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SEA TURTLES SWIM in to Essex County Turtle Back Zoo
THE SPIRIT OF SPRING 2017 SEA TURTLES SWIM IN TO Essex County Turtle Back Zoo PAGE 5 PAGE 7 PAGE 10 PAGE 14 Joseph N. DiVincenzo, Jr. A Blossom Event for Any Day Essex County Executive Saturday, April 8 ~ 7am-1pm 2017 CHERRY BLOSSOM and the Board of Essex county CHALLENGE BIKE RACE Oval, Northern Division Chosen Freeholders Sunday, April 9 ~ 10am Start CHERRY BLOSSOM 10K RUN Cherry Blossom Welcome Center, Extension Saturday, April 22 ~ 10am Race Start 1-MILE FUN RUN/WALK Daniel K. Salvante AND ESSEX COUNTY FAMILY DAY Prudential Concert Grove, Southern Division Director of Parks, Recreation Sunday, April 23 ~ 11am-5pm BLOOMFEST! and Cultural Affairs Cherry Blossom Welcome Center, Extension and Prudential Concert Grove, Southern Division PUTTING ESSEX COUNTY FIRST COMPLIMENTARY ISSUE A MESSAGE FROM THE COUNTY EXECUTIVE SEA TURTLES SWIM IN TO Dear Friend, Soon, the mercury will rise and the cold temperatures and wet weather of winter will be a ESSEX COUNTY TURTLE BACK ZOO faded shadow in the springtime sunshine. The warm air, flowers in bloom and tranquil blue skies signal a rebirth in all of our lives, beckoning us to shake off the doldrums and explore our community. Spring is the best time to reacquaint yourself with – or discover for the first time – our historic Essex County Parks System and the loveliness of flowers, trees and the beauty of nature. From April through June, visitors can experience a marathon blooming season of unparalleled diversity. There are more than 5,000 cherry trees transforming the canvas of Essex County Branch Brook Park into a canopy of pink and white every April. -
The Cultural Histories of Bettie Page Merchandise Circulation
UC Irvine UC Irvine Previously Published Works Title From AIDS-era Queer Icon to Sanitized Nostalgic Property: The Cultural Histories of Bettie Page Merchandise Circulation Permalink https://escholarship.org/uc/item/6wg6x5sk Journal Film Criticism, 42(2) ISSN 2471-4364 Author Freibert, Finley Publication Date 2018-11-14 DOI 10.3998/fc.13761232.0042.203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California From AIDS-era Queer Icon to Sanitized Nostalgic Property: THe Cultural Histories of Bettie Page MercHandise Circulation 11/26/18, 10)56 AM From AIDS-era Queer Icon to Sanitized Nostalgic Property: The Cultural Histories of Bettie Page Merchandise Circulation Finley Freibert Volume 42, Issue 2: Film and Merchandise , November 2018 DOI: http://dx.doi.org/10.3998/fc.13761232.0042.203 [http://creativecommons.org/licenses/by-nc-nd/4.0/] Abstract The merchandising of Bettie Page since the mid-20th century has evinced her diverse cultural associations at a variety of historical moments. Yet from a contemporary standpoint, the historical narratives prompted in the licensing of her name and image flatten her past into a palatable emblem of 1950s pin-up culture. In this article, I interrogate the ways Page’s image has been mobilized since the 1950s. I propose a cultural biography of Bettie Page attuned to her queer communitarian circulation in order to counter the nostalgic sanitation of her image since the 1990s. In November of 2017, several media industry and gay press news outlets announced that Violet Chachki, drag performer and 2015 RuPaul’s Drag Race season seven champion, would front an advertising campaign for a Bettie Page-inspired lingerie line by London-based brand Playful Promises. -
Advanced Labor Topics 2015
