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Humour Investigation: an Analysis of the Theoretical Humour Perspectives, Cultural Continuities, and Developmental Aspects Related to the Comedy of Dawn French
Humour Investigation: An Analysis of the Theoretical Humour Perspectives, Cultural Continuities, and Developmental Aspects Related to the Comedy of Dawn French Thursday, 10 May 2007 Nationally acclaimed former cartoonist and short story writer for The New Yorker, James Thurber, said that “the wit makes fun of other persons; the satirist makes fun of the world; [and] the humorist makes fun of himself” (Moncur, 2007, p. 1). Despite his misogynistic pronoun usage and the obviously unforgivable atrocity of overly Americanizing the spelling of 'humourist,' he did nicely categorize three of the methodological approaches to comedic targets. What Thurber didn't account for, however, were those comedians and comediennes who pay little to no regard for the socially constructed boundaries in form; he didn't account for the wildly transcendental Dawn French. Dawn French was born in October of 1957 in Wales and since early adulthood she has honed her humour skills through numerous television performances, a largely successful sitcom, and feature-length films with her comedic partner in crime Jennifer Saunders (Wikipedia, 2007). Though she started her career in a non- mainstream vain of comedy in the UK, her first major public debut was her starring role as Geraldine Granger on BBC1's 1990s smash situational comedy, The Vicar of Dibley (Wikipedia, 2007). Thus, the majority of her comedy has taken place in very recent times—the mid-to-late 90s and on into the current decade. While she utilizes many different comedic modes and forms, French's humour largely revolves around a few central themes and consequent philosophies. When investigating those themes, it is necessary to view her career as being dichotomously split into the Vicar of Dibley era and the subsequent post-Vicar epoch. -
Thomson Reuters Spreadsheet Link User Guide
THOMSON REUTERS SPREADSHEET LINK USER GUIDE MN-212 Date of issue: 13 July 2011 Legal Information © Thomson Reuters 2011. All Rights Reserved. Thomson Reuters disclaims any and all liability arising from the use of this document and does not guarantee that any information contained herein is accurate or complete. This document contains information proprietary to Thomson Reuters and may not be reproduced, transmitted, or distributed in whole or part without the express written permission of Thomson Reuters. Contents Contents About this Document ...................................................................................................................................... 1 Intended Readership ................................................................................................................................. 1 In this Document........................................................................................................................................ 1 Feedback ................................................................................................................................................... 1 Chapter 1 Thomson Reuters Spreadsheet Link .......................................................................................... 2 Chapter 2 Template Library ........................................................................................................................ 3 View Templates (Template Library) .............................................................................................................................................. -
Dispatches: Representatives
1 TIMECODE NAME Dialogue MUSIC 00.00.01 NARRATOR This is the BBC academy podcast, essential listening for the production, journalism and technology broadcast communities. Your guide to everything from craft skills, to taking your next step in the industry. 00.00.13 CHARLES Hello, I’m Charles Miller, this week we’re hearing about the world of television comedy from one of its most successful practitioners, Jon Plowman. If you haven’t heard of him don’t worry, he’s a producer not a performer but his work includes plenty of shows you will have heard of. French and Saunders, the Vicar of Dibley, Absolutely Fabulous, The Office, W1A and there are plenty more. At an event for the Media Society, Jon Plowman was interviewed by journalist Phil Harding, Jon offered his take on scripts, stars and what makes a great sitcom. 00.00.47 CHARLES Phil started by asking about Jon’s comic roots, which were back in school, he was no good at sport but he could make people laugh but he never expected that to turn into a career. 00.00.59 JON I didn’t spend my life thinking I want to make people laugh, if I thought anything, particularly a bit later than school, end of school I thought I want to be a theatre director and I was lucky enough to get a job early on at the Royal Court Theatre, with a wonderful guy called Lindsay Anderson, who made, if you’re old enough, movies like If and Oh Lucky Man and was a very, very good theatre director. -
