East & South East Key Contacts

East & South East Key Contacts Theatres Cambridge Arts Theatre Chichester Festival Theatre Colchester Mercury Theatre Gulbenkian Theatre (Canterbury) Harlow Playhouse Hertford Theatre Key Theatre (Peterborough) Library Theatre (Luton) New Wolsey Theatre (Ipswich) Norwich Playhouse Norwich Theatre Royal Nufffield Theatre (Southampton) The Old Market (Brighton) Oxford Playhouse Pegasus Theatre (Oxford) Theatre Royal Bury St Edmunds Watford Palace Theatre Arts Centres The Basement (Brighton) Brighton Dome & Corn Exchange Cambridge Junction Colchester Arts Centre Farnham Maltings The Hat Factory (Luton) Newbury Corn Exchange Nightingale & Marlborough Theatres (Brighton) Norwich Arts Centre The Point (Eastleigh) South Hill Park (Bracknell) South Street (Reading) Festivals Brighton Festival - Multi-artform Brighton Fringe Festival - Multi-artform Canterbury Festival – Outdoor / Street Theatre FUSE Festival (Medway) - Outdoor / Street Theatre Hat Fair (Winchester) - Outdoor / Street Theatre High Tide (Suffolk) – New Writing Latitude (Suffolk) - Multi-artform Norfolk & Norwich Festival - Multi-artform Out There (Seachange / Great Yarmouth) – Circus & Street Theatre Pulse Fringe Festival (New Wolsey Theatre / Ipswich) – Performance, Theatre & Dance SICK! Festival (The Basement / Brighton & Manchester) – Performance, Theatre & Dance 1 SPILL Festival (Robert Pacitti Company / Ipswich) – Live Art & Performance Village Green (Metal / Southend) – Multi-artform (mainly music) Dance Development Agencies Dance East (Ipswich / East) South East Dance (Brighton / South East) Performing & Touring Companies (All of these are National Portfolio Organisations and therefore may offer talent development initiatives) Blast Theory (multimedia) dreamthinkspeak (Multimedia Theatre) Eastern Angles (Theatre) Gecko (Physical Theatre) Hofesh Schechter Company (Dance) Jasmine Vardimon Dance Company (Dance) Kinetika (Carnival) New International Encounter (Theatre) Re:Bourne (Dance) Rifco (Theatre / Musical Theatre) StopGAP (Integrated Dance) Tiata Fahoodzi (Theatre) Tilted (Dance / Outdoor Arts) Vincent Dance Theatre (Dance) Misc Other Carousel – supports learning disabled artists Creative Arts East – Rural Touring Agency Metal – Artist Development People United - Artist Development Trestle Arts Base – Artist Development Residencies Seachange – Circus & Outdoor Arts Development House – Theatres Network & Development (run by Farnham Maltings) London Key Contacts Theatres Almeida Arcola Battersea Arts Centre Bush Camden Peoples’ Theatre Chelsea Finborough Gate National Theatre New Diorama Orange Tree 2 Park Theatre Royal Court Soho Theatre Stratford Circus Theatre 503 Tricycle The Yard Young Vic Dance Development Agencies / Venues Akademi South Asian Dance UK Association of Dance of the African Diaspora Chisenhale Dance Space East London Dance English Folk Song & Dance Society Greenwich Dance Independent Dance The Place Royal Opera House Sadlers Wells Arts Centres / Miscellaneous The Albany Arts Admin Arts Depot Barbican Rich Mix South Bank Centre Watermans Festivals Dance Umbrella Greenwich & Docklands (Outdoor / Street / Circus) LIFT (International Theatre) Thames Festival (Outdoor) National Artform Networks Live Art Development Agency Dance UK Independent Theatre Council Independent Street Arts Network Xtrax (Outdoor Arts) The Place Artist Development UK Theatre 3.

