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Judd Foundation 101 Spring Street, New York NY 10012 Telephone 212 219 2747 Fax 212 219 3125 104 South Highland Avenue, Marfa TX 79843 Telephone 432 729 4406 Fax 432 729 4614 juddfoundation.org

SELECTED BIBLIOGRAPHY This document is a selected bibliography of books, monographs, exhibition catalogues, writings on Donald Judd and a few texts by Judd from 1967–1994.

1967 Rose, Barbara. American Art Since 1900: A Critical History. London: Thames and Hudson, 1967.

Sanford, Robert K. “Art Speaks, Sculptors Don't; Symposium a Horrible Gag.” St. Louis Post–Dispatch, 2 October 1967.

1968 Agee, William C. Don Judd. Notes by and selected writings by Donald Judd. New York: The Whitney Museum of American Art, 1968.

Arnason, H.H. History of : , , Architecture. New York: Harry N. Abrams, 1968.

Art of the Real. New York: The , 1968.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton & Co., 1968.

Burnham, Jack. Beyond : The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller, 1968.

Kultermann, Udo. The New Sculpture: Environments and Assemblages. London: Thames and Hudson, 1968.

1970 Blotkamp, Carel. “Retrospective in : Judd and the Real Materials.” Vrij Nederland, 24 January 1970.

Butterfield, Jan. “Dallas Features Top Sculptor.” Dallas Star Telegram, July 1970.

Don Judd. Hannover: Kunstverein Hannover. Selected writings by Donald Judd, 1970.

Donald Judd. Text by Jan Leering and selected writings by Donald Judd. Eindhoven: Van Abbemuseum; Essen: Museum Folkwang; and London: Whitechapel , 1970.

Frenken, Ton. “Objects of American Donald Judd in Van Abbemuseum.” Brabants Dagblad, 17 January 1970.

Fuller, Peter. “Donald Judd: Lisson Warehouse and Whitechapel.” Arts Review, 10 October 1970.

Goslin, Nigel. “Boxes on the Border.” The Observer Review (London), 18 October 1970.

Kutner, Janet. “Judd Offers New Dimensions.” The Dallas News, July 1970.

Leider, Philip. “Literalism and Abstraction.” (April 1970) Reprinted in Don Judd (catalogue), Kunstverein Hannover, West Germany, 1970.

Lucie–Smith, Edward. “Little Boxes.” The Sunday Times (London), 4 October 1970.

Nemser, Cindy. “ and Perpetual Research.” Art Journal (Spring 1970).

Niessen, Huub. “Donald Judd in Van Abbe: Kunst Zonder Illusionisme.” 1970.

Tisdall, Caroline. “Donald Judd.” The Guardian (Whitechapel), 5 October 1970.

1971 Burnham, Jack. The Structure of Art. New York: George Brazillier, 1971.

Chetham, Charles Scott, ed. Modern Painting, and Sculpture Collected by Louise and Joseph Pulitzer, Jr. Vol. III. Cambridge: Fogg , 1971.

Don Judd. Text by . Pasadena: Pasadena Art Museum, 1971.

Friedman, Martin, ed. Twentieth Century Sculpture: : Selections from the Collection. Minneapolis: Walker Art Center, 1971.

Lipman, Jean, et al. The Collector in America. New York: The Viking Press, 1971.

1972 Hunter, Sam. American Art of the Twentieth Century. New York: Harry N. Abrams, 1972.

Rosenberg, Harold. The De-definition of Art: Action Art to Pop to Earthworks. London: Secker and Warburg, 1972.

1973 Don Judd: 18 Skulpturen aus qalvanisiertem Eisenblech 1972/73. : Galerie , 1973.

Kröller-Müller State Museum: The Collection. Otterlo: Kröller-Müller State Museum, 1973.

Moore, Ethel, ed. 1942–1972: Collections of the Albright-Knox Art Gallery. New York: Praeger, 1973.

1975 Agee, William C. “Unit, Series, Site: A Judd Lexicon.” Art in America (May/June 1975).

Beveridge, Karl and Ian Burn. “Don Judd.” The Fox, no. 2 (1975).

