Arthur Conan Doyle's Sherlock Holmes: Contrasting the Original Stories and BBC's Sherlock Adaptation
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PDF Download Sherlock Holmes from Screen to Stage : Post
SHERLOCK HOLMES FROM SCREEN TO STAGE : POST- MILLENNIAL ADAPTATIONS IN BRITISH THEATRE PDF, EPUB, EBOOK Benjamin Poore | 258 pages | 05 Sep 2017 | Palgrave MacMillan | 9781137469625 | English | Basingstoke, United Kingdom Sherlock Holmes from Screen to Stage : Post-Millennial Adaptations in British Theatre PDF Book Sherlock Holmes. Robert Webb. Baskerville: A Sherlock Holmes Mystery [49]. New issue alert. The Secret Document [60]. Baker Street Victorian Undead. Who We Are. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. Sign In or Create an Account. Anthony Higgins. Radio ABC. I tend to foreground storytelling as a social act, that is, as a collaboration dependent on legal, economic and cultural conditions. Sign in via your Institution Sign in. Sherlock Holmes [19]. Stage Royal Shakespeare Company. Owen Gallighar, Eduardo Navas, Routledge, Sherlock Holmes in New York. The Valley of Fear. Wikimedia list article. I enjoy working with students one-on-one and have supervised independent studies on subjects as various as playwrights Susan Glaspell and August Strindberg, the theatre of India, children's books and young adult literature, stand-up comedy, true crime, erotica and Batman. I'm interested in how writing is made, marketed and sold. The Three Garridebs [52]. The Mask of Moriarty [44]. Young Sherlock Holmes. Metuchen, New Jersey: Scarecrow Press. Stage Metropolitan Opera House. Introduction: Sherlock Holmes Belongs to Everyone. This books provides a timely comparative case study that reveals the factors driving the International Sherlock Holmes and the Case of the Silk Stocking. The Armstrong and Miller Show. The Hound of the Baskervilles. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
The Baker Street Roommates: Friendship, Romance and Sexuality of Sherlock Holmes and John Watson in the Doyle Canon and BBC’S Sherlock
The Baker street roommates: Friendship, romance and sexuality of Sherlock Holmes and John Watson in the Doyle canon and BBC’s Sherlock. Riku Parviainen 682285A Bachelor’s Seminar and Thesis English Philology Faculty of Humanities University of Oulu Spring 2020 Table of Contents Abstract .......................................... ................................................................................... 1 1. The Meeting ................................................................................................................... 2 1.1 The doctor and the detective ......................................................................................... 3 1.2 The detective’s past ....................................................................................................... 5 1.3 The meeting re-envisioned ....... ................................................................................... 7 2. Bachelor life at Baker street .......................................................................................... 9 2.1 Victorian friendship ...................................................................................................... 9 2.2 Watson: the incompetent partner?................................................................................. 11 2.3 Conflict at Baker street ................................................................................................. 14 3. Romance at Baker street ................................................................................................ -
Telling the True Story
Bachelor Thesis Telling The True Story Queerbaiting, representation, and fan resistance in the BBC Sherlock fandom Suzanne Frenk 613191 Algemene Cultuurwetenschappen (Culture Studies) School of Humanities Tilburg University Supervisor: Dr. P. K. Varis Second Reader: Dr. I. E. L. Maly August 18, 2017 Synopsis In this thesis, I follow an online community on Tumblr revolving around a self- proclaimed conspiracy theory called TJLC. This group is part of the broader community of fans of the BBC TV show Sherlock, and is focused on ‘The Johnlock Conspiracy’: the belief that the two main characters of the show, John and Sherlock, are bisexual and gay, respectively, and will ultimately end up as a romantic couple, which would make Sherlock a mainstream TV show with explicit and positive LGBTQIA+ representation. This visibility is especially important to LGBTQIA+ individuals within the TJLC community, who want to see their identities more often and more accurately represented on television. The fact that the creators of Sherlock, as well as several of the actors in the show, are either part of the LGBTQIA+ community themselves or known supporters, works to further strengthen TJLC’ers’ trust in the inevitable unfolding of the story into a romantic plot. The fact that the TJLC community is based on a conspiracy theory not only makes it a remarkable example of fan culture, but has also led to many close readings of the show and its characters – from the textual level to symbolism to the musical score – on a level that can often be seen as close to academic. These pieces of so-called ‘meta’ have led to many predictions about the direction of the show, such as the strong belief that ‘Johnlock’ would become real in season four of the series. -
