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Caltrain Holiday Train Schedule Buildings Integral to the Development This Year As Part of the Train Crew for of Hundreds of Communities Across Nov
Caltrain Fall 2013 Fall ConnectionInformation for Customers Rail Agency Celebrates 150th Birthday Festivities With A Trip To 1863 More than 1,500 well- A 150th anniversary celebration will be held wishers took a trip back Jan. 18, 2014 at the Santa Clara depot, and details to 1863 as Caltrain will be available at www.caltrain.com/150. kicked off the celebra- tion of 150 years of railroad service on the Peninsula with a birthday party in Menlo Park in October. In January 1864, the San Francisco & San Jose Rail- road completed construction of the railroad between those two cities. Three months earlier, railroad manage- ment hosted 400 guests for a ride and a picnic, and on Oct. 19 Caltrain re-enacted that event with a festive celebration at the Menlo Park station. Glittering Holiday Train Returns, San Jose Author Tracks EVENTS CALENDAR Depot Design in New Book Ride Caltrain to these special events. The station name and any additional Lots of Festive Family Fun for All More than 30 years ago, Henry transit service required are listed E. Bender Jr. began researching the below each event. Santa and his elves will be mak- history of Southern Pacific depots, ing whistle stops along the Peninsula Caltrain Holiday Train Schedule buildings integral to the development this year as part of the train crew for of hundreds of communities across Nov. 15 – 17 Harvest Festival the 2013 Caltrain Holiday Train pre- Saturday, Dec. 7 California, including along the San San Mateo Event Center sented by Silicon Valley Community Francisco Peninsula. www.harvestfestival.com Foundation. -
George Adams Gallery, New York, 2019
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ROBERT ARNESON BORN: Benicia, CA, 1930. DIED: Benicia, CA, 1992. EDUCATION: College of Marin, Kentfield, CA California College of Arts & Crafts, Oakland, CA: B.A., 1954. Mills College, Oakland, CA: M.F.A.,1958. AWARDS: Fellow, American Craft Council, 1992. Academy-Institute Award in Art, American Academy and Institute of Arts and Letters, 1991. Honorary Doctor of Fine Arts, San Francisco Art Institute, 1987. Honorary Doctor of Fine Arts, Rhode Island School of Design, 1985. SOLO EXHIBITIONS: “Robert Arneson: The Anti-War Works 1982-1986,” George Adams Gallery, New York, 2019. Robert Arneson and William T Wiley, George Adams Gallery, New York, NY, 2017. “Guardians of the Secret II” Brian Gross Fine Art, San Francisco, CA, 2016. “Fatal Laughs: The Art of Robert Arneson” Cantor Arts Center, Stanford University, Stanford, CA, 2014-15. “Robert Arneson: Troublesome Subjects: Three Decades of Paintings, Sculpture, and Works on Paper,” George Adams Gallery, New York, NY, 2013. “Robert Arneson: Playing Dirty,” Allan Stone Gallery, New York, NY, 2012. “Robert Arneson: Installation of Works from the Collection,” San Francisco Museum of Modern Art, San Francisco, CA, 2012. “Robert Arneson: Self Portraits in Bronze” Brian Gross Fine Art, San Francisco, CA, 2012. “Robert Arneson: Founding Funk: Sculptures and Drawings 1956-66,” George Adams Gallery, New York, NY, 2010. “Robert Arneson from the 60's," Brian Gross Fine Art, San Francisco, CA, 2008. “Robert Arneson: The Black Series, Selected Works 1988-1990," George Adams Gallery, New York, NY, 2007. “Robert Arneson: Sculpture, Paintings and Drawings 1958-1992," George Adams Gallery at the ADAA Art Show, Seventh Regiment Armory, New York, NY, 2006. -
