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The Poetry of Robinson Jeffers
The Poetry of Robinson Jeffers 1 Table of Contents The Poetry of Robinson Jeffers About the Book.................................................... 3 “Permanent things, About the Author ................................................. 4 or things forever Historical and Literary Context .............................. 7 Other Works/Adaptations ..................................... 8 renewed, like the Discussion Questions............................................ 9 grass and human Additional Resources .......................................... 10 passions, are the Credits .............................................................. 11 material for poetry...” Preface The poetry of Robinson Jeffers is emotionally direct, magnificently musical, and philosophically profound. No one has ever written more powerfully about the natural beauty of the American West. Determined to write a truthful poetry purged of ephemeral things, Jeffers cultivated a style at What is the NEA Big Read? once lyrical, tough-minded, and timeless. A program of the National Endowment for the Arts, NEA Big Read broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. Managed by Arts Midwest, this initiative offers grants to support innovative community reading programs designed around a single book. A great book combines enrichment with enchantment. It awakens our imagination and enlarges our humanity. It can offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining the NEA Big Read. NEA Big Read The National Endowment for the Arts 2 About the Book Introduction to Robinson Jeffers The poetry of Robinson Jeffers is distractingly memorable, not only for its strong music, but also for the hard edge of its wisdom. His verse, especially the wild, expansive narratives that made him famous in the 1920s, does not fit into the conventional definitions of modern American poetry. -
Bringing Art to All Americans
BRINGINGBRINGING ARARTT TOTO ALLALL AMERICANSAMERICANS AA CONVERSACONVERSATIONTION WITHWITH DANADANA GIOIAGIOIA here is no central literature, and art, and has composed ministry of culture that sets librettos for operas. national policy for the arts in In the following conversation, Gioia the United States government. discusses a range of subjects, from the The two national endowments public and private aspects of T— the National Endowment for American culture to the evolution of the Arts (NEA) and the National various disciplines. Dana Gioia Endowment for the Humanities (NEH) — provide grant support for individual artists Q: Let’s begin by viewing the arts in America and scholars and for arts and humanities institutions. through your unique prism — the NEA itself. While the NEA budget — $115 million for fiscal year A: I come to the NEA with a very simple vision. A 2003 — is quite modest when compared to other great nation deserves great art. America is the nations’ public arts funding, private donations have wealthiest and most powerful nation in the history of always provided the major support for American the world. But the measure of a nation’s greatness culture. Private spending for the arts in the United isn’t wealth or power. It is the civilization it creates, States for the year 2002 has been calculated at fosters, and promotes. What I hope to accomplish roughly $12.1 billion. During its nearly four decades here, in the broad sense, is to help foster the public of existence, the NEA, whose goals are to encourage culture that America deserves. excellence and to bring art to all Americans, has used Although we are the largest arts funder in the its funds as a spark for private beneficence. -
The Permanent Rebellion of Nicolas Calas: the Trotskyist Time Forgot Wald, Alan
The Permanent Rebellion of Nicolas Calas: The Trotskyist Time Forgot Wald, Alan. Against the Current; Detroit Vol. 33, Iss. 4, (Sep/Oct 2018): 27-35. Abstract Foyers d'incendie, which has never been fully translated into English, involves a reworking of Freud's idea of the pleasure principle (behavior directed toward immediate satisfaction of instinctual drives and reduction of pain) to include a desire to change the future. [...] rather than following Freud in accepting civilization as necessary repression, Calas was adamant in posing a revolutionary alternative: "Since desire cannot simply do as it pleases, it is forced to adopt an attitude toward reality, and to this end it must either try to submit to as many of the demands of its environment as possible, or try to transform as far as possible everything in its environment which seems contrary to its desires. According to Schapiro, Breton chose van Heijenoort and Calas to defend dialectical materialism, while Schapiro arranged for Columbia philosopher of science Ernest Nagel and British logical positivist A. J. Ayer (then working for the British government on assignment in the United States) to raise objections. Exponents such as Larry Rivers, Robert Rauschenberg and Jasper Johns often drew on advertising, comic books and mundane cultural objects to convey an irony accentuating the banal aspects of United States culture. Since Pop Art used a style that was hard-edged and representational, it has been interpreted as a reaction against Abstract Expressionism, the post-World War II anti-figurative aesthetic that emphasizes spontaneous brush strokes or the dripping and splattering of paint. -
