N. 06/2013 LEDIN art international

N. 01/2017 Bollettino Ufficiale Associazione Nazionale Fornitori Elettronica • Consorzio Tecnoimprese Scarl • Poste Italiane spa - Spedizione in Abbonamento Postale - 70% Roma AUT. N. C/RM/06/2013Supplemento • LEDin • n°02/2018 LEDIN art international PROJECTS LIGHTING AWARDS 2018 CODEGA

19th october 2018 Codega awards

or the sixth time, on the 19th October of 2018, Venice will host the Codega Award - the international recognition The Commitee Fof lighting design excellences and solutions - celebrating the The Jury of the Codega Award importance of quality, control and versatility of new technologies. is composed by qualified experts of lighting and electronics sectors: Promoted by Assodel (the Italian Association of Electronics

Clusters), Phot/IDEA (Int’l Dist of Electronics Association) and Silvio Baronchelli - President of Assodel Elint Consortium, the Codega Award is assigned to professionals Stefano Catucci - Director of Lighting Design for their innovative ideas and their “intelligent” and integrated use Master at La Sapienza University of Roma Paul James - Mondo Arc’s Editor in chief of light. Esther Torello - Lightecture Editor in chief Francesco Iannone - Lighting designer FOCUS on INNOVATIVE LIGHTING DESIGN Massimo Malaguti - Past director of Univeneto In the wonderful setting of Ca’ Zen, Venice, lighting designers, Fabio Peron - Teacher at IUAV University of Venice architects and professionals will meet. Apart from the prize-giving Thomas Roemhild - Professor at the University of Wismar ceremony, the event will host a conference session on “Lighting Maurizio Rossi - Director of Lighting Design & LED Technology Master controls and new technologies for a revolutionary design approach”. at Politecnico of Paola Urbano - Lighting Designer, Co-founder of APIL In the next pages, you will find the List of the candidates of the and Member of its Board 1st category (Lighting Design projects): 56 projects from all around the world. The projects will also be presented at ILLUMINO TRONICA (Bologna, 29 Nov/1 Dec), the Italian trade show devoted to new technologies and IoT. Sponsor:

LEDinART \ 1 COLOPHON \

CODEGA award\ PROJECTS 2018 2,00

LEDin ART e international

international LEDIN ART artec3 • Anno XIX n°01/2017 • LEDIN ART international Supplemento LEDin /7 Supplement to 06/2013 N. tunateca balfegò /4

n° 2/2018 Elettronica & Imprese grand sigth design shenzen longgang chuangtou tower /5 grand sigth design Bollettino Ufficiale Associazione Nazionale Fornitori Elettronica • Consorzio Tecnoimprese Scarl • Poste Italiane spa - Spedizione in Abbonamento Postale - 70% Roma AUT. N. C/RM/06/2013 •

N. 01/2017 N. guangzhou poly yuzhu COVER–2-2018.indd 1 09/10/18 16:44 tower /6 actld la flèche dans les nuages /7 Editor Laura Baronchelli: [email protected] studio de schutter /10 Publisher Consorzio Elint burg vischering /8 Tecnoimprese : george sexton LightArt Clara Lovisetti 190 s. la salle /9

Editorial staff Silvia Anselmi ksld Laura Moccetti scottish parliament Int’l issue Consorzio Elint debating chamber /10

Phot rama mendelshon fabric hotel tlv /11 UK Gary Kibblewhite Aubrey Dunford actld /15 Editorial Consorzio Tecno Scarl erasmus bridge /13 office Via Console Flaminio, 19 20134 Milano () dl studio [email protected] golden gate bridge /14

Web site www.ledlab.it actld brussels airport /x Marketing Diego Giordani: [email protected] canal led paris by night /15 Administration [email protected] lichtwerke Graphic Project Francesco Bonetti: golden edge bus terminal /16 & Production [email protected] /18 michael grubb Printing STCC Roma museo lavazza /17 clickon hotel royal hideway /18 CONSORZIO ELINT bdp Elettrimpex Lumen wilkins terrace /19 International The Elint Consortium acts in the SSL artc light design (Solid State Lighting) and Electronics dome of guastalla /20 area to promote products and artec3 applications internationally. Elint is a dream & nature /21 /19 member of Federexport-Confindustria and actively cooperates with planlux several public Institutions for matters borusan auto /22 regarding export. marco piva For information: casa alitalia /23 [email protected] baldieri www.consorzioelint.it national gallery /24

\ 2 LEDinART INDEX \ artec3 echoes of a land / toreo /25 /24 remm populst bebek brewery /26 zna china room 33 /27 lichtwerke boris jelzin presidential center /28 artec light design waterfalls riva del garda /29 /33 tamschick media & studio light cloud /30 matteo casini syrah restaurant /31 light & studio lightelar /32 zna hut11a /33 simone micheli zna aquatio /34 the altani alberto apostoli collection /45 porticciolo spa /35 studio de shutter lichtsphere full node /46 office building /36 el primer dia remm acanto /46 pur impur /37 lsba - luca salas marco piva silver deer /47 city of light /38 sophya acosta lkl - licht kunst licht siete puertas /47 bike square /39 mt electro el primer dia palace of arts /48 casa mision /40 lsba - luca salas pinball r. morcillo casa teo /48 triple jet /40 marco piva pantheon rome hotel /41 lkl - licht kunst licht /46 cafeteria dusseldorf /42 jpld dutyfree talinn airport /43 Lbsa - luca salas parte luz /44 massimiliano moro cerchiocielo /44

LEDinART \ 3 CODEGA AWARD / projects 2018

he Balfegó gastronomic project responds

to the need to create a thematic space Tdedicated to Bluefin Tuna. Each space represents either water or ship, and is designed

for the user to enjoy multiple views and interact

with their environment. Working along with the

interior designers and chefs, the goal was to create

different immersion levels of the user with the water

atmosphere. This was achieved by a lighting design

based on dynamic light that resembles the sun

filtered by water, or the different tones of light on a

boat, in order to enhance the gastronomic experience.

The main hall functions as a restaurant, where the

dynamic light receives the diner and invites them

to learn more about the Bluefin through a central

piece: the school of fish, composed of 88 units of

customized Led spots with warm filters (2700K),

placed down the central room, illuminating more

than a hundred-acrylic fish hanging from the ceiling,

forming a circle. With fish swimming in space, and

waves surrounding the scene, everyone is welcome

into an immersive world.

Application: Restaurant Location: Barcelona, Spain Date: April 2017 Client: Gastro Boutique Balfegó Interior designer: El Equipo Creativo Lighting designer: artec3 Studio Photo: Adrià Goula

ARTEC3 - SPAIN Tunateca Balfegó BARCELONA

\ 4 LEDinART GRAND SIGHT DESIGN international ShenZhen LongGang ChuangTou Tower

he is a container that captures Location: Shenzen, China light, just like a musical instrument captures Date: July 2018 music. Light needs a structure that can show Lighting Design Team: T Yanzi Wang (chief designer), it. ShenZhen LongGang ChuangTou Tower has an Xinyu Huang, Hui Ren Photo: Shu He open spatial structure, interspersed with deconstructed blocks, and with a rhythmical unit form which gives light the best expression carrier.

The curtain-wall surface is designed with unique deep windows. With the subtle change of the angle of the pane sideboard, a natural mechanism of light reflection is formed.

For the installation, the studio has weighed the possibility of various schemes through calculation and simulation. After rethinking, and communicating with the architects, Grand Sight Design installed the lights in the grooves on the top of deep windows

(outside the glass).

The anti-glare grilles is added outside the grooves, and the grilles are customized according to the size of window frames and the angle of lights, so as to avoid uncomfortable visual perception. The lights are arranged and installed according to the mechanism and rhythm of the architecture itself.

“like with a musical instrument, light follows the special rhythm of the architecture ”

LEDinART \ 5 CODEGA AWARD / projects 2018

GRA ND SIGHT DESIGN international Guangzhou Poly Yuzhu Tower

Location: Guangzhou, China Date: September 2017 Lighting Design team: Hui Ren, Kaixnan Chen, Yao Xiao Photo: Jossy Lin

he lighting design for this project is inspired by Poly’s vibrant Decorative lighting items are co-ordinated with digital and futuristic

corporate culture. Combining decorative and functional elements within the space. Feature wall behind the reception desk is Tlighting with elements such as digital words, media contents decorated with a world map assembled by dots of LED lights. and language symbols, the lighting design studio created an In the elevator lobby, feature wall is lit up by different lengths of

intelligent and high-quality office space aimed for new technology lighting lines as if a circuit board was printed on the wall.

services. Perforated metal panels are lit from behind within the elevator cab.

Using track spot lights to tables and white LED linear strips within These dotted lighting lines resemble digital codes providing a visual

the co-working spaces has a large impact of defining and reinforcing relief to the space.Interactive projectors are set for display walls

the open and sharing working environment. Stretch ceiling is neatly within the exhibition area.

implemented in public conference area to further accentuate a simple In this project, lighting design are in details of dots, lines and planes

and open communication environment. to allow for multiple visual experiences within the space.

