May 2019 Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

May 2019 Newsletter Pg 1 BALLARAT JAZZ CLUB MAY 2019 NEWSLETTER Ballarat Jazz Club Inc. No. A7121 P.O. Box 408 Ballarat, Vic., 3353 Newsletter Sponsored by Eclipse Ford www.ballaratjazzclub.weebly.com [email protected] President Gerard Ballinger Vice President Geoff Merritt Secretary Steve James Treasurer Pamela McKee Bookings Marion McHenry, Newsletter Editor Marion Nunn Band Coordinator Gerard Ballinger, Photos /Graphics:Contributors, Members, Websites, Editor SPONSORED BY ECLIPSE FORD BALLARAT Inside this issue REVIEW ..................... GIG GUIDE ................ JAZZ TRIVIA …………….. HISTORY HIT……………. MEMBERS CONTRIBU- TION ......................... CLUB NEWS…………….. Steve Waddell’s Creole Bells Revival Band FESTIVALS ................ The Band was formed in the late ‘70s to play in the style of Lu Watters and Turk Murphy and the San Francisco Jazz Revival sound. Forty years later we are still playing in that style, and our repertoire includes many Classic Jazz Stomps, Blues and Rags – lots of numbers that are not played any more by ordinary ‘Trad’ bands these days. This is now the only band in Australia play- ing this style of Jazz – and with Plenty of Pep!. Musicians - Bob Pattie - cornet, Graeme Pender - clarinet, Doug Rawson - piano, Tony Orr - banjo, Alan Stott, tuba, Steve Waddell - trombone and leader SPECIAL GUEST ON VOCALS…………… THE FABULOUS …………………………….. Beverley Sheehan B.J.C. 2019. B.J.C. All 2019 rights ALL reserved.RIGHTS RESERVED UPCOMING EVENTS……….. Pg 2 The Sugarfoot Ramblers are a group of young musi- cians from Melbourne who have studied and played con- temporary jazz styles, but also share a love of traditional jazz. After spending time in New Orleans, Travis Woods and Daniel Berry decided to form this band to explore the classic traditional jazz repertoire. The group has performed around towns quite regularly over the years including appearances at the Wangaratta Jazz Festival, Newcastle Jazz Festival, Stonnington Jazz Festival, Bellingen Jazz Festival, Bennetts Lane Jazz Club, The Paris Cat, Fitzroy Pinnacle and Uptown Jazz Cafe. Travis says, “We all love the music of Louis Armstrong, Sidney Bechet, Duke Ellington and Jelly Roll Morton, as well as local legends and personal heroes, The Red On- ions and The Hoodangers. So that’s the music we enjoy playing in this band.” Jazz On The Radio Ballarat Hot, Sweet and Jazzy Every Thursday 3pm Voice FM 99.9 BALLARAT B.J.C. 2019 ALL RIGHTS RESERVED 2 2 b>B.J.C 2018j Pg 3 BALLARAT JAZZ CLUB 2019 SAVE THE DATE B.J.C MEMBERSHIP FEES are due All contributions to the news- NOW and should be paid by end letter are very welcome. of May 2019. We love to hear about your trav- els, stories, family,photos and A MEMBERSHIP FORM IWAS any exciting gigs that you have ATTACHED TO THE APRIL been to. NEWSLETTER Send all contributions to the Newsletter Editor: PLEASE MAKE SURE BJC HAS Ballarat Jazz Club YOUR CORRECT EMAIL ADDRESS [email protected] AS ALL NEWSLETTERS AND or NOTICES ARE FORWARDED BY 0409529952 E-MAIL TO ALL MEMBERS. or let a Committee member know IF YOU DO NOT HAVE AN you have a contribution on gig E-MAIL ADDRESS PLEASE ADVISE day. A MEMBER OF THE COMMITTEE AND NEWSLETTERS AND NOTICES WILL BE POSTED TO YOU. Band Review………………… Brian Drennan This was our annual visit by talented musicians, students, ex-students and teachers from the Ballarat High School, all joining together to present “the Geoff Herkes Memorial Jazz Afternoon”. A capacity crowd was treated to a wonderful concert of lively jazz and swing music, presented in a most professional manner. The teaching staff provided the backing band - - - Damien Woods (Director of Music – Piano), Bryn Hills (Trombone), Alistair Lethlean (Drums), with guest artist Ian Riethoff (Double Bass). - - Wow! What an outfit! Student, Alana, took command of the stage and compered the show, as well as entertaining us with a couple of excellent vocals. The three tenors - - - no not those famous ones, but 3 year 9 students on their way to fame and fortune playing tenor saxophones - - tenor madness. We then heard a lovely clarinet solo by Miranda - - Moondance, followed by Duncan on the alto sax with a really good rendition of Take Five. Excellent vocals by Ella, Alana and Peggy singing Orange Coloured Sky and Summertime. We were entranced by the lovely harmonies performed by Peggy (Vocals and Trombone) and Paula (Vocals and Sax) - - These are our Favourite Things and Crazy. Topsy an ex-student, PHD in Music, teacher, great guitar and vocals performed Georgia, the Death of Me ( own composition) and Early 2000 Pop. This performance was red hot! She was off to the plane for Canada that night. Gemma (vocals) and Josh (guitar) were swinging along with unbelievable jazz and the funky – I wish. Different but very good. Paula (Sax) had the band and the crowd rocking along to Straighten up and fly right and On the sunny side of the street. Double bass player Ian sang Night and Day and was joined by Paula on Sax giving a top performance of Route 66, Pretty Baby and I Wish Again. The grand finale almost blew the roof off the Golf Club - - - a full-on 14 piece band belting out great numbers including Master Blaster. Whoopee! President Gerard took great pleasure in presenting a cheque for $1000 to the Music Department of the Ballarat High School. The crowd acknowledged a great performance by the entertainers. Our old friend, dearly departed Geoff Herkes, would have been very proud. We all miss him and honour him for setting up the excel- lent liaison we have with the High School. B.J.C. 2019 ALL RIGHTS RESERVED Pg 4 BALLARAT JAZZ CLUB …….WHATZMYNAME Have you travelled? Where? WHATZMYNAME I have travelled to all Australian States except for Tasmania and the Northern territory Where were you born? (Town, city, etc.). I was born in Maryborough Any other interests? I was a member of the Red Cross for 40 years – Don and I were in Is there something in particular that you re- volved in Red Cross transportation for 20 member of your childhood? years which was a very rewarding exrience I spent my Primary School Years in For 23 years from 1976 to 1999, I worked Majorca and then 4 years at with a catering organisation. The members Maryborough High School did the majority of the cooking themselves. All the profits were donated to various clubs in the Maryborough District. Over Did you have a favourite subject dur- these years we donated funds to the tune of ing your schooling? $400,000 – something that I am very proud I enjoyed my Cooking Classes and my of Math Classes If you had your life over again, would you What musical interests did you choose a different career and if so, what have if any? would it be? I did play the Piano for I am very happy with my life – I have 3 sons, 2 a number of years daughters-in-law and 6 grandchildren and 1 but I just gave it up Great grandchild who all give me a great deal of pleasure. I also have another Great Did you have a childhood ambi- Grandchild on the way tion (fireman, nurse, vet, etc.)? I would have liked to follow a If you had the opportunity, who would you career in Nursing as I have family members involved but like to invite to a dinner party? Any rea- that didn’t eventuate sons why? I would invite all of my special friends who mean a lot to me – to thank them for the What career paths did you even- support they gave me during Don’s Ill- tually pursue? ness I worked for the Victorian Egg Board (VEB) for 8 years until I married Don in December 1962. Who is your favourite musician (dead or alive)? Louis Armstrong and James Morrison – At what stage, did you become interested in jazz? they both appeal to my love of music I followed jazz as soon as I met Don as he played in a dance band for a number of What is your name? years Glenise Cassidy Do you play an instrument, or do you wish you could play an instrument? No, I did not play a musical instrument but thinking back I wish that I had continued with the piano. B.J.C. 2019 ALL RIGHTS RESERVED Pg 5 BJC ….AGM Committee Elections ……..Thank You Another of our valued Committee Members, Maree Bunn has also decided to take a break from committee duties in 2019. Marie was the support behind our previous president John Bunn and he has acknowledged that he could not have been president for 3 years without the fantastic support he re- Jazz is music ceived from Maree. She is a most cheerful, passed onto happy and helpful person and will be each new gen- greatly missed at Committee meetings. eration by play- But, she will still be around the club, at ing it...you have gigs, helping out where to jam togeth- she can and no doubt at er. those “party nights”. Your only as Thanks Maree good as the company you MAREE BUNN keep……..Don Burrows MELBOURNE INTERNATIONAL JAZZ FESTIVAL Herbie Hancock plays Hamer Hall on June 8 and 9 for the Melbourne International Jazz Festival. melbournejazz.com B.J.C. 2019 ALL RIGHTS RESERVED Upcoming Gigs…...DON’T MISS IT !!!!!!!!!!!!!!!! Pg6 JUKEBOX JAZZ Friday 24th May 7.30pm The Pub With Two Names (Stables) On their debut trip to Ballarat Jazz Series, Mel- bourne based band Vintage Roots and their charis- matic vocalist, MintiDee, will lead you on an exciting and funtastic musical journey that will redefine what you know as pop music! Vintage Roots brings a uniquely Australian, Rockwiz inspired twist to their jazz-based interpretations of classic pop tunes.
