Art Clay Silver Series ID Item Unit Retail A-044 Art Clay Silver Overlay Paste (15G) Ea
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Why Are Silver Clay Prices Going Up?
Why Are Silver Clay Prices Going Up? It’s no secret that the price of silver clay has been going through the roof in the last few years. Even jewelry artists new to metal clay have noticed the rapidly rising prices in the last several months and are asking, “What’s up with the price of silver clay?” The answer is easy. Silver clay is getting more expensive because the price of silver is going up. Since fine silver is the main ingredient in all PMC and Art Clay silver products, any fluctuation in the silver market can make a big difference in the price of silver clay. Mitsubishi Materials introduced silver clay in the United States in 1996. At that time silver was hovering around $5 an ounce. The price of silver clay was fixed in those days because silver prices were steady and had been for many years. The fixed price meant that no matter how the price of silver fluctuated in the market, silver clay prices were firm. You knew what you would pay and it didn’t change. This silver honeymoon lasted all the way through 2003 while silver floated between $4 and $5 per ounce. But then, in 2004, the price of silver started to creep up. Every month a new high in price was set and by December, 2005, silver had closed as high as $9.23 per ounce, more than double what it was just a few months earlier. The following April a new silver-backed ETF fund was introduced allowing investors to trade silver in the stock market, something that had never been done before, and rumors of the coming ETF had probably fueled the run-up in price that began the previous year. -
Karen Gleason & Mobetta Fame Sweep Valley Girls' Barrel Daze
April 16, 2019 Volume 13: Issue 16 In This Issue: • Rodeo All Star, pg 23 • Barrel Bash, pg 30 • D&D & Landry Benefit Futurity, pg 36 • Pro Rodeos & World Standings, pg 42 • PacWest, pg 44 Published Weekly, online at www.BarrelRacingReport.com - Since 2007 Karen Gleason & Mobetta Fame Sweep Valley Girls’ Barrel Daze Open & Breeders Futurities By Tanya Randall Gleason Quarter Horses of Touchet, Washington, had a good Sun Frost weekend at the Valley Girls Barrel Racing Association’s annual Frenchmans Guy Barrel Daze, held April 12-14 in Walla Walla, Washington. Karen Frenchman’s Lady Gleason topped the open and breeders’ futurities aboard her home- A Smooth Guy bred Mobetta Fame (“Mo”), while JD Look, a stallion owned by her Dry Doc and her husband Brad, sired Rebel Look, who swept the open and Docs Movida breeders’ maturity. Added money for the open and breeders’ pots was generated La Movida through the VGBRA’s legendary stallion auction. Thanks to the success of the auction, a minimum of $26,000 was added in both Mobetta Fame futurities. 2014 Palomino Gelding Gleason and Mo picked up $13,830 for their victories. The open First Down Dash futurity paid $7,619, while the Stallion Incentive Program (Breeders) Dash Ta Fame SI 105 awarded $6,211. SI 113 Sudden Fame “It’s very rewarding as a breeder to see them take their first SI 98 breath and through the training process and on to competition,” Daves Jet Ta Fame SI 88 noted Gleason. Inattentive TB Mo, a 5-year-old gelding by A Smooth Guy, was the product of Jet Set Baby SI 99 an embryo transfer out of the Gleason’s Dash Ta Fame mare Daves Lil Sophie Jet Ta Fame. -
Setting Stones in Metal Clay Jeanette Landenwitch
Setting Stones in Metal Clay Jeanette Landenwitch Brynmorgen Press portland, maine Copyright 2008 Brynmorgen Press Drawings Tim McCreight All rights reserved. No part of this publication may be Design, edit & layout Tim McCreight reproduced or transmitted in any form or by any means, Abby Johnston electronic or mechanical, including photocopying, Michael Deles recording, or any storage and retrieval system except Index Jamie Kingman-Rice by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a Designs of all the jewelry shown in this book belong magazine, newspaper, web posting, or broadcast. to the artists. Unless otherwise noted, photos are courtesy of the artists. ISBN 978-1-929565–29–0 Preceding page: Pendant, Hiroaki Shinonome, “Kugi” Printed in Hong Kong Fine silver, diamond. 2¼” x 1¼” Second printing Front cover: Brooch, Tim McCreight Fine silver, malachite, moonstones. 2½" by 1 ¾" For ordering and permissions, visit www. brynmorgen.com CONTENTS 1 Gemstones 9 2 Tools & Materials 17 3 Choosing the Right Setting 29 4 Bezels 41 5 Prongs 67 6 Other Setting Options 79 7 The Work Behind the Work 98 Appendix 106 Acknowledgements This book is dedicated to all artists working in metal clay. It is exciting to be part of the evolution of this wonderful material, watching as the field has developed from basics to the ad- vanced work that we are seeing today. I hope this book will encourage the creation of innovative settings, and inspire su- perior work with gemstones of all kinds. I’d like to say a special thank-you to my editor, Tim Mc- Creight, whose confidence gave me the opportunity to ex- periment and describe the stonesetting ideas I was collecting. -