A Rhetorical Analysis of Sherlock Krystal A
Conversations: A Graduate Student Journal of the Humanities, Social Sciences, and Theology Volume 1 | Number 2 Article 3 January 2013 The ewN Sexy: A Rhetorical Analysis of Sherlock Krystal A. Fogle Abilene Christian University, [email protected] Toni Maisano Abilene Christian University, [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/conversations Part of the Arts and Humanities Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Fogle, Krystal A. and Maisano, Toni (2013) "The eN w Sexy: A Rhetorical Analysis of Sherlock," Conversations: A Graduate Student Journal of the Humanities, Social Sciences, and Theology: Vol. 1 : No. 2 , Article 3. Available at: https://digitalcommons.acu.edu/conversations/vol1/iss2/3 This Article is brought to you for free and open access by the Journals at Digital Commons @ ACU. It has been accepted for inclusion in Conversations: A Graduate Student Journal of the Humanities, Social Sciences, and Theology by an authorized editor of Digital Commons @ ACU. Conversations Vol. 1 No. 2 Winter 2013 1 The New Sexy: A Rhetorical Analysis of Sherlock Krystal A. Fogle (M.A.) and Toni Maisano (B.A.) Abilene Christian University Human Communication Abstract In recent history, there have been movements advocating for conversation and change regarding traditional gender roles. As a central part of culture, British television has not escaped this scrutiny. BBC's crime drama Sherlock, directed by Steven Moffat, has received both critical acclaim and attention from the general public for its portrayal of women. In this essay, we venture into this conversation, and explore portrayals of existing gender roles and how the writers of the show choose to dissent with the audience's expectations of gender portrayal. -
The Final Problem
The Final Problem Adapted from the writings of Sir Arthur Conan Doyle By Donald Novorsky, BSI The Characters include: Mr. Sherlock Holmes, the great detective Dr. John H. Watson, his friend and biographer Mrs. Hudson, Mr. Holmes’ landlady Alec MacDonald, A Scotland Yard Detective Inspector Professor James Moriarty, The Napoleon of Crime Frau Peter Steiler, Proprietress of der Englisher Hof Young Petra, A worker at der Englisher Hof Mrs. Mary Watson, The Good Doctor’s Wife 1 Scene 1 221 B Baker Street Watson: M.C.1 {Narration over Baker Street theme} Looking back at my notes from the years 1887 through 1891, I see that I called upon Sherlock Holmes on Friday morning, the sixth of January, 1891, to see how his trip to France, requested by the French government, had gone. Holmes notified me of his return, and since my wife had just left for a short visit to her aunt, I was almost as free as a bachelor. S.E.1 I had just barely let go of the heavy iron knocker when Mrs. Hudson opened the door for me to enter. S.E.2 Mrs. H.: Dr. Watson, Mr. Holmes will be so pleased to see you. He was extremely tired when he returned yesterday, but is in much better form today. By the way, you did recall that today is his birthday, did you not? I have got something special planned for dinner, which will do very nicely for two, if you care to stay. Watson: As a matter of fact, I did, Mrs. Hudson. -
May 12 #1 Scuttlebutt from the Spermaceti Press
Jan 12 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 158th birthday during the long weekend from Jan. 11 to Jan. 15. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's). The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Dr. Lisa Sanders, author of a "Diagnosis" col- umn for the N.Y. Times and the technical advisor for the television series "House, M.D."; the title of her talk was "Is Holmes Crazy As a Fox, or Just Plain Crazy?", and you will be able to read her paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and featured Donny Zaldin and Hartley Nathan in a Sherlockian "Carnac the Mag- nificent" skit and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) in a Sherlockian tribute to the centenary of the sinking of the Titanic. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey award (named in memory of his wife Jan Stauber) for the most whimsical piece in The Serpentine Muse last year; the winner (Karen Murdock, author of "Do You Write Like Arthur Conan Doyle?") received a certificate and a check for the Canonical sum of $221.17. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
Sherlock Holmes for Dummies