PATRICK RYOICHI NAGATANI *Collaborative Work with Andrée Tracey
PATRICK RYOICHI NAGATANI *collaborative work with Andrée Tracey BORN August 19, 1945 Chicago, IL, U.S.A. EDUCATION M.F.A. 1980 University of California, Los Angeles B.A. 1968 California State University, Los Angeles SOLO EXHIBITIONS 2015 Patrick Nagatani: Themes and Variations, Curated by Barbara Hitchcock, The Griffin Museum, Boston, MA 2014 Patrick Nagatani: Outer/Inner - Contemplation on the Physical and the Spiritual, Andrew Smith Gallery, Santa Fe, NM 2012 Medium, Meditation, and Mu (33 Buddhist tapestries), Collaboration with Carol Chase Bjerke, Common Wealth Gallery, Madison, WI Desire for Magic: Patrick Nagatani 1978 – 2008, Clay Center for the Arts and Sciences, Charleston, WV Desire for Magic: Patrick Nagatani 1978 – 2008, UNM Art Museum, Albuquerque, New Mexico, Desire for Magic Chromatherapy, Lycoming College Art Gallery, Williamsport, PA 2011 Desire for Magic: Patrick Nagatani 1978-2008, UNM Art Museum, Albuquerque, NM 2010 Chromatherapy, International Museum of Surgical Sciences, Gallery A, Chicago, IL 2009 Nuclear Enchantment: Photographs by Patrick Nagatani, Akron Art Museum, Fred and Laura Ruth Bidwell Gallery, OH Desert Secrets: Photography from the UMFA’s Permanent Collection and Nuclear Enchantment, Utah Museum of Fine Arts,University of Utah, Salt Lake City, UT Ryoichi / Nagatani Excavations, Lehigh University, Rauch Gallery, Bethlehem, PA 2007 Chromatherapy, Collaboration with Julie Anand & Damon Sauer, Northlight Gallery, Arizona State University, Tempe, AZ Chromatherapy, American Institute of Architecture Gallery -
3.1: Aesthetics, Part 1
Settings, Impacts, and Mitigation Measures Peninsula Corridor Joint Powers Board Aesthetics 1 3.1 Aesthetics 2 The visual or aesthetic environment in the Caltrain corridor is described to establish the baseline 3 against which to compare changes resulting from construction of project facilities and the alteration 4 of existing structures. This discussion focuses on representative locations along the railroad 5 corridor, including existing stations, railroad overpasses, locations of the proposed traction power 6 facilities, and other areas where the Proposed Project would physically change above-ground 7 features, where the visual appearance of the area and views experienced by area residents and users 8 could be affected. 9 3.1.1 Existing Conditions 10 3.1.1.1 Regulatory Setting 11 Federal 12 There are no federal laws, regulations, or standards related to aesthetics that are applicable to the 13 Proposed Project. 14 State 15 While there are no state laws, regulations, or standards related to aesthetics that are applicable to 16 the Proposed Project, there are state requirements for electrical safety that would influence project 17 vegetation maintenance, resulting in aesthetic changes. 18 California Public Utilities Commission 19 The California Public Utilities Commission (CPUC) has safety and security regulatory authority over 20 all transit agencies in California. 21 Rules established by the CPUC are called General Orders (GOs). The following GOs are relevant to 22 vegetation clearance along the Caltrain right-of-way (ROW). 23 GO 95: Overhead Electric Line Construction. This order concerns electrical clearances relative to 24 overhead lines, including vegetation clearances. However, this order does not provide any 25 specific guidance for 25 kVA systems proposed for use by the Proposed Project. -
San Jose to San Francisco Caltrain Schedule Carbi
