KATORI SHINTO-RYU: WARRIOR TRADITION PDF, EPUB, EBOOK

Risuke Otake | 317 pages | 11 Feb 2009 | Koryu Books | 9781890536213 | English | none Katori Shintō-ryū – Wikipedia tiếng Việt

Osassa kuvaillaan ensin gunryakun, eli sotastrategian osuus koulussa ja hieman sen suhdetta esoteeriseen buddhalaisuuteen. Seuraavaksi siirrytaankin syvemmin koulun rikkaaseen esoteriikkaan. Teksti vilisee buddhalaista terminologiaa, astrologisia kaavioita ja maagisia symboleja. Astrologian, feng-shuin ja muun esoteriikan merkitysta sotastrategiassa ja linnoituksessa valotetaan hieman. Kirjaan on lisaksi lisatty liitteeksi buddhalainen sutra "Velastamme vanhempiamme kohtaan". Tassa mielessa kirja on erittain merkittava julkaisu. Kun kirjaan suhtautuu kuvauksena traditiosta kriittisen tarkastelun puuttuminen ei hairitse lainkaan. Koulukuntaan liittyvat merkittavat tapahtumat ja kuvaukset henkiloista olisivat syventaneet tradition tunnetta. Nyt koulukunnasta jaa liian staattinen kuva tyyliin: "koulukunta perustettiin ja tassa sita nyt ollaan", eika synny mielikuvaa elavasta ja erityisen elinvoimaisesta traditiosta. Erityisesti olisin kaivannut kuvia ja kuvausta tyylisuunnassa periytyneista kaaroista ja muusta kirjallisesta materiaalista. Osuus jossa naita kuvakaaroja, niiden historiaa ja suhdetta koulukunnan opetusohjelmaan olisi kuvattu, olisi aarimmaisen arvokas budon historiasta kiinnostuneille henkiloille. Nyt mukana olevat pari kirjetta ja muutama kuva kaaroista ovat sellaisenaankin oikein mielenkiintoista katsottavaa. Tyylisuunnan ulkopuolisesta nakokulmasta kirjaa voi kritisoida siita, etta se antaa tyylisuunnasta hyvin hajanaisen kuvan. Kirjassa on paljon asiaa, mutta esimerkiksi yhteys esoteriikan ja tekniikoiden valilla ja eri aseellisten taitojen yhteys toisiinsa jaa varsin hamaraksi. Vaikka kuvasarjat tekniikoista voivat olla arvokas muistikirja tyylisuunnan aloittavalle harjoittelijalle, ulkopuoliselle ne ovat lahinna tylsaa katsottavaa. Paremmin tarkoitusta olisivat ajaneet vaikka hyvin pinnalliset sanalliset kuvaukset tyylisuunnan paaperiaatteista muutaman kommentoidun esimerkkikuvasarjan kera. Joka tapauksessa taman kaltaisia kirjoja ei taida olla markkinoilla englanniksi taman lisaksi kuin yhdesta tyylisuunnasta, joten jokaiselle klassisista tyylisuunnista kiinnostunelle henkilolle kirja on varsin arvokas lahde. EDIT: Hieman lauserakenteita ja sanoja. Ei suoranaista sisallollista muutosta. Viimeksi muokannut M. Vilenius , marras 30, , In Minamoto Yoritomo set out for a hunt with his vassals. On the 8th day the hunt was suspended for a Buddhist belief to abstain from killing on that day. Instead the party enjoyed the company of prostitutes from nearby post stations on the Tokaido road. Vilenius kirjoitti: Erityisesti olisin kaivannut kuvia ja kuvausta tyylisuunnassa periytyneista kaaroista. Joensuun historiallisen miekkailun seura "I [sword] am Royal, enforce justice, propagate goodness and destroy evil. Ja kaikki vaan sen takia etta a-kirjaimen paalta puuttuu pisteet Ja se asia Huh.. Erityisesti juuri esoteerinen shingon buddhalaisuus ja Marishiten-kultti. Zen buddhalaisuus on paljon marginaalisempi ilmio, vaikka usein toisin luullaan. Alusta asti koulukunnilla on ollut mukanaan muitakin arvoja kuin yksilon tehokas kouluttaminen taisteluun. Koulukuntia ei yksinkertaisesti ollut Sengoku-kaudella riittavasti, etta ne olisivat voineet kouluttaa kaikki sotaan osallistuneet joukot. Lisaksi koulukunnat yleensa keskittyvat miekan ymparille ja miekan rooli taistelukentilla ei ole ollut mitenkaan merkittava. Sen sijaan miekan symbolinen merkitys buddhalaisuudessa ja bushien vallan kannalta, ja sen merkitys "siviilissa" on huomattavasti suurempi. E-Budossa on lainattu Friday artikkelia aiheesta. Tekisi mieleni kirjoittaa pidempaankin, mutta nyt ei ehdi En tieda miten vanhoja nuo pari kuvassa nakyvaa kuvakaaroa on, kun sita ei kerrota Tamapa juuri olisikin ollut mielenkiintoista! To those not familiar with Japanese religious practices it may seem strange to find a style closely affiliated with a Shinto shrine the Katori Shrine in Chiba prefecture also employing esoteric Buddhist practices as part of its curriculum; however, a great deal of blending was apparent in Japanese religions up until the Meiji Period To a certain extent, this blending still takes place Japanese people often are married Shinto or even in Christian, chapel-style