Recommended publications
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Guide to the Martin Williams Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files.
    [Show full text]
  • Jelly Roll Morton Collection [Finding Aid]
    Guides to Special Collections in the Music Division of the Library of Congress JELLY ROLL MORTON COLLECTION Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu2005.wp.0027 LIBRARY OF CONGRESS WASHINGTON 1992 Table of Contents Introduction ........................................................................iii Biographical Sketch ..................................................................iv Scope and Content Note .............................................................. v Copyright Agents ....................................................................vi Container List ...................................................................... 1 MUSIC COMPOSED OR ARRANGED BY JELLY ROLL MORTON ................... 1 Music Performed by Jelly Roll Morton, Composed by Others ......................... 10 APPENDIX A: Index to Microfilm (MUSIC 3018) ........................................ 11 ii Introduction The music of Jelly Roll Morton in this collection was acquired by the Library of Congress through copyright deposits made between the years 1926 and 1956. Most of these materials were transferred from the Copyright Division to the Music Division in 1973 and 1974, at which time they were interfiled with those deposits already catalogued and the entire series was microfilmed. A recording of Jelly Roll Morton reminiscing and playing the piano in the Coolidge Auditorium of the Library was made by Alan Lomax in 1938, and a preservation copy of the original acetates is now housed in the Archive of Folk Culture. A transcript of Morton's reminiscences constitutes the text of Lomax's Mister Jelly Roll (New York: Duell, Sloan and Pearce, 1950), and the music from these recording sessions has appeared in numerous re-issues. Performing rights for the music in this collection are reserved by the copyright holders of record. Microfilm no: MUSIC 3018 Approximate number of items: 127 iii Biographical Sketch Jelly Roll Morton is believed to have been born on September 20, 1885, in Gulfport, Mississippi.
    [Show full text]
  • He Died with a Felafel Music Credits
    (Cast) Melbourne University Choral Society Anna Cumming, Kim Asher, Anh-Dao Vlachos, Rachel Harris, Sarah Chan, Olivia March, Olivia Eckel, Michael Watts, Justin Presser, Arran Stewart, Benno Rice, Berin Boughton, Donald Shaw Music Editor & Soundtrack Producer Richard Lowenstein BestBoy Liaison Gary Seeger Music Supervision Mana Music Chris Gough Julie Spinks "Golden Brown" (Cornwell/Burnell/Greenfield/Black) Complete Music Limited/Festival Music Pty Ltd \EMI Music Publishing Performed by The Stranglers ℗ 1981 EMI Records Ltd Courtesy of EMI Music Australia "Buy Me A Pony" (Spiderbait) Sony/ATV Music Publishing Australia Performed by Spiderbait Courtesy of Grudge Records Under licence from Universal Music Australia "Run On" (Richard 'Moby' Hall) © 1999 Warner-Tamerlane Publishing Corp (BMI) & The Little Idiot Music (BMI) All rights on behalf of The Little Idiot Music (BMI) Administered by Warner-Tamerlane Publishing Corp (BMI) Performed by Moby Licensed from Festival Mushroom Group Courtesy of Mute Records & V2 "Ya Ya Ringe Ringe Raja" (Dorsey/Lewis/Levy) © 1961 EMI Longitude Music Co Licensed & Administered by EMI Music Publishing Australia Pty Ltd Performed by Goran Bregovic & Kolic Zlatko Courtesy of Mercury Records France Under licence from Universal Music Australia From the original soundtrack "Underground" "German Girl" (Bickford) Mushroom Music Publishing Performed by Paradise Motel Licensed from Festival Mushroom Group "Always On My Mind" (Christopher/James/Thompson) © 1971 Press Music Co/Screen Gems-EMI Music Inc/ © 1971 Budde