San Jose To San Francisco Caltrain Schedule Iago tables lubberly while callow Jedediah footslogs conversationally or dozes disgustedly. Viricidal and mirthful Weslie never ignite showily when Christ premonishes his somatology. Eliot remains hypertrophied: she forewent her cerebritis stop too aloofly? Share your first south san to san jose to portland to your travel Fl to san jose san francisco schedule for this time you should you the general code of new cars, try using one of south to caltrain. Approved by you to san jose to francisco caltrain schedule highlighting baby bullet train as train should not those problems. Quickly in and san francisco caltrain schedule for your route basis are requested a bill. Engagement in san jose to francisco caltrain at an additional southbound and pass. Page to san jose to san caltrain schedule for letting us know that said of drivers an electrified test track maintenance by the passenger. Unable to san jose san francisco schedule for more stations without notice: you need to cost? Preferred travel between orlando to the day, the first south of vta buses and reliability branch, eastside of bike cars and back up for your email. Buildings on tracks to san jose francisco caltrain station in the morning in the fastest way to gilroy caltrain station is they tap to vancouver. Can carry up and san to san francisco station to get from san jose caltrain station platform to book your trip length of ways to your inbox. Take to the san jose to san caltrain schedule for the best experience on friday schedule of departure system. -
WANXIN ZHANG Born and Educated in China Lives and Works in San Francisco, California
WANXIN ZHANG Born and educated in China Lives and works in San Francisco, California EDUCATION 1992-96 Academy of Art University, MFA Sculpture, San Francisco, California 1980-85 Lu Xun Academy of Fine Art, BA Sculpture. ShengYang City, LiaoNing Province, China 1984 Stone Carving Workshop with Master Hosoi Yoshio, ShengYang City, China 1978-80 Jilin Art School, Diploma of Fine Art, ChangChun City, Jilin Province, China TEACHING EXPERIENCE 2015- Department of Sculpture, San Francisco Art Institute, San Francisco, California 2012-13 Ceramics Department, California College of The Arts, Oakland, California 2010-12 Department of Art Practice, University of California, Berkeley, California 1996-10 Academy of Art University, San Francisco, California 1985-92 Jilin Art College, ChangChun City, China SELECTED SOLO EXHIBITIONS 2019 Wanxin Zhang: The Long Journey, The Museum of Craft and Design, San Francisco California 2017 Fahrenheit 華氏, Catharine Clark Gallery, San Francisco, California 2015 Clay Nation: Wanxin Zhang, Peninsula Museum of Art, Burlingame, California 2014 Totem, Catharine Clark Gallery, San Francisco, California 2013 Wanxin Zhang: Ceramic Sculptures, Sanchez Art Center, Pacifica, California Wanxin Zhang's New Works, Turner Carroll Gallery, Santa Fe, New Mexico 2012 Wanxin Zhang, Melissa Morgan Fine Art, Palm Desert, California Wanxin Zhang's New Works, Art Beatus Gallery, Hong Kong, China Richmond Art Center, Main Gallery, Richmond, California Holter Museum of Art, High Gallery, Helena, Montana 2011 Wanxin Zhang, Pacini Lubel Gallery, Seattle, Washington Bellevue Arts Museum, Bellevue, Washington Morean Art Center, St, Petersburg, Florida 2010 Boise Art Museum, Boise, Idaho. May 22- September 19, 2010. Wanxin Zhang: A Ten Year Survey: 1999-2009, Arizona State University Art Museum, Tempe, Arizona (A Ten Year Survey then traveling to above five venue in Idaho, Florida, Washington, Montana and California, from 2010 to 2012. -