weddings, but many funerals are Buddhist; visiting the local Shinto shrine at New Year is a very old tradition, yet if you ask many people directly they will state their religious affiliation as Buddhist. It should be noted, however, that the practices described by Otake are not necessarily followed by other ryuha, nor are they considered part of mainstream, modern Buddhism. Overall, Katori Shinto Ryu is beautifully laid out, with helpful notes in the margin explaining some of the obscure terms used in the text that would not translate well into English. Once again, Koryu Books' excellent editors have created a rare pleasure in the publishing world: a clear, readable text that is free of the typos and syntax errors that I encounter all too often. I also deeply appreciate that the original bilingual format has been retained. Like Koryu Books' other offerings, Katori Shinto Ryu has the feel of something that is lovingly hand-produced. I would have liked a glossary and index, but that is a very small quibble in a text that is so well and clearly presented. Now there is no excuse not to have this classic work on every martial artist's bookshelf. Koryu Books P. She has also studied, to varying extents, kendo, jodo short staff , kyudo archery and naginata halberd. She received her Ph. Her article on the application of performance theory to Japanese martial arts appeared in the Journal of Asian Martial Arts in the summer of She is married to artist Vernon Bigman. For FightingArts. To find more articles of interest, search on one of these keywords: Japanese sword arts, Risuke Otake,The Deity and the Sword. Read more articles by Deborah Klens-Bigman. Return to Japanese Swords and Sword Arts. All rights reserved. Use of this website is governed by the Terms of Use. Privacy Statement. Action Ads 1. Visit us today to protect everything you value. Very effective. Free Newsletter. Anmelden – Google Konten

Kusanagi no ken and other fundamental forms provide those unaccustomed to sword-handling with a basis for familiarizing themselves with the weapon. In addition to these techniques our tradition also still practices the Gokui no iaijutsu. These techniques are secret. Everything revolves around kenjutsu techniques. Training is conducted in this way since slightly adjusting distancing and targeting makes training safer, and also ensures the forms cannot be stolen by outsiders. Several years after commencing study of the tradition, the practitioner is introduced to the actual combative meanings and applications of the movements of the forms. These combative applications are known as kuzushi. Bojutsu techniques. Bojutsu is the art of the staff. It is sometimes mistakenly thought of as having been practiced only by warriors of low status, such as the ashigaru; however in truth, the art was a crucial study even for military commanders. Spears were used frequently on the battlefield, and rather than being used only for thrusting, they were also used to deflect attacks sideways, or to strike from above. In some cases, spears could snap mid-shaft from the strain of such actions; the remaining shaft would then be put into application as a staff. Bojutsu, as with the tachijutsu, has kuzushi concealed within its teachings. In addition to these techniques our tradition also still practices the Gokui no bo. Naginatajutsu is part of kenjutsu training. Omote no naginata: the basic techniques 4 kata. Naginata were used widely by foot soldiers during the Kamakura era until the rise of the spear in the Nanbokucho era. Katori Shinto ryu uses an o-naginata long glaive of the same length used by warrior-monks such as Benkei. The naginata must be held mid-shaft in order to effectively deliver cuts with its blade and strikes with its butt. Tama on pitkalti tyylisuunnan jasenen, Amerikan merijalkavaen kapteenin, Donn F. Dragerin ansiota. Han oli ensimmaisia lansimaalaisia, joka paasi harjoittelemaan pitkaan suljettuna olleita klassisia tyyleja. Erityisesti han oli ensimmainen, joka kirjoitti niista englanniksi kattavasti. Kirja ilmestyi luvulla ja siita on tullut kerailyharvinaisuus klassisista tyyleista kiinnostuneiden budo-harrastajien keskuudessa. Nettihuutokaupoissa kirjasarja aina valilla putkahtaa esille ja yleensa se huudetaan melkoisen korkeaan hintaan. Koryu Books on aiemmin julkaissut mm. Kirja on kaksikielinen. Yleensa parillisilla