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The Interdependence of Public and Private Finance in British Theatre
The Interdependence of Public and Private Finance in British Theatre Stephen Hetherington 2nd Edition, July 2020 (1st edition, August 2015) THEATRE DEVELOPMENT TRUST 2 • The interdependence of public and private finance in British theatre THE AUTHOR Dr Stephen Hetherington, MBE [email protected] RESEARCH ASSISTANT Caroline Davis Copyrights © November 2015 (1st edition), 2020 (2nd edition) Stephen Hetherington and Arts Council England Published by Arts Council England The Hive 49 Lever Street Manchester M1 1FN ISBN: 978-0-7287-1583-7 Cover image Harold Oakley’s drawing of the Theatre Royal Drury Lane, published in the Illustrated London News, December 31st 1910. Its caption begins: Few of those who visit Drury Lane Theatre, whether it be for drama or, as at the present season, for pantomime, realise what a hive of industry and ingenuity such a place is, the enormous number of details that have to be considered, the great organising powers that are called into play. Few imagine, further, that behind the curtain there is at least as much space as there is before it, and that though that space is obviously large, every corner of it is a scene of much work ... The image is part of the George Hoare Theatre Collection at Theatre Royal Drury Lane, and was kindly made available by The Really Useful Theatres group. Contents • 3 Contents FOREWORD 4 Introduction - THE RESEARCH QUESTION 5 Layout of the Report 6 Literature 6 Research Methods 9 Keywords 12 Section 2 - HISTORICAL CONTEXT Theatre and the British Government 20 Section 3 - QUANTITATIVE
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Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings.
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Gone Too Far!
Saturday 22 May, 2pm & 7.30pm Wednesday 26 May, 7.30pm Thursday 27 May, 7.30pm Gone Too Far! By Bola Agbaje Directed by Tristan Fynn-Aiduenu Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Vice-Principal & Director of Production Arts Andy Lavender Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: Dave Buttle (Charlie Beck, Lily Hardy, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Okunola, Guildhall School is part of Culture Mile: Sonny Pilgrem, Alyth Ross, Dan Wolff), Robert Harper culturemile.london (Kitty Hawthorne), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Genevieve Lewis, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Guildhall School is provided by the City of London Sheyi Cole, Aoife Gaston, Brandon Grace, Conor McLeod, Corporation as part of its Hassan Najib, Millie Smith, Tara Tijani, Dolly Webb), contribution to the cultural
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Neil Grutchfield 43 Scotts Road, London, W12 8HP. Email [email protected] Mobile 07958 658746
Neil Grutchfield 43 Scotts Road, London, W12 8HP. email [email protected] mobile 07958 658746 I have a strong interest in and commitment to the development of new writing, developed through my career at the Royal Court Theatre, as New Writing Manager at Synergy Theatre Project, as Literary Manager at Hampstead Theatre and over 20 years as a dramaturg and script reader who has worked with first time, emerging, mid-career and senior playwrights. Employment History 2010-present New Writing Manager, Synergy Theatre Project (part time) - commissioning; facilitating playwriting courses in prisons and theatres; project management of a national prison scriptwriting competition for prisoners and ex-prisoners in association with the Royal Court Theatre; The Ipswich New Wolsey, The Liverpool Everyman and Playhouse and Birmingham Rep; project management of new writing festivals at Soho Theatre and Theatre503 2008-2010 Literary Manager, Hampstead Theatre - commissioning; producing a new writing festival; producing Start Nights (scratch nights) in association with visiting companies including the Liverpool Everyman and Playhouse, Tamasha Theatre and Angle Theatre; delivering a writers attachment scheme, managing year round open submissions of 1000+ unsolicited scripts and an operating budget of £60000. 2006-2007 Editorial Assistant on the Royal Court Theatre’s 50th Anniversary book 2006-2007 Support Worker, Royal Court Theatre Young Writers Programme 1996-2006 Box Office & Sales Manager, The Royal Court Theatre Dramaturgy 2010-present Synergy highlights: Hassan Abdulrazzak’s The Special Relationship Natalie Mitchell’s To My Younger Self, Evan Placey’s Holloway Jones (Winner Brian Way Award 2012), John Donnelly’s Burning Bird and Inua Ellams’ Cape.
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Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
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Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”.
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Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.
