PBT"¦O Vissc L at YOUR FAVORITE Scripted Into the Jobs Tney Wo.V S

Total Page:16

File Type:pdf, Size:1020Kb

PBT Wednesday, June 10 t 1942 DETROTT EVENING TIMES (PHOSE CHEHRY t 88uv, PAGE 11 to .come to Germany the problem the scheme now being used In nine working hours for six days ticularly hard hit by this decision to larger, more efficient plants so odlcal appeals are made to the men transporting still remains, parts oi Saxony. There a week. Where possible, each person' 24-hour work scheduled may be to towards them. of them certain flgur— two a little garden. > Official show that .1,000,* another bottleneck in the labor an out-and-out return to the The practice of working must also cultivate maintained. 000 more wdmen are now em- Manpower regular I Drained now may their problem. feudal system has taken place. jobs at the same time is They augment EMPLOYERS PUNISHED ployed than at the beginning of | The worker* not only bound encouraged, while it was food rations by raising chickens war. , LABOR CONSCRIPTED are being Factory owners who divert the to the employer but unable to auit previously forbidden. Any man and rabbit*. If they refuse to do Besides recruiting and Importing But they not show sufficient .labor from specified channels are (Tomorrow, In another inside if do day on the latter they are cut to regular labor from every place possible, speed they may be fined for ‘‘in- who can work a full being sent to concentration camps. story about Germany, Hugo Perils Nazi job day on for everything they eat. War Plans and a half is rations reveals more weak the conscription of labor at home efficiency. another -One factory manager received Speck some encouraged of production machine.) occupied territories is to do so. A centralization such spots In the Nasi war and in the 10 HOURS A DAY An absolute must for country in the better equipped factories is a sentence when it was dis- . now being resorted to in an at- order save covered was using two women Drafting and Mobilizing Labor Working hour* for men have people this year is to work on also taking place in to he “Vour Own Horoscope,’* by tempt to fill labor needs in Ger- day for and wives labor and step up production. The workers in his plant as maids in been fixed at 10 hours a farm*. Retired farmers Frances Drake, Is one of many many. six days a week and a large per- of farm workers who have been small factories with poor produc- [his home. famous features In Fails to Keep Fighting Machine Fit A limit once existed on the time * <*ntage put in two hours overtime living on allowances from their tion facilities are being closed and Because of the number of The Detroit laborers conscripted in Germany each day. For women, there are husbands at the front are par- the workers there are being sent women working in Germany, peri- Times. The (Hugo proper could be held. limit Speck, International News Service correspondent who used to be three months but that returned this week from Germany where he was interned with abolished and the 1,y)0.