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Rivals for the Repertory: Theatre and Novel in Georgian London” by ROS BALLASTER
Restoration and Eighteenth-Century Theatre Research “Rivals for the Repertory: Theatre and Novel in Georgian London” BY ROS BALLASTER Volume 27, Issue 1 (Summer 2012) Recommended Citation: Ballaster, Ros. “Rivals for the Repertory: Theatre and Novel in Georgian London.” Restoration and Eighteenth-Century Theatre Research 27.1 (Summer 2012): 5-24. R http://rectrjournal.org ISSN 0034-5822 27.1 R Rivals for the Repertory: Theatre and Novel in Georgian London Ros Ballaster University of Oxford Abs: [Acres] is likewise a rival of mine—that is of my other self’s, for he does not think his friend Capt. Absolute ever saw the lady in question;—and it is ridiculous enough to hear him complain to me of one Beverley a concealed skulking rival, who— Falk: Hush! he’s here. (Sheridan 25) n this brief exchange in act 2, scene 1 of Richard Brinsley Sheridan’s IThe Rivals (1775), Jack Absolute reveals the hidden and true rival to his courtship of the novel-besotted Lydia Languish: himself. In a play which pits him against two rivals for Lydia’s affections—Bob Acres and Sir Lucius O’Trigger—it becomes apparent that the only serious contender is his own entirely fictional creation, Ensign Beverley, the dashing impoverished sol- dier persona he has adopted to win her heart with the promise of adventure and elopement by comparison with dull approved marriage to a worthy young heir promoted by Lydia’s aunt and Jack’s father. The dangerous influence of the novel leads his wayward beloved to put at risk the union he plans, but Jack counteracts Lydia’s devotion to novelistic plotting by deploying the intrigue techniques of the modern drama; he maintains his part as Beverley to Lydia and his other role as Ab- solute to his father and her aunt. -
Catalogue of the Earl Marshal's Papers at Arundel
CONTENTS CONTENTS v FOREWORD by Sir Anthony Wagner, K.C.V.O., Garter King of Arms vii PREFACE ix LIST OF REFERENCES xi NUMERICAL KEY xiii COURT OF CHIVALRY Dated Cases 1 Undated Cases 26 Extracts from, or copies of, records relating to the Court; miscellaneous records concerning the Court or its officers 40 EARL MARSHAL Office and Jurisdiction 41 Precedence 48 Deputies 50 Dispute between Thomas, 8th Duke of Norfolk and Henry, Earl of Berkshire, 1719-1725/6 52 Secretaries and Clerks 54 COLLEGE OF ARMS General Administration 55 Commissions, appointments, promotions, suspensions, and deaths of Officers of Arms; applications for appointments as Officers of Arms; lists of Officers; miscellanea relating to Officers of Arms 62 Office of Garter King of Arms 69 Officers of Arms Extraordinary 74 Behaviour of Officers of Arms 75 Insignia and dress 81 Fees 83 Irregularities contrary to the rules of honour and arms 88 ACCESSIONS AND CORONATIONS Coronation of King James II 90 Coronation of King George III 90 Coronation of King George IV 90 Coronation of Queen Victoria 90 Coronation of King Edward VII and Queen Alexandra 90 Accession and Coronation of King George V and Queen Mary 96 Royal Accession and Coronation Oaths 97 Court of Claims 99 FUNERALS General 102 King George II 102 Augusta, Dowager Princess of Wales 102 King George III 102 King William IV 102 William Ewart Gladstone 103 Queen Victoria 103 King Edward VII 104 CEREMONIAL Precedence 106 Court Ceremonial; regulations; appointments; foreign titles and decorations 107 Opening of Parliament -
John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
JOHN DRYDEN AND THE LATE 17TH CENTURY DRAMATIC EXPERIENCE LECTURE 16 (C) BY ASHER ASHKAR GOHAR 1 CREDIT HR. JOHN DRYDEN (1631 – 1700) HIS LIFE: John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the “Age of Dryden”. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. On December 1, 1663, he married Elizabeth Howard, the youngest daughter of Thomas Howard, 1st earl of Berkshire. -
Dryden on Shadwell's Theatre of Violence
James Blac k DRYDEN ON SHADWELL'S THEATRE OF VIOLENCE All admirers of J ohn Dryden can sympathise w ith H.T . Swedenberg's dream of o ne day "finding bundle after bundle of Dryden's manuscripts and a journal kept thro ugho ut his career. .. .! turn in the journal to the 1670's and eagerly scan the leaves to find out precisely when MacFlecknoe was written and what the ultimate occasion for it was. " 1 For the truth is that although MacFlecknoe can be provisionally dated 1678 the " ultimate occasion" of Dryden's satire on Thomas Shadwell has never been satisfactorily explained. We know that for abo ut nine years Dryden and Shadwell had been arguing in prologues and prefaces with reasonably good manners , chiefly over the principles of comedy. R.J. Smith makes a case for Shadwell's being considered the foremost among