sivuilla on japanin kielinen teksti ja parittomilla englannin kielinen. Tama on japanin kielen osaajille todella iso etu, silla jotkut termit ovat hyvin vaikeita kaantaa kanjien sisaltamien konnotaatioerojen vuoksi ja naiden kanjien loytyminen lausekontekstista viereiselta sivulta avaa joitain kappaleita paljon paremmin. Joka tapauksessa kirjan kaannos on sujuvaa ja helppolukuista, mika ei ole ihme, silla kirjan kaantajilla on japanin kielen taidon lisaksi kokemusta itse tyylisuunnasta tai jostain muusta klassisesta budosta. Lukemista helpottaa marginaaliin lisatyt selitykset tarkeimmille termeille. Kirjan ulkoasu muuten on siisti ja mustavalkoinen kuvitus yleisesti ottaen varsin hyvalaatuista. Kirja on kuvaus traditiosta tradition nakokulmasta, eli minkaanlaista krittista tarkastelua kirja ei sisalla. Ensimmaisena kirjassa esitellaan syntyhistoriaa ja synnylle merkittavan Katori pyhaton historiaa, seka tyylin perustajan Iisaza Ienaon historiaa. Seuraavaksi kaydaan lapi melko pinnallisesti tyylisuunnan opetusohjelmaa ja tyylisuunnalle merkittavia henkiloita. Seuraava osa, joka kasittelee tyylisuunnan teknista osuutta, on kirjan pisin. Aluksi esitellaan samuraiden haarniska ja aseistus. Haarniskaa esitellaan erityisesti funtionaalisesta nakokulmasta kayden lapi haarniskan aukkopaikat, joihin tekniikoissa hyokataan. Aseistuksessa kiinnitetaan huomiota erityisesti miekkaan ja vielapa miekan niihin piirteisiin, jotka tekevat siita taisteluun hyvin soveltuvan. Miekkojen estetiikka jatetaan vahemmalle arvolle. Haarniskan ja aseistuksen esittelyn jalkeen paastaan kasiksi tyylisuunnan varsinaiseen tekniseen osaan. Jokaiseen aseeseen liittyen on ensin lyhyt johdanto, jossa kaydaan lapi aseen merkitysta tyylisuunnassa, asentoja ja hyvin pinnallisesti joitain periaatteita. Taman jalkeen katat esitellaan ilman kommentointia n. Osassa kuvaillaan ensin gunryakun, eli sotastrategian osuus koulussa ja hieman sen suhdetta esoteeriseen buddhalaisuuteen. Seuraavaksi siirrytaankin syvemmin koulun rikkaaseen esoteriikkaan. Teksti vilisee buddhalaista terminologiaa, astrologisia kaavioita ja maagisia symboleja. Astrologian, feng-shuin ja muun esoteriikan merkitysta sotastrategiassa ja linnoituksessa valotetaan hieman. Kirjaan on lisaksi lisatty liitteeksi buddhalainen sutra "Velastamme vanhempiamme kohtaan". Tassa mielessa kirja on erittain merkittava julkaisu. Kun kirjaan suhtautuu kuvauksena traditiosta kriittisen tarkastelun puuttuminen ei hairitse lainkaan. Koulukuntaan liittyvat merkittavat tapahtumat ja kuvaukset henkiloista olisivat syventaneet tradition tunnetta. Nyt koulukunnasta jaa liian staattinen kuva tyyliin: "koulukunta perustettiin ja tassa sita nyt ollaan", eika synny mielikuvaa elavasta ja erityisen elinvoimaisesta traditiosta. Erityisesti olisin kaivannut kuvia ja kuvausta tyylisuunnassa periytyneista kaaroista ja muusta kirjallisesta materiaalista. Osuus jossa naita kuvakaaroja, niiden historiaa ja suhdetta koulukunnan opetusohjelmaan olisi kuvattu, olisi aarimmaisen arvokas budon historiasta kiinnostuneille henkiloille. Nyt mukana olevat pari kirjetta ja muutama kuva kaaroista ovat sellaisenaankin oikein mielenkiintoista katsottavaa. Katori Shinto ryu a martial tradition

Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Book annotation not available for this title. Get A Copy. Hardcover , pages. More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Katori Shinto-Ryu , please sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Aug 12, Martyn Halm rated it really liked it. Risuke Otake sensei is the headmaster of the Tenshin Shoden Katori Shinto Ryu, an academy of ancient weapon arts of Japanese warfare or koryu bujutsu. The TSKSR teaches all battlefield weapons in kata forms with the aim to turn students into allround warriors. All katas are detailed in this book, as they were in the three volumes of the Deity and the Sword. Still, while much can be gleaned from studying the text and pictures, a student needs to train under a qualified instructor to gain full understanding of the material in this book. As such, this book is a mandatory reference book for TSKSR students, and interesting for martial arts students. For those who merely want to know more about warrior arts of Japan, search for the books by Karl Friday, like Legacies of the Sword: The Kashima-Shinryu and Samurai Martial Culture , which are more