- other American after entered the war, has been correspondents America 000 Germans who have been con- VvRkS, reveals in the following uncensored article that the Nazis’ labor PBT"¦o ViSSc l AT YOUR FAVORITE scripted into the jobs tney wo.v S. TODAY j ¦MOVIE shortage is so acute even the importation of workers from Italy hold held for an indefinite I 1 1 ISShTIfIS! countries to it.) can be and other under Hitler’s heel has failed alleviate period by their employers. Even more binding than this is br-: WAR BONDS AND STAMPS SOLD AT ANY OF THESE THEATERS I By HUGO SPECK —Baglay. Grand River tvf. t! TL. * lot’l News hnlw HU* Cfmpoadril Harper as* Frwatooae. PL. *347. * —Terming ton, Mich. Phone 444 ? MinnriM DAncfvf IT— SfP— fIVIf „.u ' mitfllllftn FOR ONK WEEK STARTING hUUoLTCLI Air Conditioned. Doors Open ALL Coat. Noon. Cooled TANAL ZONE,* vl'll Open 4:30. Free to Ladles . I "TWO-rAUED Morris, Hugh Her-| Oberon. Alan Marshall FRIDAY, ON STAGE IN PERSON! ARTIE TodSy at • P M Parking. NEW YORK, June 10 Short-| Italy 272,000 Chaster Harriet Hilliard. Plus Dlnnerware! Air Conditioned. “LYDIA." Merle WITH A Melvyn Douglas. “MAN WITH TWO LIVE*.” John How- bert, TEIJ.ING ME." Lupe, •THUNDER RIVER FEUD*,’ Range Buster* SHAW AND HIS BAND HUGEi WOMAN.'* Greta Oirbo. age is Bohemia-Moravia 140,000 "YOU'RE ALL STAR HHOW At.tHitt a costeiio. 'Rina 'em. cowboy.* of labor one of the biggest ard, Lucille Fairbanks Free Dlnnerware. Veles. “MKXK.YN MPITFIRK *T SEA LADY." Belgium 132,000 —Od. River a* Tram bell TE. 1-7SSS Screen. “THE GREAT MANS TO. - PI HOC C-lIU*M'MdwiH S-SlU* — DfKCntl Stumbling blocks threatening. Ge- miMC Stirring Drams of the Air ULUDC Sidney Toler. Arlens Whelan tn nUdCUAIX Tyrom Yugoala via 109,000 CIVIC DETROIT 6:00. Free Dinner- Weaver yiruiriy -cooled com fori •* open t:45--Fark Free. rmany's AUAJno "suicide bqiaubon.’* "CASTLE IN THE DESERT." lulLlllllftlt Power. Oene Tierney In "SON OP FURY," war machine. Holland 98.000 Also Dannie O'Keefe In war* to Ladies. A:r Cooled. Mena Oberou Broa., “SHEPHERD OP THE OZAEKN.' Door* Open 16'46 A. M. Rosalind Russell Alan “LYDIA.” Plus Spencer Tracy Hedy La- 7-10:15. WilUr Pldgeoo, Even drafting . OT JIMMY VALENTINS." Marshall la Second Big Week! with and mobiliz-i Slovakia 80,000 "ATTAINS “CANAL ZONE,” with Che*’*r Morns. marr John Oarfleid In John Steinbeck'a in "DEMON KOR SCANDAL.’' S:I0 Hess. ing labor in every nook and cranny 49,000 “TORTILLA FIAT." Alio “THIS TIME France lIUIIDII—Meek aaar St. Jeaa LX. SIM < 'aweeo, DAcryn C—t Uca at OratM Asenna fliU/QfiN— Mich. LI. S-01M A CAN ELY.” FOB KEEPS.” Ann Rutherford, R Stirling ! itUJLf ILLCI of Nazi Europe, Germany has a Hungary 85,000 AvlmlUlL FUSE TO LADIES BEAU- ILAnOUn Open 4:30. Victory Night. In “ALL THAT MONEY Jtmtny oy*>n. FredHS TIFUL "OEOROIAN EGGSHELL” DIN- “CLONE CALL POM ELLERY QUEEN.* Bartholomew. "CADEPi ON PARADE labor which can Kent Taylor, Frances Langford. “MISSIS- "’ < anfield. serious problem Denmark 29,000 NERWARE EVERT TUEB., WED. AND Wm. Gargan. Free Lutoea to ins Ladim MTnTnUrti-™ 1 Park Free.] •'LI DIA," with Merle One, on (art'vv, SIPPI GAMKI.ER.” Plua “TBEAT ’EM IrUDlt/nn Riti Broe. Lynn Bari In never be solved as long as she Bulgaria 15,000 THURA.. MAT AND EVE. A SET YOU ROUGH,” Eddie Albert. Peggy Moran. 