Dryden's many adversaries in literary argumentatio n, and points out that their discourse had reached the stage where Dryden, in A n Apology for Heroic Poetry ( 16 77), made "an appeal for a live-and-let-live agree ment." 2 T he generally serious and calm nature of their debate makes MacFlecknoe seem almost a shocking intrusion- a personally-or politically-inspired attack which shattered the calm of discourse. Surely-so the reasoning of commentators goes- there must have been a casus belli. It used to be thought that Dryden was reacting to an attack by Shadwell in The Medal of j ohn Bayes, but this theory has been discounted.3 A.S. Borgman, a Shadwell biographer, would like to be able to account for Dryden's "turning against" Shadwell and making him the butt of MacFlecknoe: Had he wearied of [Sh adwell's) rep eated boasts o f friendship w ith the wits? Had he become disgusted with (h is) arrogant treatment of those who did not applaud th e humours in The Virtuoso and A True Widow? Had he tired of DRYDEN ON SHADWELL'S THEATRE OF VIOLENCE 299 seeing Shadwell "wallow in the pit" and condemn plays? Or did some word or act bring to his mind the former controversy and the threat then made of condemning dulness?4 D.M. -
Restoration Comedy.Pdf
RESTORATION COMEDY (1660- 1700) For B.A. Honours Part- 1 Paper – 1 (Content compiled for Academic Purpose only from http://www.theatrehistory.com/ and other websites duly credited) Content compiled by- Dr. Amritendu Ghosal Assistant Professor Department of English Anugrah Memorial College Gaya. Email- [email protected] Topics Covered- 1. INTRODUCTION TO THE RESTORATION AGE 2. NATURE OF RESTORATION COMEDY 3. WOMEN PLAYWRIGHTS 4. APPEARANCE OF WOMEN ON THE ENGLISH STAGE 5. PERSISTENCE OF ELIZABETHAN PLAYS 6. PARODY OF HEROIC DRAMA 7. COLLIER'S ATTACK ON THE STAGE (Image from haikudeck.com) "THEN came the gallant protest of the Restoration, when Wycherley and his successors in drama commenced to write of contemporary life in much the spirit of modern musical comedy. A new style of comedy was improvised, which, for lack of a better term, we may agree to call the comedy of Gallantry, and which Etherege, Shadwell, and Davenant, and Crowne, and Wycherley, and divers others, laboured painstakingly to perfect. They probably exercised to the full reach of their powers when they hammered into grossness their too fine witticisms just smuggled out of France, mixed them with additional breaches of decorum, and divided the results into five acts. For Gallantry, it must be repeated, was yet in its crude youth. For Wycherley and his confreres were the first Englishmen to depict mankind as leading an existence with no moral outcome. It was their sorry distinction to be the first of English authors to present a world of unscrupulous persons who entertained no special prejudices, one way or the other, as touched ethical matters." -- JAMES BRANCH CABELL, Beyond Life. -
FRENCH INFLUENCES on ENGLISH RESTORATION THEATRE a Thesis
FRENCH INFLUENCES ON ENGLISH RESTORATION THEATRE A thesis submitted to the faculty of San Francisco State University In partial fulfillment of A the requirements for the Degree 2oK A A Master of Arts * In Drama by Anne Melissa Potter San Francisco, California Spring 2016 Copyright by Anne Melissa Potter 2016 CERTIFICATION OF APPROVAL I certify that I have read French Influences on English Restoration Theatre by Anne Melissa Potter, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts: Drama at San Francisco State University. Bruce Avery, Ph.D. < —•— Professor of Drama "'"-J FRENCH INFLUENCES ON RESTORATION THEATRE Anne Melissa Potter San Francisco, California 2016 This project will examine a small group of Restoration plays based on French sources. It will examine how and why the English plays differ from their French sources. This project will pay special attention to the role that women played in the development of the Restoration theatre both as playwrights and actresses. It will also examine to what extent French influences were instrumental in how women develop English drama. I certify that the abstract rrect representation of the content of this thesis PREFACE In this thesis all of the translations are my own and are located in the footnote preceding the reference. I have cited plays in the way that is most helpful as regards each play. In plays for which I have act, scene and line numbers I have cited them, using that information. For example: I.ii.241-244. -
Studies in the Work of Colley Cibber