The Florida Bar Continuing Legal Education Committee and the Labor and Employment Law Section Advanced Labor Topics 2015 COURSE CLASSIFICATION: ADVANCED LEVEL May 29 - 30, 2015 Live Presentation: Ritz Carlton Sarasota 1111 Ritz-Calton Drive • Sarasota, FL 34236 Course No. 1859R CLE Publications of The Florida Bar Expert guidance to best serve the needs of those practicing Law in Florida Stay current with the latest developments in Florida by consulting CLE Publications from The Florida Bar. Written by veterans of the Florida Courts, these publications offer Business Law expert advice shaped by the special consideration of Florida law. Our titles are now avaialble in eBook format, for easier access and Estate Planning & portability. Administration Family Law Expanding your library with Jury Instructions eBooks? Make optimal use of your research time with LexisNexis® publications for The Florida Bar in portable eBook format. Access our extensive list of titles from leading attorneys and expert Real Property Law authors—on your schedule and on the device of your choice. For the latest listing of titles, go to: www.lexisnexis.com/flaebooks. Rules of Procedure Order Today! Trial Practice www.lexisnexis.com/flabar Call toll-free 800.533.1637 Did you know that you can receive a 20% DISCOUNT on future updates for these publications? Call 800.533.1637 and learn how easy it is to save 20% by becoming a subscriber under the Automatic Shipment Subscription Program and to obtain full terms and conditions for that program. SATISFACTION GUARANTEE: Examine and return your publication(s) within 30 days of receipt, at your expense, for a full credit of the advertised price, less shipping and handling fees, and any other discount credits. -
Rope Bondage 101
Rope Bondage 101 Overview Bondage and restraint is a common fantasy for many people. Some prefer the struggle and potential for escape, others enjoy feeling of capturing and holding another person in captivity. Rope bondage can be used as a utilitarian restraint used for further play, or as an end unto itself with complex patterns and forms, designed to beautifully captivate a willing participant. This workshop covers safety concerns surrounding rope bondage, rope materials & selection, basic knots, and simple restraint ties. What follows from this base is a comparison between Western and Eastern rope styles along with an example of a Japanese tie. The workshop winds down with some tips and tricks for improving your bondage skills and an overview of resources available in print and on the internet. This guide is written as instruction to the person applying the bondage, the term partner is used to indicate the person on whom the bondage is being applied. Bio I’m a fun‐loving rope geek and sex educator who has found a home in the Midwest United States kink community. When I’m not traveling to events, I contribute to the Iowa State University CUFFS group, and serve on the board of Minneapolis TNG group Min‐KY. Although I’m a relatively new member of the scene, I’ve presented at numerous events across the country, including Kinky Kollege, Shibaricon, Denver Bound, and Beyond Leather. As a presenter, I aim to provide a comfortable down‐to‐earth learning environment for all genders, orientations, and experience levels. My long list of presentations, events, and class materials can be found at http://www.kinkfriendly.org Lastly, I am not a medical professional. -
The Betty Newsletter
STUDENT ASSOCIATION OF FAMILY AND CONSUMER SCIENCES APRIL 29, 2009 Thethe Betty Newsletter edition BETTY Issue #28 All Betty all the time As my reign of editor comes to a close, I have been inspired A dictionary numerous times by the this newsletter. I have gotten my family involved definition: and my friends have heard endless hours of my bragging and Betty: a feminine name, complaining of this publication. My father has edited articles and my diminutive of Elizabeth best friend even contributed to this issue even though she goes to school Betty, slang: hot chick in Washington, DC. I have named my hamster Betty. I am addicted. Betty, Clueless movie: Every time I have come across a ‘betty’, I have written it down. Once beautiful girl I got to two, I brought my idea of a Betty themed Betty to Professor betty, n: Matthews and she leapt at the thought. My father TiVo’d a cooking show a short bar used by which sparked our Apple Brown Betty article and a new dessert for the thieves to wrench doors family to try. Our search has come to its peak, with open this, our largest issue yet. a pear shaped bottle Please enjoy this Betty as it has taken the covered with a round contributors days and months to put together. straw Take note that there are endless amounts of famous Bettys, dozens contributing to the vast Other Famous world of Family and Consumer Sciences. Be Betties: inspired as this newsletter has inspired me. Ugly Betty, TV show ~Valerie Yu, editor Nurse Betty, movie Betty Deux, my hamster. -
