Country Music Star Roy Clark Dies at 85

Total Page:16

File Type:pdf, Size:1020Kb

Country Music Star Roy Clark Dies at 85 Roy Clark, a virtuosic guitarist who became an international emblem of country music as the host of “Hee Haw,” the long-running cornpone variety show, and who recorded crossover hits such as the pop ballad “Yesterday, When I Was Young,” died Nov. 15 at his home in Tulsa. He was 85. The cause was complications of pneumonia, according to a statement from his publicists, Sandy Brokaw and Jeremy Westby. While Mr. Clark often performed with the banjo, fiddle and mandolin, he was best known, as a musician, for his guitarwork. Flashy and quick-fingered, he was as adept on flamenco standards such as “Malagueña” as on the ragtime classic “Twelfth Street Rag,” applying a western twang to songs that ranged far outside the country canon. His biggest mainstream success — “Yesterday, When I Was Young” — written by pop balladeer Charles Aznavour — reached No. 19 on the Billboard pop chart in 1969 and featured strings and an orchestra alongside Mr. Clark’s guitar. Among the song’s biggest fans was baseball player Mickey Mantle, a longtime friend of Mr. Clark’s, who asked him to perform the track at his funeral. Sales figures largely failed to capture the significance of Mr. Clark to country music, where he was a dominant, charismatic figure for half a century, with a wide smile and a personality so warm that Bob Hope was said to have told him, “Your face is like a fireplace.” Raised in Washington, he performed with jazz, rock and so-called “hillbilly” groups at local clubs, and appeared on singer Jimmy Dean’s country television show before being fired for habitual tardiness, according to a 1984 account in The Washington Post. Mr. Clark went on to become a staple of Vegas showrooms, helped turn Branson, Mo., into a live music destination, and performed at leading venues such as Carnegie Hall in New York and the Grand Ole Opry in Nashville, the country music mecca where he was enshrined as a member in 1987. He was inducted into the Country Music Hall of Fame in 2009. https://www.washingtonpost.com/local/obituari... 11/16/2018, 7:45 AM 1 of 4 For many listeners, however, Mr. Clark was a television fixture who only sometimes graced the stage. A self-described “token bumpkin,” he filled in for Johnny Carson as a guest host of “The Tonight Show,” played recurring characters on “The Beverly Hillbillies” sitcom and, beginning with the show’s premiere in 1969, co-hosted “Hee Haw” with Buck Owens, a singer who pioneered country’s rough-eged Bakersfield sound. Created as a countrified version of the comedy show “Laugh-In,” “Hee Haw” originally aired on CBS but was canceled after two years in what became known as the “rural purge,” when down-home shows such as “Green Acres” were canned in favor of programs that purportedly appealed to a younger, more sophisticated demographic. Picked up in syndication, it ran on more than 200 stations until 1992, and continued on in reruns. Mr. Clark served as a host for the entire series, while Owens — who later dismissed the program as a “cartoon donkey” — left in 1986. A source of corny jokes as well as musical flair, Mr. Clark frequently performed a “pickin’ and grinnin’ ” routine, playing the guitar while maintaining a light comic patter he had developed in grade school as a means of getting out of trouble. Wearing overalls or a cowboy shirt, with one of “those pork chop hairdos that look like it grew out of my ear,” he played alongside musicians including Owens, banjo player Grandpa Jones and singer Kenny Price, with whom he formed the Hee Haw Gospel Quartet, and performed with members of “Hee Haw’s” Million Dollar Band, a supergroup that featured artists such as guitarist Chet Atkins, pianist Floyd Cramer, saxophonist Boots Randolph and fiddler Johnny Gimble. More enamored of the program