\ 6 LEDinART Location: Strasbourg, France Date: July/September 2018 Installation: La Flèche dans les nuages Photo: Frank Baudy, ACTLD

actld LA FLÈCHE DANS LES NUAGES

a flèche dans les nuages” illustrates the • The spire from his first sketch to the technical drawings;

construction period of the spire of the • The dream of the architect, the aspiration of the man to “L Strasbourg Cathedral, between the XIV and XV surpass himself; century. A Story of passion following the steps of the great •The builders of the Place du Château – individually and then

characters who marked that era. The public will (re)discover the as in ever increasing numbers;

different protagonists of this technical, artistic and human tale. • The builders of the sky and the ascent of the stones to

The Spire is one of the most famous and admired architectural heaven;

masterpieces of this era, assimilated to a miracle. It is the • A heritage forever engraved in the stone and in the sky.

craziness of the Man that constantly pushes the limits of the

spirit and the technique that brought the Cathedral to become This year, for the first time, ACTLD moved the video

an architectural icon of the Middle Ages. projection from the walls of the Cathedral to the middle

of the sky. They designed an original structure consisting

Between symbols and poetry, “La flèche dans les nuages” of a light mesh of 400sqm suspended above the Place du

explores the drawing techniques of the architect to his wildest Château and on which was projected the story of the spire

dreams. From dream to reality, the story follows the principal and the men who built it. An invitation to look up to the sky

axes of the narrative: and live an immersive experience.

LEDinART \ 7 CODEGA AWARD / projects 2018

STUDIO DE SCHUTTER Burg Vischering

urg Vischering is one of the oldest and best

preserved castles in Münsterland, Germany. BThe castle was built in the second half of the 13th century and became the seat of the Droste zu Vischering

Family. In February 2018, after a year and a half of

renovation, Burg Vischering re-opened its doors.

The overall concept of the exhibition designer, Duncan

McCauley was to show the castle as the main exhibit.

In cooperation with him, De Schutter studio designed

the lighting for both the permanent and the temporary

exhibition.

The lighting design aim was to create lighting that could

only be experienced through atmosphere and not through

visible lighting fixtures. The many custom-made fixtures

combine the newest LED technology whilst blending in Application: Museum - Historic building Location: Lüdinghausen, Germany into the historical architecture. This is with the exception of Date: 2018 the Knight’s Hall, where the chandeliers are eye-catching Lighting Designer: De Schutter in cooperation with Duncan McCauley and are part of the dynamic lighting that tell the story of Photo: Philipp Oberkircher the festivities that took place in this magnificent space.

\ 8 LEDinART GEORGE SEXTON “innovative solutions to highlight 190 S. the historic building” La Salle

eorge Sexton Associates provided lighting design

services for the grand three-story high lobby spaces at G190 S. La Salle. They worked with Krueck + Sexton Architects and Tishman Speyer Properties to revive this Class-A

office building located in downtown Chicago. Originally designed

by Philip Johnson in the 1980s, the purpose of this work was to

preserve the building’s historic design while finding innovative,

seamless, cost-effective, value conscious, and sustainable

solutions to highlight the interior architecture. The original gold leaf

ceiling was brought to life by integrating LEDs into the cornices. In

addition, the large cast bronze grilles in the main lobby and elevator

lobbies were repurposed into backlit “windows” to balance the

contribution of daylight and enhance the symmetry of the space.

The original decorative fixtures were rejuvenated with modern

satine lenses and LED sources to reduce glare and infuse the

space with diffuse light. The integration of LED lighting in historic

lanterns and grilles involved meticulous detailing and extensive use

of mockups for evaluation of lighting systems. The project was

designed to meet ASHRE 90.1-2013 energy code requirements,

with allowed lighting power density of 0.88w/sf (8.8 w/SQ M).

The lighting design provided for the lobby highlights the sculpture

by Anthony Caro, Chicago Fugue, which was inspired by musical

instruments and constructed on-site in 1987.

Location: Chicago, Illinois (USA) Date: September 2017 Lighting Design: George Sexton Associates Partners: Tishman Speyer Propert; Krueck+Sexton Architects Photo: Steve Hall - Hall + Merrick photographers

LEDinART \ 9 CODEGA AWARD / projects 2018

sdas

Scottish Parliament debating chamber

Application: Interior lighting - public space Location: Edinburgh, Scotland, UK KSLD Date: September 2017 Photo: David Barbour

he Debating Chamber in the Scottish Parliament elsewhere in the chamber, reflecting the architectural language of

effectively functions as aTV studio during parliamentary the building as a whole. The quantity of graphic figures represents Tbusiness. The brief was to review the current metal-halide the number of sitting MSPs. lighting scheme and daylight ingress conditions, aiming to improve

glare and uniformity for the MSPs and broadcasting team. Specially designed frosted louvres prevent direct sunlight

KSLD decided that the best lighting solution had to include a causing problems with broadcasting and improve comfort for

custom suspended luminaire, creating soft but high light levels for parliamentarians. The spatial arrangement was devised to create

broadcasting, while integrating and showcasing the architectural a sense of randomness, but with discernible pattern at specific

structure that was previously hidden behind hundreds of pole angles and homogeneous light for the broadcasting cameras.

mounted spotlights. A soft, yet high quantity light is achieved, via hidden integrated

The form of the luminaire mirrors the plan-form of the chamber, LEDs. While a full DALI control system manages lighting for

and the light extractors within the fitting are graphic figures used different functions and times of day.

\ 10 LEDinART Application: Hotel Location: Tel Aviv, Israel Date: July 2018 RAMA MENDELSOHN Photo: Ronny Tubul & Assaf Pinchuk Fabric hotel TLV

“rough is combined with warm and colourful furniture and art”

he Fabric Hotel is located on a street characterized by Architect Yoav Messer created a red silicate bricks façade

fabric shops, textiles and sewing products and serves as a covering the exterior walls of the building, giving it an unusual T“neighborhood salon” of sorts, combining rough industrial texture and simulating the façade of the old sewing factory. design with warm and colorful furniture and art. The square-framed windows are constructed of black steel, and

The recently, 43-room, intimate hotel, which years ago was home stand out at various distances from the wall, creating an optical to a sewing factory, has been designed in a harmonious and illusion. The variable distances are highlighted by a hidden linear tasteful manner. From the moment you enter the lobby, the avant- LED light, also in 2500K to complete the warmth of the red- garde, lively atmosphere reminds visitors of Berlin, and the young brownish façade color by night. design fits the space like a glove with an air of total relaxation.

The artwork adorning the walls, and Jennifer Abessira’s urban space inspired collages on the back wall of the reception area perfectly emphasizes the design concept of the hotel and its relative location in the city center. Jennifer’s work is accentuated by adjustable spot lights 2500K LED light. Above the reception desk custom made “chandelier” from brass tubes with carbon- look dimmable LED bulbs. The , entrusted to Oren

Bronstein, highlights the contrast between the rough and industrial design with the warm and calming atmosphere in the rooms.

The attention and thought behind the design elements is apparent in every corner of the hotel, as evidenced by the beauty of the combination of colors and textures.

LEDinART \ 11 CODEGA AWARD / projects 2018

actld ERASMUS BRIDGE

Application: Urban landscape Location: Rotterdam, Netherlands Year: 2017 Client: City of Rotterdam Photo: ACTLD

he Erasmus Bridge, designed by architect Ben van be modified. The intention was to re-think the original lighting

Berkel, is the tallest bridge in the Netherlands (height scheme and translating into a full LED solution, while keeping in T139 m) and the most important landmark in Rotterdam’s mind three main elements: 1. reservation of the original lighting skyline since its inauguration in 1996. concept and the appearance of the bridge; 2. night sky friendly;

With the Erasmus Bridge approaching its 21st anniversary, 3. reduced energy consumption and maintenance.

the City of Rotterdam and the architects from UNStudio, who Cooperating with the architects, ACTLD worked out a full

designed the original lighting scheme of the bridge, wanted to dynamic RGBW solution, that not only respected the original

revamp the lighting scheme with the latest LED technology and appearance, especially for the whites, but recreated a new

dynamic possibilities to perform striking visual effects in mind. installation with added value: an open and flexible dynamic

Considering the project as a re-lighting of a light scheme over installation, with a great variety of scenarios, better color

20-years old, the whole approach was a challenge by itself, as rendering, better performance and increased output, even with

neither the original concept nor positioning of the fixtures could less energy consumption (-17% from the original scheme).

\ 12 LEDinART he Willemsbrug in Rotterdam is one of the city’s three can be controlled separately. Due to this technique the light color

large bridges, alongside the Erasmusbrug and the Van can be adjusted and the color shifting, caused by the ageing TBrienenoordbrug. The 356 meter long cable-styed bridge, process of the surface coating, can be negated. A LED-Line all designed by Cor Veerling architects, crosses the river Maas. along the horizontal bridge deck is connecting both river banks

It is a symbol of modern engineering art: clear, functional and, and creates a red glowing stripe over the river Maas. with its red-painted steel structure, in direct contrast to the white The main idea and different variants had been visualized in

Erasmus Bridge. Because of its color and shape, the nickname 3D-Models, this process helped communicating the design and

“Golden Gate Bridge of Rotterdam” established. supported the decision making process.