The Music Never Stopped Based Upon “The Last Hippie” by Oliver Sacks, M.D
The Music Never Stopped Based upon “The Last Hippie” by Oliver Sacks, M.D. Official website: http://themusicneverstopped-movie.com Publicity Materials: www.roadsideattractionspublicity.com Production Notes Directed by Jim Kohlberg Screenplay by Gwyn Lurie & Gary Marks Produced by Julie W. Noll, Jim Kohlberg, Peter Newman, Greg Johnson Starring: J.K. Simmons Lou Taylor Pucci Cara Seymour Julia Ormond Running Time: 105 minutes Press Contacts: New York Marian Koltai-Levine – [email protected] – 212.373.6130 Nina Baron – [email protected] – 212.373.6150 George Nicholis – [email protected] – 212.373.6113 Lee Meltzer – [email protected] – 212-373-6142 Los Angeles Rachel Aberly – [email protected] - 310.795-0143 Denisse Montfort – [email protected] – 310.854.7242 "THE MUSIC NEVER STOPPED" Essential Pictures presents THE MUSIC NEVER STOPPED Based on a true story Directed by JIM KOHLBERG Screenplay by GWYN LURIE & GARY MARKS Based upon the essay 'The Last Hippie' by OLIVER SACKS Produced by JULIE W. NOLL JIM KOHLBERG PETER NEWMAN GREG JOHNSON Co-Producer GEORGE PAASWELL Executive Producer NEAL MORITZ Executive Producer BRAD LUFF Music Producer SUSAN JACOBS Director of Photography STEPHEN KAZMIERSKI Editor KEITH REAMER Production Designer JENNIFER DEHGHAN Costume Designer JACKI ROACH Original Music by PAUL CANTELON Casting by ANTONIA DAUPHIN, CSA J.K. SIMMONS LOU TAYLOR PUCCI CARA SEYMOUR with JULIA ORMOND TAMMY BLANCHARD MIA MAESTRO SCOTT ADSIT JAMES URBANIAK PEGGY GORMLEY MAX ANTISELL An Essential Pictures Production in association with Peter Newman/InterAL Productions A film by Jim Kohlberg SYNOPSIS “The Music Never Stopped,” based on the case study “The Last Hippie” by Dr. -
Conference Program Conference 18 – February 15 February 15 New York Citynew York // 2017 College Artcollege Association the Annual Conference the Annual
CONFERENCE PROGRAM CAA 2017 ANNUAL CONFERENCE NEW YORK, NY YORK, CONFERENCE NEW CONFERENCE PROGRAM CAA 2017 ANNUAL college art association the annual conference new york city // 2017 february 15 – 18 conference program Contents 5 Welcome CAA Board, Staff, and Committees 7 BOARD OF DIRECTORS 7 STAFF 8 COMMITTEE MEMBERS 2016–17 General Information 11 MEMBERSHIP 11 RegistratioN AND CHECk-In 13 INformatioN FOR SPEAKERS 14 MUSEUM LISTINGS 15 CONFERENCE SERVICES 16 New YORK HiltoN MidtowN MAPS Sessions 21 New SESSION TYPES 21 Program SCHEDULE 36, 48 Poster Sessions 66 SEPC Lounge 68 ARTspace 70 Media Lounge 73 Participant Index Meetings 81 Affiliated Society BUSINESS MeetiNGS 82 CAA ElectioNS, CONVocatioN, AND ANNUAL BUSINESS MeetiNG 82 CAA Committee, TASK Force, AND JUry MeetiNGS Events 84 SPECIAL EVENts 89 REUNIONS AND RECEPTIONS 91 NOON FORUMS Careers 92 ProfessioNAL DEVeloPMENT WORKSHOPS 95 CAREER SERVICES 96 MENtoriNG APPOINtmeNts Book and Trade Fair 96 FAIR INformatioN 97 EXHibitor SESSIONS 98 EXHibitor INDEX 100 BOOK AND Trade FAIR MAPS 103 CAA Past Presidents 104 myNYC: CAA Staff’s Favorite Places 106 Advertiser Index 107 ADVERTISEMENts Save the date! 106th Annual Conference // Los Angeles, CA // February 21–24, 2018 A SPECIAL THANKS TO OUR CONFERENCE SPONSORS: The Conference Program is published in conjunction with the 105th Annual Conference of the College Art Association. The Program is produced on a very abbreviated schedule in October, and session information is subject to change before the conference. For more information and the most up-to-date chronological schedule of sessions, meetings, and events, see the conference website (conference. collegeart.org) or the CAA 2017 app. -
PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 1 THEDA BARA (36) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $3,250 $650 2 (100+) VINTAGE ORIGINAL BEHIND THE SCENES PHOTOGRAPHS OF EARLY $1,500 $300 HOLLYWOOD STUDIOS AND FILMMAKING. 3 MGM STARS OF THE 1930S (53) VINTAGE ORIGINAL PHOTOGRAPHIC $1,300 $260 PORTRAITS BY HURRELL AND BULL. 4 JEAN HARLOW (7) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS BY BULL, $450 $90 GRIMES, AND HURRELL. 5 CAROLE LOMBARD VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAIT BY $225 $45 CLARENCE SINCLAIR BULL. 6 CAROLE LOMBARD (50+) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $2,750 $770 7 CLARK GABLE (14) VINTAGE ORIGINAL PHOTOGRAPHS. $300 $60 8 GONE WITH THE WIND (40+) VINTAGE ORIGINAL PRODUCTION PHOTOS AND (1) $1,100 $308 WINDOW CARD. 9 LAUREN BACALL (2) VINTAGE OVERSIZE PHOTOGRAPHIC PORTRAITS BY JOHN $2,250 $450 ENGSTEAD. 10 REBEL WITHOUT A CAUSE (22) VINTAGE ORIGINAL SET CONTINUITY $400 $80 PHOTOGRAPHS. 11 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 12 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $35,000 $7,000 ENTERTAINMENT PHOTOGRAPHS. 13 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 14 COLLECTION OF (500+) VINTAGE AND CONTEMPORARY OVERSIZE $9,000 $1,800 PHOTOGRAPHIC PORTRAITS. 15 LON CHANEY, SR. VINTAGE ORIGINAL PHOTOGRAPHER SIGNED GLASS PLATE $450 $90 NEGATIVE. 16 COLLECTION OF (1000++) ORIGINAL VINTAGE AND CONTEMPORARY $5,500 $1,100 NEGATIVES, SLIDES, AND COLOR TRANSPARENCIES. Page 1 of 71 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 17 IN OLD CHICAGO VINTAGE ORIGINAL SCRIPT. -
Bride Fur-Hic
Iredell County, N. C. Marriage Register - Bride Index A-K (1854-1964) Surname Given Name Surname Given Name Age R Date Official Witnesses G/B Long McKinley Furr Viola 22/22 C 6/28/1919 M. H. Hinton (Min) Lena Tomlin, Aria Tomlin, E. Iredell Co. Iredell Co. Iredell Co. C. Hinton Glover John Wesley Gabriel Alice 52/32 W 12/6/1952 H. S. Douglas S. V. Mangunn, George Earl, Statesville NC Statesville NC Statesville NC W. D. Tilley Morrison George Pressly Gabriel Alice 19/18 W 3/22/1919 A. W. Wilcox (Min) Mary E. Jones, William L. Iredell Co. Iredell Co. Coddle Creek Tns. Gabriel, Winnie F. Hobbs Sherrill W. T. Gabriel Bessie 23/21 W 12/24/1890 Frank H. Wood (Meth. W. L. Caldwell, W. P. Iredell Co. Min.) Gabriel, W. T. Sherrill Coddle Creek Tns. Lowrance William Selby Gabriel Betty Joe 22/19 W 6/12/1948 Harold Robinson (Min) K. G. Lowrance, B. Simons Mooresville NC Mooresville NC Coddle Creek Tns. Lucas, E. E. Bailey Brawley John R. Gabriel Daisy E. 30/28 C 12/27/1905 T. J. Rodgers (Min) B. N. Brawley, Lucy Gabriel, Iredell Co. Iredell Co. Iredell Co. Bob Brantley Freeze Earl O. Gabriel Daisy 20/19 W 8/22/1917 W. J. Wyatt (Min) A. L. Sims, Bonnie Kennedy, Iredell Co. Iredell Co. Iredell Co. Anna Kennedy Evans Lester A. Gabriel Emma 24/22 W 8/2/1896 W. J. Wyatt (Bapt. Min.) W. M. Kerr, J. A. Cornelius, Iredell Co. Iredell Co. Fallstown Tns. J. H. Evans Caldwell Sherman Gabriel Etta 59/23 C 2/14/1925 C. -
July 12–17, 2015
July 12–17, 2015 On the Campus of Belmont University Art Music Theatre & Dance Creative Writing Austin Peay’s Center of Excellence for the Creative Arts Tennessee’s only center devoted to research, creation and education in the arts. For more information about CECA, please visit www.apsu.edu/creativearts. APSU is an AA/EEO employer and does not discriminate on the basis of race, color, ethnic or national origin, sex, religion, age, disability status, and/or veteran status in its programs, and activities. http://www.apsu.edu/files/policy/5002.pdf A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, Belmont University, the Tennessee Arts Academy Foundation, Gibson Foundation, Pinnacle Financial Partners, Pat and Thane Smith, SunTrust Foundation, Tennessee Book Company, the Wolfe Family Fund, and private donors. The Premier Summer Institute for Arts Education WELCOME TO THE