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BAFTA Games Lecture: Dan Hay 14 November 2017 at Princess Anne Theatre, BAFTA 195 Piccadilly, London

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BAFTA Games Lecture: Dan Hay 14 November 2017 at Princess Anne Theatre, BAFTA 195 Piccadilly, London BAFTA Games Lecture: Dan Hay 14 November 2017 at Princess Anne Theatre, BAFTA 195 Piccadilly, London Keza MacDonald: Hello everybody, good evening. First: vision fuel. What is it? How do you find it? Welcome to BAFTA’s annual Games Lecture, thank How do you mine it? How do you weaponise it? you very much for coming. How do you turn it into what you need? And then a process. A process that I use that you might [Applause] want to be able to use, or elements that you can use. And finally, I want to actually try to put it into Thank you also to everybody watching on stream. practice, because what I dislike is sometimes folks The BAFTA Games Lecture aims to deliver valuable will get up, and they’ll give you your thoughts, insights into some of the best creative minds in the their thoughts, and then basically they’ll walk off video games industry and beyond. It gives people and you can’t test it. So I’m going to actually try the opportunity to share their experiences as well as to test it at the end, and we’re going to see how their personal vision for the direction the industry’s it goes – it could go crazy. going in. My name is Keza MacDonald, I’m the editor of Kotaku UK, but we’re not here to see me, OK, so first the vision fuel. I get asked a lot ‘Where we’re here to see Dan Hay. Dan Hay is Ubisoft do you get the inspiration for a game?’ And it’s Montreal’s executive producer and creative kind of a strange question because to be honest, director. He’s well known for working on the Far Cry and it’s a little cheesy to say, it’s everywhere. It’s series. Over his career he has worked as a modeller, everybody that you meet, it’s every moment that a texture artist, an animator, obviously producer. you have. So to be able to understand the nature He’s been in games since 2003 and has spent six of this question, I went online and I took a look at years with Ubisoft working on the Far Cry series. So what people think creative is and apparently it without further ado, I’d like to introduce Dan. involves light bulbs and colours… Crayons are a big thing, and rainbows. Gears. I don’t [Applause] understand – these gears aren’t actually hooked up to anything. They’re just colourful, I don’t think Dan Hay: OK. It’s a big room! It’s a little bit more it does anything. I don’t know what the fuck this intimidating when you guys are all here. OK, so is. So I’m looking at it and what I think people ‘Rooted in Reality: How the Real World Can Make think is that there’s just this creative brain and you Your Creativity Soar,’ that’s what I’m talking about kind of squeeze it and all this cool shit comes out today. And there’s a few caveats before I get and then the money falls. And I don’t think that’s started that I want to talk about. Four things, the way it is at all. For me, this is not that, that’s basically. not what I’m talking about. What I’m talking about is a system or a process or a methodology Number one: Thank you for having me here, it’s where you can look at things differently, you can super cool. This is a really interesting thing to be able look at the world differently and you can use it to to do and I want to say thank you to BAFTA and all fuel your vision. So, bringing the idea and the of you for inviting me here. This is great, so thanks. money. How close are they? Well to me they’re pretty far apart and there’s a whole bunch of Number two: It’s important to understand that these stuff that goes in between. are just my thoughts. This is not a proscription, this is not a recipe. This is just stuff that I’m thinking. Take Let me explain: There’s you. And there’s what you the parts you like, throw the parts you don’t. That’s already know. There’s the real world, there’s a how this goes. tonne of stuff that you can data mine. There’s the idea and how you transfer it into the vision. I don’t want to talk about just game systems, I want There’s the team, because you can’t do this to talk about all the things that kind of surround it in alone, you’ve got to surround yourself with smart terms of creative and building characters and people. There’s the idea of iteration, there’s building moments and just building an experience. feedback, there’s the pitch, which can be really daunting, and there’s a sound that I’m going to And lastly, I swear. Sorry, it’s going to happen. talk about that I hate with the heat of a nova. And remember that, this sound drives me nuts, it’s [Laughter] creative kryptonite, OK? And then there’s the player, you can’t forget about the player, and So, using the real world to fuel your vision. And it’s then finally we’ll get to the money. interesting because I want to break it down into three parts: So, first, leveraging what you already know. Sometimes when I think about creative I think sometimes we make it overly complex and we BAFTA Games Lecture: Dan Hay forget that we know a lot of this stuff. This is you, that’s not true), but I instantly feel like ‘oh shit,’ I this is me, this is us, and we are a remarkable feel that oh shit feeling. So why wouldn’t we piece of hardware. We’ve got thousands of years leverage that? Why wouldn’t we use what we of programming built into us. What I’m talking already have? about is evolution. An evolution that actually gives you instincts which we can leverage as we Number two, maybe somebody wants to build a build our stories. The instinct borne from nature, stressful situation. The sun is about to burn out and something as simple as saving your life. I think we have to restart it. The moon is about to crash we’ve probably all been in situations where we into the Earth. OK, that’s certainly a way you get that feeling at the back of our neck, the hair could start your story. Or you could just pick goes up on the back of your neck and you’re like something that’s relatable. I flew here, I’m ‘I need to get the hell out of here.’ That’s instinct terrified of flying. I had to go through customs, I talking. think everybody here’s probably gone through customs. And I actually went - I really feel a little Also, it fuels your sense of competition. It can kind bit weird whenever I put my bag in front of of almost put you into predator mode. It’s been somebody and this institution starts going through governing our behaviour before we even realise it. I’m not a drug dealer, I don’t have drugs in my what we were. What I’m talking about here is it bag, but I swear to God I checked my bag four gives us purpose. The idea of falling in love, the times for drugs. I don’t understand why, but I just idea of coveting, the idea of wanting to be with felt the pressure that I needed to. somebody, gives us a sense of community. We huddle together in the dark, we long for And finally, I want the player to risk. There’s this companionship. And it gives us a sense of huge mountain up there and I want the player to competition. climb it. I want them to risk, I want them to feel it in their bones. That’s OK, you can do that. You Now some people would look at this and go can do expensive things, or you can do yeah, but we’ve come pretty far. I would argue something that we all feel, that we could feel we haven’t. I would argue that we still focus on tonight, that we could feel tomorrow. You could purpose, that even though we’ve changed, our just make an alleyway, and make it dark, and community has moved online, it’s still very much make the sound of a pop bottle moving in the rooted in that need, and we are abso-fucking- distance and you get all that stuff for free – all the lutely competitive. There’s no question. It shapes stuff we’re already afraid of, all the stuff that we the perception of our world. If you think about already know. those early lessons – the first time we saw blood and we understand its value as both life and Perception and intuition is something that you death; the first time we saw fire and understood leverage in the blink of an eye. I’m saying it’s this that it could be defence, but it also hurt us. The fast. You take a look at a picture and it tells you first time that we saw the forbidden fruit and the who you trust or distrust in one millisecond.
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