As a guiding idea for the lighting design, the two neighbouring The Lighting Design is based on modern planning tools, that bridges should stand next to each other as a family with make this illumination very sustainable in an energy efficient and independent but not competing characters. Whilst the shape ecological manner, causing minimal light pollution. Studio DL of the Erasmusbrug in nighttime is pointed out mainly by accompanied the implementation planning and the realization its illumination of the steel cables, the illumination of the process, making sure to achieve the best possible design and

Willemsbrug willingly waives this element while focusing on the desired quality. body. By doing so, the two bridges enter into a dialog. With the illumination of the Willemsbrug, the lighting designers

An essential feature of the Willemsbrug is its red color, to have created an object that not only underlines its independent extend this color to the night time impression was a crucial part character at night, but also blends harmoniously into the city’s of the lighting design. This is done by specially for this project nocturnal silhouette without entering into direct competition with developed LED elements consisting of red and white LEDs, that other important buildings. studio dl “a modern lighting which underline the Golden independent character Gate Bridge of the bridge at night” rotterdam

Application: Urban Location: Rotterdam, Netherland Date: June 2018 Photo: Midi010 Fotografie LEDinART \ 13 CODEGA AWARD / projects 2018

ACTLD brussels airport

“AN IMMERSIVE INSTALLATION: A 30,000 PIXEL AND KINETIC EFFECT SCULPTURE

Location: Zaventem, Belgium TO CAPTURE PASSENGERS” Year: 2018 Client: Toerisme Vlaanderen Photo: ACTLD

30,000 pixel and kinetic effect sculpture has been Literal content appears on the main video panel displays

designed and installed at Zaventem airport in Brussels, while more abstract animations run through the length of the Aabove the main travellator leading from the jetway to installation. The animation of abstract surfaces follows the the baggage claim hall. dynamics and graphics of the video, so it looks like ‘extensions’ of

The main purpose of this realization is to invite the passengers the content itself; retaining same color, tonality and continuity.

landing at Brussels Airport to discover the region of Flanders

through a dynamic media installation, immersing the passerby The kinetic fabric that covers the installation was an important

into a world of visual imaging and lighting. element to illustrate the travelling and immersive effect by

The floating sculpture emphasizes the strong perspective of the creating an interesting linear deformation.

main corridor’s axis, making the travellator the perfect spot for an ACTLD treated the whole sculpture as a graphic landscape of

immersive experience. lights, with different sensations in depths and compositions.

The animated ceiling installation is 70 m long, combining low/

medium resolution LED strips and 4 panoramic high-quality video The challenge of keeping the installation flexible in a space that

panels, fitted above a special kinetic fabric. A loop of content has a lot of safety constrains to respect, directly impacted the

runs 24-7 in this demanding environment, giving all passengers design, resulting in different modular facetted elements that are

a glimpse of what they can expect and do in the region. forming the sculpture.

\ 14 LEDinART colors or effects. They can repeat the same message, or variant, CANAL LED each developing specific information, as they can simply reproduce predefined images. Paris Everything can be changed remotely and live, which allows the studio to respond quickly to requests for new visuals.

In all, no less than 153,984 LEDs illuminate the façade of the By Night MIS. Never in Europe had a building owned so many of these lights outside. The large illuminated area (1,025 m2, a “screen”

about 58m long and 18m high) makes the lighting of the MIS a

he MIS (Maison Internationale de Séjour) has a unique project.

dual purpose. It welcomes young people, students From their conception, the MIS have been equipped with a Tor apprentices, for short stays. But outside, its second glass skin. Their skeleton was made up of clear walls, so façades respond to a second mission of embellishment, as to privilege the transparency, and to bring out the soul of the

communication and permanent creation... construction. The outer epidermis consists of 284 rectangles of

Parisian residents or tourists who pass by, or on the ring road glasses, all surrounded by LEDs profiles. The way to place leds

highway, must have a new vision of the city at night. gives a rendering worthy of a screen, proposing lighting effects

The brief was to satisfy the demands of the Mayor on his vision never seen in Europe.

of urban lighting and the dynamism of the neighborhood. All these LEDs are controlled by a server. Each profile is

For all these reasons Canal LED created a revolutionary equipped with pixel led strip. So that collectively or separately,

system: according to the news, the weather or the imagination they can be controlled to serve all imaginations, whether in

of the designer, the façades of the three buildings can change terms of lighting intensity, or choice of colors...

Location: Paris, France Date: June 2018 Lighting Design: Fabrice Azoulay - Canal LED Photo: Fabrice Azoulay, Roland Bourguet

LEDinART \ 15 CODEGA AWARD / projects 2018

LICHTWERKE Golden Edge bus terminal

Location: Gummersbach, Germany “the light bands Date: May 2017 create a radiate Lighting Design: Lichtwerke Architect: pape+pape architekten environment” Electrician: Patrick Skarneck Photo: Lucas Roth

ecently, Gummersbach has its long-desired The structure is characterized by the lighting of the golden roof,

representative entrance area into the city, whose which not only emphasizes the architecture, but also provides Rarchitectonical character is predominated by a gold the necessary lighting. This is done via two parallel-running and radiating roof structure. diffused LED light strips in the central axis above the vertical

In the course of the planning the old station building was slices. This is complemented by warm white roof recessed

new painted and the bus station was displaced there. The downlights, which illuminate the bus segments, ramps and

architects’ office of pape+pape architects from Kassel stairs, with a powerful light and a narrow cone of light.

planned a 130m long and 10 to 25m wide roof. The roof is The effect: the light bands create a radiant, almost embedding

made of a polygonal folded corpus - developed from the environment in which the light hotspots create a certain

broken structure of the boulders in the surrounding area - dramaturgy. In addition, the impression arises that the light on

which follows the slight curve of the railway. the underside of the roof comes from the strong light of the

Its surface shine apparently golden created by the covering of spots, because the light bands are arranged so high that one

aluminium bronze shingles. can not see where this light actually comes from.

\ 16 LEDinART MICHAEL GRUBB

Application: Museum Museo Location: Turin, Italy Lighting Design: Michael Grubb Studio Exhibition Design: Ralph Applebaum Associates (RAA) Date: April 2018 Lavazza Photo: Andrew Lee

useo Lavazza is a sensory journey through global designers; 5. L’Universo, a 360-degree multimedia space

coffee culture, explored through the 120 year that engulfs visitors in clouds and a boundless midnight blue Mstory of the Lavazza family. sky... a celebration of the Lavazza “Universe”. Michael Grubb Studio provided lighting design for the exhi-

bition, working with multi-award winning exhibition designers

Ralph Appelbaum Associates (RAA) to create a series of

highly immersive and emotive experiences.

The journey begins with a homely welcome into the 19th

century roots of the Lavazza brand, followed by the fascinating

production process, where visitors can smell, touch and taste

the alchemy of coffee production “from bean to cup”, the ri-

tuals and traditions of coffee making, and the fabulous creative

collaborations which make Lavazza culturally distinct.

Museo Lavazza has five galleries, or ‘worlds’, each with its

own style and theme: 1. Casa Lavazza, a cosy environment

dedicated to the company history; 2. La Fabbrica, devoted

to the process of blending, roasting and packaging Lavazza’s

coffee; 3. La Piazza, an iconic celebration of the coffee

rituals which unite us all; 4. L’Atelier, a room documenting

60 years of Lavazza’s creative collaborations with artists and

LEDinART \ 17 CODEGA AWARD / projects 2018

Application: Hotel and restaurant clickon Location: Costa Adeje, Tenerife, Spain Date: February 2018 Lighting Design team: Emilio Pellejero Silva, Rafael Gavira Cabrera - Clickon Studio Hotel Royal Photo credits: Barcelo Hoteles-iGuzzini Hideaway Corales Suites

ow more than ever the unique experiences that come to us through Nthe senses have taken a big role thanks to social networks. To all the traditional concepts that are sought in a hotel we have now to add the

search for “instagrammable” experiences, that fill our senses. The hotel

must be seen in this sense, considering the rocky environment of Tenerife,

the architecture of Leonardo Omar and the interior design of MKV.

The hotel is divided into two blocks: 1. a familiar one, with the Oliva

restaurant, where a more open lighting with striking decorative lights was

used; 2. another block for adults where the Spa and restaurants Maresía,

San Ho and Nao Atlántico are located, with more closed lights.

