DOCSLIB.ORG

Kids Etc YMC 2020 Summer Dance Intensive August 17-21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kids Etc YMC 2020 Summer Dance Intensive August 17-21 Kids Etc YMC 2020 Summer Dance Intensive August 17-21 Our KEYMC Summer Dance Intensive is an opportunity for dancers to take classes in all disciplines with our faculty, as well as some exciting guest instructors!!! Please note that it is expected that all KEYMC competitive dancers will attend our Summer Dance Intensive! Guest Instructors Cora Kozaris Dancer, Choreographer, Creator and Mentor. Cora is deeply passionate about sharing her knowledge of dance with students. Her choreography includes CTV’s NYE Bash, Mac’s Viva Glam, YTV’s The Next Star and Nick Cannon’s Take Action. Her classes will leave you feeling motivated, inspired and challenged with a unique integration of styles. Her contemporary classes will push you beyond your comfort zone, open your mind, and expand your horizon. Mindy Conto Mindy Conto, a native of North Bay, Ontario, is an accomplished performer, instructor and choreographer who brings passion, creativity and inspiration to dancers across Canada. Mindy's talent and professionalism has taken her all over the world, and she has had the opportunity to dance with some of the world's most popular artists. Mindy has danced back up at the MMVAs for Hedley, PSY, Kardinal Offishall Featuring Akon, Hillary Duff and Bow Wow. Her extensive list of performances include appearances with Destiny’s Child, Aaron Carter, Shawn Desman, Carly Rae Jepsen, Fefe Dobson, Aleesia, Shiloh, Eva Avila, Suzie McNell, Dave Armstrong, Redroche featuring H boogie, Kreesha Turner and Neil Young (World Tour). Mindy appeared in the feature film "Honey", starring Jessica Alba. Mindy knows that perseverance, dedication and hard work are the key to achieving your goals, and shares her knowledge with her students to foster their love of dance! Laurie Cahoon-Alston Originally from Edmonton, Laurie’s career in dance has taken her around the world as a performer, adjudicator, award-winning choreographer, convention teacher, and instructor. She has been adjudicating events across Canada and the USA for the past 19 years. She has trained at such renowned schools as Randolph’s and Metro Movement in Toronto, The Banff School of Fine Arts, Broadway Dance Center (N.Y. and Tokyo) and EDGE, LA. She holds her Advanced II certificate with the Royal Academy of Dance and performed professionally with Ballet North. Performances with Ballet North included a tour of Mainland China as a Principal dancer. Laurie also worked at length as a lead singer and dancer in Japan at Tokyo Disneyland, playing such fun-loving characters as Belle, Cinderella, and Sleeping Beauty. She has also enjoyed working in the Cruise-ship industry. Industrial credits include Calvin Klein, Lancome, Tommy Hilfiger, the grand opening of Casino Niagara, and Club Firestone. Live performances and TV credits include Berenstein Bears Christmas Show with Paramount Pictures, Legends Alive, Chiropractic Association of Alberta, and Cool FM Radio. She appeared as a guest singer on Day By Day and was co-choreographer of Dean Gunnarson's Halloween special. Recently she had the pleasure of being choreographer and dancer in a commercial and advertisement for the Physiotherapy Association of Alberta, called "Born to Move" which can be found on YouTube. A great honor was being invited to audition for Cirque du Soleil and be added to their bank of potential performers. Laurie has taught dance in different cities and capacities for 22 years and is currently teaching at the Edmonton School of Ballet in the Vimy daytime professional program. She has recently become acrobatic arts certified. Many of Laurie’s past students are enjoying careers in dance and she couldn’t be happier to see them share their love of the arts. She truly enjoys meeting and teaching young dancers who continue to inspire her with their determination and love of dance. FEES Age Level Days/Time Regular Price Discounted Price Summer Dance Intensive 9:00-4:00 M-F $450 $300 GST is added to all amounts above. Register and pay by MAY 15, 2020 to receive discounted price. Discount available ONLY to KEYMC dancers. .