Subject Women Misrepresentation in the British Tabloid Press: the Daily
The People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mouloud Mammeri University of Tizi-Ouzou Faculty of Letters and Languages Department of English A “MEMOIRE” SUBMITTED IN PARTIAL FULFILLMENT FOR THE MASTER’S DEGREE IN ENGLISH Option: Cultural and Media Studies Subject Women Misrepresentation in the British Tabloid Press: The Daily Mail as a Case Study. Presented by: Chabane Chaouche Malika Louni Tassadit Supervised by: Seddiki Sadia Co-supervised by: Hadj Bachir Sabiha Academic year: 2014/ 2015 ACKNOWLEDGEMENTS We would like to thank our supervisor Miss Seddiki Sadia for her precious help and assistance in the realization and achievement of this dissertation. We are grateful also for our co-supervisor Miss Hadj Bachir Sabiha for her support. We would like also to thank all our teachers for their guidance and advice all along the academic year and for all the teachings they provided us with. Eternal gratitude and Special thanks must go to our parents and our families who have provided us with moral support and encouragement. i To my dear parents To my dear brother and sisters To all my family To my best friends Malika ii To my dear parents To my dear brothers especially Saїd To my dear sisters To all my best friends Tassadit iii ABSTRACT This dissertation deals with the portrayal of women in the British tabloid newspaper The Daily Mail. Through the analysis of The Daily Mail’s portrayal of women, our work demonstrates how the media discourse as well as the ideal body image is used to disempower and marginalize women in the British society. -
Hnh ENGINEERING
HnHENGINEERING OVERVIEW 1991 has been a productive and rewarding year for Engineers throughout the Corporation. Important projects that have come to fruition include the Broadcasting Centre at Southampton, the Blackstaff development in Belfast, the Millbank parliamentary broadcasting facility, the new Manchester vehicle maintenance base, Television Centre Stage V, Skelton C HF station, and many more, as detailed in the following pages. The year will also be remembered for notable progress on the digital front. The new D3 digital video recorder is rapidly becoming established as the main post production machine, and high quality digital stereo television sound is now available to more than 70% of the BBC's audience via NlCAM 728. However the most notable 'digital event' of 1991 could turn out to be the Digital Audio Broadcasting (DAB) demon- strations that we mounted in Birmingham in July. These demonstrations showed that DAB can deliver CD-quality digital sound to fixed, portable, or car receivers, even in inhospitable reception areas. Some difficulties remain to be overcome, including the need to get agreement on a frequency assignment for new DAB radio services. Nevertheless, most of those attending the demonstrations were convinced that they had witnessed a major technical advance in sound broad- casting, whose introduction cannot long be delayed. TRANSMISSIO TRANSMISSION OPERATIONS As a result of the Broadcasting Act, the transmission responsibilities previously discharged by the IBA United Kingdom have been taken over by a private company, National Skelton C, opened in May 1991 by Mark Transcommunications Limited (NTL). In order to deal Lennox-Boyd, Under Secretary for with the consequent mutual charging for site faci- Foreign and Commonwealth Affairs, is fully lities a computer database has been established, automated and is the UK's first high-power HF which deals with the complicated charging system transmitting station to be operated as a remote and maintains records of NTLfacilities on BBC sites. -
Writing an I-Search Paper
