Milton and Barbara Merlin Collection
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
52 Page 24.Indd
24 · Friday, December 29th, 2017 email: [email protected] / [email protected] · tel: 01425 613384 My life My home My cuppa, just the way I like it Home and live in care BY CHARLOTTE BAKER from Bluebird Care On the Hoof Find out more information on our home care service. Email the Bluebird Care teams: LOCAL rider and dressage judge Charlotte Baker takes a monthly look at the New Forest equestrian scene [email protected] [email protected] or call us on 02382 026500 NF pony by Equine vets take 01590 678340 champion sire wins trophy regional accolade A NEW Forest equine veterinary platform and community working NEW Forest Hunts Pony Club practice has taken a regional across human, animal and envi- awarded their 2017 Buttslawn industry award for the second ronmental health, and its awards Osborne Lodge Rest Home Beaufort trophy for the best New year in a row. acknowledge those who have Forest Pony to 11-year-old gelding Minstead-based Celtic Equine gone beyond their duty of care to Vets has been named “Horse Cuckoopen Merlin. improve the welfare, care and Osborne Lodge is a well established family run Healthcare Centre of the Year” in health of animals. care home, situated close to New Milton and within Forest-bred and sired by breed Hampshire at the annual GHP “This award is hugely appreci- walking distance of the town centre, GP surgeries and show champion Brookshill Animal Health Awards. Brumby, Merlin was purchased by Director Alan Hough said: “We ated by all the staff as it recog- community centre. -
Innocent ITV Wylie Interviews
Contents Press Release 3 - 4 Foreword by writer and creator Chris Lang 5 Cast Interviews 6 - 11 Episode Synopses 12 - 15 Cast and Production Credits 16 - 17 Back Page 18 2 Lee Ingleby and Hermione Norris lead the cast of new ITV drama serial Innocent Innocent is a new four-part contemporary drama series written by acclaimed writers Chris Lang and Matt Arlidge starring Hermione Norris and Lee Ingleby and produced by TXTV. They are joined by an exciting ensemble cast including Daniel Ryan (Home Fires, Mount Pleasant), Angel Coulby (Merlin, The Tunnel), Nigel Lindsay (Victoria, Foyle’s War), Elliot Cowan (Da Vinci’s Demons, Frankenstein Chronicles) and Adrian Rowlins (Harry Potter, Dickensian). The drama series tells the compelling story of David Collins (Lee Ingleby) who is living a nightmare. Convicted of murdering his wife Tara, David has served seven years in prison. He’s lost everything he held dear: his wife, his two children and even the house he owned. He’s always protested his innocence and faces the rest of his life behind bars. His situation couldn’t be more desperate. Despised by his wife’s family and friends, his only support has been his faithful brother Phil (Daniel Ryan) who has stood by him, sacrificing his own career and livelihood to mount a tireless campaign to prove his brother’s innocence. Convinced of his guilt, Tara’s childless sister Alice (Hermione Norris) and her husband Rob (Adrian Rowlins) are now parents to David’s children. They’ve become a successful family unit and thanks to the proceeds of David’s estate enjoy a comfortable lifestyle, which is very different to when Tara was alive. -
The Arthurian Legend Now and Then a Comparative Thesis on Malory's Le Morte D'arthur and BBC's Merlin Bachelor Thesis Engl
The Arthurian Legend Now and Then A Comparative Thesis on Malory’s Le Morte D’Arthur and BBC’s Merlin Bachelor Thesis English Language and Culture, Utrecht University Student: Saskia van Beek Student Number: 3953440 Supervisor: Dr. Marcelle Cole Second Reader: Dr. Roselinde Supheert Date of Completion: February 2016 Total Word Count: 6000 Index page Introduction 1 Adaptation Theories 4 Adaptation of Male Characters 7 Adaptation of Female Characters 13 Conclusion 21 Bibliography 23 van Beek 1 Introduction In Britain’s literary history there is one figure who looms largest: Arthur. Many different stories have been written about the quests of the legendary king of Britain and his Knights of the Round Table, and as a result many modern adaptations have been made from varying perspectives. The Cambridge Companion to the Arthurian Legend traces the evolution of the story and begins by asking the question “whether or not there ever was an Arthur, and if so, who, what, where and when.” (Archibald and Putter, 1). The victory over