Load more

Recommended publications
  • À La Séance Ordinaire Du Conseil Des Commissaires De La Commission
    - 861 - À la séance ordinaire du Conseil des commissaires de la Commission scolaire des Portages-de-l’Outaouais tenue au Centre administratif, 225, rue Saint-Rédempteur, Gatineau (Québec), le mercredi 13 septembre 2006, à l9 heures 30 et à laquelle séance sont présents : Séance ordinaire M. Jocelyn Blondin, président 13 septembre 2006 Mme Hélène Bélisle M. Gilbert Couture M. Mario Crevier M. Ugo de Montigny M. Alain Faussurier M. Alain Gauthier M. Michel Gervais M. Dominique Kenney M. Michel Lanthier Mme Chantal Leblanc-Bélanger Mme Johanne Légaré Mme Francine Lorange Mme Francine Poitras M. Andrew Rhéaume Mme Gervaise St-Amour M. Gilles Chagnon, représentant le Comité de parents Étaient également présentes et présents : Mme Lucie Lafleur, directrice générale M. René Gauthier, secrétaire général M. Mario Auclair, directeur, Service des ressources humaines Mme Lucie Demers, directrice, Service des ressources éducatives M. Gérard Lacroix, directeur, Service des ressources financières M. Luc Pelchat, directeur, Service des ressources matérielles M. Gérald St-Arneault, directeur, Service des technologies de l'information Mme Claudette Séguin, directrice, Service de l’organisation scolaire Mme Jocelyne Bertrand, agente d’administration M. Guy Bélanger, directeur, école Aux Quatre-Pignons Mme Louise Cousineau, directrice, école du Grand-Boisé Mme Ginette Giroux, directrice, école du Village Étaient absentes et absents : M. Nicolas Cazelais M. Fernand Lavoie M. Jacques Lemay Mme Marie-Andrée Lépine M. Jean-Pierre Reid Mme José Morissette, représentant le Comité de parents OUVERTURE DE LA SÉANCE ET ADOPTION DE L’ORDRE DU JOUR Le Président procède à la vérification du quorum, à l’ouverture de la séance et à l’adoption de l’ordre du jour.
    [Show full text]
  • Freewheeling by Hilal Nakiboglu Isler the Year of Anjulie
    r&r freewheeling By Hilal NakiBoglu isler The Year of Anjulie hen she first moved to america, Anjulie Persaud didn’t know a soul. She was young, just 19 at the time. “I told metal on the net W The team behind my parents I was going to visit a family friend in The Flaming Skull Montreal,” she says. “And I ended up in New York.” Persaud left behind everything: family, friends, and her hometown (the Toronto suburb of Oakville), for the great un- 60 hours to put together one epi- known. “I moved without a visa or a place to live,” she says. “All I had sode so I’ve been putting out an were some songs that I really believed in.” And she would play them, Music episode about every two months,” wherever people would listen: on the subway, on the street. Anjulie says Ddavidd. While the focus of remembers crashing the lobbies of record companies: invading tall, Podcasts the podcast has predominantly chrome and glass buildings, armed with nothing but her guitar. Of- been rock, most genres of music ten, she wouldn’t make it beyond the door. find a spot if it catches Ddavidd’s It was a tough time – emotionally and financially (she took up Come of fancy. Over the last few episodes, waitressing to help pay the bills) – but for Persaud, quitting was the podcast has featured Indigo never an option. If she could just make it there, in New York, she Age Children, Another Vertigo Rush, could make it… well, you know how that goes.