Index The Adventure of the Eleven Cuff-Buttons • Numerics • (Thierry), 249 221b Baker Street, 12, 159–162, 201–202, “The Adventure of the Empty House,” 301, 304–305 21, 48, 59, 213, 298 “The Adventure of the Engineer’s Thumb,” 20, 142 • A • “The Adventure of the Golden Pince-Nez,” 22, 301 “The Abbey Grange,” 22 “The Adventure of the Illustrious Client,” Abbey National, 162 24, 48, 194–195, 309 acting, Sherlock Holmes’s, 42. See also “The Adventure of the Lion’s Mane,” 24, 93 individual actors in roles “The Adventure of the Mazarin Stone,” Adler, Irene (character), 96, 280, 298 24, 159 “The Adventure of Black Peter,” 22 “The Adventure of the Missing Three- “The Adventure of Charles Augustus Quarter,” 22 Milverton,” 22, 137, 267 “The Adventure of the Noble Bachelor,” “The Adventure of Shoscombe Old 20, 308 Place,” 25 “The Adventure of the Norwood “The Adventure of the Abbey Grange,” 22 Builder,” 21 “The Adventure of the Beryl Coronet,” “The Adventure of the Priory School,” 22 20, 141 “The Adventure of the Red Circle,” “The Adventure of the Blanched 23, 141, 188 Soldier,” 24, 92, 298 “The Adventure of the Reigate Squire,” 20 “The Adventure of the Blue Carbuncle,” “The Adventure of the Retired 19, 141, 315 Colourman,” 25 “The Adventure of the Bruce-Partington “The Adventure of the Second Stain,” 22, 78 Plans,” 23 “The Adventure of the Six Napoleons,” “The Adventure of the Cardboard Box,” 22, 73 20, 97, 138, 189, 212 “The Adventure of the Solitary Cyclist,” “The Adventure of the Copper Beeches,” 21, 137, 140 20, 140 “The Adventure of the Speckled -
Revisiting the Relationship Between Sherlock Holmes and Dr. John Watson Rebecca Mclaughlin
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-6-2013 A Study in Sherlock: Revisiting the Relationship between Sherlock Holmes and Dr. John Watson Rebecca McLaughlin Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Critical and Cultural Studies Commons, and the Literature in English, British Isles Commons Recommended Citation McLaughlin, Rebecca. (2013). A Study in Sherlock: Revisiting the Relationship between Sherlock Holmes and Dr. John Watson. In BSU Honors Program Theses and Projects. Item 9. Available at: http://vc.bridgew.edu/honors_proj/9 Copyright © 2013 Rebecca McLaughlin This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. A Study in Sherlock: Revisiting the Relationship between Sherlock Holmes and Dr. John Watson Rebecca L. McLaughlin Submitted for Partial Completion of the Requirements for Commonwealth Honors in English Bridgewater State University 6 May 2013 Dr. Kathleen Vejvoda, Thesis Director Dr. Ellen Scheible, Committee Member Dr. Elizabeth Veisz, Committee Member McLaughlin 1 You see, but you do not observe ––Sherlock Holmes Introduction Since the publication of A Study in Scarlet in 1887, the stories of Sherlock Holmes and his companion Dr. John Watson have captured the hearts and minds of many. With each generation, a Holmesian adaptation is introduced with some variation of success. However, just as Holmes feels about Watson, the loyal fans of Holmes merely see but do not observe. They become enveloped in the stories and characters, both the originals and the adaptations, but nobody stops to question the characters’ success. -
Constructing Coherence in the Holmesian Canon
The Final Problem: Constructing Coherence in the Holmesian Canon CAMILLA ULLELAND HOEL Abstract: The death and resurrection of Sherlock Holmes, a contrarian reading in which Holmes helps the murderer, and the century-long tradition of the Holmesian Great Game with its pseudo-scholarly readings in light of an ironic conviction that Holmes is real and Arthur Conan Doyle merely John Watson’s literary agent. This paper relies on these events in the afterlife of Sherlock Holmes in order to trace an outline of the author function as it applies to the particular case of Doyle as the author of the Sherlock Holmes stories. The operations of the author function can be hard to identify in the encounter with the apparently natural unity of the individual work, but these disturbances at the edges of the function make its effects more readily apparent. This article takes as its starting point the apparently strong author figure of the Holmesian Great Game, in which “the canon” is delineated from “apocrypha” in pseudo-religious vocabulary. It argues that while readers willingly discard provisional readings in the face of an incompatible authorial text, the sanctioning authority of the author functions merely as a boundary for interpretation, not as a personal-biographical control over the interpretation itself. On the contrary, the consciously “writerly” reading of the text serves to reinforce the reliance on the text as it is encountered. The clear separation of canon from apocrypha, with the attendant reinforced author function, may have laid the ground not only for the acceptance of contrarian reading, but also for the creation of apocryphal writings like pastiche and fan fiction.