the Anglo-Saxons at Mount Badon in the fifth century was attributed to Arthur by Geoffrey of Monmouth (Monmouth), but according to the sixth century monk Gildas, this victory belonged to Ambrosius Aurelianus, a fifth century Romano-British soldier, and the figure of Arthur was merely inspired by this warrior (Giles). Despite this, more events have been attributed to Arthur and he remains popular to write about to date, and because of that there is scope for analytic and comparative research on all these stories (Archibald and Putter). The legend of Arthur, king of the Britains, flourished with Geoffrey of Monmouth’s The History of the Kings of Britain (Monmouth). -
Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo). -
Christophe Honoré a Critical Introduction
WAYNE STATE UNIVERSITY PRESS Fall & Winter 2015 w WAYNE STATE UNIVERSITY PRESS CONTENTS SUPPORT THE PRESS New and forthcoming titles . 1–20 Wayne State University Press is an indispensable asset to the Detroit and worldwide community. A distinctive urban publisher, the Press is committed to supporting Wayne State University’s Architecture . 1 core research, teaching, and service mission by generating high-quality works of global importance. Since 1941 we have produced books and journals that make contributions to Armenian studies . 20 scholarship and arts and culture, and many have received both critical acclaim and commercial Art . 7, 14 attention. Autobiography . 3, 16 Biography . 1, 4 Cultivating our programs and publishing extraordinary books takes time, nurturing, and unique resources. To maintain our customary excellence, the Press needs extraordinary friends who Children’s literature . 6 share our passion for learning and believe that books are fundamental to our lives and to our Citizenship studies . 17–19 culture. The Press invites you to be one of these friends by making a gift that will ensure that Creative nonfiction . 5 essential Press efforts will continue and thrive. Detroit . 1–3, 5 Like most nonprofit publishers, book sales only account for a small portion of the Press’s total Education . 5 revenue. In order to continue to publish the highest quality work, WSU Press relies on the Fairy-tale studies . 6–7 generosity of an ever-growing group of dedicated supporters. Consider giving at one of the Film history . 8–9 three following levels: FIlmmakers . 8 1) BECOME A FRIEND OF THE PRESS Gender . 13 For a gift of $100 or more, receive a copy of our biannual newsletter. -
ARSENIC and OLD LACE Written by Joseph Kesselring Directed by Elina De Santos
ARSENIC AND OLD LACE Written by Joseph Kesselring Directed by Elina de Santos STARRING Alan Abelew, Michael Antosy, Ron Bottitta, Jacque Lynn Colton, Sheelagh Cullen, Darius De La Cruz, Alex Elliott-Funk, Mat Hayes, Gera Hermann, Liesel Kopp, Yusef Lambert, JB Waterman SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Bruce Goodrich Amanda Martin Leigh Allen Christopher Moscatiello PROP DESIGNER FIGHT CHOREOGRAPHER STAGE MANAGER ASSISTANT DIRECTORS Josh La Cour Jenine MacDonald Morgan Wilday Ellen Boener Everett Keeter Produced by the Odyssey Theatre Ensemble "Presented by special arrangement with Dramatists Play Service, Inc., New York.” Arsenic and Old Lace performance schedule: August 26th through October 8th, 2017 The Odyssey is supported in part by a grant from the City of Los Angeles, Department of Cultural Affairs, and Los Angeles County Arts Commission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. ODYSSEY THEATRE ENSEMBLE: 2055 South Sepulveda Blvd. Los Angeles, CA 90025 Administration and Box Office: 310-477-2055 ext 2 FAX: 310-444-0455 [email protected] www.odysseytheatre.com CAST (In order of appearance.) ABBY BREWSTER ........................................................Sheelagh Cullen REV.DR.HARPER/ MR. WITHERSPOON/ MR. GIBBS .............Alan Abelew TEDDY BREWSTER ........................................................Alex Elliott-Funk OFFICER BROPHY .............................................................. Mat Hayes OFFICER KLEIN -
The Ideology of the John Birch Society