    [Show full text]
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • CPCC-C32-Committee-S
    CANADIAN PRIVATE COPYING COLLECTIVE SOCIÉTÉ CANADIENNE DE PERCEPTION DE LA COPIE PRIVÉE 150 Eglinton Ave. East, Suite 403 Toronto, Ontario M4P 1E8 416 486 6832 1 800 892 7235 416 486 3064 [FAX] www.cpcc.ca CPCC CPCC C-32 Submission Background The Canadian Private Copying Collective (CPCC) is the non-profit organization responsible for collecting private copying royalties and distributing them to songwriters, performers, music publishers and record companies, as well as promoting the interests of rights holders as they pertain to private copying. For over a decade, the CPCC has represented copyright holders before the Copyright Board of Canada. The Board establishes the levies that may be collected after trial-like hearings where experts, representing music rights holders and organizations that represent consumers and businesses that sell leviable blank media, present evidence and are cross-examined. The private copying levy has been an important part of the Canadian copyright regime since 1999, when the first private copying tariff was certified by the Copyright Board, following amendments made to the Copyright Act (the “Act”) in 1997 to allow for a levy to be placed on blank audio recording media. Currently, the levy only applies to blank CDs and MiniDiscs, at a rate of 29 cents per unit, and is paid by manufacturers and importers of these blank media to the CPCC for distribution to rights holders. The private copying levy has provided an effective mechanism whereby consumers are allowed to make copies of music for their personal use without infringing copyright and, in exchange, music creators receive royalties that recognize the value of private copies of their work.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • 2008 / 2009 Annual Report
    RADIO STARMAKER FUND ANNUAL REPORT 20#08 –2009 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04 . Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 07. -10. Radio Starmaker Funded Artists 12. Sales Certifications 14. Grant Allocation by Province | Grant Allocation by Genre 16. Grant Allocation by Music Industry Association 18. -19. Awards Won by Radio Starmaker Funded Artists 21. New Artists to Radio Starmaker Fund 23. Allocation of Funding by Category 25. -29. Condensed Financial Statements 372 Bay Street, Suite 302, Toronto, Ontario M5H 2W9 T. 416.597.6622 F. 416.597.2760 TF. 1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2008-2009 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND It is my pleasure in my second year as Another important issue for Starmaker is to ensure that I am very excited to see these excellent results and I look Chair of the Radio Starmaker Fund the funding is distributed broadly over new and emerg - forward to working further with the new Board and the to present our outstanding results ing talent and that we are not funding the same artists very capable staff here at Starmaker to continue to set from the fiscal year 2008-2009. repeatedly. This year in addition to our dramatic and meet these very high standards for supporting artists increase in applications we saw almost one third of these in Canada. One of the primary goals of the applications from artists who were new to the Fund.
    [Show full text]
  • Baltruschat-MIA
    Doris Baltruschat THE NEW MEDIA GEOGRAPHY OF GLOBAL AND LOCAL PRODUCTION NETWORKS Abstract This article highlights the networked collaborations, across non-traditional lines, between producers, broadcasters, digital content developers and telecommunications providers for the development of content across multiple platforms. Through using global production technologies such as co-production and formatting, they are able to localise program narratives with the participation of audiences, online communities, and media events — all of which increase the value of the overall program package for the international market. Global film and television programs are based on production ecologies that interconnect vast networks of producers, broadcasters and digital content developers. These partnerships include collaborations on multi-platform media to stem the growing ‘audience coup’ emanating from file-sharing sites and to exploit social networking aspects that surround popular television programs. In particular, professional media producers take advantage of the reciprocal relationship between actual and virtual communities that coalesce around television shows in the form of real live media events, program participation, public display, online chat rooms and blogs. While these immersive environments extend a global media product’s reach into specific local contexts, they also provide the blueprint for its successful adaptation in different markets around the world. This article explores the intersection between professional media practices and active public engagement with television programs: the dichotomy of media localisation and globalisation is at the core of the investigation. Public involvement in television programs runs the gamut of attending open auditions and participating in television programs to creating a plethora of user-generated content. These activities add value to programs because locally acquired expertise becomes part of a production matrix that is reapplied to the development of new media products.
    [Show full text]
  • Bob Ezrin – Primary Wave Music
    BOB EZRIN en.wikipedia.org/wiki/Bob_Ezrin The phrase “super-producer” is often used when discussing Bob Ezrin – and with good reason. After all, the Toronto native has been behind the boards of many classic albums, among them Alice Cooper’s Billion Dollar Babies, KISS’ Destroyer, and Pink Floyd’s The Wall. He has also done much to help preserve music education in Canada in the face of devastating government funding cuts. Bob Ezrin was born March 25, 1949, into a musical Toronto family in which his mother played piano and his father, bass. Ezrin’s grandfather, a musical theatre amateur, taught him to dance to Al Jolson’s “Me and My Shadow” when Ezrin was just two. Ezrin went on to learn classical piano at Toronto’s Royal Conservatory of Music and spent off-hours as a teen taking in the likes of Joni Mitchell at his uncle’s music club, The Penny Farthing in the mid-‘60s. At age 19 he was taken under the wing of The Guess Who producer Jack Richardson who sent him to fellow producer Phil Ramone’s Eastman School of Music “boot camp” in Rochester, New York. Upon his return, Richardson sent Ezrin to New York to check out shock rocker Alice Cooper, whose manager Shep Gordon was insistent Richardson produce them. Ezrin was blown away by Cooper’s performance at Max’s Kansas City and ended up co-producing the band’s 1971 album Love It to Death with the initially reluctant Richardson. Ezrin would go on to work with Cooper multiple times, including on his most recent record, 2011’s Welcome 2 My Nightmare.