academic histories than technical and philosophical manuals. Feb 15, Javier Ormeno rated it really liked it. This is a good compilation on the history and techniques of the Katori Shinto Ryu that provides an insight of what a traditional martial art is. The book is full of illustrations that can be used as a reference for remembering rather than learning the techniques. He devised a number of techniques for this new weapon, which he called a stick jo as opposed to staff or bo , that included the use of the thrust tsuki of a spear, strike utsu of a sword and staff and sweep harai of a naginata. Factual documents of the style ryu are quite rare. It is said that there is a record at Tsukuba Shrine, in Ibaragi Prefecture, that reports that Gonnosuke was able to defeat Musashi in a rematch. This story is not recorded elsewhere, however, outside fictional novels, and may not be factual. Also included in the curriculum of the Shinto Muso-ryu jo are twelve techniques of swordsmanship called Shinto-ryu kenjutsu. The first eight techniques are long sword versus long sword, followed by four techniques that are long sword versus short sword. There are five levels of recognition in Shinto Muso-ryu jo. They are considered assimilated arts, and include Uchida-ryu tanjojutsu, Ikkaku-ryu juttejutsu, Isshin-ryu kusarigama-jutsu, and Ittatsu-ryu hojojutsu. History of Shinto Muso Ryu.

Shinto Muso Ryu | Shintokan Dojo Customer service bar none. Julien rated it it was amazing Apr 06, Return to Book Page. She received her Ph. It has the japanese text a fronte. The book can also boast a number of excellent photographs, including training photographs of Don Draeger. Her article on the shinot-ryu of performance theory to Japanese martial arts appeared in the Journal of Asian Martial Arts in the summer of No trivia or quizzes yet. I also deeply appreciate that the original bilingual format tradittion been retained. Jeremy rated it it was amazing Apr 21, Aug 12, Martyn Halm rated it really liked it. Has anyone here already read it? Trivia About Katori Shinto-Ryu Warrior Tradition documents one of the few that has maintained its comprehensive technical curriculum as well as shintoo-ryu in military strategy and prognostication. Goodreads helps you keep track of books you want to read. Bogdana Bazovska-buba rated it it was amazing Dec 30, Thanks for telling us about the problem. Im quite excited to be honest. The 3-volume set traditiion required reading for many especially those of us who studied Japanese swordsmanship and until the advent of this new volume, was a genuinely expensive, hard-to-find item. For more information about the curriculum please visit the official website of the ryu. Nobutoshi sensei iaijutsu. Katori Shinto Ryu has always permitted farmers and common townspeople to study the tradition. Kusanagi no ken and other fundamental forms provide those unaccustomed to sword-handling with a basis for familiarizing themselves with the weapon. In addition to these techniques our tradition also still practices the Gokui no iaijutsu. These techniques are secret. Everything revolves around kenjutsu techniques. Training is conducted in this way since slightly adjusting distancing and targeting makes training safer, and also ensures the forms cannot be stolen by outsiders. Several years after commencing study of the tradition, the practitioner is introduced to the actual combative meanings and applications of the movements of the forms. These combative applications are known as kuzushi. Bojutsu techniques. Bojutsu is the art of the staff. It is sometimes mistakenly thought of as having been practiced only by warriors of low status, such as the ashigaru; however in truth, the art was a crucial study even for military commanders. Spears were used frequently on the battlefield, and rather than being used only for thrusting, they were also used to deflect attacks sideways, or to strike from above. In some cases, spears could snap mid-shaft from the strain of such actions; the remaining shaft would then be put into application as a staff. Bojutsu, as with the tachijutsu, has kuzushi concealed within its teachings. In addition to these techniques our tradition also still practices the Gokui no bo. Naginatajutsu is part of kenjutsu training. Omote no naginata: the basic techniques 4 kata.

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