In all the restaurants DALI has been used to adapt the lighting to the uses

of the spaces maximizing the customer experience at all times.

esthetic sensitivity, individual attribution of meaning Location: Frankfurt, Germany Date: March 2018 Aand personal attitude depend on our visual perspective. Installation: Your point of view - YPOV Should we change our emotional or geographical standpoint, the Lighting Design: Studio De Schutter in partnership with Dollken Lighting temporary perception likewise changes and thus our interpretation. Photo: Sebastian F., Genius Loci Gestalt psychology confirms that the basic shapes of circle,

rectangle and triangle serve as mythologically and metaphysically

evocative anchors of interpretation, allowing us to grasp and

structure the complexity of our environment. The light installation

developed by Studio De Schutter, in partnership with Döllken STUDIO Lighting, is based on this concept and plays simultaneously with DE SCHUTTER the complexity and simplicity of our perception and the multi- facetted reality that surrounds us. It sees itself as a trigger for a

change of perspective and calls for the tracing and disintegration of Ypov our cognitive dissonances.

\ 18 LEDinART BDP Customer: fdsfe Lighting Design: dsfs “Legibility, orientation Photo credits: and connectivity are Wilkins three main aspects of this lighting design project” Terrace

he brief was to create an attractive new social space Location: University College London, UK Architect: Levitt Bernstein Architects for staff and students but also to provide routes to Electrical Install: MSL surrounding spaces to better connect the Blooms-bury Lighting Design team: Colin Ball, Lora Kaleva - BDP T Electrical / Mechanical Services: Clare Reinhold, BDP Campus. The Refectory was light locked so BDP made the Date: August 2017 Photo credits: Ben Blossom; Tom Niven ceiling plane porous to orientate the spaces and potential uses to daylight or night time. Another layer was added to enable the space to function as a bright canteen in the morning, for The warm candlelit appearance of the evening setting opens meetings in the afternoon and for functions in the evening. onto the terrace where low level accents within the stairs form

a large indirect reflector, balancing the contrasts of interior/

exterior. Graduated changes of soft wash and sharp accent

gives emphasis to task spaces. These accents were used to

build the visual plane, allowing traditional light levels to drop to

very low levels just above 1 lx.

The most important aspects for the multi-tiered Wilkins

Terrace were legibility, orientation and connectivity. Low level

lighting is interwoven with the architecture and lighting façades,

accenting stone reveals and building up a presence of light

emanating from the materials with no down lighting or visible

light fittings and a total absence of glare.

LEDinART \ 19 CODEGA AWARD / projects 2018

ARTEC LIGHT DESIGN St. Peter’s & Paul’s Cathedral in Guastalla

Location: Guastalla, Italy Year: 2016/2018 Photo: Artec Light Design

he brief was to find a way to enhance the energy and maintenance costs. In the project, Artec Light

perception of both the beautiful architecture and Design used high quality LED lamps only, all controlled Tthe artworks, without seeing any lamp. At the by a DMX-RDM memory desk in order to create the most same time to light up the artworks with the maximum color suitable lighting scene for every liturgical event. The project

rendering and uniformity, without any reflection, and to save used 210 lamps for a total maximum power of 4,8KW.

\ 20 LEDinART ARTEC LIGHT DESIGN artec3 - spain St. Peter’s & Paul’s Dream & Cathedral in Guastalla Nature

he project of the Pavilion of Catalonia at the the most intimate universe inhabited by Rafael, Carme and

Biennale di Venezia is based on a recurrent idea by Ramon, 2017 Pritzker winners. The lighting design generates TRCR Arquitectes to represent their dream of nature. a dreamlike atmosphere. As the light interacts with the plastic A world of dreams that comes from La Vila in Olot, an new materials and lenses, it creates multiple effects and light

experimental laboratory for architecture, and is presented as densities throughout the different exhibition zones, immersing

an exhibition made exclusively for the biennale. visitors in an ambience that strengthens the architectural

concept.

In the pavilion, the abstraction generated by light, the

enveloping plastic material and hundreds of hanging Fresnel Location: Catalan Pavilion - Biennale di Venezia Installation: Dream & Nature lenses, aim to immerse the visitor in a sensorial experience in Date: From May to November 2018 which the limits of the space are blurred. Light projections and Client: Institut Ramon Llull Lighting design: Artec3 Studio Barcelona graphical representations on some of the lenses, reveals in partnership with RCR Arquitectes

“the lighting design generates a dream-like atmosphere”

LEDinART \ 21 CODEGA AWARD / projects 2018

PLANLUX Borusan Auto

Location: Istanbul, Turkey Date: March 2018 Lighting Design: Planlux - Korhan Sisman, Gorkem Engin Client: Borusan Automotive A.Ş Architect: Arkzon Architecture Interior Architect: 2B Dezigned Façade Designer: Werner Sobek Photo: Korhan Sisman

he lighting concept development of Borusan perceive interior volume both internally and externally,

Auto started off by heading to the TEM for that reason it was important to emphasize the Thighway and analyzing the building’s surrounding contours of the mezzanine floor with light. environment. The main approach to the lighting design The filigree textile façade designed and engineered by

concept was what one can perceive at a glance while Werner Sobek creates an exciting visual contrast in

passing close to the building along the highway. Planlux juxtaposition with the concrete texture of the building.

was responsible for the lighting design project. A highly transparent glazed façade between the textile

At the entrance of the BMW showroom, people are and the concrete surfaces further underlines this visual

greeted with a highlighted car; then, there is a 9-meter effect and contributes to the building’s lightweight

high volume split into two, with one half being a gallery appearance.

space filled with cars, and the other half providing a

mezzanine floor, where the office spaces are located. In the showroom, the use of the lights and their

The gallery space spans continuously for 130 meters technical specifications were already set by BMW

along the whole width of the building. The continuity standards. After analysing the needs of the building,

of mezzanine floor along this span helps the observer Planlux found it was best to switch to LED lighting.

\ 22 LEDinART “a calm, inviting and sophisticatic space to welcome travellers in a perfect italian way”

Application: Public space Location: Rome, Italy Date: June 2018 CASA ALITALIA Client: Alitalia Architect & Lighting Design: Marco Piva Studio Site Area: 1.000 sqm marco piva Photo: Andrea Martiradonna

ospitality, organization, comfort, style and emotion are

the key words from wich the lounge project stems. The Hlounge is a new way of welcoming passengers, featuring a light that conquers space without invading it and solutions that

play with beams, dynamic LEDs and precision optics.

The concept of Casa Alitalia project by Marco Piva Studio in

Rome Fiumicino, inaugurated in June 2018, was to create an

environment with a homey feel rather than of a public space,

with areas arranged like a house. In Casa Alitalia a large doorway

leads into an Italian building, a passage that takes guest from the

chaotic airport environment into a calm, sophisticated space.

The lighting has been designed to enhance the quality of the

materials and the colors of the spaces. A punctual and modular

use of light sources, the contrast between different materials

and Made in Italy furnitures have been chosen to guarantee

quality and durability as well as beauty and harmony.

A taste of the Italian lifestyle offered to international travelers.

LEDinART \ 23 CODEGA AWARD / projects 2018

BALDIERI lighting design national gallery of modern art

Application: Museum Location: Rome, Italy Year: 2017/2018 Photo: Luigi Filetici

he scope of the lighting project was to update an old

lighting system with metal halide lamps. TThe request from the Director of the Museum was to have a diffuse light on the artworks with no specific accent.

The Baldieri Studio used, on the existing tracks, LED spot

light with different power and lenses to achieve the best

beam to spread the light over the paintings. The light level is

controlled by an onboard dimmer, the LED source is 4000K

to better match the daylight big skylight. The CRI used is >95

with very a high score on the R9.

According to the exhibition layout where the statues look at

the paintings, like a normal visitor, the Baldieri Studio had to

use a stage lighting technique to emphasize the sculputures

and avoid any glare to visitors.

\ 24 LEDinART Artec3 studio - mexico Echoes of a land

he lighting design for the Mexican Pavillion in the Venice Biennale seeks Tto communicate, in a subtle and precise way, the curatorship of this year: Echoes of a Land. It explains three realities: the complexity of the

Mexican territory, its devastation due to natural causes and some examples

of contemporary Mexican architecture.

The essentiality of the pavilion was filled with contents with imprint through

the ordered placement of vertical tectonic elements of worked stone murals

that explained the three conceptual realities. The pavilion also included more

sensitive elements. On one hand, sounds from Mexico that were heard Location: Biennale, Venice Date: May / November 2018 through headphones placed on a bench and illuminated by LED strips. Photo: Santiago Arau, Roberta Ferreira, On the other, three pieces of light art that brought light and color from videodocumentationproject/ INBA Mexican architecture.

Artec3 studio - mexico Toreo sd

he Toreo office project proposes a study process of Tlighting in a building in an “unfinished” way. The common areas are not intended to have excessively differentiating finishes, but to maintain an industrial aspect, to give a spatial continuity and a contemporary air to the place.