BULLETIN OF THE UNIVERSITY OF KANSAS HUMANISTIC STUDIES Vol. 1 October 1, 1912 No. 1 STUDIES IN THE WORK OF COLLEY CIBBER BY DE WITT C.:'CROISSANT, PH.D. A ssistant Professor of English Language in the University of Kansas LAWRENCE, OCTOBER. 1912 PUBLISHED BY THE UNIVERSITY CONTENTS I Notes on Cibber's Plays II Cibber and the Development of Sentimental Comedy Bibliography PREFACE The following studies are extracts from a longer paper on the life and work of Cibber. No extended investigation concerning the life or the literary activity of Cibber has recently appeared, and certain misconceptions concerning his personal character, as well as his importance in the development of English literature and the literary merit of his plays, have been becoming more and more firmly fixed in the minds of students. Cibber was neither so much of a fool nor so great a knave as is generally supposed. The estimate and the judgment of two of his contemporaries, Pope and Dennis, have been far too widely accepted. The only one of the above topics that this paper deals with, otherwise than incidentally, is his place in the development of a literary mode. While Cibber was the most prominent and influential of the innovators among the writers of comedy of his time, he was not the only one who indicated the change toward sentimental comedy in his work. This subject, too, needs fuller investigation. I hope, at some future time, to continue my studies in this field. This work was suggested as a subject for a doctor's thesis, by Professor John Matthews Manly, while I was a graduate student at the University of Chicago a number of years ago, and was con• tinued later under the direction of Professor Thomas Marc Par- rott at Princeton. -
Her Hour Upon the Stage: a Study of Anne Bracegirdle, Restoration Actress
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-1965 Her Hour Upon the Stage: A Study of Anne Bracegirdle, Restoration Actress Julie Ann Farrer Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Farrer, Julie Ann, "Her Hour Upon the Stage: A Study of Anne Bracegirdle, Restoration Actress" (1965). All Graduate Theses and Dissertations. 2862. https://digitalcommons.usu.edu/etd/2862 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. HER HOUR UPON THE STAGE: A STUDY OF ANNE BRAC EGIRDLE, RESTORATION ACTRESS by Julie Ann Farrer A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English UTAH STATE UNIVERSITY Logan, Utah 1965 ACKNOWLEDGMENTS This thesis, in its final form, owes much to a number of willing people, without whose help the entire undertaking would be incomplete or else impossible. First thanks must go to Dr. Robert C. Steensma, chairman of my committee, and an invaluable source of help and encour agement throughout the entire year. I am also indebted to the members of my committee, Dr. Del Rae Christiansen and Dr. King Hendricks for valid and helpful suggestions . Appreciation is extended to Utah State University, to the English department and to Dr. Hendricks . I thank my understanding parents for making it possible and my friends for ma~ing it worthwhile . -
Aphra Behn the Author Aphra Behn (1640-1689) Was One of the First Successful Female Writers in English History
Aphra Behn The Author Aphra Behn (1640-1689) was one of the first successful female writers in English history. She was born to Bartholomew Johnson and Elizabeth. Her most popular works included The Rover , Love-Letters Between a Nobleman and His Sister , and Oroonoko . Aphra Johnson married Johan Behn, who was a merchant of German or Dutch extraction. Little conclusive information is known about their marriage, but it did not last for more than a few years. Some scholars believe that the marriage never existed and Behn made it up purely to gain the status of a widow, which would have been much more beneficial for what she was trying to achieve. She was reportedly bisexual, and held a larger attraction to women than to men, a trait that, coupled with her writings and references of this nature, would eventually make her popular in the writing and artistic communities of the present day. Aphra Behn was also said to have been a spy for Charles II. She was given the code name Astrea under which she published many of her writings. Aphra Behn is known for being one of the first Englishwomen to earn a livelihood by authorship and is also credited with influencing future female writers and the development of the English novel toward realism. Attributing her success to her "ability to write like a man," she competed professionally with the prominent "wits" of Restoration England, including George Etherege, William Wycherley, John Dryden, and William Congreve. Similar to the literary endeavors of her male contemporaries, Behn's writings catered to the libertine tastes of King Charles II and his supporters, and occasionally excelled as humorous satires recording the A Playgoer’s Guide political and social events of the era. -
I the POLITICS of DESIRE: ENGLISH WOMEN PLAYWRIGHTS