Metalclays.Com Instructions for Using PMC
MetalClays.com instructions for using PMC Using PMC Precious Metal Clay combines microscopic particles of silver with water and a non toxix organic binder to create a material that can be worked with as easily as modeling clay. Object can be made with simple tools, then they are dried and heated in a small kiln or with hand held torch. This drives off the water, burns away the binder and fuses the silver particles into solid metal. PMC is also made in gold, which handles like PMC3 but with slightly different firing schedule. Tools Tools for shaping PMC include rubber stamps, cookie cutters, childrens toys and many other household items like pens, playing cards, toothpicks and combs. A piece of plastic or glass makes a convenient waterproof work surface. PMC does not stain or harm these tools. Clean up with soap and water. Avoid aluminum foil and aluminum tools because they can damage PMC. Each person has their preferences, but a typical work setup includes a plastic sheet, a rolling pin, a small dish of water and assorted hand tools, Work on any stable surface with adequate lighting Creating with PMC All versions of PMC are ready to use directly from package. Keep your PMC tightly wrapped until you are ready to use it. Pull off exactly what you need to work with and wrap the rest in plastic and return to package. This is to prevent premature drying of clay. Apply a thin layer of olive oil to your hands and tools before starting. This will help prevent clay from sticking to you or your tools. -
Xs. JOHN LEWIS
m if] OGRESSIVE WOMAN'S QUARTERL v . JOHN LEWIS: xs IOLE 74A70 78532 3 The world as women live it Her search for a legal abortion led The memoir of AM Norma McCorvey Sally Belfrage, to become the daughter of anonymous radical writers ROE plaintiff in the Cedric Belfrage landmark Supreme MY LIFE, and Molly Castle, ROE V. WADE, Court decision. who yearned to be AND This book is her an "all-American FREEDOM personal story, o r girl" during her CHOICE "a direct, unsenti- McCarthy-era mental, and often adolescence in the harsh account of NORMA McCORVEY conformist 50s. WITH ANDY MEJSl.Eft a real life at the "Wry and heart of historical poignant." events." SALLY BUFRABE —Publishers — Publishers Weekly Weekly BALKAN "Through short but deeply "A bold and original felt essays on everything exploration of female "With simplicity, and honesty, from housepaint and high- inventiveness and courage." Bloodlines movingly describes heeled shoes to point-blank — Harriet G. Lerner, Hales evolution and ultimate murder, Drakulic tells the author of The Dance of Anger liberation. Powerful and story of the Balkan crisis as poignant." people are living it." "Buoyant and instructive... — The Nation a welcome counterweight to — Chief Wilma Mankiller the pressures society still "Moving and eloquent." "Mesmerizing." exerts on women who want —New York Times — New York Times a life of their own." Book Review With four new chapters — New Woman Winner of the $11.00 paperback $12.00 paperback American Book Award $11.00 paperback pzs^m Also available from HzrperCollinsCanadaLtd. -
Copprclay™ Overview & Firing Guide
COPPRclay™ Overview & Firing Guide COPPRclay created by Metal Adventures is easily sculpted, molded, carved and formed, and becomes solid copper when fired. Your imagination and just a few simple tools will allow you to create solid copper pieces, from jewelry to sculptures! And because COPPRclay is pure copper, it’s great for those artists who enjoy applying enamels (firing requirements noted below). COPPRclay is just that: a clay. Like clay, it’s highly workable but it also dries quickly. You’ll notice the clay stiffening and cracking when it begins to dry. Some tips to keep in mind: • Keep COPPRclay refrigerated until you’re ready to use it and in between sessions. • Rub a dab of SLIK on your hands before you begin working with the clay. • While working the clay, refresh it periodically with a small amount of water using a spray bottle or brush. • Avoid using tools that absorb water. • When storing or while in use, keep clay wrapped in a piece of loosely sealed plastic wrap and store in a clay hydrator for added longevity. Refrigerate when not in use. Making Slip Slip will quickly become one of your favorite tools for working with COPPRclay, and it’s easy to make. Simply mix tiny pieces of clay (filings, small dried or wet pieces, etc.) with water (we recommend distilled water for a longer shelf-life) until you reach a paste consistency. Keep your slip stored in a sealed container. Note: Slip will last for about one week, so make only enough for your immediate need. Drying the Clay Once you’ve finished your piece, you will need to dry the clay before firing it. -