A special approach to lighting design was proposed where only the common areas would be illuminated and the rest of the floors would be areas of penumbra. Together with Application: Office the architects, it was understood that this luminous object, Location: Mexico City, Mexico Date: April 2017 in its repetition or orderly distribution, had to go through Size of Project: 25,000sqm Watts/m2: 10.35W/m2 the common areas of the building in its horizontal or even Photo: Enrique Macias diagonal shapes.

LEDinART \ 25 CODEGA AWARD / projects 2018

he Populist Bebek brewery in Istanbul is located in one of the most sophisticated neighborhoods of the Bosphorus. With a REMM Trefined and dreamlike appearance, lighting uses a scenographic language of contrasts, allowing the focal points to emerge from darkness and highlighting the richness and textures of the materials. Populist The Beer Dream Machine is the main character: a sculptural piece that simulates brewing beer and entertains the viewer with its dynamic Bebek lighting. The BDM provides a warm and softly diffused ambient light through its tanks and bubbles. BREWERY For the architectural lighting of tables and bars, very defined optics

are used, in order to provide the necessary light levels in well-defined

areas. Light plays with contrast, establishing clear visual hierarchies and

enhancing the different materials and textures. Tables are illuminated “lighting uses with black LED projectors, which remain completely unnoticed on the a scenographic dark ceiling background, and with cylindrical suspension luminaires. language of Above the bars, low glare recessed downlights with refractive lenses contrasts”

are installed.

Location: Istanbul, Turkey Date: April 2018 Project Authors: Lagranja Design for companies and friends Lighting Design: reMM Lighting Design Studio Photo: Ali Bekman

\ 26 LEDinART REMM Populist Bebek BREWERY

zna China Room 33

ir Joseph Hotung Gallery at 115 meters in length the gallery. This area is characterized by a brighter atmosphere.

is the longest gallery in the British Museum and ZNA developed a strategy to control natural light with window Sdisplays its collection of Chinese and South Asian screens, to keep the airy and open ambience, but reduce the antiquities. ZNA delivered a scheme to show the beauty of amount of glare around the window bays allowing more focus to

the classical architecture and scale, creating a real sense of the displays, giving clear priority to the objects in the visual field.

wonder on entering the gallery. Luminance levels also had to adhere to conservation constraints

The central area around the oculus accommodates large so that in some bays works on paper could be displayed that had

groups of visitors that assemble before being led through never had a place in the gallery previously.

Application: Museum Location: British Museum, London, UK Date: November 2017 Lighting Design: 2NA Designers: Nissen Richards Studio Photo credits: Roger Spooner

LEDinART \ 27 CODEGA AWARD / projects 2018

LICHTWERKE boris Jelzin Presidential Center

Location: Ekaterinburg, Russia Date: July2017 Photo: Werner Huthmacher

n the media façade of the Boris Jelzin Center, light design

meets advanced technology of a LED media façade. It Oincludes more than 2.600sqm with a width and length of 100 to 60m and a pixel pitch fo 100x100mm. All video pixels are

installed in IP67 aluminium profiles in horizontal position and have a

substructure with a distance of 5mm to the upstream sheet metal. T

he Lichtwerke studio has planned and implemented the whole media 2. nature - there will be handled landscape images, besides cloud,

technology which was necessary to perform flicker-free on screen in a rain, ice and snow crystal phenomena.

level as high as possible in 4K HD quality. 3. urban space / 4. art - The thematic field culture & art interprets

regional motives of native, old embroidery art and ornamentation.

The basis of all the media content production are 5 overriding topics: 5. culture - The pleasure of drinking tea is a ritual indispensable in

1. architecture - The architectonical topics follow up interalia with the the Russian nation. The studio filmed with a high speed camera the

confrontation of the existing vertical and horizontal architectonical lines discoloration of hot water when dipping a tea bag to reproduce it on

of the building complex as well as with spatial 3D interpretations. the façade.

\ 28 LEDinART artec light design Waterfall in riva del garda caves

o find lighting ideas supporting the natural beauty of Artec Light Design used high quality IP67/68 LED lamps only, in

the place, without becoming too intrusive and without order to minimize the maintenance in very difficult positions, often Tovercoming the natural environment. under falling water. To make the lighting intensity and color of every lamp independently changing through as many hues as possible, by The final results: a DMX-RDM control system, making the perception of both the • 89 lamps for a total maximum power of 3,5KW. caves and the waterfall changing as well. One of the purposes • The final lighting sequence, controlled by a remote DMX-RDM was to hide wherever possible the lighting fixtures, despite the memory system, was as smooth as stunning. very difficult environment, making their effect almost “magical”. • Lighting offers a deeper and wider perception plane, making the

Another aim was to take care of the installing positions, in place really magical. order to avoid any glare for the visitors, and to make easier the • The visitors increased of about 40% from the first re-opening installing/maintenance works and the cables paths. weeks.

Application: natural environment Location: Riva del Garda (Italy) “light make Date: 2017/2018 the place magic Photo: Artec Light Design leaving visitors astonished”

LEDinART \ 29 CODEGA AWARD / projects 2018

TAMSCHICK MEDIA & SPACE Light Cloud

Creative Direction: Marc Tamschick Art Direction/Design: Petra Trefzger, Riccardo Torresi Client: Merck Location: Darmstadt, Germany Date: 2018 Photo: Tamschick Media & Space

nside the new Merck Innovation Centre Amount OLEDs: 576 in Darmstadt, Tamschick Media + Space Manufacturer OLEDs: OLEDWORKS Material of Splines: 3D bended steel with glossy powder coating transforms created a large-scale light and sound Total luminous flux: 144.000 Lumen I Power consumption: 3,110 Watt installation. Located in a mirrored atrium linking Number of audiovisula modes: 85 two buildings, the light and sound sculpture is Space: walls and ceiling mirrors, doors coated with spy foil

composed of 576 organic light-emitting diode

(OLED) panels, and sensors which create an

intelligent system interacting constantly with

people moving through the space. Eighty-five

interactive scenes create a synaesthetic cosmos

in which ideas of connected-ness, innovation and

collaboration can be experienced.

\ 30 LEDinART buonamico 22/08/2017

buonamico / Views

buonamico

Site 1 (95) LIGHTING CONCEPT SKETCHES, SIMULATIONS (DIALUX EVO 7), SCENARIOS SETTINGS - SYRAH RESTAURANT, MONTECARLO (LUCCA, ITALY)

buonamico 22/08/2017

buonamico / Views

Site 1 (150)

he Syrah Restaurant together with the surrounding vineyards, located in Montecarlo (Lucca, Italy), is the MATTEO CASINI Tcore of this lighting design project. The Syrah, a sinuous grapevine leaf made of glued-laminated wood and Syrah glass, is also the entrance to the new Buonamico Wine Resort. The particular Syrah architecture and the environment around Restaurant have led to a specific approach. It was necessary to deal with a building under construction, hard to any form of intrusion by electrical systems. Small accents of light help the vision of the structure,

The interior lighting design aims to recreate a cosy atmosphere enhancing it without becoming too oppressive. Six different through a fine-tune light at the tables, arranged in a space pre-set lighting scenarios allow to vary the mood according to dominated by a 6m high wooden shaped roof with large the use during the day. The exterior design aims to create a beams and surrounded by continuous glass windows, avoiding dialogue with the surrounding context and with the Montecarlo flooding the surfaces with light. bell tower view without disturbing the balance of the location,

integrating itself in the panorama. On the restaurant terrace,

the lighting fades to low illuminance levels becoming a perfect

MAXIMUM LIGHTING SUITABLE FOR PARTICULAR MEDIUM LIGHT SUITABLE FOR DINNER RECREATING LOW LIGHTING SUITABLE FOR DINNER RECREATING A link between the interiors and the vineyards. Indoor and 01 - ALL ON EVENTS IN WHICH LOT OF LIGHT IS REQUIRED 02 - SOFT A VIBRANT MOOD 03 - RELAX COZY AND RELAXING MOOD LIGHTING SCENARIOS LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 DIMMER SETTING 100 100 100 100 100 75 50 75 100 100 100 DIMMER SETTING 75 75 75 100 75 75 50 50 100 75 75 DIMMER SETTING 50 50 50 75 50 50 25 50 75 50 50 exterior are harmonized creating a continuity of language. EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON DIMMER VALUES: 100 = 100% lLUMINOUS FLUX The interior lighting concept aims to ensure a sense of well- 01 02 03 ACCENT LIGHTING ON THE BAR AREA AND ON SOME TO BE USED DURING THE DAY TO ENLIGHTEN THE VERTICAL NIGHT LIGHTING FOR THE GUESTS OF THE WINE RESORT 04 - LOUNGE DETAILS IN THE SURROUNDING ENVIRONMENT 05 - DAY SURFACES THROUGH THE LINEAR LED LIGHTS 06 - NIGHT LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11 being at the restaurant by recreating the right atmosphere 04 05 06 DIMMER SETTING 75 100 100 100 100 25 75 75 100 75 25 DIMMER SETTING -- -- 100 100 ------75 75 -- DIMMER SETTING 50 ------50 -- 25 -- 25 50 -- EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON EXTERIOR DOWNLIGHT: OFF RECEPTION DOWNLIGHT: ON EXTERIOR DOWNLIGHT: OFF RECEPTION DOWNLIGHT: OFF and a good comfort lighting. In terms of product design, it

was decided to give continuity to the cylindrical volume of

the elevator around which all the spaces are developed; its

elementary geometry becomes a characterizing element for the lighting of tables and counters where is required a DALI LUMINARIES well-defined direct light. The exterior lighting concept looks GROUPS for concordance and dialogue between the building and the GROUP 01: ENTRANCE GROUP 02: BAR GROUP 03: KITCHEN GROUP 04: LINEAR LIGHTS GROUP 05: TABLES 1

surrounding environment. The internal volume, visible from

Application: Restaurant every angle, is emphasized defining the surrounding context Location: Montecarlo, Lucca, Italy Date: May 2018 only with accents of light. The structure is highlighted by light Lighting Design: Matteo Casini blades, while the terrace is bordered by a luminous horizon.