Danoff, Michael, ed. The Milwaukee Art Center Gallery Guides to Collections. Milwaukee: Milwaukee Art Center, 1975.

Smith, Brydon. Donald Judd: Catalogue Raisonné of , Objects, and Wood- Blocks 1960–1974. Ottawa: National Programme of the National Gallery of Canada, 1975.

1976 Critical Perspectives in American Art. Texts by Sam Hunter, Rosalind Krauss and Marcia Tucker. Amherst, Massachusetts: Fine Arts Center Gallery, University of Massachusetts, 1976.

Donald Judd. Berlin: Kunsthalle, 1976.

Donald Judd: Skulpturen. Text by Johannes Gachnang. Bern: Kunsthalle, 1976.

Donald Judd: Zeichnungen/. 1956–1976. : ; Halifax: The Press of the Nova Scotia College of Art and Design; and New York: New York University Press, 1976.

Drawing Now. Text by Bernice Rose. New York: The Museum of Modern Art, 1976.

Series. Text by Elizabeth Underhill. London: The Tate Gallery, 1976.

Smith, Roberta. “Two Critics Collected.” Art in America (December 1976).

1977 Donald Judd. Interview with Kaspar Konig. Bottrop, Switzerland: Modern Galerie, 1977.

The Sculpture of Donald Judd. Text by William C. Agee. Corpus Christie: Art Museum of South Texas, 1977.

1978 The Sculpture of Donald Judd. Tokyo: Galerie Watari, 1978.

Works from the Crex Collection, Zürich. Zürich: Sammlung Crex, 1978.

1979 Donald Judd. Eindhoven: Stedelijk Van Abbemuseum, 1979.

Emergence and Progression: Six Contemporary American . Text by Michael Danoff. Milwaukee: Milwaukee Art Center, 1979.

1981 Rose, Barbara. Profiles in American Art. New York: Putnam, 1981.

Russell, John. The Meanings of Modern Art. New York: The Museum of Modern Art, 1981.

1982 x 4. New York: The Whitney Museum of Art, Downtown Branch, 1982.

1983 Wallis, Brian. Donald Judd: Eight Works in Three Dimensions. Charlotte, North Carolina: Knight Gallery/Spirit Square Arts Center, 1983.

1985 1985 Whitney Biennial. New York: The Whitney Museum of American Art, 1985.

Affiliations: Recent Sculpture and Its Antecedents. New York: The Whitney Museum of American Art, 1985.

Art of Our Time: The Saatchi Collection (Vol. l). Text by Peter Schjeldahl. London: Lund Humphries, 1984 and New York: Rizzoli, 1985.

Blam! The Explosion of Pop, Minimalism, and Performance 1958–1964. New York: The Whitney Museum of American Art, 1984.

Castleman, Riva. American Impressions: Prints Since Pollock. New York: Alfred A. Knopf, 1985.

The Frederick R. Weisman Foundation of Art (Vol. 2). : The Frederick R. Weisman Foundation of Art, 1985.

High Styles: Twentieth-Century American Design. New York: The Whitney Museum of American Art, 1985.

Imagenes en Cajas. Mexico City: Museo Rufino Tamayo, 1985.

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: The M.I.T. Press, 1985.

The Maximal Implications of the Minimal Line. Annandale-on-Hudson, New York: Bard College, Edith C. Blum Art Institute, 1985.

The Museum of Modern Art. New York: The Museum of Modern Art and Harry N. Abrams, 1984.

New York '85. Marseille: ARCA, Centre d'Art Contemporain, 1985.

Raume heutiger Zeichnung: Werke aus dem Basler Kupferstichkabinett. Baden-Baden: Staatliche Kunsthalle, 1985.

Repetitions: A Postmodern Dynamic. New York: Hunter College Art Gallery, 1985.

Selected Works from the Permanent Collection. New York: The Whitney Museum of American Art, 1985.

Selections from the William J. Hokin Collection. Chicago: Museum of Contemporary Art, 1985.

Transformations in Sculpture. Text by Diane Waldman. New York: Solomon R. Guggenheim Museum, 1985.

Vom Zeichnen: Aspekte der Zeichnung 1960–1985. : Frankfurter Kunstverein. 1985.