Make Jewelry with Precious Metal Clay, Art Clay and Other Metal Clays
4 Free Metal Clay Jewelry Projects: Make Jewelry with Precious Metal Clay, Art Clay and Other Metal Clays 4 FREE METAL CLAY JEWELRY PROJECTS: MAKE JEWELRY WITH PRECIOUS METAL CLAY, ART CLAY AND OTHER METAL CLAYS MIXED METAL WIRE WRAPPED METAL TEACH YOUR OLD CLAY EARRINGS CLAY BOUQUET TOOLS NEW TRICKS BY HADAR JACOBSON BY PAULA BASTIAN-DE LEON BY HADAR JACOBSON 3 9 18 6 15 SWEETHEART MARRIED METAL GEM PENDANT CLAY RING BY LIS-EL CROWLEY BY NOËL YOVOVICH NOW YOU CAN MAKE Start with simple mixed metal earrings that dramatically YOUR OWN real metal jewelry accent steel metal clay disks with bronze metal clay centers. using silver, copper, bronze, or steel Add the sparkle of a brilliantly colored, bezel-set CZ to a (even gold) without sawing metal pendant you can make with a single coil of silver clay. Create sheet or soldering pieces together. a group of silver clay fl owers using an origami-inspired tech- Making jewelry with metal clay combines nique, then wire wrap them into a charming fl oral bouquet the accessibility of clay with the look, pin. Move on to a married metals band ring project using feel, and value of precious metals and silver metal clay with contrasting bronze clay. Make these nonprecious, too. projects as shown or apply the illustrated step-by-step instructions to create stunning metal clay jewelry designs of Metal clay is the revolutionary jewelry medium introduced your own. You’ll want to riff on these ideas even more when to the jewelry making public in the mid 1990s. -
JMD How to Enamel Jewelry
PRESENTS How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques Jewelry Making Daily presents How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques 7 3 21 ENAMELING TIPS BY HELEN I. DRIGGS 12 10 TORCH FIRED ENAMEL ENAMELING MEDALLION NECKLACE BY HELEN I. DRIGGS BY HELEN I. DRIGGS ENAMELED FILIGREE BEADS BY PAM EAST I LOVE COLOR! In jewelry making, enamel is one of the most In “Enameled Filigree Beads,” Pam East walks you through a versatile sources of pure, luscious color – powdered glass you simple technique of torch firing enamel onto a premade bead can apply with great precision onto silver, gold, copper, and using a handheld butane torch instead of an enameling kiln. other jewelry metals. With enamels, you can paint with a broad The enamel adds color to the bead, while the silver filigree brush or add minute and elaborate detail to pendants, brace- creates the look of delicate cells like those in cloisonné enamel lets, earrings, and more. You can work in rich, saturated tones work. And in “Torch Fired Enamel Medallion Necklace,” Helen or in the subtlest of pastels. You can create a world of sharp Driggs shows you how to create your own torch fired enamel contrast in black and white or one entirely of shades of gray. “cabochons,” how to tab set those cabs, and how to stamp You can even mimic the colors of the finest gemstones, but you and patinate the surrounding metalwork, which you can put can also produce hues and patterns you’d never find among the together using the chain of your choice. -
Sherri's Ultimate Guide to Bronzclay™
Sherri’s Ultimate Guide to BRONZclay™ plus Bonus Project - Sculpted Flower Charm Version 2.20.9 © 2009 All images and content are the property of Sherri Haab and may not be altered in any way or reproduced in print or any other media except for personal use. This document cannot be used for commercial purposes without the written permission of the author. 800.388.2001 • www.MetalClaySupply.com • 903.586.2531 Sherri’s Ultimate Guide to BRONZclay™ plus Bonus Project - Sculpted Flower Charm Table of Contents Introduction to Bronze Clay . 2 Tools . 2-4 Techniques . 4-15 Basics . 4-6 - How to handle the clay . 4-5 - Storing bronze clay . 5 - Making slip . 5-6 - Homemade oil paste . 6 - Keeping your clay hydrated . 6 Working Methods . 7-9 - Sculpting and texturing . 7 - Attachments . 7-8 - Filling seams and gaps . 9 Making holes . 9 Beads . 9-10 - Core beads . 9 - Tube beads . 10 Embedding Stones . 10 Embedding Wire . 11 Carved Pieces . 11 Repairs . 11-12 - Unfired clay . 11-12 - Fired clay . 12 Drying and refining the clay . 12-13 - Sanding . 12 - Refining holes . 12 - Drying . 12 Firing . 13-14 Finishing Techniques . 14-15 - Burnishing . 14 - Patinas . 15 Bonus Project Sculpted Flower Charm . 16-20 Bronze Clay Gallery . 22-23 page 1 800.388.2001 • www.MetalClaySupply.com • 903.586.2531 Sherri’s Ultimate Guide to BRONZclay™ plus Bonus Project - Sculpted Flower Charm Introduction to Bronze Clay Bronze clay consists of copper and tin particles suspended in an organic binder. It consists of 89% copper and 11% tin, which creates a solid bronze object after the binder burns away and the particles sinter during firing. -