Squeak Carnwath 10/17/2016 Personal Born in Abington, PA in 1947, Squeak Received Her MFA from California College of Arts and Crafts in 1977
Squeak Carnwath 10/17/2016 Personal Born in Abington, PA in 1947, Squeak received her MFA from California College of Arts and Crafts in 1977. Education 1977-77 California College of Arts and Crafts, MFA, Oakland, CA 1970-71 California College of Arts and Crafts, Oakland, CA 1968-69 Goddard College, Plainfield, VT 1966-68 Monticello Junior College for Women, AA, Godfrey, IL Awards and Honors 2008 National Academy Museum, Emil and Dimes Carlsen Award, 183rd Annual: An Inivitational Exhibition of Contemporary Art, New York, NY 2006 University of California, Berkeley, Research Enabling Grant, Berkeley, CA 2005 University of California, Berkeley, Research Enabling Grant, Berkeley, CA University of California, Berkeley, Teaching Mini Grant, Berkeley, CA 2004 University of California, Berkeley, Research Enabling Grant, Berkeley, CA University of California, Berkeley, Teaching Mini Grant, Berkeley, CA 2003 University of California, Berkeley, Faculty Research Award, Berkeley, CA 2002 Flintridge Foundation Award for Visual Artists, Pasadena, CA University of California, Berkeley, Faculty Research Award, Berkeley, CA 2001 Precita Eyes Muralists Association, Inc., Special Recognition Award for the SFO Art Enrichment project, Fly, Flight, Fugit, San Francisco, CA 1998 Modern Master, Museum of Art and the Environment, Marin, CA 1996 Alma B.C. Schapiro Residency for a Woman Painter, Yaddo, Saratoga Springs, NY Hometown Heroes, Oakland Artists Who Have Made a Difference,” Office of the Mayor, Oakland, CA 1994 Guggenheim Fellowship 1992 Rosenkranz Family -
Manuel Neri CV
MANUEL NERI BORN: 1930, Sanger, CA EDUCATION: 1949-50 San Francisco City College, San Francisco, CA 1951-52 University of California, Berkeley 1951-56 California College of Arts and Crafts, Oakland 1956-58 California School of Fine Arts, San Francisco TEACHING: 1959-65 California School of Fine Arts, San Francisco, CA 1963-64 University of California, Berkeley, CA 1965-90 University of California, Davis, CA GRANTS AND AWARDS: 1953 Oakland Art Museum, First Award in Sculpture 1957 Oakland Art Museum, Purchase Award in Painting 1959 Nealie Sullivan Award, California School of Fine Arts, San Francisco 1963 San Francisco Art Institute, 82nd Annual Sculpture Award 1965 National Art Foundation Award 1970-75 University of California at Davis, Sculpture Grant 1979 John Simon Guggenheim Memorial Foundation Fellowship 1980 National Endowment for the Arts, Individual Artist Grant 1982 American Academy and Institute of Arts and Letters, Academy-Institute Award in Art 1985 San Francisco Arts Commission, Award of Honor for Outstanding Achievement in Sculpture 1990 San Francisco Art Institute, Honorary Doctorate for Outstanding Achievement in Sculpture 1992 California College of Arts and Crafts, Honorary Doctorate 1995 Corcoran School of Art, Washington, DC, Honorary Doctorate 2004 International Sculpture Center, Lifetime Achievement Award in Contemporary Sculpture COMMISSIONS: 1980-82 Office of the State Architect, State of California, Commission for marble sculpture "Tres Marias" for The Bateson Building, Sacramento, CA 1987 North Carolina National Bank, Commission for marble sculpture "Española" for NCNB Tower, Tampa, FL The Linpro Company, Commission for marble sculpture "Passage" for the Christina Gateway Project, Wilmington, DE U.S. General Services Administration, Commission for marble sculpture "Ventana al Pacifico" for U.S. -
B E V E R L Y R a Y N E R