Chapter Menu Writing Workshop Writing an I-Search Paper WHAT’S hances are that the last time you were asked to write a research AHEAD? Cpaper, you had a list of topics from which to choose. In this In this workshop, you Writing Workshop, you will choose a topic that has immediate relevance will write an I-Search paper. You will also to your life—a topic about which you have a genuine need or a real learn how to desire to know more. You will write a personal research paper, sometimes I form a research called an I-Search paper. question To write an I-Search paper, you pick a subject to which you have a I start a search journal I evaluate Web sources personal connection, and write about it from a personal point of view. I eliminate there is Your paper will consist of three major parts: and there are sen- I The story of your search This section tells readers what you knew tence beginnings I punctuate titles about your subject before you began your research, what you wanted to know, and the research steps you went through to find out what you wanted to know—including both the steps that led to useful informa- tion and the steps that turned out to be dead ends. I What you learned In this section, you give readers the results of your search—both the answers you found and the answers you did not find. I Your reflections on the search You use this final section to tell readers what the experience has taught you about conducting and documenting a search. -
Manchester City Council Report for Resolution
MANCHESTER CITY COUNCIL REPORT FOR RESOLUTION REPORT TO: THE EXECUTIVE DATE: 18 JANUARY 2006 SUBJECT: THE BBC MANCHESTER INITIATIVE REPORT OF: THE CHIEF EXECUTIVE 1. Purpose of Report To update the Executive on proposals by the BBC to create the UK’s second largest network broadcasting and production centre in Manchester; inform the Executive of the Councils’ role in facilitating the relocation to Manchester; and to seek the Executive’s approval for the actions required to realise the full economic potential of the BBC Manchester Initiative. 2. Recommendations 2.1 The Executive is recommended to: i. Note and welcome the progress that has been made in taking forward the BBC Manchester Initiative; ii. Note the key findings of the economic impact study commissioned by the City Council and the NWDA of the BBC Manchester Initiative, which demonstrates the transformational impact of the BBC’s relocation decision (attached at Appendix 1); iii. Determine that the proposals for the Council’s support as set out in the report for the BBC’s relocation within the City Centre and the development of the Media Enterprise Zone, will promote and improve the City’s economic and social well being. iv. Authorise the Chief Executive to continue to work with the BBC and the North West Development Agency (NWDA), and to lead a core group of key public partners and other stakeholders to develop further the concept of a Media Enterprise Zone, with the intention of delivering the BBC’s relocation within the city centre, thereby generating additional benefits through the participation and relocation of other media and creative related businesses; v. -
A Texas Guide to Adult Guardianship
A Texas Guide to Adult Guardianship Banner logo - mostly for web use Vertical logo - Flushed and centered versions PANTONE 7551 C 15 • 40 • 96 • 22 RGB = 180 • 126 • 0 HTML = B47E00 PANTONE 287 C 100 • 87 • 21 • 12 RGB = 0 • 48 • 135 HTML = 003087 PANTONE 7621 C 20 • 100 • 95 • 12 RGB = 171 • 35 • 40 HTML = AB2328 Standard logo - Should use this one most of the time... NOTE: These les have had the “l” and “t” in “Health” made into a compound path, to x the glitch in viewing PDFs on PCs. White logo with compound paths Black and white version ABOUT THIS GUIDE A Texas Guide to Adult Guardianship With this guide, gain a better understanding of the ins and outs of guardianship. This guide will help answer these questions: • What is guardianship? • What can guardianship do and how will it help? • What are the limitations of guardianship? • What are the alternatives to guardianship? • Who can be a guardian? Guardianship A relationship established by a court of law between a person who needs help (ward) and a person or entity named to help the person in need (guardian). A Texas Guide to Adult Guardianship iii TABLE OF CONTENTS ABOUT THIS GUIDE ...............................................................III A Texas Guide to Adult Guardianship .....................................III INTRODUCTION TO GUARDIANSHIP .......................................1 About guardians .......................................................................... 2 Pros and cons of guardianship ................................................. 3 ESSENTIAL POINTS -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
What Is Even More? EVEN MORE Is Lancaster Bible College