12,- WILL BE PROUD TO SERVE. rpilllY-MMI Woodward, at Grand “PACK UP YOl K TBot BlJCtt.” Pit, DHlirC—Maitlarr Ate. Park Free. *> keeps between 10,000,000 and Others 190,000 UIUUIV Russc’!. O’Brien, Edw, Arnold In “SLIGHTLY j IVUUIIC Open 4.15. Jw.’ Da/", - Ptdgeon. ****Hamilton, at « aafleld Walter Rosalind HO.NOKABEC,” A 000,000 men under arms. —Mark near 81. Jeaa LE. SIM ffW KPIfM “DESIGN POE SCANDAL.’’ Jeff Lynn Lass Riot. Dlnnerware. Albert Dekker In YOtfEL BOY." Piua It Is reported that the last iMfIDII LULIJLUiU Open 5:00. Ladle*' Nlgnt. LADY," Sidney Hlbckmer. nUMIML park Tree. Open 3. Cooled. Payne Conetancr Bennett In “LAW '*P TMK “GALLANT And because a labor shortage 15,000 Claudette Colbert. John in "RE —Scbaefee at Nkb. OR MM category includes some Tree Dishes Mat. arid Eve. Don Amec he, TROPICS.” Open Noon. Parfi Free. MIHUMY dr Temple affects so many branches of any, MEMBER THE DAY.” Cheater Morrla n nUuTTAI Mat. Daily. Open 11 ij A. U —Weed ward. Near S Spaniards who .are working in Rosalind Russell. "FEMININE TOUCH.” “CONFESSIONS OP BOSTON BLACKIE.” BHYVI\UAI Open 24 Hours. Park Free. Cooled country's war effort. Hitler’s lack Plus Chaster Morris In "CANAL ZONE." Jeffarsoa VI. t-IMIif Tyicna Power In “SON OF r'UKv.” WaUei German mines, but that has not rtllfßF—MtUIVAntIL 4W. Fadgeoo tr “DESIGN rOR SCYNDAL. *i by Rfrgn. Jack Oakis, Linda Darnell la of manpower behind the lines is rni fiNIII—Woodward-Albley. Park Tree. FREE PARKING. AJK '•RISE AND SHINE." Plus "SHUT MY yet been officially confirmed. linrs Tard Kaad-Chase, Dearborn LULUniAL open Night. COOLED. AfD TO THE HARD OP HEAR- MOITH," All LADIES < Formerly Zellah) —-Moran at Ferry 810 Joe E. Brown. Plus Lt. bound, sooner or later, to affect BLDLII Open 4:16. Air Cooled. Andy “MISSISSIPPI GAMRIJ.R, " Kent Taylor ING. FREE COSMETICS TO MADAM Jae Stewart. "WTNNINO YOUR WINQS.'* THURSDAY. mlmAlt Open 6 30. Free Dlahea adversely the efficiency of his FOREIGNERS AT WORK Devine. "NOSTSI TO THE KLONDIKE." France* Langford. Also "SECRETS OP EVERT WEDNESDAY AND ZaeuPltta. Boyd. Lockwood. “A GIKL Mt ST UYE.’* —T >*•»•* Mayen IN. “80*8 TOCS AUNT EMMA." THE WASTELAND.” Bill A. Clyde. joesnoa Mar*. PDVAI and S-44M* fighting forces at the front. Of the foreign workers 472,000 SCHOOL DAYS AT pDiimc-am w. vi. *-1*47 if Kent Taylor, “MISSISSIPPI GAMBLEM." IwIAL Open 4:15. Park Free. Last Show —L Warren at Outer Dr. NI. 77ZS "" UlUim/C 12 Noon to 1 it CfP a 1 Open • 9:40 Cool Comfort I Abbott and Costello ta SHORTAGE OF LABOR are women. Only ALuEA Open «:00. Last Show t P. M. COLONY- F ark Free. Air Cooled. Conetane* B*nn-- —'** Dyke at ft-Mlle Rd. "RIDE ’EM. COWBOY." Greta Garbo. about half of Vs.W'M "MEXICAN SPITFIRE AT MfiTfiD PITYvdll are employed agriculture Errol Plyna. "THEY DIED WITH THhIK Oberon in “LYDIA.** EdmunJ Low* in Cviametlca! IrlvlUn Tyrone Power. Gene Tierney Melvyn Pom He "TWO-9 ACED WOMAN" That there is a critical labor these in PUT IN BAY BOOTS ON." Plus Gene Tierney and Victor “KUINDIKE Lucille Falrbank-.