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The London Residency 2015
season review 2014 / 15 John Tomlinson © Sidd Khajuria John Tomlinson Sir Nicholas Kenyon © Sheila Rock Sir Nicholas Kenyon Now, more than ever, we need the arts. We need London is arguably the leading global city to them to try to understand our fractured world, live, work and do business. Recent reports have bring people together in shared communities, and confirmed it as the top global tourist destination celebrate our common humanity. Over the past as well as the world's leading financial centre. year the Barbican has offered an extraordinary A major reason for this success is the quality wealth of events to its audiences, who have of London’s artistic offer in which the Barbican responded with openness and adventurousness. plays a key role, fittingly complementing the creativity and dynamism of the City itself. We’ve had our highest attendance figures ever for a programme that ranges more widely, and This year we have become more global than ever, has travelled further afield, than ever before. touring work such as the hugely popular Digital This remarkable achievement reflects the Revolution exhibition to Stockholm and Athens and commitment of our artists and performers, artistic Juliette Binoche in Antigone around Europe and planners, support services and technical staff. the USA. We’ve also attracted an international audience to our programme at the Centre with We have been fortunate to attract some of the most tickets booked from 97 different countries. charismatic performers of our day: Juliette Binoche in the Barbican’s co-production of Antigone; Benedict Closer to home the Barbican and Guildhall School’s Cumberbatch in Sonia Friedman Productions’ staging creative learning programme continues to have of Hamlet; and Sir Simon Rattle with the Berliner a hugely positive impact in our neighbouring east Philharmoniker and the London Symphony Orchestra.
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Loyola University New Orleans Study Abroad
For further information contact: University of East London International Office Tel: +44 (0)20 8223 3333 Email: [email protected] Visit: uel.ac.uk/international Docklands Campus University Way London E16 2RD uel.ac.uk/international Study Abroad uel.ac.uk/international Contents Page 1 Contents Page 2 – 3 Welcome Page 4 – 5 Life in London Page 6 – 9 Docklands Campus Page 10 – 11 Docklands Page 12 – 15 Stratford Campus Page 16 – 17 Stratford Page 18 – 19 London Map Page 20 – 21 Life at UEL Page 23 Study Abroad Options Page 25 – 27 Academic School Profiles Page 28 – 29 Practicalities Page 30 – 31 Accommodation Page 32 Module Choices ©2011 University of East London Welcome This is an exciting time for UEL, and especially for our students. With 2012 on the horizon there is an unprecedented buzz about East London. Alongside a major regeneration programme for the region, UEL has also been transformed. Our £170 million campus development programme has brought a range of new facilities, from 24/7 multimedia libraries and state-of-the-art clinics,to purpose-built student accommodation and, for 2011, a major new sports complex. That is why I am passionate about our potential to deliver outstanding opportunities to all of our students. Opportunities for learning, for achieving, and for building the basis for your future career success. With our unique location, our record of excellence in teaching and research, the dynamism and diversity provided by our multinational student community and our outstanding graduate employment record, UEL is a university with energy and vision. I hope you’ll like what you see in this guide and that you will want to become part of our thriving community.
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Production Credits Oct 19
Name date venue company role type A Real Princess December 2003 The Blue Elephant Stonecrabs Composer Children's Sotoba Komachi and the Damask Drum Mar - Dec 04 Greenwich Picture Playhouse Stonecrabs Composer International theatre The Brockley Jack. New End A Servant of Two Masters November 2004 Theatre Stonecrabs Composer Theatre Miss Julie February 2005 Greenwich Picture Playhouse Stonecrabs Composer Theatre Runners - the return August 2005 Edinburgh Festival - Underbelly Merco Productions Composer Theatre Josephine the singer April 2005 The Diorama Stonecrabs Composer Caberet/Performance Waltz no. 6 June 2005 Greenwich Picture Playhouse Stonecrabs Composer International Theatre Our Lady of the Drowned June 2006 Southwark Playhouse Stonecrabs Composer International Theatre Composer/Sound Basic April 2007 Hackney Empire