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1 Cultural Daily Independent Voices, New Perspectives The Cake Rises, Partway Sylvie Drake · Wednesday, August 2nd, 2017 Sometimes you get lucky. This happens when events beyond your control unexpectedly slide into your orbit with an altogether wondrous effect. Which is pretty much what happened when playwright Bekah Brunstetter got an idea for a play about a bake shop whose deeply religious owner is asked to bake a wedding cake for a gay couple — at a time when the politics of the day were buzzing with cases of similar real-life situations. But Brunstetter, a successful TV producer and writer (NBC’sThis Is Us and Starz’s American Gods), went a step further in her play,The Cake. Della, the baker, has known and cherished the young woman who’s about to be married since she was a baby. So imagine her consternation when she discovers that this beautiful child she so adores is about to marry… a woman. That’s the situation, a little complicated and very perplexing. Cultural Daily - 1 / 6 - 07.08.2021 2 Debra Jo Rupp in The Cake. In a New York Times interview, Brunstetter said she had been working on the idea for this piece since 2015. It gained traction when the U.S. Supreme Court agreed to hear the case of Masterpiece Cakeshop v. Colorado Civil Rights Commission — a 2012 case involving a baker who refused to make a wedding cake for a gay couple. Brunstetter, who grew up in a devout and happy Southern Baptist family in Winston-Salem, makes no bones about feeling caught in the middle — with an enduring appreciation for the warm Christian embrace she knew as a child and still enjoys, and the gay perspective that she has grown to appreciate as a straight adult. -
Complete Issue, Intertext Volume 4, Spring 1996
Intertext Volume 4 Issue 1 Spring 1996 Article 1 1996 Complete issue, Intertext Volume 4, Spring 1996 Follow this and additional works at: https://surface.syr.edu/intertext Part of the Education Commons, and the Nonfiction Commons Recommended Citation (1996) "Complete issue, Intertext Volume 4, Spring 1996," Intertext: Vol. 4 : Iss. 1 , Article 1. Available at: https://surface.syr.edu/intertext/vol4/iss1/1 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Volume IV, spring 1996 et al.: Complete issue BACKTRACKS Volume IV, spring 1996 preface || contents || contributors || editors A student publication of the Syracuse University Writing Program Editors Sergio Gregorio Amy E. Hommel Amy Krause Matt McAllister Eric Rodaman Debra Yelen Anatoly Zak Faculty Coordinator Jeanette Jeneault Technical Support George Rhinehart Special Thanks Susan Cronin Nance Hahn Louise Phelps This magazine features the work of writing studio students, and represents both the quality and the variety of writing produced in The Writing Program's undergraduate studios. It is the mission of this publication to further the primary goal of the program, to produce critically engaged writers within the academic writing community. The title refers to the interconnectedness and interdependence of all texts. Intertext, therefore, emphasizes the view that essays speak of and to one another, especially within a community context. The Writing Program is a vital, productive community in the process of many conversations, and each issue will contain glimpses into some of these. -
52 Officially-Selected Pilots and Series
WOMEN OF COLOR, LATINO COMMUNITIES, MILLENNIALS, AND LESBIAN NUNS: THE NYTVF SELECTS 52 PILOTS FEATURING DIVERSE AND INDEPENDENT VOICES IN A MODERN WORLD *** As Official Artists, pilot creators will enjoy opportunities to pitch, network with, and learn from executives representing the top networks, studios, digital platforms and agencies Official Selections – including 37 World Festival Premieres – to be screened for the public from October 23-28; Industry Passes now on sale [NEW YORK, NY, August 15, 2017] – The NYTVF (www.nytvf.com) today announced the Official Selections for its flagship Independent Pilot Competition (IPC). 52 original television and digital pilots and series will be presented for industry executives and TV fans at the 13th Annual New York Television Festival, October 23-28, 2017 at The Helen Mills Theater and Event Space, with additional Festival events at SVA Theatre. This includes 37 World Festival Premieres. • The slate of in-competition projects represents the NYTVF's most diverse on record, with 56% of all selected pilots featuring persons of color above the line, and 44% with a person of color on the core creative team (creator, writer, director); • 71% of these pilots include a woman in a core creative role - including 50% with a female creator and 38% with a female director (up from 25% in 2016, and the largest number in the Festival’s history); • Nearly a third of selected projects (31%) hail from outside New York or Los Angeles, with international entries from the U.K., Canada, South Africa, and Israel; • Additionally, slightly less than half (46%) of these projects enter competition with no representation. -
Jesuit Church in G.” a Painter Per- Forms the Heroic Feat First of Constructing Perspective Under Tech- Nically Difficult Conditions
Introduction Laurence A. Rickels “On the Genealogy of Media” invokes a tradition for thinking about technology, which passes from Nietzsche through Heidegger and Freud. As a collection on media, however, these texts gath- ered together in this special issue include few Nietzsche readings— or even Nietzsche references—in their thread count. Indeed, Nietzsche is not typically considered a thinker of media technol- ogies. But his genealogical interpretation of the Mass media as being on one uncanny continuum of valuation from Christianity to nihilism influenced, together with either Freud’s or Heidegger’s input, the media essays of Walter Benjamin as much as the media oeuvre of Friedrich Kittler. Following Nietzsche, then, a genealogy of media means, as in Heidegger’s questioning of technicity, that whatever technology may be it presupposes assumption of a certain (discursive) ready positioning for (and before) its advent as actual machines to which the understanding of technologization cannot be reduced. Freudian psychoanalysis views media technologies as prosthetically modeled after body parts and partings. A primary relationship to loss (as the always-new frontier of mourning where reality, the future, the other begin or begin again) is, on Freud’s turf and terms, the psychic ready position that is there before the event or advent of machinic externalities. In “A Mathematics of Finitude” Friedrich Kittler generates genealogies of “progress” in science, mathematics, and media span- ning centuries out of a single story by E. T. A. Hoffmann. Media machines are shown to intervene as makeshift stopgaps where the Discourse, 31.1 & 2, Winter & Spring 2009, pp. 3–8. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