MORE EVEN March 2015 | Advancement Office What is EVEN MORE? EVEN MORE is Lancaster Bible College. As we have grown, we have become EVEN MORE than an evening institute. We are EVEN MORE than a college for preachers and teachers. We are EVEN MORE than a former farm on Eden Road. LBC is growing in depth and breadth of locations, academic programs, artistic performances and athletic events. We want you to have a deeper understanding of how God is shaping LBC, and how we are shaping our students to become EVEN MORE for God’s Kingdom. Join us on the Journey to Discover how LBC is EVEN MORE. LBCGIVE.COM Your gift to SCHOLARSHARE MORE Students like Shelby are the best return on any funds a student: EVEN investment you can find. She and her classmates will multiply the investment you make in their $ lives, and it will pay dividends for eternity. To give 600 A student’s today, call 717.560.8211, visit LBCGIVE.com or $50/month first Bible credit use the return envelope. Thank you for your gift to Scholarshare and your support of the true reason $ The books behind everything we do: our students. 1,000 a student needs $ Cordially in Christ, 84/month to excel $ Average 2,152 scholarship Peter W. Teague, EdD $180/month received President God Put All the Pieces Together Dear Scholarshare Supporter: Countless testimonies of God’s faithfulness director of our Communication major, company headquartered in Maryland. She fill every corner of Lancaster Bible College. Shelby heard him “describe all of the cours- nervously gathered her best LBC writing I wanted to personally thank you for taking the time to read Shelby Geraci’s incredible story of how es I would be taking and the experiences pieces for the application. -
One Workplace Newsletter December 2009
ONE WORKPLACE NEWSLETTER DECEMBER 2009 Welcome to the new look ONE Workplace newsletter I hope you like the new format and that it makes reading it more enjoyable and easier. Do make sure you send any suggestions or content you would like to share to Hellen Martin for inclusion next time. It’s been a busy few months and a year in which we have overall achieved great things. So check out the recent interesting developments detailed here and join me in wishing everyone in Workplace a happy festive season and relaxing break for those with leave to look forward to. Let’s keep going for gold in 2010! CHRIS KANE, HEAD OF BBC WORKPLACE ONE WORKPLACE REGIONAL STAFF EVENTS - 3RD NOVEMBER 2009 We listened to feedback from previous events in the Radio To this end,Workplace Management Board have decided to Theatre and decided to make the meetings smaller and focus on 3 main priorities which we hope will begin to hold them around the UK in Birmingham, Glasgow, London solve some of the issues we are all facing: W1 & W12 and Manchester.There was plenty of debate, 1. Improve up and down communications initiated by the red & green comment cards and a snapshot To find ways to improve communication across of your comments from each location is available on my ONE Workplace teams in all locations, and to reduce blog: www.bbc.co.uk/blogs/spacesandplaces London-centricity I feel that the events highlighted some of the best attributes 2. Simplify processes of our ONE Workplace family. Everyone has an opinion, To identify ways to improve the processes for initiating and we don’t always agree, but we are stronger when we work managing Jobs and Projects together.The purpose of asking questions was to learn from 3. -
Jennifer Saunders
Profile Jennifer Saunders Jennifer Saunders with Joanna Lumley in a scene from the Absolutely Fabulous film “Turning can’t be that bad” Home is where the heart is for this 6versatile0 comedienne. By Simon Evans T IS the winter of 1980 and replacement. An impatient Alexei Sayle backstage at The Comic Strip, did it for them: “Ladies and gentlemen, London’s trendiest hang-out, French and Saunders”, he told the The Menopause Sisters are boisterous, baying audience. waiting to make their entrance. On this, their first night at the IThe setting is the Boulevard Theatre, Comedy Strip, the previous act had above Soho’s Raymond Revuebar strip been interrupted by a racist heckler. club, an unlikely host for what would Bottles were thrown, a fight broke out turn out to be a comedy revolution. The and the police were called, but Comic Strip had been running at French and Saunders ploughed on. the venue since October, and The “We were complete novices, we’d Menopause Sisters, better known to you come straight from college and had never and me as Dawn come across anything French and “I don’t need to know like this before,” Jennifer Saunders, recalled Saunders had breezed about everything many years later. through the club that’s happening all The profile of both audition largely performers and because of their the time.” audience at The gender. In those Comic Strip in those days female comedians were distinctly days was very male-dominated, but on thin on the ground. that night, and on many more to follow, Getting through the audition was the duo held their own and found an just the start of it, however.