GROUP 06: TABLES 2 GROUP 07: TABLES 3 GROUP 08: TABLES 4 GROUP 09: ROOF TOP GROUP 10: STAIRS GROUP 11: GENERAL LEDinART \ 31 Page 1

Page 41 CODEGA AWARD / projects 2018

ightelar is a tribute to the thousands of artisans who have passed through the looms of the Royal Tapestry Factory of LIGHT & STUDIO LMadrid. Light & Studio illuminated different areas of the factory for their new use as a co-working space. LIGHTELAR Lightelar was created to build a bridge between tradition and innovation, between the old and the new; the tapestry factory REAL FABRICA that has been working since 1721 and the co-working space for innovation companies that was recently launched. DE TAPICES The design is based on more than 200 meters of opalescent

methacrylate tube installed at different heights to create those

crosses that remind us of the tapestries that are being woven

in the rooms next door. The tubes are traversed inside by digital

LED strips controlled point by point to make different scenes and

paths with light. By means of 3 controllers of 64 universes each

connected to a software that launches the images in real time.

The programming is integrated into a control system with a

personalized graphical interface to facilitate the control of the

digital LED and merge it with the rest of the conventional lighting

and the audiovisual room. This allows to create synchronized

shows with the audio, video, digital led and Dali lighting of the

room that enables users to handle, through a touch screen, both

the digital lighting and the rest of the lighting in the room.

More than 50 scenes have been created between fixed and

dynamic, many of them inspired by nature, plus a dynamic scene

in which a loom is woven using the most employed colours in

the last 300 years of Factory life. Location: Madrid, Spain Year: 2018 Lighting Design: Light & Studio Partner: Technology Insight S.L, LEDinART \ 32 Volumetricks electronics, Trison Application: Museum zna Location: Bletchley Park, Bletchley, UK Date: March 2018 Lighting Design team: Zerlina Hughes, Dogaun Kozan, ZNA Studio Hut11A Photo: Gavriilux

ut 11A, the bomb breakthrough, is a permanent exhibition at and to realize a lighting scheme that could enrich the visitor

Bletchley Park and tells the story of the Bombe machines. journey, punctuating the rhythm of the space and at the same HOne of the highlights of the gallery is to be like a full scale, time giving maximum focus to the displays whist adhering to strict working, replica Bombe: a graphic design language of diagrams, conservation lux level on some of the more vulnerable objects.

infographics and new touchscreen applications sit alongside digital The Hut itself is a Listed Heritage Building and so ZNA could

interactives and replica components, allowing the visitor to follow in not make incisions into the building structure and the original

the footsteps of a Bombe operator and get hands on with the bombe suspended fittings needed to be retained. ZNA specified dimmers

machine. and used these at low intensity to create an ambient glow as a

ZNA worked closely with the designer Nissen Richards Studio to constant in the space. Along with the designers, ZNA developed

develop a lighting strategy that was coherent with the design intents a freestanding structure to carry all lighting equipment and cables

inspired by the diagrammatic quality of early circuitry. This also

carried the graphic content to seamlessly integrate linear lighting

details as well as micro spotlighting all fitting used were latest

“an intelligent system LED technology. The studio used a control system to add drama was used to add and dynamism with spotlights being activated by action and drama and dynamism” dynamic linear lighting pulsing from one area to another to lead the visitor through the exhibition.

LEDinART \ 33 CODEGA AWARD / projects 2018

simone micheli Aquatio Cave Luxury Hotel & SPA

quatio it’s a charming new 5-star hotel that brings the Inspired by the flowing of water the lighting system is fundamental

unique experience of a relaxing break in one of the to shape the ancient stone of Matera Sassi site. Aworld’s oldest cities: Matera. The story of Aquatio - The only source of lighting are spotlights (3 watt, 3000K and 10° Cave Luxury Hotel & SPA begins with a drop of water; a simple, of opening each) recessed into the flooring. Their light goes from

pure, incessantly cascading element which shapes matter and below to the walls creating games of shadows among the space.

forms spaces, furnishings and the structure as a whole. Ceilings become reflecting parabolas which are able to multiplies

The purity and sinuous lines of a drop of water inspired the perspectives and involve the observer as the centre of a system.

design during the creation of interiors and furnishings, and his The lighting scenographic design is based on a new, contemporary

development of an expertly captivating lighting system. conception of luxury. It does not mean “opulence” but sustainability

Opened in 2018, the hotel occupies a unique position in the heart of medias, tools and material.

of Unesco’s Sassi World Heritage site. The hotel rooms, bars and A deep use of light in a wellness and hospitality structure drove its

external areas cover an overall area of 5,000 sqm. design creating a place where people feel comfortable and welcome.

Location: Matera, Italy Project developer: Architect Simone Micheli & Architect Cosimo dell’Acqua Interior design and lighting design: Architectural Hero Simone Micheli Visual Design: Roberta Colla Micheli Photo: Jürgen Eheim

\ 34 LEDinART n April 2017 the new SPA of Portopiccolo was inaugurated enriching the luxury offer of this elegant alberto apostoli IKarst stone village a few kilometers from Trieste. The concept concerns three levels, plus a basement porticciolo dedicated to parking and service areas, for a total surface

of 3,600 sqm. The project idea wanted to support the genius loci of spa the cliffs overlooking the sea, alternating the stone with

natural colors and the transparency of the glass.

This solution allows to lighten the structure, merging The plant design had to pursue the efficiency and reliability

it with the surrounding gulf context and opening to of the chosen solutions with particular attention to the

its guests breathtaking views. The focus on wellness rationalization of traditional energy sources and their simplicity

permeates the entire structure, starting from a more of management and maintenance. Alberto Apostoli Studio has

collective dimension, on the ground floor, and closing therefore chosen to provide the structure with solutions that are

itself more and more to intimacy as the floors rise. attentive in energy saving.

Location: Sistiana (TS), Italy Date: April/May 2017 Lighting Design: Alberto Apostoli Photo: Franco Matiussi, Matthias Parillard, Lorenzo Crasnich

LEDinART \ 35 CODEGA AWARD / projects 2018

LIGHTSPHERE Office Building Hardturmstrasse

he office building in Zurich West on the Hardturmstrasse

is a building under heritage protection, which today hosts Ta dynamic hub of architects, designers and young creative professionals. It was built in two different phases, back in 1952 and 1964 – a heyday of industrialization of Zurich. The renovation remm aims to enhance the visibility of the building in the existing urban

environment, to provide a better orientation for the visitors,

bringing back the radiance and industrial character of the building. Pur Impur

Collaborating with Marazzi-Paul Architects and PSP Real

Estate, lightsphere created a uniform language throughout

light: providing a diffuse pleasant general illumination, choosing

premium-quality materials for finishes, optimizing visible cabling

and multiple fragmentation of elements on the ceiling, by

integrating sensors and accessories into luminaires, were some

of the strategies employed. The strict conditions imposed by

the heritage protection were critical; no changes of the existing

electrical infrastructure were allowed. Moreover latest energy

regulations require the addition of sensors and emergency light in

the building. For this reason, bespoke luminaires were designed

in collaboration with lighting manufacturers, to ensure a clean and

neat ceiling appearance, by integrating sensors and emergency

lighting into the body of the luminaires. Lightsphere created a link

between the four different cores of the building, stimulating the Location: Zurich, CH “luminaires have imaginary through a light graphic approach, by the use of circular a neat and clean Date: 2018 Client: PSP Real Estate shaped, unique luminaires per floor. appearance integrating Architects: Marrazi Paul sensors and emergency Lighting Design team: The splendor of the new brass handrail, meets the luminaire’s lighting” J. Hartmann, C. Sigillo, finishes, adding value and a representative touch to the entrances M. Heilgeist - Lightsphere Photo: J. Bachmann and the staircases.