Recommended publications
  • Los Angeles Times
    Los Angeles Times July 20, 2006 http://www.latimes.com/entertainment/news/movies/cl-wk-notebook20jul20,1,868442.story Some real eye-openers Preservation fest at UCLA returns in gorgeous style, with a bouquet of unusual finds. By Kenneth Turan Times Staff Writer The UCLA Film & Television Archive's Festival of Preservation is at it again. Taking over the James Bridges Theater in the campus' Melnitz Hall today through Aug. 19, the 13th preservation event is once more showing the widest and most exciting variety of films of any festival in the known world, running the gamut from Victor Mature's unmistakable grunts in "One Million B.C." to the experimental efforts of elegant aesthetician Kenneth Anger. What makes this festival special is not just the pains the archive's restorers have taken to make every print the best one in existence, it's also the care that's gone into the choice of films. Everything screened, starting with the opening night sepia-toned print of "Of Mice and Men," is unusual, unexpected and of maximum interest, from sparkling versions of known classics such as John Cassavetes' "Faces" to unjustly neglected gems like Vitaphone musical shorts of the late 1920s, a rarely seen record of what made the Jazz Age jazzy. This year, it seems the wonders never cease. Among the joys are a silent film that rivals its Oscar- winning sound remake, a sound film without its world-famous words, amazing special effects spanning several decades, an unlikely film noir faceoff between Humphrey Bogart and Zero Mostel, and a sexually provocative transgender film from 1940.
    [Show full text]
  • “The Cuckoo School” Humor and Metropolitan Culture in 1920S America
    1 “The Cuckoo School” Humor and Metropolitan Culture in 1920s America April Fool’s Day, 1923: The Palace Theatre at 47th and Broadway is hosting National Vaudeville Artists’ Week, a fundraiser for the Keith-Albee Organization performers’ union. On the bill are such luminaries as singer Sophie Tucker, Ben Bernie and His Orchestra, musical comedy two-act Herb Williams and Hilda Wolfus, contortionists the Luster Brothers, “nut” comedians Sam Dody and Sam Lewis, and others.1 It is Dody and Lewis, we will imagine, who will make a particular impression on one member of the audience that night. No description of Lewis and Dody’s performance that night has been located. But we know from extant reports and phonograph recordings that their act from this period typically consisted of a single song—“Hello, Hello, Hello!”— extrapolated to include a variable number of stanzas, each one ending with the triple salutation and interrupted with absurdist asides. They come onto the stage, lifelessly grunt a gibberish refrain, introduce themselves with deadpan affect— “I’m Mike,” says one, “I’m Ike,” the other—and launch into a verse, delivered less as a song than as a matter of fact. Just the other night Right near from here, We saw a funny sight: A couple they were dispossessed; The wife stood there in tears. That’s the first time they’d been out together in twenty years. Hello, Hello, Hello! Hello, Hello, Hello! You can’t milk a herring. Hello, Hello, Hello! 21 22 Chapter 1 Sticking to their toneless voices, they reintroduce themselves “(“I’m Mike,” “I’m Ike”) and commence another verse: We filed our income tax.
    [Show full text]
  • Richard Burton
    Richard Burton For other people named Richard Burton, see Richard Burton (disambiguation). Richard Burton, CBE (/ˈbɜrtən/; 10 November 1925 – 5 August 1984) was a Welsh stage and cinema actor[1] noted for his mellifluous baritone voice and his great act- ing talent.[2][3] Establishing himself as a formidable Shakespearean ac- tor in the 1950s, with a memorable performance of Hamlet in 1964, Burton was called “the natural suc- cessor to Olivier" by critic and dramaturg Kenneth Ty- nan. An alcoholic,[3] Burton’s failure to live up to those expectations[4] disappointed critics and colleagues and fu- [3][5] eled his legend as a great thespian wastrel. Burton was born in Pontrhydyfen, where his father and some of Burton was nominated seven times for an Academy his brothers were coal miners Award without ever winning. He was a recipient of BAFTA, Golden Globe and Tony Awards for Best Ac- ing with Cecilia, Burton attended nearby Eastern Primary tor. In the mid-1960s Burton ascended into the ranks of School on Incline Row.[13] Burton said later that his sister the top box office stars,[6] and by the late 1960s was one became “more mother to me than any mother could have of the highest-paid actors in the world, receiving fees of ever been ... I was immensely proud of her ... she felt all $1 million or more plus a share of the gross receipts.[7] tragedies except her own”. Burton’s father would occa- Burton remains closely associated in the public con- sionally visit the homes of his grown daughters but was sciousness with his second wife, actress Elizabeth Taylor.
