal of both mocking and simultaneously embracing the “what-were-we-thinking?” culture of the 70s. A six-week try-out at cabaret Old Town in Wichita, Kansas led to a five-month run and two return engagement at that theatre. The show played for a limited Off-Broadway run in 2002 and again in 2003, gathering an enthusiastic cult audience and it has since been produced twice at The Orlando Fringe Festival, as well as other regional theatres. Streakin’! has been a hit with audiences wherever it has played. It has been retooled for licensing by Steele Springs Stage Rights for 2018. CAST OF CHARACTERS Cast Total: 6 – 3F, 3M All must be triple threats with a solid comic sensibility— great pop singers who can handle musical styles ranging from the Carpenters to LaBelle to The Village People. TRIPP: (Man 1) A dazed and confused adult. High rock tenor. • Plays: TIM, the “pop star” son in 27 Bubblegum Lane (a 70s sitcom); a draft dodger; JO JO, the “winner of last week’s hustle contest”; a trucker; a backwoods Deliverance type. *Tripp is also the “Streaker.” TYRONE: (Man 2) A Lou Rawls-type who came to “party.” Must sing R&B as well as pop. • Plays: POPS, a stagehand in Scream That Theme; DR. GRADY, the father in 27 Bubblegum Lane, (a 70s sitcom); a student revolutionary; the VILLAGE PERSON. DONNY: (Man 3) An “Up With People”-type (Donny Osmond) with a toothy smile. Great pop singer and great comedian. • Plays: TAP KNEEJERK, a game show host in Scream That Theme; CARVER, the myopic and brainy son in 27 Bubblegum Lane (a 70s sitcom); a student revolutionary; TONY MARINO, a Saturday Night Disco King; a John Denver-type. CHRISSIE: (Woman 1) A blonde (Suzanne Somers), 70s bombshell-type. Must be an excellent singer and dancer. • Plays: A Karen Carpenter-type; MELANIE COLLINS, the sex-crazed girl next door in 27 Bubblegum Lane (a 70s sitcom); a HIPPIE CHICK modern dancer; LEESHA, “last week’s winner of the hustle contest”; a Toni Tenille-type. GLORIA: (Woman 2) A tough women’s (Gloria Steinem) libber. Must be an excellent comedian and singer. • Plays: ZANNA O’MANNA, a whacked-out, Vanna White-type in Scream That Theme; PEGGY, the housekeeper in 27 Bubblegum Lane (a 70s sitcom); a student revolutionary; SCARIE WHITE (Carrie’s cousin); a female trucker; a backwoods Deliverance-type. ANGELA: (Woman 3) A former disco diva and Tina Turner-type. Great dancer and a fierce R&B singer. • Plays: a Patti LaBelle-type; POOKIE, the youngest pigtailed daughter in 27 Bubblegum Lane (a 70s sitcom); a student revolutionary (an Angela Davis-type); SONNA, a Donna Summers-type and a trucker. A note about the “Streaker”: The show was written for the “TRIPP” character to play the “Streaker.” In the Off-Broadway production, the “Streaker” was the male understudy. This is entirely up to you and your casting. In some productions, the “Streaker” has appeared in a G- string with a large smiley face button covering the entire pouch. SETTING NOTES Unit set with “70s pop art” background and “pop out” pieces that become podiums, chairs, a living room, and a disco. Lots of color. In the original production, the band was onstage, and the set was multi-leveled and modular so it could morph into various locations: the set for the television game show Scream That Theme into a sitcom living room and later into a spectacular disco. RUN TIME 95 minutes Act I runs 50 minutes Act II runs 45 minutes DIRECTOR’S NOTE Streakin’! is a kaleidoscopic musical flashback to the 1970s. Each scene introduces a cultural happening from the decade. Within each scene are memories related to those phenomena that tumble into each other and morph, ultimately creating a pop collage of the entire decade. It is a comedy based in the joy of remembering a tumultuous and fast-paced time. Simultaneously (for the people who may not have these memories) there is the music. Each song authentically conjures up the original hit. Although the performers are not impersonating the original artists, they pay homage to the original hits by incorporating quirks and phrasing from those recordings and morphing them into refreshed and alive performances. Technically all departments are asked to be familiar with the basis of the show’s references and then take them to the max. When designing, keep in mind that Streakin’ Thru the 70s! takes place right now as a collage of oversized memories from the period. The reality is heightened and idealized. It must always be goosey and fun and never be condescending to the times. The music is authentic and the visuals must be too. MUSICAL NUMBERS ACT I 1. Play That Funky Music White Boy .............................................................................. Band & Cast 2. You Sexy Thing ...................................................................................................................... Tyrone 3. Have You Never Been Mellow .......................................................................... Chrissie & Backup 4. Smokin’ in the Boys Room .................................................................. Tripp with Tyrone & Donny 5. I Am Woman .......................................................................................................... Gloria & Women 6. Everything is Beautiful ........................................................................... Donny with Tyrone & Trip 7. Lady Marmalade .............................................................................. Angela with Chrissie & Gloria 8. Scream That Theme ............................................................................................................... Band 9. Scream Bossa ......................................................................................................................... Band 10. Love is All Around .......................................................................................