\ 36 LEDinART n the heart of Barcelona a new restaurant is born, where the remm purest art of cooking is staged, with a gastronomic and sensorial Iexperience. The place takes diners to two worlds: Pur, the Pur Impur restaurant, where the purity of cuisine is celebrated; and Impur, the cocktail bar on the lower floor, where a festive bar is at the center of

the scene. This is the latest project by Chef Nandu Jubany, designed

by Lagranja Design, and illuminated by reMM Lighting Design

studio. Here light is played as a key ingredient, so that the vision

works in synergy with all the other senses.

The lighting design has accompanied the development of the project

in all its phases, adopting the values ​​of restoration and interior design

and translating them into lighting solutions. In Pur,

a large open kitchen occupies the entire central space, generating

a small cozy and intimate theater. The lighting is based on the same

criteria of integrity and transparency on which Jubany’s cooking

style and Lagranja’s design are based. The light is pure and defined:

it highlights exactly the culinary and design elements and it flows

seamlessly in the space, compensating where necessary the lack of

natural lighting and simulating its variations and its effects.

Use of LED luminaires in 2700K and IRC90 or higher with very Application: Restaurant Location: Barcelona, Spain specific optics to direct the light exclusively on the elements to be Date: July 2018 Client: Nandu Jubany highlighted. The realistic shapes stand out against a background Project Authors: Lagranja Design for companies and friends where hidden biodynamic luminaires are used, as a means of recalling Lighting Design: reMM Lighting Design Photo: Salva Lòpez the color temperature of sunlight at different times of the day.

LEDinART \ 37 CODEGA AWARD / projects 2018

MARCO PIVa studio city of light

he installation City of Light, designed by Marco The base plate, which recalls the regular grid of an urban plan

Piva for Helios Automazioni, exposed the first time development, contains a system of LED projectors characterized Tin Accademia di Brera in Aprile 2017, was a further by a frosted cold light. investigation into the ratio between matter and light in Marco City of Light, which appears as a “heavy” element in the

Piva’s Architectural projects. daylight, becomes gradually lighter as darkness approaches.

In a play between scales and volumes, various volumetric

elements of different heights arise and grow vertically, simulating

the architectural environment of hypothetical metropolis. Location: Milan, Italy Date: 2018 The installation consists of 20 blocks of white SIVEC polished Installation: City of light marble, supported by honeycomb opal structures that uniformly Architect & Lighting Design: Marco Piva Studio Main Partner: Helios Automazioni disperse the light through the stone material. Photo: Helios Automazioni

\ 38 LEDinART Bike Square LKL - LICHT KUNST LICHT

ore and more people are switching from cars to

bikes for their daily commute; this is also true in Mthe Swiss city of Basel. Exclusively for bicycles, the pharmaceutical group Novartis built an underground parking

garage for its staff members on the campus. Completed in

the summer of 2017, a subterranean space for more than 800

bicycles was created which forms an impressive architectural

site. Inspired by the Brazilian architecture of Lina Bo Bardi,

the elongated underground space is enclosed by corrugated

concrete walls, while the exposed concrete ceiling and the PU

flooring display a deep blue hue. The organic design vocabulary

of the ribbed wall is continued in 16 large circular ceiling

recesses, which tangibly enhance the relatively low ceiling

height of 2.80m relative to the hall-like space. In each ceiling

recess, the lighting concept allocates oversized diffuse ring

luminaires with a stately exterior diameter of 7m.

The 16 luminous “wheels” are the result of a complex custom

luminaire development. The design goal was to provide the

general illumination through the striking graphic element of

the light collars, thus immersing the space and the elaborately

corrugated exposed concrete walls in a gentle light. Each

bespoke luminaire consists of an annular slanting shell of white sadsa translucent PMMA, which has been divided into 12 individual segments. The light source consists of an LED ribbon with a

120° light distribution, installed on a mounting plate carrying the

drivers on the rear side.

A daylight and presence detecting control system guarantees

Architect: Marco Serra Architekt an energy efficient lighting solution that ensures a general Project size: 1,600 sqm Location: Basel, CH illumination of at least 150 lx in the garage, thus providing Date: July 2017 orientation and a sense of safety. The goal for the park located Lighting Design team: Martina Weiss, Thomas Möritz and Andreas Schulz - LKL above the bicycle garage was to create quality of stay in the Photo: Johannes Roloff outdoor environment and to attract employees to the park.

LEDinART \ 39 CODEGA AWARD / projects 2018

EL PRIMER DIA Application: Residential Location: Leon, Guanajato, Mexico Year: 2018 Photo: Ricardo Janet Casa Mision

residential building in an outstanding location Ain the City of León Guanajuato. A large central dome articulates the house and generates

a link between the 2 main levels of the residence.

It stands out by means of perimeter lighting by

continuous lines of LEDs.

A sculptured marble wall with low relief engraving

trickles water delimits one of the vertical planes

on the ground floor. The generous height of the

mezzanines and corridors invites to illuminate

indirectly vertical planes with warm temperature

(CCT 2,400 to 2,700 K). Wallwashers are located to

accentuate certain planes and art pieces.

All the luminaries of social and rest areas are

integrated with dimming and control systems

providing flexibility to create environments with

different scenes.

Location: Bruxelles, Belgium PINBALL Year: 2018 R MORCILLO Photo: Pinball Light & Design triple jet

riple Jet uses light as a democratic instrument. A globally Trecognized luminous signal of identity that settles in the public space as a meeting point of the cultural diversity protagonist of a

new and contemporary urban landscape. It is not the homage to

the icon of the city of Brussels. Triple Jet provokes an exercise of

reflection on the concept of identity. This installation and its radical

form of explicit symbolism through the light reminds us that it is

necessary to recover the identity of our cities and our culture.

\ 40 LEDinART MARCO PIVA Pantheon Rome Hotel

he new Pantheon Iconic Rome Hotel designed by

Marco Piva Studio is an example of groundbreaking Tinnovative luxury design with pioneering concepts. Balanced and tasteful interior design creates the conditions for a perfect experiential immersion into a new luxury concept. A very classic but simple space configuration, where arches and domes are placed to recall memories from past architecture but interpreted with a modern eye, framed by very contemporary LED lighting system aimed to recall the principles of architecture composition.

Bespoke, warm and handpicked materials such as silk, gold as well as glass, resins and marble are telling to the visitors and to the hotel guest the story of a unique fusion of humanism and technic, the unrivalled skilness of transferring art into every day life experience. Application: Hotel The Marco Piva Studio furthermore created special bespoke Location: Rome, Italy furniture pieces, rooms that variate in colours, special design Date: September 2018 Architect & Lighting Design: Marco Piva Studio light features that marks specific places and effects in the Client: MDM Photo: Andrea Martiradonna lobbies, in the restaurant and bars.

The Pantheon Iconic Rome Hotel is designed as the perfect

ambience to partake in the Italian style with a cosmopolitan

outlook, a journey into the artistic wonders of this city to discover

its magical places such as the Pantheon, the Spanish Steps and

Trevi Fountain.

A Design that creates the best environment to welcome visitors

coming from the five continents eager to be conquered by the

“spirit” of this city that will never surrender to the banality of an

undistinguished way of living.

LEDinART \ 41 CODEGA AWARD / projects 2018

LKL - LICHT KUNST LICHT Cafeteria Dusseldorf

Application: Restaurant Location: Dusseldorf, Germany Date: April 2017 Lighting Design Team: Isabel Sternkopf, Andreas Schulz - LKL Project size: 465 sqm Photo: Johannes Roloff

s part of a modernization project, a staff restaurant and and ceiling. Their light intensity and color are automatically adapted

associated kitchen were to be architecturally renovated, to the time of day by means of an intelligent control system. Some Aincluding the lighting. seating areas are accentuated by pendant luminaires, while the The daylight deprived spaces are located in the basement and large, multi-use table cluster at the center is uniformly lit by a lattice-

feature a interior design and lighting typical of the 1970’s. like light structure. The vibrant accent illumination above the buffets

An essential part of the design task was to introduce daylight is supplemented by discreet ceiling recessed luminaires in the

and a visual relation to the exterior by building a new light well. circulation zones.

For structural reasons, only a confined shaft geometry with small The color temperature of the aisle access illumination and the

windows could be realized. The added value for the users was lighting of the adjacent open kitchen is equally variable and is

therefore only attainable by means of artificial illumination imitating controlled in sync with the luminous wall.

natural light, thus supporting the occupant’s individual circadian The artificial panorama window provides human centric

rhythm. A floor-to-ceiling, more than 20m long artificial panorama illumination in a daylight deprived space that respects and

window wall compensates for the lack of daylight and thus emulates supports the occupant’s individual circadian rhythm. A vital lighting

a relation to the outdoor environment. atmosphere and high quality of stay with increased

Behind the glazing, linear LED luminaires are concealed in the floor well-being characterize this successful renovation project.

\ 42 LEDinART JPLD “THE WORLd’S WALK THROUGH Dutyfree cosiest airport with a strong local Talinn AIRPORT flavour ”

he store design celebrates Estonian culture and natural heritage Location: Tallin, Estonia Tthrough a shopper journey modelled on a fairy tale walk through Date: June 2018 Photo: The Design Solution, a forest. The main 800sq m duty free store incorporates Tallinn’s first Moodie Davitt Report walk-through format and the core categories (liquor, P&C, confectionery, tobacco, fashion & accessories) offer a strong local brand presence.

