Multi-Plantinum R&B and Gospel Artist

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For more information, contact: Giovanna Melchiorre at 516-484-1000x279 / [email protected] FOR IMMEDIATE RELEASE: MULTI-PLANTINUM R&B AND GOSPEL ARTIST DAVE HOLLISTER GOES TOP 10 AT URBAN AC RADIO WITH SINGLE “SPEND THE NIGHT; ” NEW ALBUM, CHICAGO WINDS…THE SAGA CONTINUES, OUT ON OCTOBER 21, 2014 (September xx, 2014 -- New York, NY) – R&B and Gospel star Dave Hollister has hit the Top 10 at Urban AC radio with the catchy and classic-sounding ballad “Spend the Night.” Listen to the track here. The video premiered on Centric TV last Sunday, and can be viewed here. Hollister‟s new album, Chicago Winds…The Saga Continues, was executive produced by Warryn Campbell, and will be released on October 21, 2014. Hollister, a cousin of R&B duo K-Ci & JoJo, was an original member of Teddy Riley‟s R&B super group Blackstreet. Hollister left the group after the successful, self-titled debut album, and went on to sell over 2 million albums and over 420,000 singles as a solo artist. His first two solo albums, Ghetto Hymns and Chicago 85, both went Gold and included the top ten hit singles “My Favorite Girl" and "One Woman Man.” He first found success in the early „90s and appeared with 2Pac on tracks “Brenda‟s Got a Baby,” and Keep Ya Head Up,” among others. Additionally, Hollister is a member of the gospel group United Tenors. The group includes Fred Hammond, Eric Roberson and Brian Courtney Wilson, and has released 2 solo gospel albums. Hollister has also reunited with Teddy Riley and Blackstreet and has been touring successfully with the group for the last five years. For more information, go to: www.Twitter.com/Dave_Hollister www.facebook.com/pages/The-Official-Dave-Hollister/101734864058 www.Instagram.com/davehollister About Entertainment One Entertainment One Ltd. (LSE:ETO) is an international entertainment company that specializes in the acquisition, production and distribution of film and television content. The company‟s comprehensive network extends around the globe including Canada, the U.S., the UK, Ireland, Spain, Benelux, France, Germany, Scandinavia, Australia, New Zealand, South Africa and South Korea. Through established Entertainment and Distribution divisions, the company provides extensive expertise in film distribution, television and music production, family programming and merchandising and licensing. Its current rights library is exploited across all media formats and includes more than 35,000 film and television titles, 3,800 hours of television programming and 45,000 music tracks. .

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Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste.
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New Jack Swing Era Artist
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2019 Hampton, Virginia Winter Calendar!!
Media Release FOR IMMEDIATE RELEASE January 3, 2019 Contact: Elizabeth Severs, 757/728-5326 [email protected] Ryan Downey, 757/728-5328 [email protected] 2019 HAMPTON, VIRGINIA WINTER CALENDAR!! Baby It’s Cold Outside --Hampton, Virginia gears up for winter 2019 with a calendar full of special events and activities-- Hampton, Virginia- This winter, grab your boots, scarf, and heavy coat and head to Hampton, Virginia for an array of “cool” events. Whether checking out the action at the 39th annual Virginia Duals, browsing over 250 vendor booths at 30th Mid-Atlantic Quilt Festival, or getting some fresh new ink at the Ninth annual Hampton Roads Tattoo Arts Festival, there are a wealth of events for every type of individual. Hampton’s biggest classic car show is heading back to the Hampton Roads Convention Center this weekend, January 5-6, with entertainment that the whole family will enjoy. The Virginia Hot Rod and Custom Car Show is a sure fire way to kick-off the New Year. Owners and fans of hot rods and hot rod culture will see plenty to gawk at the Virginia Hot Rod and Custom Car Show. -More- 2019 HAMPTON, VIRGINIA WINTER CALENDAR!!- Page 2 January 11-13, the 39th annual Virginia Duals return to the Hampton Coliseum. The team advancement concept started in Hampton with the Virginia Duals in 1981 and is now used by Virginia and many other states to determine the best high school team in the state. The Virginia Duals Wrestling Tournament is the largest college and high school tournament in the world! Shop, compare and save from experts in remodeling, landscaping, decorating and building at the Hampton Roads Home Show, taking place February 9-10 at the Hampton Roads Convention Center.