Redemption Songs
Redemption Songs $QJHOD$ODLPR2¶'RQQHOO | NOVEMBER 19, 2012 Pity the Beautiful By Dana Gioia Graywolf Press. 80p $15.99 DDQD*LRLD¶VQHZERRNRISRHPVPity the Beautiful, offers a series of powerful meditations on loss and the redemSWLYHSRZHURIEHDXW\WRVXVWDLQWKHVRXOWKURXJKWKHPRVWKDUURZLQJRIKHOOV7KLVLV*LRLD¶VIRXUWK ERRNRISRHPVDQGKLVILUVWFROOHFWLRQLQ\HDUV7KHORQJKLDWXVZDVRFFDVLRQHGE\*LRLD¶VVL[-and-a-half- year service as chair of the National Endowment for the Arts under President George W. Bush. His long and successful foray into the realm of public service has served Gioia well as a poet. His signature public project² to take art out of the realm of academics and aesthetes and restore it to ordinary people²brought him into close contact with the preoccupations and the idiom of his readership, enabling Gioia to create poems that speak powerfully of our universal loves and losses and address our deepest desires. Pity the Beautiful does all of this, offering 35 poems that are compelling, haunting and, in fact, beautiful. The narrative arc traced in the course of the volume is one of pilgrimage. Gioia is a modern-day Dante, moving poem by poem through the stations of Hell and Purgatory, bringing us to the gates of a Paradise that is promised but not yet gained. The poems take us, inevitably, to dark places: the special treatments ward of a KRVSLWDOILOOHGZLWKG\LQJFKLOGUHQWKHER[RIOHWWHUVZULWWHQE\WKHSRHW¶VEHORYHGGHDG UHYHQDQWVZKRKDXQW this collection) and, in a wry twist, to the shopping mall, with its glittering altars to the false god of commerce we (un)wittingly worship. *LRLD¶V YLVLRQ KRZHYHU LV XOWLPDWHO\ D KRSHIXO RQH $Q XQVSRNHQ EHOLHI LQ WKH WKHRORJLFDO JLIW RI JUDFH pervades the poems²a suspicion, if not an outright conviction²that there is a divinity that shapes our ends, rough-hew them how we will. -
For My Daughter’
UvA-DARE (Digital Academic Repository) ‘These speculations sour in the sun’: Self-Reflection, Aging, and Death in Weldon Kees’s ‘For my Daughter’ Glitz, R. DOI 10.35360/njes.489 Publication date 2019 Document Version Final published version Published in Nordic Journal of English Studies License CC BY Link to publication Citation for published version (APA): Glitz, R. (2019). ‘These speculations sour in the sun’: Self-Reflection, Aging, and Death in Weldon Kees’s ‘For my Daughter’. Nordic Journal of English Studies, 18(1), 27-53. https://doi.org/10.35360/njes.489 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 ‘These speculations sour in the sun’: Self-Reflection, Aging, and Death in Weldon Kees’s ‘For my Daughter’ Rudolph Glitz, University of Amsterdam Abstract This article provides the first thorough analysis of Weldon Kees’s canonical sonnet ‘For my Daughter’ (1940). -
Art of Poetry Syllabus (2018) Word
ENG 172g: THE ART OF POETRY University of Southern California Dana Gioia Fall, 2018 Monday / Wednesday, 2:00 – 3:20 p.m. THH, Room 201 Syllabus Overview This course provides an introduction to the pleasures and insights of poetry. Our coursework will be divided into two parts. In the first half, we will systematically explore the key elements of the poetic art (voice, image, suggestion, metaphor, and form) with examples drawn from the high points of English-language poetry. The second part of the course will explore the lives and works of seven major poets in depth: William Shakespeare, Emily Dickinson, Robert Frost, E. A. Robinson, Wallace Stevens, Elizabeth Bishop, and Langston Hughes. This course will develop your skill in critical reading and writing—focusing on both what literary language says explicitly and what it suggests. As you will discover, the careful study of poetry will enhance your general mastery of language. Underlying all of these academic aims, however, is the assumption that poetry is not a remote and specialized art whose mysteries can be appreciated only by a trained intellectual elite. This course rests on the conviction that poetry is one of the irreplaceable human arts whose power and pleasure are open to any alert and intelligent person with an inclination to savor them. Instructor Information Office Hours: Wednesday, 3:30-4:30 p.m. or by appointment. Taper Hall, Room 314 Contact Information: [email protected] Teaching Assistants: Matthew Berger: [email protected] Justin Bortnick: [email protected] Jessica Kim: [email protected] Required Texts An Introduction to Poetry. -