    [Show full text]
  • Inside Facts of Stage and Screen (February 28, 1931)
    1! A STAGE PRICE 10 CENTS RADIO SCREEN MUSIC Only Theatrical Newspaper on the Pacific Coast EDITED BY JACK JOSEPHS ESTABLISHED 1924 Entered as Second Class Matter, April 29, 1927, at Published Every Saturday at 6253 Hollywood Boulevard, Vol. XIII ’ office, Los Angeles, Calif., under Act of March 3. Saturday, February 28, 1931 Hollywood, Calif. •No. 8 BIGGER STAGE SHOWSTO MEET H-F PRICE SLASH Tie-Up Of Plunkett Coin Hits On Coast Production For Meet “The only studio departments San Francisco, Feb. 27.— •working at anything like full swing meeting here between Joseph at present are the publicity depart- Plunkett and execuive chiefs on the west coast for R-K-O ments—and they’re working over- decided to continue stage time alibying for the slump in pro- shows in all R-K-O coast duction.” houses, and to build them up This statement was made confi- . to a more elaborate scale. dentially this week by a big picture Lines of girls will be added, exec., who was addressing a group and there will also be orches- of exhibitors’ representatives who tral pit shows, with both men were in town to find out what’s and women entertainers work- what for the coming year. ing in them. The exhibs, the stock market and Entry into the exhibition field of the inhabitants of Hollywood are the new Hughes-Franklin combina- | being fed with big stories regarding tion is not going to be taken ly- production, making one judge by ing down by the already establish- these stories that the town is even ed circuits.
    [Show full text]
  • Florenz Ziegfeld Jr
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals.
    [Show full text]
  • Course Summary
    PRELIMINARY COURSE SYLLABUS Course Title: Film Noir in the 1940s: The Primacy of the Visual Course Code: FLM 18 Instructor: Elliot Lavine Course Summary: *Please see course page for full description and additional details. Note About Live Attendance and Recording: These class sessions will be recorded. Live attendance is required to earn Credit. Grade Options and Requirements: · No Grade Requested (NGR) o This is the default option. No work will be required; no credit shall be received; no proof of attendance can be provided. · Credit/No Credit (CR/NC) o Students must attend at least 80% of class sessions. *Please Note: If you require proof that you completed a Continuing Studies course for any reason (for example, employer reimbursement), you must the Credit/No Credit option. Courses taken for NGR will not appear on official transcripts or grade reports. Tentative Weekly Outline: Please watch the listed films before the class session that week. They can be rented via YouTube Movies or Amazon, and some might be on services such as Hulu or Netflix. Typically, if you do a Google search for a title, it will display the various streaming options. PLEASE NOTE: At various times, certain films become unavailable for streaming on any platform. This was the case with the films THEY LIVE BY NIGHT and BODY AND SOUL, which were originally a part of this lineup, but are no longer available to rent. PRELIMINARY COURSE SYLLABUS Additionally, each week you’ll receive a link (or sometimes two) in your weekly Canvas message to watch BONUS NOIR FILMS via YouTube or some other mysterious source (for free), which will also become part of the Zoom conversation -- making each session a true double feature.