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P36-37 Layout 1
lifestyle SUNDAY, NOVEMBER 3, 2013 Gossip Niall Horan, Katy Perryjoke that they are engaged he One Direction hunk took to Earlier this month, he tweeted: “I love you his Instagram account to post @katyperry ! Thank you! Ps . Will u marry me? T a picture of himself and the (sic)” It’s not the first time the pair have ‘Roar’ hitmaker - who is dating shown off some chemistry as they shared a John Mayer - and quipped she kiss at the MTV Video Music Awards in 2012 had accepted his marriage proposal. He after Katy had presented the boy band with wrote: “she said yes! It’s happening! Haha the Best Pop Video prize for their hit ‘What (sic)” The picture sees Katy with her arm Makes You Beautiful’. Following their draped over the 20-year-old Irish star in a embrace, Niall said: “It was amazing and very loving way after they met up in Tokyo. Niall is purple - she had purple lipstick on. I don’t in the Japanese city ahead of the final two think there will ever be anything cooler than shows on the group’s huge 100-date ‘Take kissing her... until I marry her, maybe.” Me Home’ world tour, while the 29-year-old brunette is promoting her latest single ‘Roar’. Lady Gaga sued over her is Eva Longoria 2009 song ‘Teeth’ dating a Mexican businessman usic producer and singer Teddy Riley - he ‘Desperate Housewives’ actress, who recently denied speculation she who was a member of 1990s hip-hop has reunited with former boyfriend Eduardo Cruz, is reportedly seeing a M group Blackstreet - has filed a lawsuit new man who is smitten with her.
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Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r .
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Song List 2020
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The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS
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OBJ (Application/Pdf)
Serving Morehouse College Since 1898 VOI. 70, NO. 3 MOREHOUSE COLLEGE; ATLANTA, GEORGIA Monday, November 11, 1996 Mishaps Mar SGA's Handling of Homecoming compile its Homecoming been interrupted ... or By Obinna Eze Lewis was something that an Contributing Writer figures, Senate Appropriations individual [Ashley Smith] corrected [by SGA officials]." The SGA currently refuses With Homecoming rented," contends Antonio Johnson. However, Dean to give the Chapel more than having come and gone, a third of the first offering questions of excessive Bellamy, advisor to the SGA, explains the vehicles were which totaled to $352.00 spending, logistical mishaps, although Antonio Johnson and poor execution still loom rented in Smith's name only because several SGA loaner states, "It doesn't make sense among the student body. cars had fallen through. for us to argue over three After a Maroon Tiger hundred damn dollars when investigation of the SGA's When asked whether Enterprise would pursue the we have hundreds of handling of Homecoming '96, College or Ashley Smith, thousands of dollars at stake students can decide whether McAfee responded "the in our own damn budget." this year's event lived up to College" because the rental car Kevin Ross, who is responsible the success story that many company has a "Corporate for fiscal matters relating to SGA officials proclaimed it to account set up with King Chapel states, "We are be. Morehouse." She also said not going to accept that How Much Was Really Spent? that neither the insurance nor percentage." "There is an Foremost among the damage waiver will be alleged offering missing, [and] speculation surrounding applicable because of a we are going to have to take Homecoming '96 was the violation in the contract by them [the SGA] to court accusation of excessive SGA President Antonio eventually for spending.
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Groove Me New Jack Swing Feel
GROOVE ME NEW JACK SWING FEEL Original Recording Profile Recording Artist: Guy Drummer: drum machine Original Album: Guy Record Label: MCA Recording Date: 1988 Recorded at various studios throughout the New York and New Jersey area Historical Overview This tune set a new precedent when it first hit the airwaves in 1988. It featured this ridiculously funky and utterly infectious groove. The drum beat itself was the main attraction of the song and was deceivingly not as simple as it sounded. This song was produced by Teddy Riley, a pioneer and innovator of a new sound that was dubbed new jack swing. New jack swing was a style of R&B music that combined ol’ skool soul vocals and harmonies with rap interludes to bring about a fusion of old and new music. It had the swing factor of jazz music with the fat backbeat associated with funk. The swingy feeling was most often felt in the arena of the drum machine-programmed percussion, bass drum, and hi-hat parts. In essence, the music was swing funk with modern production and recording techniques that made use of one of its newest tools, the drum machine. Because many of the people that were programming the machines were not drummers themselves, they didn’t consider whether any of us mere humans could play the groove in a live situation when called upon to do so later. This put incredible new demands on drummers that were sometimes a bit overwhelming. But if you were willing to stretch the limits of your playing and get out of your comfort zone, this era was a great opportunity to experience new growth.
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