The Anatomy of Extinction: Stories of People As Place Mason Parker
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The Anatomy of Extinction: Stories of People as Place Mason Parker Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Recommended Citation Parker, Mason, "The Anatomy of Extinction: Stories of People as Place" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11429. https://scholarworks.umt.edu/etd/11429 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE ANATOMY OF EXTINCTION: STORIES OF PEOPLE AS PLACE By MASON STEPHEN PARKER B.A., University of Oklahoma, Norman, OK, 2012 Previous Degree, College or University, City, State or Country, Year Thesis presented in partial fulfillment of the requirements for the degree of Master of Science Environmental Studies The University of Montana Missoula, MT May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Phil Condon, Chair Environmental Studies Richard Manning Environmental Studies Dr. M Jackson Environmental Studies i Table of Contents The Burning Sky………………………………………………………………………………......3 Pools……………………………………………………………………………………….............5 Someday I’ll See the World in You……………………………………………………………...10 Kitchen Lake……………………………………………………………………………………..21 Trash Fish………………………………………………………………………………………...34 Godholes…………………………………………………………………………………………39 Kent Cooper Fondles the Aristocracy……………………………………………………………47 Communion……………………………………………………………………………………...50 The Same Old Things, They Always Refuse to Die……………………………………………..62 The Generations Forget Each Other……………………………………………………………..75 Playing Possum………………………………………………………………………………..…83 ii I. -
Five Star Metal Clay Instructions SHAPING Form an Object By
Five Star Metal Clay Bronze 1500 ºF / 815 ºC Instructions Light Bronze 1400 ºF / 760 ºC White Bronze 1300 ºF / 704 ºC SHAPING Hold these temperatures for 30 minutes. Quenching is recommended for this method to reduce oxidation. Form an object by molding, rolling and sculpting the clay. You can assemble several parts separately by moistening the objects or adding moist clay between them. To make flat objects, Phase 2 - Standard Firing Option place a ball of clay on a flat no -stick surface. Use a clay roller to roll the clay to a desired Place the piece in a stainless steel firing box with Chromatic Carbon or activated coconut thickness by placing guides along the side. Use a release agent such as Liberation Spray or carbon. The piece should be surrounded by at least 1" of carbon all around. Layering is olive oil on all surfaces which come in contact with the clay to prevent sticking. The clay can acceptable as long as the 1" of space between the pieces is observed. Use a lid on the box. be cut with a cookie cutter, blade or awl. If the clay sticks to your fingers it is a sign of Ramp full to the following temperatures: excessive water. Just allow to dry a bit and continue to work it. Conversely, if it cracks while Copper 1700 ºF / 926 ºC working it is too dry. Just add a drop off water and condition. While working with Five Star Red Bronze 1600 ºF / 871 ºC Metal Clay, keep excess clay wrapped tightly in plastic to avoid drying. -
2 Fusion, Oct 2007
fusion The Journal of the International PMC Guild Unless there was a Post Office Mishap, along with an issue of Fusion you received the premiere edition of the PMC Guild Annual. I’ll bet you looked at that first, but that didn’t hurt our feelings here at the Journal. We think the book looks great and we hope you agree. A panel of four jurors re- viewed more than 1,000 submis- sions from artists from around the world. Ultimately, jurors chose the work of 56 artists for inclusion in the Annual. A few things worth noting: If you didn’t get in, do not feel bad. The competition was exception- ally stiff. And if you did get in, congratulations. It’s quite an honor. In addition to going to members of the PMC Guild, the Annual also is circulating in Europe and Asia. Mitsubishi, the maker of PMC, bought 1,200 copies for distribution in Japan. Hattie Sanderson was one of the four jurors for the inaugural Annual. She was impressed with the range and quality of the images submitted for review, and said the sheer number of submissions “speaks volumes about the growth of PMC from its humble beginnings ten years ago.” The quality of the work has evolved tremendously, as well. “It is evident that the PMC community is an adventurous group that is willing to experiment and then share ideas. I think the 2007 Annual is a wonderful representation of PMC as it has evolved to this point.” She hopes the Annual serves as inspiration for new ideas and innovations.