1986 1976–1986: Ten Years of Collecting Contemporary American Art – Selections from the Edward R. Downe, Jr. Collection. Wellesley, Massachusetts: Wellesley College Museum, 1986.

An American Renaissance: Painting and Sculpture Since 1940. Fort Lauderdale, : The Fort Lauderdale Museum of Art, 1986.

Arnason, H.H. History of Modern Art. 3rd edition. New York: Harry N. Abrams, 1986.

Art in the Environment. Boca Raton, Florida: Boca Raton Museum of Art, 1986.

The Barry Lowen Collection. Text by Christopher Knight. Los Angeles: The Museum of Contemporary Art, 1986.

Contemporary Sculpture from the Martin Z. Margulies Collection. Coconut Grove, Florida: Martin Z. Margulies Collection,1986.

Definitive Statements: American Art: 1964–66. Providence, Rhode Island: Brown University, List Art Center, David Winton Bell Gallery, 1986.

Donald Judd. London: Waddington Galleries, 1986.

Donald Judd: Mobel Furniture. Zurich: Arche Verlag AG, 1986.

Gohr, Siegfried. Cologne: Paintings, Sculptures, Environments from to the Present Day. Munich: Prestel-Verlag, 1986.

Individuals: A Selected History of Contemporary Art. Los Angeles: The Museum of Contemporary Art, 1986.

Painting and Sculpture Acquisitions 1973–1986. New York: The Whitney Museum of American Art, 1986.

Philadelphia Collects: Art Since 1940. Philadelphia: Philadelphia Museum of Art, 1986.

Qu'est-ce que la Sculpture Moderne? : Musée national d'art moderne, Centre Georges Pompidou, 1986.

Stein, Harvey. Artists Observed. New York: Harry N. Abrams, 1986.

Van Abbemuseum Besoker Hovikodden. Hovikodden: Henie-Onstad Kunstsenter, 1986.

Western's Outdoor Museum. Bellingham, Washington: Western Washington University, 1986.

Works from the . San Francisco: John Berggruen Gallery, 1986.

1987 1967: At the Crossroads. Philadelphia: Institute of Contemporary Art, 1987.

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. Dallas: , 1987.

Coleccion Sonnabend. Madrid: Centro de Arte Reina Sofía, 1987.

Crone, Rainer and . Donald Judd. Eindhoven: Stedelijk Van Abbemuseum; Düsseldorf: Städtische Kunsthalle; Paris: ARC/Musée d'Art Moderne de la Ville de Paris; and Barcelona: Fundació Joan Miró, 1987.

Donald Judd. Paris: ARC, Musée d'Art Moderne de la Ville de Paris, 1987.

Donald Judd. Paris: Galerie Lelong, 1987.

Donald Judd. Text by Ronald Jones. Philadelphia: Lawrence Oliver Gallery, 1987.

The First Banks Collection of Contemporary Art. Minneapolis, 1987.

L'epoque, la mode, la morale, la passion: Aspects de l'art d'aujourd'hui 1977–1987. Paris: Musée national d'art moderne, Centre Georges Pompidou, 1987.

Leo Castelli y sus Artistas. Mexico City: Centro Cultural Arte Contemporaneo, 1987.

Lucie-Smith, Edward. Sculpture Since 1945. Oxford: Phaidon Press Ltd., 1987.

Selections from the Roger and Myra Davidson Collection. Toronto: , 1987.

Skulptur Projekte in Münster 1987. Guide by Georg Jappe. Münster: Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1987.

1988 1988: The World of Art Today. Text by Russell Bowman. Milwaukee: Milwaukee Art Museum, 1988.

Arte Minimal Coleccion Panza. Madrid: Centro de Arte Reina Sofía, 1988.

Art of the Sixties and Seventies: The Panza Collection. New York: Rizzoli, 1988.

Baker, Kenneth. Minimalism. New York: Abbeville Press, 1988.

Furniture as Art. Text by Huub Mous. Rotterdam: Museum Boymans-van Beuningen, 1988.

Haskell, Barbara. Donald Judd. New York: Whitney Museum of American Art in association with W.W. Norton & Company, 1988.

Masters of Modern Sculpture. Tokyo: The Contemporary Art Gallery, Seibu Corporation, 1988.