B E V E R L Y R A Y N E R beverlyrayner.com EDUCATION San Jose State University, San Jose, CA, Master of Fine Arts ONE PERSON EXHIBITIONS 2017 Blind Spots, Themes + Projects, San Francisco, CA 2016 The Museum of Mesmerism & Psychic Art, Russell Fine Arts Gallery, Arkadelphia, AR 2014 The Museum of Mesmerism & Psychic Art, Triton Museum of Art, Santa Clara, CA 2012 The Museum of Mesmerism, Eleanor D. Wilson Museum, Hollins University, Roanoke, VA 2011 Illusionistic Devices, G. Gibson Gallery, Seattle, WA 2010 MontereyNOW: Beverly Rayner, Monterey Museum of Art, Monterey, CA Accretion, Braunstein/Quay Gallery, San Francisco, CA 2009 Beverly Rayner, Cherry Center for the Arts, Carmel, CA Accretion, San Jose State University, Gallery 3 cabrilloArt, cabrilloArtists, Pajaro Valley Arts Center, Watsonville, CA 2008 State of Worry, Braunstein/Quay Gallery, San Francisco, CA 2007 Optical Allusions, G. Gibson Gallery, Seattle, WA 2006 Balancing Acts, Braunstein/Quay Gallery, San Francisco, CA 2005 Mind Over Matter, G. Gibson Gallery, Seattle, WA 2004 Specimens, G. Gibson Gallery, Seattle, WA 2003 Head Above Water, Couturier Gallery, Los Angeles, CA Toying with Human Nature, Braunstein/Quay Gallery, San Francisco, CA 2001 Genetic Decoder & Other Pseudoscientific Explorations, G. Gibson Gallery, Seattle, WA 2000 More Observations & Experiments, Braunstein/Quay Gallery, San Francisco, CA 1999 Couturier Gallery, Los Angeles, CA Observations & Experiments, G. Gibson Gallery, Seattle, WA 1998 New Work, Braunstein/Quay Gallery, San Francisco, CA 1997 New Work, G. Gibson Gallery, Seattle, WA New Works, San Jose Institute of Contemporary Art, San Jose, CA 1996 Shadow Worship, G. Gibson Gallery, Seattle, WA New Work, Braunstein/Quay Gallery, San Francisco, CA 1995 d.p. -
Resume D'art 2017
G AIL WIGHT CURRICULUM VITAE EDUCATION 1991 - 1994 M.F.A. Jacob K. Javits Fellow, New Genres, San Francisco Art Institute, San Francisco, CA 1984 - 1988 B.F.A. Studio for Interrelated Media, Massachusetts College of Art, Boston, MA SOLO & TWO-PERSON EXHIBITS 2017 Cerulean Blues Stanford Art Gallery, Stanford, CA Homage to the Wind Plexus Projects, New York, NY 2016 Raw Materials Grizzly Grizzly, Philadelphia, PA (2 person) Te Hexapodarium SFO Museum, San Francisco International Airport, CA 2015 Te Hexapodarium: extreme photography Peninsula Museum of Art, Burlingame, CA 2014 Te Spider and the Fly Patricia Sweetow Gallery, San Francisco, CA Te Spider and the Fly First Street Gallery, Eureka, CA 2013 All the Time in the World Clay Center for Art & Science, Charleston, WV (2 person) All the Time in the World McColl Center for Visual Art, Charlotte, NC (2 person) 2012 Hydraphilia Nevada Museum of Art, Reno, NV Ground Plane Patricia Sweetow Gallery, San Francisco, CA 2011 Unspecifed Patricia Sweetow Gallery, San Francisco, CA 2010 Restless Dust, a ghost-walk with Darwin San Francisco Center for the Book, San Francisco, CA 2009 Intertidal Zone Patricia Sweetow Gallery, San Francisco, CA Night Moves : Gail Wight San Jose Institute of Contemporary Art, San Jose, CA 2007 Te Evolution of Disarticulation University of New Mexico Art Museum, Albuquerque, NM Te Anatomies Ontario Science Museum, Toronto, Ontario 2006 Sliding Scale Tomas Whelton Gallery, Stanford University, Stanford, CA 2004 Rodentia Chamber Music Cornerhouse, Manchester, England when the cats are away... Studio for Interrelated Media, Massachusetts College of Art, Boston, MA 2003 Te Evolution of Disarticulation Walter & McBean Galleries, San Francisco Art Institute, San Francisco, CA Supertramps Headlands Center for the Arts, Sausalito, CA (collaboration with Dr. -