    [Show full text]
  • Samson and Delilah
    SAMSON AND DELILAH USA 1948 131 minutes Director Cecil B. De Mille Writers Fredric M Frank; Vladimir Jabotinsky; Harold Lane; Jesse Lasky Jr Music Victor Young Cinematography George Barnes Dewey Wrigley (holy land photography) Cast Samson Victor Mature Miriam Olive Deering Delilah Hedy Lamarr Hazel Fay Holden Semadar Angela Lansbury Haisham Julia Faye Prince Ahtur Henry Wilcoxon Saul Russ Tamblyn I have fond memories of this film as one shown on the Saturday Night at the Movies spot, when I was much younger. The feats of strength of Samson were most impressive to a callow youth unaware of the tricks of the movie industry! Samson and Delilah, is an enjoyable romp, which both stars appear to have relished. Whilst not a profound film, it is a fitting tribute to two stars who were interesting individuals at a period when the studios ruled the lives of their contracted stars extremely closely. Cecil B De Mille directed the film, and it is of course one of the numerous spectacularly lavish and colourful biblical epics he made. Another reason for selecting this film was simply to show that our Committee has a good sense of humour and does not consider itself too seriously! ************************************* Hedy Lamarr passed away on 19 January 2000. In this film, she was an impressive attraction to any young teenager. Her allure was heightened by the startling news of her early nude acting role. Born Hedwig Eva Maria Kiesler in Vienna on 9 November 1914, she enrolled in Max Reinhardt’s acting school and he was so convinced of her potential that he took her on as a personal pupil.
    [Show full text]
  • Victor Mature Samson
    III ii i. Li Li LI & i i a LjL3nV iujl, U lOuwlJU mm ANNOUNCE.WEDDING HOME FROH HOSPITAL where they witnessed The Lost Col- ony. Harper - Southerland Community Hews 4 Friends here have received an- - : Mr. Pinkney Aldrldge who has ,Capt. Rommle Holt of Atlanta - nouncement of the marriage of been hospitalized in Fay etteville arrived for a short visit with rela- week per- Mist Irene Davis of Nashville to for sometime, has returned home. tives enroute for a two Church services will be held on Kinston spent Sunday with Mr. victor offl Mature Mr. Thomas Arthur Thurmond of iod of training in the reserve Sunday July 23 at 11 o'clock. The and Mrs. Charles accompanied Brewer. Rocky Mount, which took place in PERSONALS cers corps. He was public is invited. Mr. and Mrs. Mark Smith and Monday toy Mr. and Mrs. the Christian Church in Wilson to Lejeune Mr. and Mrs. John Martin of Miss Irah Smith of Deep-Ru- were AS '' Mrs. Friday, June 30, at 8:30 p.m. Mrs Mr. Lylton Maxwell has return- H.D. Maxwell and his sister, dinner guests of Mr. and Mrs. Winston-Sale- men in Thurmond taught the third grade ed to his home in Leo Watlington, who also visited the Marines.' Blanchard Southerland Sunday. day. Leaving during the week end for in the local school for a few years after a week end with his parents. in Wilmington later in the Mrs. Willie Harper Ruthie Statesville, be tob- and prior to going to-t-he Mt. Olive Mrs.
    [Show full text]
  • Lawrence Welk's Orchestra Furnishes
    Sunday, July 5, 1942 DETROIT SUNDAY TIMES (PHOSE CHERRY 8800) PART 2, PAGE 9 Sault Soldier Missing United States Army forces during Outdoor Amunemrnt* Symphony Begins Spend Summer fighting there, but no World War I Dance SAULT STE. MARIE, July 4 word been received as to Belle Isle Concerts On Canadian Farm Austin J. Smith, 23, of Sault. has whether hd lw»i‘n reported missing in action might have been taken prisoned FOURTEENTH season Pay in THE Helps for War II MR AND MRS. MAX HRAD- th»* Philippines He was with by the Japanese. Furnishes oi tha Municipal Symphony Con- LIBERTY. N Y, 4 (INS) Orchestra July daughter. Lawrence Welk’s SIIAW McKKK. their certs played by the Detroit —World War I has declared a div- Patricia, and their son, Brad- Symphony Orchestra will open idend here that will be used for shaw, will leafte July 15 to on Belle Isle Tuesday and will of World War 11, Champagne Tunes for Jam Session the prosecution spend the summer at their farm continue for three weeks. although it amounts only to $5.40. near Harroftv. Canada. night, 5-cent skating, park cross-country tour of one-night Five concerts will be played That sum has been turned over to I AWRENCE WELK and his with week on Tuesday, Wednes- plan, and 5-cent rides. stands. each orchestra, playing his "Cham- day, Thursday, Friday and the local defense council by a r Those distinctive "Harmonies An effort to obtain a girl resident who ha* been haunted pagne Music/’ will be on hand by Hoff,” Carl Hoff and Saturday evenings and the series TO which understudy for the Peaches Sky will end on Saturday night, by the money for more than 23 NO SAILINGS for the Sunday jam session at his orchestra are playing at the < Revue, now playing at Edgewater July 25.