Faculty Bulletins University Publications
La Salle University La Salle University Digital Commons Faculty Bulletins University Publications 5-25-1966 Faculty Bulletin: May 25, 1966 La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/faculty_bulletins Recommended Citation La Salle University, "Faculty Bulletin: May 25, 1966" (1966). Faculty Bulletins. 102. http://digitalcommons.lasalle.edu/faculty_bulletins/102 This Book is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Faculty Bulletins by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. Vol. VIII, No. VI Philadelphia 41, Pa. May 25, 1966 CALENDAR OF EVENTS (To August 25, 1966) Senior Grades Due (5:00 P.M.).......................... May 25 Memorial Day (Holiday) ................................. May 30 Final Grades Due (Freshman, Sophomores, Juniors)Noon....June 1 Faculty Picnic (Fischer's Pool, 1:00 P.M.)..............June 1 Baccalaureate Mass (McCarthy Stadium, 11:00 A.M.).......June 4 Commencement Exercises (Convention Hall, 4:00 P.M.).....June 4 Summer Sessions Begin (First Session).................. June 20 MUSIC THEATRE ’ 66 Opens ("Most Happy Fella")...........July 8 Summer Sessions (Second Session)...... July 25 MUSIC THEATRE ("Lady in the Dark") Opens...............August 12 Deadline, Mid-summer Faculty Bulletin. ........August 19 Publication, Mid-summer Faculty Bulletin............... August 25 Faculty Bulletin-Cont'd Page Two PRESIDENT'S OFFICE: The faculty awards, made pos sible by a $2000 grant from the La Salle’s Accreditation Christian R. and Mary F. Lindback Reaffirmed Foundation, were given at the traditional Founder's Day Dinner Brother Daniel Bernian, F.S.C., at the Four Chef's Banquet Hall, President, has been notified by Hellerman and Sackett sts., Sun the Evaluation Committee of the day evening. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
IMAGE Film and Video Collection 1
IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1. -
Dear Friends and Readers, Happy Holidays, Phong
Emma Bee Bosco Sodi’s IN CONVERSATION Poems by Bernstein Casa Wabi Eric Walker Philip Taaffe 67 IN IN CONVERSATION CONVERSATION Epstein Will Vestry Barbara Street Ecological The Held Gregory J. Markopoulos Rose Activisim Essays On Alex Visual Art on in France SIONE IN WILSON Ross CONVERSATION Duchamp Robert Guest Editor: Gober Best Raymond Foye Dear Friends and Readers, IN CONVERSATION Henry Threadgill Art Jason Moran & Books a Tribute to IN CONVERSATION of 2014 Alanna Heiss Rene Ricard ow can ecological and social forces be transformative? In her recent Philip Taaffe AICA-USA Distinguished Critics Lecture, Carolyn Christov-Bakargiev “Sanctuarium,” 2010. Installation Hexplored this question through the lens of Lacan’s fascination with of 148 drawings. Oil pigment topology and the creation of chain relations or knots. Te notions of alchemy on paper, dimensions vari- and “thought form” were brought up repeatedly in her presentation, Tought- able. Collection Kunstmuseum Forms being the well-known book of Annie Besant and C.W. Leadbeater that Luzern. Purchase made possible helped spread the ideas of the Teosophical Society—a central infuence on by a contribution from Landis & modern art. Mahler, Sibelius, Mondrian, Hilma af Klint, and Kandinsky, Gyr Foundation. ©Philip Taafe; were members along with many writers and poets, from James Joyce, D.H. Courtesy of the artist and Luhring Lawrence, Lewis Carroll, William Butler Yeats to Lyman Frank Baum (the Augustine, New York. author of the Wizard of Oz), even the inventor Tomas Edison. Our latest Rail Curatorial Project, Spaced Out: Migration to the Interior at Red Bull Studios in Chelsea, ofered a similar opportunity to submit ourselves to a realm of play and experiment, expanding our “thought forms” beyond conventional norms and expectations. -
Aquatics Fitness Classes
Dig ThisFinding new ways to stay happy and healthy Creating A Naturally Beautiful Smile Designed Specifically For You! www.ranjbarorthodontics.com An Elite Preferred Invisalign Provider. Our office will match most offers! Call For A Consultation 4828 Quail Crest Place | 785.832.1844 Complimentary Orthodontic Evaluations STRETCHSTRETCH YOURYOUR LIMITS!LIMITS! 2017 WINTER/SPRING ACTIVITIES GUIDE This edition of the Lawrence Parks and Recreation Department Activities Guide highlights the additional programming created specifically for the lifelong population While growing the Lifelong Recreation Division with an increase in accessibility and a wider selection of programs was the primary goal, we have been able to refocus our efforts on our community’s wants and needs Our feature story calls attention to the leaders responsible for these improvements and outlines the potential growth of our department LPRD offers more than 550 activities and programs per season We do our best to listen to your feedback and provide the classes and activities you feel will facilitate the best opportunity for your health It is our commitment to help you pursue healthy, active lifestyles ENROLLMENT IS EASY! ONLINE ENROLLMENT WALK-IN / MAIL-IN** * If you have enrolled in a Parks and Recreation program after Starting Monday, Nov. 28 (for all winter/spring activities) January 2000, you’re already in our database and can log in using Visit any Parks and Recreation facility to enroll (For a complete list- your home phone (10 digits, no spaces or dashes) as your user-