than Owens, Mr. Clark likened “Hee Haw” to a family reunion, one that extended from the stage into the audience and out to the living rooms of TV viewers around the country. “The viewers were sort of part owners of the show,” he told the Associated Press in 2004. “They identified with these clowns, and we had good music.” Roy Linwood Clark was born in Meherrin, Va., on April 15, 1933, and grew up near a pig farm in Southeast Washington. His father, a laborer who later worked for Department of Health, Education and Welfare, played the guitar, fiddle and banjo in a square-dance group, and took him to performances by military bands and the National Symphony Orchestra. “I was subjected to different kinds of music before I ever played,” Mr. Clark once said. “Dad said, ‘Never turn your ear off to music until your heart hears it — because then you might hear something you like.’ ” https://www.washingtonpost.com/local/obituari... 11/16/2018, 7:45 AM 2 of 4 Roy was 14 when he got his first guitar, and within a year was playing with his father at country- western shows. Nonetheless, his early ambition was to become a prizefighter, according to his autobiography, “My Life — In Spite of Myself!” written with Marc Eliot. That began to change around the time he “saw some nasty, terrible, mind-boggling brawls,” he wrote. “I saw eyeballs laid out on a guy’s cheek. I saw people hit in the face with a full beer bottle. So I backed down from fights.” Reports vary on whether he graduated from high school, but he took up regular gigs at bars and roadhouses such as Strick’s. After winning a five-string banjo competition in Warrenton, Va., he was given a chance to perform at the Grand Ole Opry. Mr. Clark later toured with Jones, the banjo player, and appeared on television programs including “Arthur Godfrey’s Talent Scouts” before receiving an invitation in 1960 to join rockabilly and country singer Wanda Jackson in Las Vegas. The gig, and an ensuing national tour, launched him to prominence and helped him land a record deal with Capitol Records, with whom he recorded his 1963 debut, “The Lightning Fingers of Roy Clark.” The album featured rollicking electric-guitar instrumentals, including “Texas Twist,” and it was followed that same year by Mr. Clark’s first hit song, “The Tip of My Fingers,” written by country singer Bill Anderson. His other country hits included “Come Live With Me,” which topped the Billboard country chart in 1973, “Somewhere Between Love and Tomorrow,” “If I Had to Do It All Over Again,” “Honeymoon Feelin’ ” and “I Never Picked Cotton.” He won seven Country Music Association Awards and in 1982 received a Grammy for his instrumental cover of the standard “Alabama Jubilee.” Amid the success of “Hee Haw,” Mr. Clark toured the Soviet Union, bringing country behind the Iron Curtain in the mid-1970s, and starred in the Western comedy “Uphill All the Way” with singer Mel Tillis. He also performed with the Boston Pops Orchestra and cut records with musicians including blues guitarist Clarence “Gatemouth” Brown (“Makin’ Music,” 1979) and jazz guitarist Joe Pass (“Roy Clark & Joe Pass Play Hank Williams,” 1994). Survivors include his wife of 61 years, Barbara Joyce Rupard; five children; a sister; and four grandchildren. While Mr. Clark’s musicianship and technical abilities were sometimes overlooked by critics who saw only the hayseed star of “Hee Haw,” he said he had few regrets about his career path. https://www.washingtonpost.com/local/obituari... 11/16/2018, 7:45 AM 3 of 4 “I know in my heart where I rate among the great guitar players like Merle Travis and Chet Atkins and Les Paul, people who put all their efforts and talents into learning their instruments and didn’t work at anything else,” he told The Post in 2001. “But I’ve seen too many great guitar players sitting unnoticed on a stool in an orchestra,” he continued. “I said, do I want to be there, playing great and nobody knows it, or do I want to be out front with the lights on me, giggling and laughing, playing guitar and rolling my eyes and they say ‘Golly, this guy’s great?’ ” Read more Washington Post obituaries Wolfgang Zuckermann, whose DIY kit fueled a harpsichord revival, dies at 96 Katherine MacGregor, the scheming Mrs. Oleson of ‘Little House,’ dies at 93 David Pearson, Hall of Fame stock-car driver, dies at 83 https://www.washingtonpost.com/local/obituari... 11/16/2018, 7:45 AM 4 of 4.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • The Faith of Dolly Parton by Dudley Delffs
    Dudley’s book gives great insight into why so many people around the world love Dolly Parton. While Dolly is one of the biggest superstars, she has never forgotten who she is and where she came from and the faith that anchors her life. GOVERNOR OF TENNESSEE, Bill Haslam, and First Lady Crissy Haslam Three amazing strands of stories are woven into this fabu- lous book, The Faith of Dolly Parton by Dudley Delffs. The thread of biography speaks of a fascinating woman whom we tend to think we know, but whom I admire even more when seeing her through the lens of faith. The thread of memoir shared through the author’s blending of his own life story with Dolly’s is a gift of hope and connection. And the final thread, that of devotional, invites us to more. Faith- based questions at the end of each chapter take us deeper into our own stories, while the prayers remind us that it was Dolly’s faith that has taken her to the heights she’s attained, as she humbly acknowledges. Reading this book reminded me of my own faith journey and the gift of story told through music, words, and life. I love this book! You will too! JANE KIRKPATRICK, award- winning author of All She Left Behind The Faith of Dolly Parton is a little book filled with big dreams! Dudley Delffs weaves together his unique spiritual journey with the wonder and wisdom of Dolly Parton’s with a heartwarming result. I was uplifted by the inspirational gifts of both and delighted by the author’s humor and the 9780310352921_FaithDollyParton_int_HC.indd 1 4/6/18 11:31 AM joy hidden in the stories of Dolly’s life.
    [Show full text]
  • November Newsletter
    NASNTI NEWS Seminole State College NASNTI November 2019 The Cherokee National Youth Choir to perform at Seminole State College! In This Issue • A Story You Just Got to Read • A Scholarship Success Story • Native American Heritage Month Events/Activities On Tuesday, December 3, 2019, The Cherokee Naonal Youth Choir will erform songs on the Je$ Johnston Auditorium stage. Under the direcon of S onsor and Choir Director, Kathy Sierra, The Cherokee Naonal Youth Choir will begin their erformance at 11:10 A.M. and end at 11:,0 A.M. In between e.ams, take a break and /oin us0 The Cherokee Naonal Youth Choir 1CNYC2 erforms tradional Cherokee songs in the Cherokee language. The choir is made u of 30340 young Cherokees from northeastern Oklahoma communies. Members are middle and high school youth in 6th312th grades. The students com ete in rigorous audions every year for inclusion in the grou . The Youth Choir acts as ambassadors for the Cherokee Naon, their beauful voices showing the strength of the Cherokee Naon and its culture for more than 160 years a8er the Cherokees’ forced removal from their eastern homelands. The goal of the CNYC is to increase awareness among the Cherokee and dominant cultures within the Cherokee Naon. CNYC was formed as a way to kee youth involved in the Cherokee language and culture. Choir members funcon as goodwill ambassadors, demonstrang that Cherokee language and culture connue to thrive in modern socie3 ty. :ounded in 2000, the grou has recorded 12 CDs and has erformed with such legendary arsts as :oreigner, Dolly Parton, Vince Gill, Roy Clark, Kenny Rogers, and the Oak Ridge Boys.