    [Show full text]
  • Twentieth Century Fox: 1935-1965
    The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.
    [Show full text]
  • 1949-02-11, [P ]
    Cho9* Variety of POLISH JlOME COOKED MEAL* EVERY DAY LIQUORSU WINES—BEER MIXED DRINKS Open Daily from 6:00 A. M SPECIAL SUNDAY DINNERS tok:3&.A M Friday, February 11, 1949 TOLEDO UNION JOURNAL Page Five Visiting Time IWewissaBid <a<»Ksip I BARBERSHOPPING I FINISHED '/> 11 TV 1 HOLLYWOOD — The “Bar- ( yQ O Pl ber Shop Quartet” number in CX k-/ X Xvl. geon, Johnson Top M e t r o-Goldwyn-Mayer’s “The! 7 Good Old Summertime,” has! wound up shooting, completing; w i the list of musical selections toi AlbStar ‘ Command Decision” be filmed. Judy Garland was z/- E<SCRE 0 featured in the number. I ^,4^ Releaaetf by WNU Feature*. For sheer thrills, mounting suspense and heart-gr:——g in­ O Give Lizabeth Scott a good tensity, there has never been a picture like “Command on,” death scene and she's happy. She Glamour. Inc the explosive, star-studded drama coming to the Valentine The­ didn’t like the one in “Dead atre. Reckoning” — “It was only a When you consider that the all-male cast of this new M-G-M three-line scene, and the dial­ offering is headed by such top ogue was terrible,” she explained film personalities, as Clark Ga­ at lunch the other day. “But I Iturbi Is Veteran ble, Walter Pidgeon, Van John­ have a five-line scene in “Bitter son, Brian Donlevy, John Hod- Victory,” and it was supervised In Films, After All iak, Charles Bickford and Ed­ by a famous doctor, so it’s abso­ HOLLYWOOD — When­ ward Arnold, you have an idea lutely authentic.” ever anyone congratulates of the importance attached by Jose Iturbi, who is one of M-G-M to its film version of the the headliners of “That Mid­ smach Broadway stage success.
    [Show full text]
  • Actor with Two Lives by ARTHUR and BARBARA GELB
    64 Actor With Two Lives By ARTHUR AND BARBARA GELB In the unstable realm of show business, Stewart Granger, one of the first to Richard Burton, urbane star where the road from rags to riches is recognize Burton's talent, told him he taken for granted, the rise of Richard looked "atrocious" when he turned up for Burton is a legend. Born into an impover- lunch one day in a baggy, twenty-two- of Camelot and Cleopatra, ished family of uneducated, Welsh- dollar suit. Burton smiled and_said, "I'm speaking miners, Burton has become one not a glamour boy." of the most polished and sophisticated Burton's taste in food is no more re- darling of the critics, is still a actors in the world. fined than his taste in clothes. His favor- As a boy, he struggled to learn English, ite snack is an order of French-fried po- hoping to escape the coal pits of his native tatoes between two slices of white bread. brawlingWelshman offstage. Welsh village. He did escape; at the age Burton's wild, Welsh rages became of twenty-four he was playing leads in legendary in Hollywood during the film- Shakespeare. In demand ever since for ing of The Robe, with Victor Mature and roles that require classical acting and Jean Simmons. On the set one day he de- regal bearing, he recently left the part of liberately ran his head into a wall after King Arthur in the Broadway musical failing several times in attempts to per- Camelot to portray Antony, opposite form a stunt called for by the script.
    [Show full text]