Load more

Recommended publications
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • PRESS RELEASE for IMMEDIATE RELEASE Tuesday, January 24, 2012 CONTACT: Patrick Finlon, Marketing Director 315-443-2636 Or [email protected]
    PRESS RELEASE FOR IMMEDIATE RELEASE Tuesday, January 24, 2012 CONTACT: Patrick Finlon, Marketing Director 315-443-2636 or [email protected] Non-Stop Music in Caroline, or Change by Pulitzer Prize Winner Tony Kushner and Tony Nominee Jeanine Tesori (Syracuse, NY)— Two powerhouses of the American theatre, playwright Tony Kushner (Angels in America) and composer Jeanine Tesori (Thoroughly Modern Millie and Shrek: The Musical), join forces on a musical of startling creativity and refreshing originality (don’t be surprised when the washing machine starts to sing). A stellar cast led by Greta Oglesby delivers powerful vocals in this unconventional, through-composed musical, the recipient of six Tony nominations followed by the Olivier Award for Best Musical. The year is 1963—civil rights and Kennedy—and in the Gellman household in Lake Charles, Louisiana, eight-year-old Noah struggles with the loss of his mother, while Caroline, the family’s African American maid, struggles as a single Mom of four children. Through Caroline and Noah’s friendship, Kushner and Tesori explore thoughts on economic hardship and racial inequity that are relevant today as they were in the early 60s. Rich with humor, humanity and of course music—ranging from blues to gospel to traditional Jewish melodies—Caroline, or Change delivers a deep and uplifting message about change, in big ways and small. Running February 1—26, Caroline, or Change will be performed in the Archbold Theatre at Syracuse Stage, 820 East Genesee Street. Tickets range $18-$50 and are available at the Syracuse Stage Box Office, 315-443-3275 or www.SyracuseStage.org.
    [Show full text]
  • Supplement 1
    *^b THE BOOK OF THE STATES .\ • I January, 1949 "'Sto >c THE COUNCIL OF STATE'GOVERNMENTS CHICAGO • ••• • • ••'. •" • • • • • 1 ••• • • I* »• - • • . * • ^ • • • • • • 1 ( • 1* #* t 4 •• -• ', 1 • .1 :.• . -.' . • - •>»»'• • H- • f' ' • • • • J -•» J COPYRIGHT, 1949, BY THE COUNCIL OF STATE GOVERNMENTS jk •J . • ) • • • PBir/Tfili i;? THE'UNIfTED STATES OF AMERICA S\ A ' •• • FOREWORD 'he Book of the States, of which this volume is a supplement, is designed rto provide an authoritative source of information on-^state activities, administrations, legislatures, services, problems, and progressi It also reports on work done by the Council of State Governments, the cpm- missions on interstate cooperation, and other agencies concepned with intergovernmental problems. The present suppkinent to the 1948-1949 edition brings up to date, on the basis of information receivjed.from the states by the end of Novem­ ber, 1948^, the* names of the principal elective administrative officers of the states and of the members of their legislatures. Necessarily, most of the lists of legislators are unofficial, final certification hot having been possible so soon after the election of November 2. In some cases post­ election contests were pending;. However, every effort for accuracy has been made by state officials who provided the lists aiid by the CouncJLl_ of State Governments. » A second 1949. supplement, to be issued in July, will list appointive administrative officers in all the states, and also their elective officers and legislators, with any revisions of the. present rosters that may be required. ^ Thus the basic, biennial ^oo/t q/7^? States and its two supplements offer comprehensive information on the work of state governments, and current, convenient directories of the men and women who constitute those governments, both in their administrative organizations and in their legislatures.