The revamp is intended to express a strong local flavour. The design of the main free store was envisaged as absolutely integral to the airport’s pledge to be “the world’s cosiest airport”.

The aim was to make it cosy - with a commercial edge. The store journey is themed as a forest walk, including wonderful semi-private seating areas that provide a break in the walk.

These are decorated with themed backlit graphics in a traditional woodcut style that echo classic fairy tales, the woodcut elements continue through to the carefully selected regionally sourced, designed and manufactured wooden pendants .

aves, both visible and invisible, are everywhere in M. DAUTANT & Wnature. In ancient Hawaii, surfing was considered an art. The Hawaiian people refer to it as He’e Nalu or Wave Sliding

G. hesmati in English, and it was a vital part of their culture.

Light and sound also travel in waves. Inspired by this, He’e Nalu He’e Nalu is an art installation that invites you to ride an experience that will fill your senses with colors and sounds from the ocean. Location: Vivid Sydney, Australia Date: May 2018 The piece is formed by two rows of acrylic columns strategically Installation: He’e Nalu Designers: Marie Dautant and located to create an undulating passage. The length and height Golosana Heshmati of the structure was carefully considered to fully surround the Photo: Frank Dautant & Golsana Heshmati visitors. Each column is tilted at a specific angle to imitate the

movement of an ocean wave as a person walks through. RGBW

LED floodlights located in the base illuminate each column from

the bottom, changing intensity and color throughout the night.

LEDinART \ 43 CODEGA AWARD / projects 2018

erception filters accumulated in a space, air, Pearth, cloud, water, time and part light that play LSBA - LUCA SALAS with the complexity of their astonishments. An abstraction of the form, intangible in its relation parte luz to it, outstanding physically but intervening as

illusions of time and intensities given by the

physical qualities of light. A space of contemplation

immersed in the world of observation. ParteLuz,

as the word refers, is the division, intersections,

cuts and parts of light that create a space.

The project started as an investigation of the

subtile changes of natural light that impact our

public spaces. Time as a concept of movement,

mysterious phenomenon between materials, space

and change of its qualities. The project of control Location: Museo Tamayo, Mexico City, Mexico via DMX plays an important roll creating 3 scenes Year: 2017 Installation: Parte Luz representing the subtile changes of the movement Photo: LSBA studio in a 60 min period.

ll the sculptures of this exhibition Ahave almost the same technique. LED projectors of Royal Blue and Lime pairs are the

fixed part, while the projected object changes

according to the environment. To communicate

with the architecture the designer used

plexiglass circles and shapes whose shadows

are projected in the surrounding space.

Movement plays a key role in the installation, as

Location: Palermo, Italy the rhythm or the rotations and the repetitions Year: 2017 Size: 200sqm room help to create an immersion of the public in Consumation: 60W the artwork. An intense dialogue between the

shapes of Palermo and the geometry of light MASSIMILIANO MORO was generated in this exhibition. The perception of time and space changed Cerchiocielo dramatically, slowing and accelerating as the look shifted through the place.

\ 44 LEDinART LSBA - LUCA SALAS parte luz

zna Application: Temporary Exhibition Location: Sala dello Scrutinio Palazzo Ducale, Venice, Italy The Altani Year: September 2017 Designers: bGcstudio Lighting Design: ZNA Studio Collection Photo: Sebastiano Girardi

reasures of the Mughals and the Maraja is a touring exhibition that celebrates Indian jades and jewels from “the lighting design excite visitors TXVI to XX century belonging to the Al Thani Collection. by highlighting longviews, always paying attention Opened for the first time to the public at the Metropolitan to the rendering of fine details” Museum of Art in New York in 2014, the exhibition then

travelled a lot.

ZNA worked closely with bGcstudio, who also designed the

previous exhibition at the Gran Palais, to realize a lighting scheme The studio developed a strategy to easily integrate and install

that would make the jewels the masterpieces of the space, new lighting into the existing showcases, using fibre optics and

finding a delicate balance between ambient and display lighting. small spotlights to reduce the glare to the minimum. The entire

The magnificent windows of the Sala dello Scrutinio have been exhibition has been designed with LED lights to contain power

partially blacked out, to control the natural light and recreate a consumption and heating for conservation levels.

more dramatic atmosphere. The lighting of the painted ceiling Each piece required a bespoke lighting response to bring out the

and walls followed the narrative of the stories, giving a sense of depth of the gems and render the colours brilliantly. Mounting

dynamism and excitement to the visitor, highlighting vistas and angles and distance from the gem as well as colour temperature

long views but always paying attention to the rendering of fine were all considered and worked seamlessly into the decorative

details on even the smallest display. design details.

LEDinART \ 45 CODEGA AWARD / projects 2018

DE SHUTTER FULL NODE

Application: Office & co-working Location: Berlin, Germany Year: 2018 Project size: 1,050 sqm The meetup and café spaces needed versatile lighting: catchy for Architects: LXSY Architekten events but also suitable for workshops. These requirements were Photo: Andres Meichsner fulfilled setting different, easily controllable scenarios. The RGBW

light lines hang in different heights and directions, playing on the

ocated in a former post office built in 1927, Full Node concept of the innovative and digital businesses who inhabit this Lis a co-working and event space. The brief was to have office space. an innovative and flexible environment. Inspired by the idea of block and chains, the dark grey suspended

The lighting design concept was developed in close lines run through the corridors sometimes breaking, sometimes

collaboration with the architects LXSY. becoming light lines that enter the office’s spaces.

Location: Guanajuato, México EL PRIMER DIA Year: 2018 Photo: Miguel Angel V. Calanchini Casa Acanto

superb landscape design for a classic ambient on a Acolonial style home in the historic town of San Miguel de Allende. A balanced and rich palette in textures, with

textures and weights ranging from river gravel, ground

covers, shrubs, young trees and palms to several year-old

thick bark jacarandas that bloom seasonally. 5w and 10w

30o narrow flood LED projectors are arranged accordingly

to scale, concealed preventing glare. Uniform warm white

color temperature is used all over, shadows are projected

onto architectural planes creating visual interest.

\ 46 LEDinART LSBA - LUCA SALAS he idea behind Silver Deer store was the creation Tof a common lighting scenario. Enhancing the architectural structure, an element which hosts all the SILVEr DEeR engineerings and support of the space. By doing such highlighting of the roughness of the space, the roof

disappears into a light changing scenario, as the effect

of the passing of a cloud in a sunny day from warm to

neutral light.

These effect is changing each 20 min during operation

hours. The control system and scenario helps reducing

a 50% of consumption of the installation. In a 900sqm

store six house type stands are distributed to show the

products. In each house LSBA worked a indirect light

coming from the shelves and accent lighting to give the

user a focused experience on the products and materials

of the store.

Application: Retail Location: Mexico City, Mexico Year: 2018 Photo: LSBA studio

Location: Museo Municipal de Artes sophYa acosta “Dr. Urbano Poggi”, Rafaela, Argentina Year: 2018 Siete Photo: Sophya Acosta puertas

puertas” is an installation which proposes a new space “7of transition and contemplation. The continuity of shadows allow visitors to better discover

the lighting objects and shapes, changing and alterning their

perception of the surrounding space.

The idea of “7 puertas” is to offer a personal discovering path

that one of us can follow to achieve different meanings.

LEDinART \ 47 CODEGA AWARD / projects 2018

he appearance of a daylight gallery MT electro Twhilst not raising the luminance levels on objects. Ceiling treatment: Taking some palace of arts inspiration from the original decorative wall lights we would propose a suspended light

track. Objective is to maximise daylight,

controlling natural daylight and solar gain.

We propose using illuminated ( lighbox)

signage at high level to draw the eye down

to each end of the gallery. In the same

lightbox language a new threshold, with

signage will signify entrance to the Jade

Gallery.

The smaller dimensions of LED sources

makes easier to integrate the lighting into

the 3D build to add a visual cohesion to

the interpretation and also to avoid where

possible further interventions in the building

Location: Surgut, Siberia; Russia Year: 2017 Architectural lighing: 1,160 lights Grassiled screen: 540 sqm Total power: 122 kw Photo: Sergey Gerasimov

LSBA - LUCA SALAS Location: Mexico City, Mexico Year: 2018 Casa Teo Photo: LSBA studio

asa Teo is a project of Chef Enrique Olvera, a renowned chef in CMexico City which created a space for developing new ideas around the dinning table. The table, the tablecloth, the dishes, the

cutlery, the utensils, are the main elements that make up the central

experience of this place. A place of gastronomic experiences.

The lighting project was based on the tablecloth. That sensory mantle

of touch luminously accompanies the space in the form of a luminous

object and diffuse light, enveloping the residence in a dim light.

\ 48 LEDinART