The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I
The Roy Davids Collection Part III Poetry: Poetical Manuscripts & Portraits of Poets Volume I: A - K Wednesday 10 April 2013 at 1pm New Bond Street, London 2 | Bonhams The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I: A-K. Lots 1-263 Wednesday 10 April 2013 at 1pm New Bond Street, London Bonhams Customer Services Illustrations Please see back of catalogue 101 New Bond Street Monday to Friday 8.30am to 6pm Front cover: Lot 229 for Notice to Bidders London W1S 1SR +44 (0) 20 7447 7447 Back cover: Lot 224 www.bonhams.com Inside covers: Lot 151 New bidders must also provide proof Viewing of identity when submitting bids. Bids Friday 5 April 9am to 4.30pm Please see back of catalogue Failure to do this may result in your +44 (0) 20 7447 7448 Sunday 7 April 11am to 3pm for important notice to bidders bids not being processed. +44 (0) 20 7447 7401 fax Monday 8 April 9am to 4.30pm To bid via the internet Tuesday 9 April 9am to 4.30pm Live online bidding is Bidding by telephone will only be please visit www.bonhams.com available for this sale accepted on a lot with a lower Enquiries Please email [email protected] estimate in excess of £400. Please provide details of the lots Matthew Haley with “Live bidding” in the on which you wish to place bids Luke Batterham subject line 48 hours before at least 24 hours prior to the sale. Simon Roberts the auction to register for Francesca Spickernell this service. -
The Businessman, the Statesman, and the Poet - the Best American Poetry
The Businessman, the Statesman, and the Poet - The Best American Poetry The Best American Poetry WHO WE ARE ABOUT ADVERTISE WITH US BOOKS POEMS GUEST BLOGGERS BOOK STORES EMILY CHICKENSON REMEMBERING PAUL VIOLI PAUL VIOLI PRIZE April 29, 2012 The Businessman, the Statesman, and the Poet Ed note: On Thursday, April 26, 2012, at The Corner Bookstore in Manhattan (93rd Street and Madison Avenue), Dana Gioia read from Pity the Beautiful, his most recent volume of poetry. Here is the text of David Lehman's introduction. (sdh): Most poets lead lives of quiet desperation or perhaps subdued contentment. The example of Dylan Thomas to the contrary notwithstanding, the life of a modern poet is not supposed to be dramatic, exciting, full of unexpected detours and flamboyant adventures. Take a look at the contributors' notes of a poetry anthology and you’ll see the typical profile: the poet has an MFA degree, teaches writing workshops at a university or college, has several publications, has gained some recognition, and lives with spouse plus a pet with a cute name in Tuscaloosa or Kalamazoo, or maybe Iowa City or Ann Arbor. How different from this paradigm is the life and career of Dana Gioia. After college at Stanford, Dana studied comparative literature at Harvard, picking up a master’s degree but deciding that the academic life was not for him. In 1975, he returned to Stanford to study business. With his MBA in hand he began working for General Foods in Rye Brook, NY, becoming a vice president of marketing, with responsibilities for such accounts as Jell-O and Kool-Aid. -
Poetry's Afterlife: Verse in the Digital Age / Kevin Stein
POETRY'S AFTERLIFE DIgITALCULTUREBDDKS is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Poetry's Afterlife VERSE IN THE DIGITAL AGE Kevin Stein The University of Michigan Press and The University of Michigan Library ANN ARBOR Copyright © by the University of Michigan 20IO Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America r§ Printed on acid-free paper 2013 2012 2011 2010 4 3 2 I A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Stein, Kevin, 1954- Poetry's afterlife: verse in the digital age / Kevin Stein. p. cm. - (Digitalculturebooks) ISBN 978-0-472-07099-2 (cloth: alk. paper) - ISBN 978-0-472-05099-4 (pbk.: alk. paper) I. American poetrY-21st century-History and criticism. 2. Poetry-Appreciation United States-HistorY-2Ist century. 3. Poetry-Appreciation-United States HistorY-20th century. 4. American poetrY-20th century-History and criticism. I. Title. ps326s74 2010 811.509-dc22 ISBN 978-0-472-02670-8 (e-book) For Deb, with daisies, And for Kirsten and Joseph, who question everything. -
Speaking of Love Recorded at Red Rock Studios, Saylorsburg, Pennsylvania