    [Show full text]
  • Somebody up There Likes Me
    TRIBECA FILM in partnership with AMERICAN EXPRESS presents a FALIRO HOUSE and M-13 PICTURES presentation a BOB BYINGTON film SOMEBODY UP THERE LIKES ME Run Time: 75 Minutes Rating: Not Rated Available On Demand: March 12, 2013 Select Theatrical release March 8 Chicago Music Box March 15 Los Angeles Cinefamily March 22 San Francisco Roxie Theater March 29 Denver Denver Film March 29 Brooklyn BAM April 5 Austin Violet Crown Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 Jennifer Holiner ID-PR 212-941-2038 [email protected] [email protected] [email protected] Starring Keith Poulson as Max Nick Offerman as Sal Jess Weixler as Lyla Stephanie Hunt as Clarissa Marshall Bell as Lyla's Dad Jonathan Togo as Adult Lyle Kate Lyn Sheil as Ex-Wife Ted Beck as Steakhouse Patron and Homeless Man Anna Margaret Hollyman as Paula Chris Doubek as Businessman Bob Schneider as Wedding Singer Alex Ross Perry as First Customer Gabriel Keller as Lyle Age 5 Ian Graffunder as Lyle Age 10 Jake Lewis as Lyle Age 15 with Kevin Corrigan as Memorial Man and Megan Mullally as Therapist SYNOPSIS Bob Byington’s smart, subversive comedy skips through 35 years in the life of Max Youngman (Keith Poulson), his best (and only) friend Sal (Nick Offerman, “Parks and Recreation”), and the woman they both adore (Jess Weixler, Teeth). As they stumble in and out of hilariously misguided relationships — strung together with animated vignettes by Bob Sabiston (A Scanner Darkly) and an original score by Vampire Weekend’s Chris Baio — Max never ages, holding on to a mysterious briefcase that may or may not contain the secret to life.
    [Show full text]
  • Albert Hammond Jr Born: Van Nuys, California: a Suburban Area
    Albert Hammond Jr Born: Van Nuys, California: a suburban area known as The Valley Schooling: Was schooled in The Valley. Studied film in NYC, but dropped out to study Jungian philosophy and the underground Work stint: Record store employee. Alphabetized records, movies and porn.... lots of porn. Got fired.... Music stint: Formed The Strokes with 4 other accomplices. Name: Albert Hammond Jr. shortened to AHJ. Found the best sound was at maximum amplification. Changes: Found a mask to tell my story. Found my lost persona in Francis Trouble Marital Status: Wife Justyna Domicile: A throwback to the life style of Henry David Theroux in the Catskill Mountains near Bethal, New York. Do not fear the unknown for it is constantly there. Albert Hammond Jr’s fourth solo album Francis Trouble explores a deeply personal topic – the stillborn death of his twin brother, Francis, and the lingering effects that event has had in his life and music. In November of 1979, Hammond Jr’s mother, Claudia, miscarried. Although they rushed to the hospital, Claudia and Albert Hammond Sr. were told that the baby was far too premature to live. Albert continued to grow inside of his mother undetected until she was nearly six months pregnant. Although he had always known of the existence of Francis, it was not until he was 36 years old that he learned from an aunt that part of Francis had remained behind in the womb and was born along side him – a fingernail. With his music moving in a different path than before, Hammond Jr wondered if this new direction came from another avenue of himself, perhaps emanating from whatever he and the departed Francis had shared for the few short months they had together.