TENNESSEE ARTS ACADEMY From the Governor Dear Friends: On behalf of the great State of Tennessee, I am pleased to extend a warm welcome to the participants and guests of the 2015 Tennessee Arts Academy. I hope that this very special event presents you with the opportunity to interact with colleagues and further develop your abilities to educate students in music, theatre, and the visual arts. The people of our state are known around the world for their creative talents. Your participation in TAA will help build upon this legacy and advance the next generation of Tennessee artists. Thank you for all that you do to inspire creativity and a love for the arts in our students. -
Artist Resources – Henri Matisse (French, 1869-1954)
Artist Resources – Henri Matisse (French, 1869-1954) Matisse at Tate Modern Matisse at MoMA Matisse at the MET Matisse’s Fauvist paintings were first exhibited in 1905 at the Salon d’Automne in Paris alongside similar paintings by André Derain (1880- 1954). Art critic Louis Vauxcelles called the works fauves (“wild beasts”). Matisse met Pablo Picasso (1881-1973) around 1906 and the two artists were friends and rivals throughout their careers. In 2003, the Museum of Modern Art in New York installed Matisse and Picasso inspired by Picasso’s remark: “You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse’s painting more carefully than I; and no one has looked at mine more carefully than he.” The Matisse Chapelle de Vence remains an active Dominican-order convent. Visit the chapel with BBC reporter Alastair Sooke. The Matisse Museum in Le Cateau, France was founded by the artist in 1952. The museum is dedicated to the display of Matisse’s work and others from the artist’s personal collection. In 2014, the Tate Modern’s blockbuster exhibition Henri Matisse: The Cut-Outs was “the largest, most extensive presentation of the cut-outs Matisse, 1913 ever mounted.” The exhibition travelled to the Museum of Modern Art and was documented in the “Exhibitions on Screen” film series. Photography: Alvin Langdon Coburn See a video of Matisse making a “cut-out” and learn about the artist’s use of a bamboo stick when making large-scale murals later in his career. -
Conference Program Conference 18 – February 15 New York City // 2017 College Art Association the Annual Conference
CONFERENCE PROGRAM CAA 2017 ANNUAL CONFERENCE NEW YORK, NY YORK, CONFERENCE NEW CONFERENCE PROGRAM CAA 2017 ANNUAL college art association the annual conference new york city // 2017 february 15 – 18 conference program Contents 5 Welcome CAA Board, Sta!, and Committees 7 BOARD OF DIRECTORS 7 STAFF 8 COMMITTEE MEMBERS 2016"17 General Information 11 MEMBERSHIP 11 REGISTRATION AND CHECK#IN 13 INFORMATION FOR SPEAKERS 14 MUSEUM LISTINGS 15 CONFERENCE SERVICES 16 NEW YORK HILTON MIDTOWN MAPS Sessions 21 NEW SESSION TYPES 21 PROGRAM SCHEDULE 36, 48 Poster Sessions 66 SEPC Lounge 68 ARTspace 70 Media Lounge 73 Participant Index Meetings 81 AFFILIATED SOCIETY BUSINESS MEETINGS 82 CAA ELECTIONS, CONVOCATION, AND ANNUAL BUSINESS MEETING 82 CAA COMMITTEE, TASK FORCE, AND JURY MEETINGS Events 84 SPECIAL EVENTS 89 REUNIONS AND RECEPTIONS 91 NOON FORUMS Careers 92 PROFESSIONAL DEVELOPMENT WORKSHOPS 95 CAREER SERVICES 96 MENTORING APPOINTMENTS Book and Trade Fair 96 FAIR INFORMATION 97 EXHIBITOR SESSIONS 98 EXHIBITOR INDEX 100 BOOK AND TRADE FAIR MAPS 103 CAA Past Presidents 104 myNYC: CAA Sta!’s Favorite Places 106 Advertiser Index 107 ADVERTISEMENTS Save the date! 106th Annual Conference // Los Angeles, CA // February 21–24, 2018 A SPECIAL THANKS TO OUR CONFERENCE SPONSORS: The Conference Program is published in conjunction with the 105th Annual Conference of the College Art Association. The Program is produced on a very abbreviated schedule in October, and session information is subject to change before the conference. For more information and the most up-to-date chronological schedule of sessions, meetings, and events, see the conference website (conference. collegeart.org) or the CAA 2017 app.