    [Show full text]
  • Jelly Roll Morton Interviews Conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D
    Jelly Roll Morton interviews conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D. Cohen (guest post)* Jelly Roll Morton Jelly Roll Morton (1885-1941), born Ferdinand Joseph Lamothe in New Orleans, had Creole parents. He began playing the piano at an early age in the New Orleans Storyville neighborhood during the birth pangs of jazz. For a decade, starting in 1907, he traveled the country as a vaudeville musician and singer; in 1915 his composition “The Jelly Roll Blues” became the first published jazz tune. From 1917 to 1923, he continued performing from his base in Los Angeles, then moved to Chicago where he met Walter and Lester Melrose, who had a music publishing company. Along with his sheet music, Morton began recording for Paramount Records in 1923 as well as for Gennett Records in Richmond, Indiana, and for the Autograph label. Backed by various session musicians, particularly the Red Hot Peppers, his most influential recordings came in 1926-30, first for Vocalion, then for RCA-Victor. With the onslaught of the Depression, Morton’s career languished, so he moved to New York, then Washington, D.C., in 1936. He now hosted show “The History of Jazz” on WOL and performed in a local club. Known in 1937 as the Music Box/Jungle Inn, there he met the young, creative, and energetic Alan Lomax. Born in Austin, Texas, the son of the folklorist John Lomax, Alan Lomax (1915-2002) had become assistant-in-charge of the Archive of American Folk Song at the Library of Congress (LC) in 1937.
    [Show full text]
  • FOLLOW AUSTRALIA TOUR 2014 Welcome to Sao Paulo ~ START SÃO PAULO Sao Paulo Is the Largest City in the Southern Today We Arrive Into Sao Paulo
    Welcome to our 2014 FIFA World Cup Tour of Brazil & what a great city to start! WEDNESDAY 11 JUNE FOLLOW AUSTRALIA TOUR 2014 Welcome to Sao Paulo ~ START SÃO PAULO Sao Paulo is the largest city in the Southern Today we arrive into Sao Paulo. If you have Hemisphere, and with over 11 million purchased your flights through Fanatics, inhabitants it can be intimidating. The you will be met at the airport by a Fanatics financial and business hub of Brazil, the representative who will assist you with a locals claim it is a city where you can find transfer to your hotel. Those who booked everything! World class restaurants, fashion, their own flights to Brazil you will need to art and culture are all at your doorstep in make your own way to your designated tour this booming metropolis. hotel. Guarulhos Airport is approximately 30km from the city. A taxi fare will cost Our hotels are based all over Sao Paulo, R$100 but can be significantly more if the so take the time to explore the bars and traffic is bad. restaurants in the area around your hotel. We only have a short time here so get out & 7:00pm: Meet in the hotel lobby for a first make the most of it! night get together and a chance to meet your Fanatics Rep and fellow passengers. This may be in the hotel bar, or a local venue within walking distance of the hotel. Overnight: São Paulo THURSDAY 12 JUNE FIFA World Cup Kicks Off 9:00am - Meet your Fanatics rep in the hotel lobby ready for a massive day in Sao Paulo as the city becomes the focus of the world’s attention & plays host to the opening match of the 2014 World Cup, Brazil v Croatia! We depart our hotels at 9am and walk to the Metro station ready to board the train & head into the city centre together.