    [Show full text]
  • The Understudy Draft 4
    The Understudy Cara Ehlenfeldt and Jason Cady Manhattan, 1970s ACT 1 RECITATIVE PAT DICKSON I have mixed emotions as I write this tale of Donna Pearlbottum’s final case. No, the esteemed private eye was not murdered. In our line of work, death is as common as the morning sun. But this story will shock you. We had just wrapped the celebrated case of the Bel Canto Mob family. Donna had a rental in Fire Island. Spring hadn’t reached New York, but she liked the off season. I asked if she planned to go alone, DONNA PEARLBOTTUM I’m taking Wittgenstein and Sophocles. PAT DICKSON Those were her kittens. I looked forward to a quiet week. I’d catch up on sleep and the scotch and sodas I had missed over the last month. At 5:00 I closed the Venetian blinds. But a man with bovine eyes and a Brooks Brothers suit rushed in. SFX: Door with hanging bells opens. PAT DICKSON I showed him the closed sign. RICH LEXINGTON Please! You got to help me. PAT DICKSON Donna, the most articulate private eye in the Lower East Side, had a lexicon that lacked the word “no.” She dropped her umbrella. I stubbed out my cigarette, and lit a fresh one. SFX: Cigarette lit. PAT DICKSON His name was Rich Lexington. He told his story, threw down a C-note, and we walked to his Cadillac. 2. SFX: Door. Rain. Footsteps. Car. PAT DICKSON He ran the Flat Iron Opera Company. It was your typical avant-garde theater.
    [Show full text]
  • The One-Act Play That Goes Wrong
    THE ONE-ACT PLAY THAT GOES WRONG by Henry Lewis, Jonathan Sayer & THE ONE-ACT Henry Shields SHIELDS — LEWIS, SAYER, WRONG GOES THAT PLAY THE ONE-ACT PLAY THAT 6 men, 2 women GOES WRONG You all know the classic murder mystery story: There has been an untimely death at a country manor, everyone is a suspect, and an inspector is set on the case to find who the culprit is. However, when this play is performed by the accident-prone thespians of BY HENRY LEWIS, The Cornley Polytechnic Drama Society, everything that can go wrong…does! The actors and crew battle against all odds to make JONATHAN SAYER it through to their final curtain call, with hilarious consequences! From Mischief, the creators of the West End smash Peter Pan Goes & HENRY SHIELDS Wrong, critically acclaimed TV series The Goes Wrong Show, and the Tony-winning Broadway hit The Play That Goes Wrong, this is the original one-act play which started everything going wrong. Over the course of an hour, expect a plethora of disasters from missed lines to falling props. Do you ever find out who murdered Charles Haversham? You’ll have to see for yourself! Also by Henry Lewis, Jonathan Sayer & Henry Shields THE PLAY THAT GOES WRONG DRAMATISTS PLAY SERVICE INC. DRAMATISTS PLAY SERVICE, INC. THE ONE-ACT PLAY THAT GOES WRONG Copyright © 2012, Mischief Worldwide Ltd. THE PLAY THAT GOES WRONG®, MISCHIEF® and MISCHIEF THEATRE® are trademarks and registered trademarks of Mischief Worldwide Ltd. www.mischiefworldwide.com All Rights Reserved THE ONE-ACT PLAY THAT GOES WRONG is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations.