Acknowledgments For Love or Money, Family Letters, and Speaking of Love recorded at Red Rock Studios, Saylorsburg, Pennsylvania. Recording engineer: William Holmes; produced by Paul Salerni. Special thanks to David Diggs, Casey Rule, Laura Johnson, and Kent Heckman for their help at the recording. Quartet 1.5 recorded at Sound Studio Hamu, Prague, Czech Republic. Recording engineer: Michal Pekarek; produced by Jan Jirasek. Speaking of Love Special thanks to Lenka Mrazkova for organizing the recording. Special thanks to Llyena Boylan for her wise advice and to Lehigh University and its donors for their support. SONGS AND CHAMBER MUSIC BY PAUL SALERNI WWW.ALBANYRECORDS.COM TROY1651 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. WORDS BY DANA GIOIA BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2016 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Salerni_1651_book.indd 1-2 10/20/16 12:58 PM About The Composer A dedicated educator, Salerni is the recipient of the Stabler Award, Lehigh’s most valued acknowledgement of excellence in teaching. He served on the Board of the Paul Salerni’s music “pulses with life, witty musical ideas and Suzuki Association of the Americas for seven years, two as its Chair. instrumental color” (The Philadelphia Inquirer), and is “impressive” Please visit Paul’s website: www.paulsalerni.com and “playful” (The New York Times). Salerni’s chamber music and songs are widely performed. Recent commissions included a string quartet (Quartet 1.5—Emory Chamber Music Society About The CD by Paul Salerni of Atlanta) a suite for trombone and harp (2x242—Southwest I have been blessed with terrific collaborators, first and foremost my wife Laura Minnesota Arts Council), a vocal work for singer and chamber Johnson who not only was part of the team raising our sons (both of whom perform ensemble (Family Letters—SATORI) and a woodwind quintet (U-Turn—East Winds). -
Cynthia Article
THEATER MOVIES BOOKS MUSIC TV ART DANCE we’ve got soul BELIEVE IT. R&B IS ALIVE AND WELL ON THE DOCK OF THE BAY. by Kevin Berg- er eshell Ndegeocello has WHILE THE people who are not me. Not an hour before, the presence of a boxer, the OLD SCHOOL I had been reading a biography of Herman faith of a preacher, the heart HAS SOLD Melville, where I came across these lines of a poet. This past May, in OUT TO from his novel Redburn: “American blood… MADISON a rare club appearance, the is as the flood of the Amazon, made up of AVENUE, MEast Bay singer strolled onto the stage at a thousand currents all pouring into one. AND TODAY’S Bimbo’s, a slow, deep funk brewing behind SOUL-POP We are not a nation, so much as a world.” her; a striped wool cap, pulled down over KIDS CARE Lingering over those sentences one minute her forehead, gave her the look of a woman ONLY ABOUT and then living them the next transformed under pressure, ready to burn. She fixed MTV, LOCAL the show into one of those special nights her eyes on the crowd. “Gonna play some SOUL ARTISTS when all of the planets seem aligned. And, ARE KEEPING new shit for you tonight,” she said. She of course, the music knocked us out in all THE TORCH began to sing—a leathery tenor, riveted OF OTIS the right ways. with anger. “You sell your soul like you sell REDDING For Ndegeocello, the gig was a coming- a piece of ass,” she intoned, beats churn- BURNING. -
Catholic Imagination Conference Program
Connecting, Researching, Communicating THE THIRD BIENNIAL The Joan and Bill Hank Center CATHOLIC IMAGINATION CONFERENCE Cfor the Catholic CIH Intellectual Heritage THE FUTURE OF THE CATHOLIC LITERARY TRADITION www.luc.edu/ccih/ Loyola University Chicago | September 19-21, 2019 FALL 2019 LAKE SHORE CAMPUS CAMPION HALL WEST LOYOLA AVENUE CROWN MERTZ SeanSean Earl Earl Field Field CENTER HALL Alfie Norville Practice Facility CUDAHY CTA NORVILLE LIBRARY RED LINE GENTILE ATHLETICS LOYOLA ARENA CENTER STATION DAMEN DUMBACH STUDENT HALL CENTER LOYOLA INFORMATION COMMONS Entrance to Fordham parking East Quad CUDAHY HALAS SCIENCE HALL SPORTS MADONNA DELLA FORDHAM West CENTER STRADA CHAPEL HALL Quad P UNIVERSITY BOOKSTORE NORTH SHERIDAN ROAD NORTH SHERIDAN GRANADA CUNEO CENTER HALL CAMPUS SAFETY OFFICE COFFEY HALL P MUNDELEIN QUINLAN LIFE CENTER SCIENCES SHUTTLE PIPER CENTER HALL STOP FLANNER HALL WELCOME CENTER DEVON AVENUE WEST SHERIDAN ROAD RALPH BVM HALL ARNOLD SULLIVAN FINE ARTS DE NOBILI CENTER FOR ANNEX HALL STUDENT SERVICES REGIS INSTITUTE OF HALL SIMPSON ENVIRONMENTAL LIVING- SUSTAINABILITY LEARNING CENTER NORTH SHERIDAN ROAD NORTH SHERIDAN NORTH KENMORE AVENUE NORTH WINTHROP AVENUE NORTH BROADWAY STREET NORTH BROADWAY ALUMNI HOUSE 1 Welcome Conference Attendees: A warm welcome to the Third Biennial Catholic Imagination Conference. In 2015, we inaugurated this unique conference in lovely Los Angeles; in 2017, we assembled in beautiful New York City for an inspired second iter- ation; today, we bring the conference to sweet home Chicago—the city of Big Shoulders, quick wit, and a robust Catholic culture. Our conference features over 80 writers, poets, filmmakers, playwrights, journalists, editors, publishers, stu- dents, and critics who will explore a variety of questions surrounding the Catholic imagination in literature and the arts.