    [Show full text]
  • The Music Distribution Industry in Canada 2006
    THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay.
    [Show full text]
  • REM E. Bow the Letter Nelly E.I Katy Perry E.T Cam Zoller Earl Didn't Die
    REM E. Bow The Letter Nelly E.I Katy Perry E.T Cam Zoller Earl Didn't Die Weeknd Earned It Penguins Earth Angel UB40 Earth dies screaming Michael Jackson Earth Song Ricochet Ease My Troubled Mind Michael Jackson and Diana Ross Ease On Down The Road Jerry Reed East Bound and Down Commodores Easy Rascal Flatts & Natasha Bedingfield Easy Kiss Easy as it Seems George Strait Easy Come Easy Go Clint Black and Lisa Hartman Easy For Me To Say Terri Clark Easy From Now On Uriah Heep Easy Livin' Charlie Rich Easy Look Three Dog Night Easy To Be Hard Five For Fighting Easy Tonight Weird Al Yankovic Eat It Krokus Eat The rich Aerosmith Eat The Rich Wheeler Walker Jr Eatin Pussy/Kickin Ass Stevie Wonder & Paul McCartney Ebony And Ivory Everyly Brothers Ebony Eyes Trapt Echo Martha & The Muffins Echo Beach Pink Floyd Eclipse Sound of Music Edelweis Vince Hill Edelweiss Lady Gaga Edge of Glory Stevie Nicks Edge of Seventeen TED GÄRDESTAD Egen måne Beyonce Ego Beatles Eight Days a Week Alanis Morissette Eight Easy Steps Byrds Eight Miles High Kathy Mattea Eighteen Wheels And A Dozen Roses Marty Robbins El Paso City Amy Grant El Shaddai Sia Elastic Heart Pearl Jam Elderly woman Behind a Counter In A Small Town Low Millions Eleanor Alice Cooper Elected Eddie Grant Electric Avenue Lady Gaga Electric Chapel Marcia Griffiths Electric Slide REM Electrolite INXS Elegantly Wasted Tears for Fears Elemental Moulin Rouge Elephant Love Medley U2 Elevation Three Dog Night Eli's Coming Billy Gilman Elizabeth Bob Lind Elusive Butterfly Oak Ridge Boys Elvira Confederate
    [Show full text]
  • Changing Times a Magazine Made by Newcomers to Southwest Saskatchewan SPRING 2012
    Changing Times A magazine made by newcomers to Southwest Saskatchewan SPRING 2012 CELEBRATE DIVERSITY from the editor spring Welcome to spring! Doesn’t this newfound sunshine cheer you up? GREETINGS! It sure puts a smile on my face. Spring always feels like a refreshing reward for surviving the long and gloomy winter. I wish Saskatchewan springs lasted a little bit longer even if it meant shorter summers. I had lots of fun working on this spring issue of the Changing Times magazine, as there was so much to tell and report on. I hope you will enjoy reading our stories and perhaps also learn something new or gain a new per- spective. I am also very grateful for the wonderful con- tributions of our new volunteer writers. If you Spring is an excit- like writing, designing, taking pictures and if ing season! Every- you would like to volunteer thing is starting to some of your time, please let green, the weather me know! is getting warmer, and the days are getting longer! Happy Easter! Another bonus: it’s ~ Agnese Vilde almost summer! ~ Emilia Spring: The changing of the weather al- ways amazes me, especially from winter to spring. It’s like a big theatre production set unfolding before my eyes, with the basi- cally black and white winter suddenly changing into this colorful set-not just in nature but in people as well. Seeing the perennial plants that hide all winter months come out is really looking at life and how it must go on after a deep slumber. ~ Icasiana de Gala 2 Inside this issue Mabel R.
    [Show full text]
  • 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
    Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
    [Show full text]