Sculpture Inside Out. Minneapolis: Walker Art Center, 1988.

Sculpture Since the Sixties. New York: The Whitney Museum of American Art at Equitable Center, 1988.

Zeitlos. Berlin: Hamburger Bahnhof, 1988.

1989 Abstraction Geometry Painting. Text by Michael Auping. Buffalo: Albright-Knox Gallery, 1989.

Armstrong, Tom and Susan C. Larsen. Art in Place: Fifteen Years of Acquisitions. New York: The Whitney Museum of American Art, 1989.

Donald Judd. Osaka: Gallery Yamaguchi, 1989.

Donald Judd. Text by Lynne Cooke. London: Waddington Galleries, 1989.

Donald Judd. Text by Franz Meyer. Baden-Baden: Staatliche Kunsthalle, 1989.

Synnyt: Sources of Contemporary Art. Helsinki: Museum of Contemporary Art, 1989.

1990 Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art. Texts by Neal Benezra, Mark Rosenthal et al. Chicago: The , 1990.

American Masters of the 60's. Text by Sam Hunter. New York: Gallery, 1990.

Art Gallery of Ontario: Selected Works. Toronto: Art Gallery of Ontario, 1990.

Donald Judd. Introduction by Roland Waspe. St. Gallen, Switzerland: Kunstverein, 1990.

Friedman, Martin. Walker Art Center: Painting and Sculpture from the Collection. New York: Rizzoli International Inc. in conjunction with the Walker Art Center, Minneapolis, 1990.

The Greenberg Gallery: Selected Works. St. Louis, : The Greenberg Gallery, 1990.

Minimal and .... Text by Manji Kitamura. Osaka: Gallery Yamaguchi, 1990.

Minimal Art. Texts by Keinosuke Murata and Teruo Fujieda. Osaka: The National Museum of Art, 1990.

Von Haben und von Wollen Perspectiven fur eine Staatsgalerie moderner Kunst eine Austellung. Munich: Bayerischen Staatsgemaldesammlungen, 1990.

1991 Bois, Yve-Alain. Donald Judd: New Sculpture. New York: The and Paris: Galerie Lelong, 1991.

1992 American Art 1930–1970. Milan: Fabbri Editori, 1992.

Donald Judd. Osaka: Gallery Yamaguchi, 1992.

Sculpture. London: Waddington Galleries, 1992.

Shapes and Positions. Klagenfurt, Austria: Ritter Verlag, 1992.

Transform: BildObjektSkulptur im 20. Jahrhundert. Basel: Kunstmuseum und Kunsthalle Basel, 1992.

1993 American Art in the 20th Century: Painting and Sculpture 1913–1993. Munich: Prestel- Verlag; London: Royal Academy of Arts; and Berlin: ZEITGEIST-Gesellschaft e.V., 1993.

Donald Judd: Large-Scale Works. Texts by Rudi Fuchs and Donald Judd. New York: The Pace Gallery, 1993.

Drawing the Line Against AIDS. American Foundation for AIDS Research (AmFAR) International, 1993.

Jitta, Mariette Josephus and Jörg Schellmann, eds. Donald Judd: Prints and Works in Editions, A Catalogue Raisonné. The Hague: Haags Gemeentemuseum and Cologne/New York: Edition Schellmann, 1993.

Kunst + Design: Donald Judd - Preisträger der Stankowski-Stiftung 1993. Texts by Rudi Fuchs, Donald Judd, Franz Meyer, Renate Petzinger and Volker Rattemeyer. : , 1993.

Donald Judd Furniture Retrospective. Rotterdam: Museum Boymans-van Beuningen, and Munich: Villa Stuck. Texts by Brigitte Huck and Donald Judd, 1993.

1994 Drolet, Owen. “Donald Judd: The Pace Gallery.” Flash Art (November/December 1994).

Donald Judd: The Moscow Installation. Texts by Rudi Fuchs and Donald Judd. Cologne: Galerie Gmurzynska, 1994.

Donald Judd: Sculpture. Text by William C. Agee. New York: The Pace Gallery, 1994.

Dream of the Absolute. Text by Gottfried Boehm. Basel: Galerie Beyeler, 1994.