    [Show full text]
  • Download Flyer
    MT DUNEED ESTATE 65 Pettavel Road, Geelong 2.30PM Gates Open 3.40PM The Meanies 4.45PM Jebediah 5.50PM Spiderbait 7.15PM You Am I 8.45PM Something For Kate 9.45PM Approximate Finish WHAT TO BRING Deck chairs or picnic rug for the General Admission (GA) area, jacket, hat and sunscreen, comfy shoes (there are uneven surfaces). Cash only sales at catering outlets. Chairs are provided in the Reserved Seating area. PERMITTED Sealed bottled-water, food and eskies. See adayonthegreen.com.au FAQ’s for more details. NOT PERMITTED Strictly no BYO alcohol or non-alcoholic drinks (only exception is sealed bottled-water). This is a licensed event. No umbrellas (even if it’s raining), tables, glass, metal cutlery, tents or sunshades. Professional cameras, video or recording equipment are NOT allowed. See adayonthegreen.com.au FAQ’s for more details. CONDITIONS OF ENTRY All bags are subject to a safety and security search upon entry. Any prohibited items will be confiscated. All patrons must adhere to local licensing laws. DON’T MISS THE SHOW – stay in control. Management reserves the right to refuse admission. See adayonthegreen.com.au for complete Conditions of Entry*. FOOD Patrons may bring their own food and there will be a variety of food for sale. PARKING Car park opens 2 hours prior to gates opening. Gold coin donation to the volunteer parking officers is appreciated. TICKETS General Admission and Reserved Seating from ticketmaster.com.au or 136 100. GARDEN BAR Upgrade any ticket type to gain access to the exclusive Garden Bar. Upgrade via Ticketmaster at point of purchase or 136 100.
    [Show full text]
  • ADJS Top 200 Song Lists.Xlsx
    The Top 200 Australian Songs Rank Title Artist 1 Need You Tonight INXS 2 Beds Are Burning Midnight Oil 3 Khe Sanh Cold Chisel 4 Holy Grail Hunter & Collectors 5 Down Under Men at Work 6 These Days Powderfinger 7 Come Said The Boy Mondo Rock 8 You're The Voice John Farnham 9 Eagle Rock Daddy Cool 10 Friday On My Mind The Easybeats 11 Living In The 70's Skyhooks 12 Dumb Things Paul Kelly 13 Sounds of Then (This Is Australia) GANGgajang 14 Baby I Got You On My Mind Powderfinger 15 I Honestly Love You Olivia Newton-John 16 Reckless Australian Crawl 17 Where the Wild Roses Grow (Feat. Kylie Minogue) Nick Cave & The Bad Seeds 18 Great Southern Land Icehouse 19 Heavy Heart You Am I 20 Throw Your Arms Around Me Hunters & Collectors 21 Are You Gonna Be My Girl JET 22 My Happiness Powderfinger 23 Straight Lines Silverchair 24 Black Fingernails, Red Wine Eskimo Joe 25 4ever The Veronicas 26 Can't Get You Out Of My Head Kylie Minogue 27 Walking On A Dream Empire Of The Sun 28 Sweet Disposition The Temper Trap 29 Somebody That I Used To Know Gotye 30 Zebra John Butler Trio 31 Born To Try Delta Goodrem 32 So Beautiful Pete Murray 33 Love At First Sight Kylie Minogue 34 Never Tear Us Apart INXS 35 Big Jet Plane Angus & Julia Stone 36 All I Want Sarah Blasko 37 Amazing Alex Lloyd 38 Ana's Song (Open Fire) Silverchair 39 Great Wall Boom Crash Opera 40 Woman Wolfmother 41 Black Betty Spiderbait 42 Chemical Heart Grinspoon 43 By My Side INXS 44 One Said To The Other The Living End 45 Plastic Loveless Letters Magic Dirt 46 What's My Scene The Hoodoo Gurus
    [Show full text]
  • Understanding Music Popular Music in the United States
    Popular Music in the United States 8 N. Alan Clark and Thomas Heflin 8.1 OBJECTIVES • Basic knowledge of the history and origins of popular styles • Basic knowledge of representative artists in various popular styles • Ability to recognize representative music from various popular styles • Ability to identify the development of Ragtime, the Blues, Early Jazz, Bebop, Fusion, Rock, and other popular styles as a synthesis of both African and Western European musical practices • Ability to recognize important style traits of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, Rock, and Country • Ability to identify important historical facts about Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music • Ability to recognize important composers of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music 8.2 KEY TERMS • 45’s • Bob Dylan • A Tribe Called Quest • Broadway Musical • Alan Freed • Charles “Buddy” Bolden • Arthur Pryor • Chestnut Valley • Ballads • Children’s Song • BB King • Chuck Berry • Bebop • Contemporary Country • Big Band • Contemporary R&B • Bluegrass • Count Basie • Blues • Country Page | 255 UNDERSTANDING MUSIC POPULAR MUSIC IN THE UNITED STATES • Creole • Protest Song • Curtis Blow • Ragtime • Dance Music • Rap • Dixieland • Ray Charles • Duane Eddy • Rhythm and Blues • Duke Ellington • Richard Rodgers • Earth, Wind & Fire • Ricky Skaggs • Elvis Presley • Robert Johnson • Folk Music • Rock and Roll • Frank Sinatra • Sampling • Fusion • Scott Joplin • George Gershwin • Scratching • Hillbilly Music • Stan Kenton • Honky Tonk Music • Stan Kenton • Improvisation • Stephen Foster • Jelly Roll Morton • Storyville • Joan Baez • Swing • Leonard Bernstein • Syncopated • Louis Armstrong • The Beatles • LPs • Victor Herbert • Michael Bublé • Weather Report • Minstrel Show • Western Swing • Musical Theatre • William Billings • Operetta • WJW Radio • Original Dixieland Jazz Band • Work Songs • Oscar Hammerstein 8.3 INTRODUCTION Popular music is by definition music that is disseminated widely.