George Adams Gallery, New York, NY 2020
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com JOAN BROWN BORN: San Francisco, CA, 1938. DIED: Prasanthinilayam, India, 1990. EDUCATION: San Francisco Art Institute, San Francisco, CA, BFA 1959; MFA 1960. AWARDS: James D. Phelan Award, 1962. Louis Comfort Tiffany Award, 1965. Adeline Kent Award, 1973. National Endowment for the Arts Grant, 1976, 1980. Guggenheim Fellowship, 1977. Honorary Doctor of Fine Arts, San Francisco Art Institute, California, 1986. SOLO EXHIBITIONS: “Drawn from Life: Works on Paper, 1970-1976,” George Adams Gallery, New York, NY 2020. “Joan Brown,” Venus Over Manhattan, New York, NY, 2020. “Spotlight: Joan Brown,” George Adams Gallery at Frieze New York, NY, 2019. “The Students,” George Adams Gallery, New York, NY 2019. “Joan Brown: The Authentic Figure,” Anglim Gilbert Gallery, San Francisco, CA, 2019. “Joan Brown,” George Adams Gallery, New York, NY, 2017. "Joan Brown: In Living Color," Richmond Art Center, Richmond, CA, 2017. “Joan Brown: Presence Known,” Anglim Gilbert Gallery, San Francisco, CA, 2016. “Joan Brown Herself: Paintings and Construction, 1970-1980” George Adams Gallery at CB1-G, Los Angeles, CA 2016. “Joan Brown: Major Paintings from the 1950’s, 1960’s, and 1970’s” George Adams Gallery, New York, NY 2015. “Joan Brown: The Early 1970’s” George Adams Gallery at Art Dealers Association of America: The Art Show, New York, NY, 2015. “Joan Brown” Gallery Paule Anglim, San Francisco, CA, 2014. “Joan Brown: Paintings and Works on Paper,” Texas Gallery, Houston 2013. “Joan Brown: This Kind of Bird Flies Backwards,” San Jose Museum of Art, CA, 2011. “Joan Brown: Selected Drawings, 1957-1987," George Adams Gallery, New York, NY, 2011. -
AGENDA PENINSULA CORRIDOR JOINT POWERS BOARD Bacciocco Auditorium, 2Nd Floor 1250 San Carlos Avenue, San Carlos CA 94070 January 9, 2020 – Thursday 9:00 Am
BOARD OF DIRECTORS 2020 DAVE PINE, VICE CHAIR CHERYL BRINKMAN JEANNIE BRUINS CINDY CHAVEZ RON COLLINS DEVORA “DEV” DAVIS CHARLES STONE SHAMANN WALTON MONIQUE ZMUDA JIM HARTNETT EXECUTIVE DIRECTOR AGENDA PENINSULA CORRIDOR JOINT POWERS BOARD Bacciocco Auditorium, 2nd Floor 1250 San Carlos Avenue, San Carlos CA 94070 January 9, 2020 – Thursday 9:00 am 1. Call to Order / Pledge of Allegiance 2. Swearing-in of Monique Zmuda Representing the City and County of San Francisco 3. Roll Call 4. Report of the Nominating Committee a. Election of Officers for 2020 5. Public Comment For Items Not on the Agenda Comments by each individual speaker shall be limited to two (2) minutes. Items raised that require a response will be deferred for staff reply. 6. Consent Calendar Members of the Board may request that an item under the Consent Calendar be considered separately a. Approve Special Meeting/Study Session Minutes of November 21, MOTION 2019 and Meeting Minutes of December 5, 2019 b. Receive Key Caltrain Performance Statistics MOTION c. Receive State and Federal Legislative Update MOTION d. Accept Statement of Revenues and Expenditures for November MOTION 2019 Approved by the Finance Committee e. Approve 2020 Committee Meeting Calendar MOTION f. Authorization to Receive State Rail Assistance Program Funds RESOLUTION Note: All items appearing on the agenda are subject to action by the Board. Staff recommendations are subject to change by the Board. Page 1 of 3 Peninsula Corridor Joint Powers Board January 9, 2020 Agenda Approved by the Work Program-Legislative-Planning Committee: g. Adoption of 2019 Title VI Program (a civil rights program required by RESOLUTION the Federal Transportation Authority) h.