studio Stonecrabs designer New Writing Composer/Sound Charity wars September 2007 The Pleasance Stonecrabs designer International Theatre Composer/Sound Dogs Sep - Oct 07 Oval House / UK tour Yellow Earth designer Theatre The Story of the Eye June 2008 Central St Martins Degree show Sound design Degree show Name date venue company role type Stonecrabs Young 00:13:00 March 2009 The Albany Directors Showcase Composer New Writing Vivid Dreams Composer/Sound The Doorbells of Florence May 2009 The Rosemary Branch theatre productions designer New Writing Hanjo and Hellscreen double Composer/Sound bill June 2009 Oval House Stonecrabs designer International Theatre Churchill Bromley, Hampstead Ambassador Composer/Sound Heartbreak
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Sponsored by CONTENTS MEET the TEAM
Sponsored by CONTENTS MEET THE TEAM 2 An introduction to Nottingham Playhouse Cast 3 Meet the Team David Albury – Prince 6 The Story Training: The Central School of Speech and Drama. 7 Our production Theatre includes: Junior Clerk in Committee... (Donmar Warehouse) directed by Adam Penford; Fleetwood in The Life (Southwark Playhouse) directed by Michael Blakemore; 8 Rehearsal photography Jimmy in Exposure The Musical (St. James Theatre); Billy Gray in Only The Brave (Wales 9 An interview with our Designer Millenium Centre); The Lion, The Witch and The Wardrobe (Birmingham Rep); Lead Vocalist in You Won't Succeed on Broadway if You Don't Have Any Jews (St. James 10 Activities and Fun Things to do at home or in the Classroom Theatre & Tel Aviv); Oliver Barrett IV in Love Story (Union Theatre); u/s Jake in Porgy and 14 An Interview with Cinderella Bess (Open Air Theatre) directed by Timothy Sheader; Zack in Bare (Greenwich Theatre); understudied and played Simba in The Lion King (National Tour). Most recently: Smokey Robinson in Motown the Musical (Shaftesbury Theatre). WELCOME Gabrielle Brookes – Cinderella We create theatre that’s bold, thrilling and proudly made in Nottingham. Gabrielle could recently be seen in our Zoom play for young audiences, Noah and the Awarded Regional Theatre of the Year 2019 by The Stage, Nottingham Playhouse is one of the country’s leading Peacock. producing theatres and creates a range of productions throughout the year, from timeless classics to innovative Theatre credits include: Anna Bella Eema (Arcola Theatre), A Midsummer Night's Dream family shows and adventurous new commissions.
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Lladel Bryant Stephen Collins
Lladel Bryant Dick Wilkins, Topper Lladel appeared in the original production of A Christmas Carol in addition to Nine Lives, The Night Before Christmas, Road and Europe at the Leeds Playhouse. He has just completed a sell-out run of Nine Lives at the Bridge Theatre, London. His screen credits include DCI Banks; Intergalactic for Sky One and the 00’s CBBC cult classic game show The Raven’s Tournament. Lladel has recently embarked on a journey of creative social change. Through his impromptu #freestylemonologues, which he produces and shares on his social media, YouTube and website www.lladelbryant.com, he aims to use his experience as an actor and certified speaker to entertain, educate & empower young people aged 13-18, to strive for greatness in all areas of their lives. Stephen Collins Bob Cratchit Stephen Collins is a London-based actor, workshop facilitator, Lead Artist for DH Ensemble and Associate Artist for 1623 Theatre and Amplified Theatre. He assisted with the direction of Handprint Theatre’s ‘Moonbird’ which won a Broadway World Award for ‘Best Children’s Theatre Production’ at the Edinburgh Fringe. Theatre credits include; Oliver Twist (Leeds Playhouse), A Christmas Carol (Bristol Old Vic); Blasted (RADA/Graeae); Frozen Snow Queen and Scrooge (D-Live! Theatre); Beauty & The Beast (ATT/Unity Theatre); Up N Under (Fingersmiths); Reasons To Be Cheerful UK TOUR, Threepenny Opera, The Iron Man (Graeae/New Wolsey/TRSE); Summit (Fuel Theatre); Fair is Foul, Nodus Tollens (DH Ensemble); Crimplene Crusaders (Vamos Theatre); The Government Inspector (Ramps on the Moon/Birmingham Rep); Love’s Labour’s Lost (Shakespeare’s Globe), Tyrannosaurus Drip and Red Flags (Deafinitely Theatre); Hansel & Gretel (Red Earth); The Winter’s Tale (Taking Flight) Screen credits include; Doctors (BBC); Post Office Holiday Mode Activated (Ogilvy and Family Productions); Smirnoff Commercial (Bold Company); Dawn Of The Deaf (Shadowhouse); 4 (BSLBT); Nonsense (Max Clendaniel); How To Mug A Deaf Person (Greensville); The Paralympic Opening Ceremony (Channel 4).
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