THE POLITICS OF DESIRE: ENGLISH WOMEN PLAYWRIGHTS, PARTISANSHIP, AND THE STAGING OF FEMALE SEXUALITY, 1660-1737 by Loring Pfeiffer B. A., Swarthmore College, 2002 M. A., University of Pittsburgh, 2010 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 i UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Loring Pfeiffer It was defended on May 1, 2015 and approved by Kristina Straub, Professor, English, Carnegie Mellon University John Twyning, Professor, English, and Associate Dean for Undergraduate Studies, Courtney Weikle-Mills, Associate Professor, English Dissertation Advisor: Jennifer Waldron, Associate Professor, English ii Copyright © by Loring Pfeiffer 2015 iii THE POLITICS OF DESIRE: ENGLISH WOMEN PLAYWRIGHTS, PARTISANSHIP, AND THE STAGING OF FEMALE SEXUALITY, 1660-1737 Loring Pfeiffer, PhD University of Pittsburgh, 2015 The Politics of Desire argues that late seventeenth- and early eighteenth-century women playwrights make key interventions into period politics through comedic representations of sexualized female characters. During the Restoration and the early eighteenth century in England, partisan goings-on were repeatedly refracted through the prism of female sexuality. Charles II asserted his right to the throne by hanging portraits of his courtesans at Whitehall, while Whigs avoided blame for the volatility of the early eighteenth-century stock market by foisting fault for financial instability onto female gamblers. The discourses of sexuality and politics were imbricated in the texts of this period; however, scholars have not fully appreciated how female dramatists’ treatment of desiring female characters reflects their partisan investments. -
The Relapse by Sir John Vanbrugh
THE RELAPSE BY SIR JOHN VANBRUGH SPONSORED BY IBM UNITED KINGDOM ----------------- ------·---- ------- PRESENTED BY THE QJESTORS THEATRE ◊ lHE QUESfORS lHFATRE COMPANY First performance October 9th 1982 SIR JOHN VANBRUGH has a unique doubJe distinction in our history. Not only is he one of the most popular of Restoration playwrights, but he is also one of the most original and colourful of English architects. In addition he was a soldier, a spy, a herald (the Clarenceaux King of Arms} and a leading member of the famous Kit-Cat Club. His father was a prosperous sugar merchant of Dutch descent who had 18 children. John Vanbrugh was born in 1664, in London. Our next news of him is in 1692 when, as Captain Vanbrook, he was arrested in Calais for making drawings of the fortifications. He was imprisoned in the Bastille in Paris and turned his quite pleasant incarceration to good account by drafting a comedy. This later saw the light at Drury Lane, called The Provok'd Wife which The Questors presented in 1972. On his release Vanbrugh took up soldiering again as a Captain of Marines and developed a lasting admiration for the Duke of Marlborough. He also much admired a play by Colley Cibber called Love's Last Shift and particularly the character of Sir Novelty Fashion (acted by Cibber), so much so that Vanbrugh wrote a sequel to the play, which he did in six weeks. This play was The Relapse and Sir Novelty Fashion became Lord Fopping ton. At its first night the actor playing Worthy, according to Vanbrugh, 'waddled on the stage' blind drunk and nearly ravished Amanda for real. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England Permalink https://escholarship.org/uc/item/1sg758sd Author Azevedo, Jillian Michelle Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Jillian Michelle Azevedo June 2014 Dissertation Committee: Dr. Thomas Cogswell, Chairperson Dr. Jonathan Eacott Dr. Christine Gailey Copyright by Jillian Michelle Azevedo 2014 This Dissertation of Jillian Michelle Azevedo is approved: __________________________________________ __________________________________________ __________________________________________ Committee Chairperson University of California, Riverside Dedication To my Parents and Grandparents iv ABSTRACT OF THE DISSERTATION Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England by Jillian Michelle Azevedo Doctor of Philosophy, Graduate Program in History University of California, Riverside, June 2014 Dr. Thomas Cogswell, Chairperson During the seventeenth century, the English were integrating foreign foods into their lives at an unprecedented, and previously unacknowledged, rate. This is apparent in both English homes and popular culture, as foreign foods were featured in contemporary recipe books, medical manuals, treatises, travel narratives, and even in plays performed during the period. Their inclusion in the English home and in popular culture is important; it illustrates that there was a general fascination with these foods that went beyond just eating them. When written about in travel narratives or incorporated into plays, the English were able to mentally consume such products.