    [Show full text]
  • Classical Studies. He Played In\^ Fraternity Band at College. He
    WILLIAM RUSSELL also ptesent; August 31, 1962 Reel I-Digest-Retype William R. Hogan 1L Paul R. Crawford First Proofreading: Alma D. Williams William Russell was born February 26, 1905, in Canton, Missouri, on the Mississippi River. His first impressive musical experiences were hearing tlie calliopes on the excursion and show boats which ^ came to and by Canton. He first wanted to play bass drum when lie heard the orchestra in his Sunday School, but he began playing violin when he was ten. His real name is Russell William Wagner. In about 1929 Tne began writing music; Henry Cowell published some of his music in 1933 and WR decided the use of the name Wagner 6n music would be about equal to writing a play and signing it Henry [or Jack or Frank, etc,] Shalcespeare, so he changed his name for that professional reason. His parents are of German ancestry. His father had a zither, which WR and a brother used for playing at .r concerts a la Chautauqua. He remembers hearing Negro bands on the boats playing good jazz as early as 1917 or 1915, and he was fascinated by it, although he felt jazz might contaminate his classical studies. He played in\^ fraternity band at college. He y studied chemistry at college although his main interest was music, He went to Chicago to continue studying music in 1924, and he says 1^e didn't have sense enough to go to the places where King Oliver/ the New Orleans Rhythm Kings, and others were playing then, and he has since regretted that.
    [Show full text]
  • A Researcher's View on New Orleans Jazz History
    2 TABLE OF CONTENTS Introduction 6 Format 6 New Orleans Jazz 7 Brass & String Bands 8 Ragtime 11 Combining Influences 12 Party Atmosphere 12 Dance Music 13 History-Jazz Museum 15 Index of Jazz Museum 17 Instruments First Room 19 Mural - First Room 20 People and Places 21 Cigar maker, Fireman 21 Physician, Blacksmith 21 New Orleans City Map 22 The People Uptown, Downtown, 23 Lakefront, Carrollton 23 The Places: 24 Advertisement 25 Music on the Lake 26 Bandstand at Spanish Fort 26 Smokey Mary 26 Milneburg 27 Spanish Fort Amusement Park 28 Superior Orchestra 28 Rhythm Kings 28 "Sharkey" Bonano 30 Fate Marable's Orchestra 31 Louis Armstrong 31 Buddy Bolden 32 Jack Laine's Band 32 Jelly Roll Morton's Band 33 Music In The Streets 33 Black Influences 35 Congo Square 36 Spirituals 38 Spasm Bands 40 Minstrels 42 Dance Orchestras 49 Dance Halls 50 Dance and Jazz 51 3 Musical Melting Pot-Cotton CentennialExposition 53 Mexican Band 54 Louisiana Day-Exposition 55 Spanish American War 55 Edison Phonograph 57 Jazz Chart Text 58 Jazz Research 60 Jazz Chart (between 56-57) Gottschalk 61 Opera 63 French Opera House 64 Rag 68 Stomps 71 Marching Bands 72 Robichaux, John 77 Laine, "Papa" Jack 80 Storyville 82 Morton, Jelly Roll 86 Bolden, Buddy 88 What is Jazz? 91 Jazz Interpretation 92 Jazz Improvising 93 Syncopation 97 What is Jazz Chart 97 Keeping the Rhythm 99 Banjo 100 Violin 100 Time Keepers 101 String Bass 101 Heartbeat of the Band 102 Voice of Band (trb.,cornet) 104 Filling In Front Line (cl.
    [Show full text]