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-1966 The Ideology of the John Birch Society Max P. Peterson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Political Science Commons Recommended Citation Peterson, Max P., "The Ideology of the John Birch Society" (1966). All Graduate Theses and Dissertations. 7982. https://digitalcommons.usu.edu/etd/7982 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THEIDEOLOGY OFTHE JOHN BIRCH SOCIETY by Y1ax P. Peterson A thesis submitted in partial fulfillment of the requirements for the degree of MASTEROF SCIENCE in Political Science Approved: Major Professor Head of Department Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 1966 ACKNOWLEDGMENTS I wish to express my appreciation to Dr. Milton C. Abrams for the many hours of consultation and direction he provided throughout this study. To Dr. M. Judd Harmon, I express thanks, not only for his constructive criticism on this work, but for the constant challenge he offers as a teacher. A very special thanks is given my wife, Karen, for her countless hours of typing, but first and foremost for the encouragement, u nderstanding, and devotion that she has given me throu ghout my graduate studies. TABLE OF CONTENTS Introduction 1 Chapter I. The Background and Organization of the John Birch Society 4 The Beginning 4 The Symbol 7 The Founder 15 Plan of Action 21 Organizational Mechanics 27 Chapter II. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
REAGAN Also by Marc Eliot
This book has been optimized for viewing at a monitor setting of 1024 x 768 pixels. REAGAN Also by Marc Eliot Jimmy Stewart A Biography Cary Grant A Biography Song of Brooklyn An Oral History of America’s Favorite Borough Death of a Rebel Starring Phil Ochs and a Small Circle of Friends Rockonomics The Money Behind the Music Down Thunder Road The Making of Bruce Springsteen Walt Disney Hollywood’s Dark Prince The Whole Truth To the Limit The Untold Story of the Eagles Down 42nd Street Sex, Money, Culture, and Politics at the Crossroads of the World REAGAN The Hollywood Years MARC ELIOT Harmony Books New York Copyright © 2008 by Rebel Road, Inc. All rights reserved. Published in the United States by Harmony Books, an imprint of the Crown Pub- lishing Group, a division of Random House, Inc., New York. www.crownpublishing.com Harmony Books is a registered trademark and the Harmony Books colophon is a trademark of Random House, Inc. Library of Congress Cataloging-in-Publication Data Eliot, Marc. Reagan: the Hollywood years / Marc Eliot. Includes bibliographical references and index. 1. Reagan, Ronald. 2. Actors—United States—Biography. I. Title. PN2287.R25E45 2008 973.927092—dc22 [B] 2008014974 eISBN: 978-0-307-44996-2 Design by Lauren Dong v1.0 Previous page: Early publicity photo. Rebel Road Archives For baby cocoa bear CONTENTS Introduction 1 Chapter One THE NEXT VOICE YOU HEAR 11 Chapter Two FROM MUGS TO THE MOVIES 37 Chapter Three THE IRISH MAFIA 55 Chapter Four DUTCH AND BUTTON-NOSE 79 Chapter Five THE GAMUT FROM A TO B 103 Chapter Six KINGS ROW 125 Chapter Seven THIS IS THE ARMY 159 Photo Insert Chapter Eight MR. -
II. Remembrance Representation
II. Remembrance & Representation Figure 1. Benson Fong, Beulah Quo, and George Takei on the set of My Three Sons. 2016 Amerasia Journal Amerasia 96 Amerasia Journal 42:2 (2016): 96-117 10.17953/aj.42.1.96 The Asian American Next Door Enfiguring the Model Minority on the Domestic Melodrama Melissa Phruksachart In the years between the mass incarceration of Japanese Americans (1942-1946) and the 1965 Immigration Act, what prepared the Ameri- can public to recognize and validate the term “model minority?” This essay proposes a televisual genealogy of the model minority as dis- tinct from the 1966 formulation published by The New York Times in William Petersen’s feature “Success Story, Japanese-American Style.”1 Building upon prior scholarship, I inquire into the early Cold War log- ics that precipitated the popular rise of the model minority figure in 1966. In particular, I point to network television as an archive that circulated the structures of feeling necessary for the model minority to take hold. By doing so, I place recent histories of Asian American do- mesticity during the Cold War era into closer conversation with U.S. popular culture, particularly television. While popular media histories lament the rarity of Asian Ameri- cans on television, I identify the trope of the Asian American neigh- bor as increasingly common on television in the late 1950s and early 1960s. Both the television industry and Asian American communities found themselves rapidly growing in size in mid-1950s California. At stake for both the television industry and Asian American commu- nities was the chance to be “domesticated” into the American home.