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • Saratoga Drama Group Presents
    Saratoga Drama Group presents May - June 2001 Saratoga Drama Group A Very Special Guest: Janis Paige presents As our opening-night guest we are extremely pleased to welcome Miss Janis Paige. Miss Paige starred in the original Broadway production of Mame, taking over the title role from its originator, Angela Lansbury. With an all-encompassing talent that embraces the worlds of stage, movies and television, Miss Paige is equally at home in dramatic, comic and musical roles. Prior to her stage career, she enjoyed wide acclaim Book by for her starring roles in motion pictures, Jerome Lawrence beginning with Hollywood Canteen and and continuing through a four-year tenure as a Robert E. Lee Warner Brothers star. Her introduction to Broadway came purely by accident, when producer Leland Hayward, desperately searching through some 200 applicants for Music and Lyrics by the role of Judy Revere in the Howard Lindsay-Russell Crouse comedy Remains To Jerry Herman Be Seen, was introduced to Miss Paige at the rehearsal hall and within the space of fifteen minutes she came away with the part. She went on to even greater success in Based on the novel by Patrick Dennis the smash hit musical Pajama Game, followed by another hit, Here’s Love. and the play “Auntie Mame” by Between shows she initiated a nightclub career, headlining across the country in major supper clubs including the famous Copacabana in New York. Miss Paige can Lawrence and Lee also claim numerous television appearances including a series, It’s Always Jan, and top variety and dramatic shows.
    [Show full text]
  • Steve Rowland Actor, Singer, Columnist, Recording Producer, Author
    Steve Rowland Actor, Singer, Columnist, Recording Producer, Author Born in Hollywood, actor, singer, columnist, author and record producer Steve Rowland grew up in Beverly Hills during the Golden Age of Hollywood. His father was film director Roy Rowland, his mother Ruth was a scriptwriter and the niece of Louis B. Mayer of MGM fame. Steve almost "naturally" began an acting career in the 50s, starring in over 35 TV shows like “Bonanza”, “Wanted Dead Or Alive” and a two year role in “The Legend of Wyatt Earp”. His first film appearance was at 11 year's old in MGM's "Boy's Ranch", singing Darling Clementine in the campfire scene. Film appearances included co-starring roles in “The Battle of the Bulge” with Henry Fonda and Telly Savalas, “Gun Glory” with Stuart Granger and Rhonda Fleming, “Crime in the Streets” with John Cassavetes and Sal Mineo, and the original “The Thin Red Line” with Keir Dullea and Jack Warden. These were also the years when as a member of "Hollywood royalty" Steve was inspired to write monthly columns for the popular fan magazines, The View From Rowland’s Head being the most famous, as he mingled with the stars and starlets of the time : Elvis Presley, Steve McQueen, Marlon Brando, James Dean, Natalie Wood, Tuesday Weld, Kathy Case, Carmen Phillips to name a few. And with his all-time friend Budd Albright, he hit the music scene with the group "West Coast Twist Kings", and with Earl Bostic he performed in the "Ringleaders". The lure of ‘the swinging sixties’ soon brought Steve to London where he produced records for the Fontana label.
    [Show full text]
  • Download File
    SOWCmech2 12/9/99 5:29 PM Page 1 THE STATE OF THE WORLD’S CHILDREN 2000 e yne THE STATE OF THE WORLD’S CHILDREN 2000 The United Nations Children’s Fund (UNICEF) © The Library of Congress has catalogued this serial publication as follows: Any part of THE STATE OF THE WORLD’S CHILDREN 2000 The state of the world’s children 2000 may be freely reproduced with the appropriate acknowledgement. UNICEF, UNICEF House, 3 UN Plaza, New York, NY 10017, USA. ISBN 92-806-3532-8 E-mail: [email protected] Web site: www.unicef.org UNICEF, Palais des Nations, CH-1211 Geneva 10, Switzerland Cover photo UNICEF/92-702/Lemoyne Back cover photo UNICEF/91-0906/Lemoyne THE STATE OF THE WORLD’S CHILDREN 2000 Carol Bellamy, Executive Director, United Nations Children’s Fund Contents Foreword by Kofi A. Annan, Secretary-General of the United Nations 4 The State of the World’s Children 2000 Reporting on the lives of children at the end of the 20th century, The State of the World’s Children 5 2000 calls on the international community to undertake the urgent actions that are necessary to realize the rights of every child, everywhere – without exception. An urgent call to leadership: This section of The State of the World’s Children 2000 appeals to 7 governments, agencies of the United Nations system, civil society, the private sector and children and families to come together in a new international coalition on behalf of children. It summarizes the progress made over the last decade in meeting the goals established at the 1990 World Summit for Children and in keeping faith with the ideals of the Convention on the Rights of the Child.
    [Show full text]