    [Show full text]
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • Ing the Fj Needs of the Music & Record Ti Ó+ Industry
    . I '.k i 1 Dedicated To £15.o nlr:C, .3n0r14 Serving The fJ Needs Of The Music & Record ti Ó+ Industry ra - Vol. 21, No. 1004 September 3, 1966 In the opinion of the editors, this week the following records are the WHO SINGLE PICKS OF THE WEEK LU M MY UNCLE 6 USED TO LOVE IN THE ME BUT SHE DIED y 43192 WORLD JUST LIME A WOMAN Trendsetting Bob Dylan goes Absolutely nonsense song with Gentle love song, "A Time for after a more soothing musical gritty delivery by Miller. Should Love," by Oscar winners Paul background than usual on this catch ears across the country Francis Webster and Johnny ditty, with perceptive lyrics, as Roger, with his TV series Mandel should score for Tony about a precocious teeny bopper about to bow, recalls his odd whose taste and style remains (Columbia 4-43792). uncle (Smash 2055). impeccable (Columbia 4-43768). SLEEPERS OF THE WEEK PHILIPS Am. 7. EVIL ON YOUR MIND , SAID I WASN'T GONNAN TELL 0 00000 TERESA BREARE S AM t - DAVE A1 Duo does "Said I Wasn't Gonna The Uniques have been coming The nifty country song "Evil on Tell Nobody" like it should be up with sounds that have been Your Mind" provides Teresa done. Sam and Dave will appeal just right for the market. "Run Brewer with what could be her to large crowds with tfie bouncy and Hide" could be their biggest biggest hit in quite a while. r/ber (Stax 198). to date. Keep an eye on it Her perky, altogether winning (Paula 245).
    [Show full text]
  • JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
    JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide.
    [Show full text]
  • 14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
    August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • HOUSE JOINT RESOLUTION 790 by Beck a RESOLUTION To
    <BillNo> <Sponsor> HOUSE JOINT RESOLUTION 790 By Beck A RESOLUTION to recognize and honor the Grand Ole Opry on the celebration of its ninety-fifth anniversary. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, no mass media event is more associated with the State of Tennessee than the WSM radio program known as The Grand Ole Opry. Not only is The Grand Ole Opry the longest-running radio show in U.S. history, but it is renowned as the cornerstone for the dynamic commercial art form of country music; and WHEREAS, the Grand Ole Opry and its offspring comprise, or are affiliated with, the State's major tourist attractions, and the Opry's commercial power and attraction have been the primary reasons for Nashville's emergence as a music recording center; and WHEREAS, the saga of the Grand Ole Opry began on the night of November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year-old fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, now, ninety-five years later, the radio show Mr. Hay started is still going strong; the Opry is the foundation for a huge entertainment and resort complex and has been instrumental in Nashville claiming the title of Music City U.S.A.; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour; in 1928, Mr.
    [Show full text]
  • Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
    MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me​ is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
    [Show full text]
  • MCA-500 Reissue Series
    MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366.
    [Show full text]
  • ~Tate of T!Cenne~~Ee
    ~tate of t!Cenne~~ee HOUSE JOINT RESOLUTION NO. 638 By Representatives Haynes, Armstrong, Dunn, Niceley, Harry Brooks, Hall, Tindell and Senators Ford, Massey, Overbey A RESOLUTION to honor the Ninetieth Anniversary of WNOX Radio. WHEREAS, locally owned and operated radio stations have been important community cultural institutions since the radio industry first began to gain a foothold in the early years of the twentieth century; the new medium brought local, national, and world events to listeners in a timely fashion and opened doors to music, sports, weather, and other features; and WHEREAS, WNOX Radio is one such vital station which for ninety years has provided its listeners with outstanding service; and WHEREAS, the first broadcast station in Tennessee, WNOX Radio is a popular radio station with a broadcast area that begins in Knoxville and extends throughout Eastern Tennessee and into the multi-state area surrounding the Tennessee Valley; and WHEREAS, throughout its illustrious existence, WNOX Radio has compiled an unequaled history of meritorious service to its community, state, and nation, first on the AM band and now on the FM band; and WHEREAS, venerated for its adherence to the highest quality standards, WNOX Radio has played a pivotal role in creating and sustaining the vibrant, modern, and world-renowned Tennessee broadcasting industry; and WHEREAS, it was instrumental in launching the careers of a plethora of talented performers, including Roy Acuff, Chet Atkins, Carl and Pearl Butler, Archie Campbell, Bill Carlisle, Martha
    [Show full text]