Summary List of Unesco Prizes
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Biennals 10-13 CUBAN
Iniva: Stuart Hall Library: Select Bibliography 2008 States of Exchange: Artists from Cuba/ Estados de Intercambio: Artistas de Cuba Jeanette Chávez Autocensura / Self-Censorship , 2006 Video, 2:52 min Image courtesy of the artist CONTENTS CUBAN ARTISTS 2-7 CUBAN ART 7-9 CUBAN ART: Biennals 10-13 CUBAN ART: Biennals: Journal articles 13 CUBA ART: Context 14-15 Iniva: Stuart Hall Library: Select Bibliography 2008 States of Exchange: Artists from Cuba/ Estados de Intercambio: Artistas de Cuba ITEM LIBRARY SHELF NUMBER CUBAN ARTISTS Alfonzo, Carlos AS ALF Viso, Olga M. (ed.) Triumph of the Spirit, Carlos Alfonzo: a survey 1975-1991 . Miami: Miami Art Museum 1998. Bedia, Jose AS BED Jose Bedia: Fabula . Bogota: Galeria Fernando Quintana, 1993. Brugera, Tania AS BRU Tania Bruguera: esercizio di resistenza = exercise in resistance . Turin: Franco Soffiantino Arte Contemporanea, 2004. Campos-Pons, Maria Magdalena AS CAM Maria Magdalena Campos-Pons: meanwhile, the girls were playing . Cambridge Mass.: MIT List Visual Arts Centre, 2000. Capote, Ivan AS CAP Ivan Capote . Herausgabe: Havana Edition, 2007. Ivan Capote: Aforismos . AS CAP Cuba: Galeria Habana, 2007. Capote, Yoan AS CAP Yoan Ca pote. Herausgabe: Havana Edition, 2007. Carmona, Williams AS CAR Todos miran, pocos ven /they all look, but few only see . [Paris]: Corinne Timsit International Galleries, [n.d.] Castro, Humberto AS CAS Humberto Castro: le radeau d'Ulysse Paris: Le monde de l'art, [n.d.] [Text in French] Ceballos, Sandra AS CEB Ceballos, Sandra and Suárez, Ezequiel (curs.) Dónde está Loló: Pinturas: Sandra Ceballos . La Habana: Centro Wifredo Lam, 1995. Text in Spanish] 2 Iniva: Stuart Hall Library: Select Bibliography 2008 States of Exchange: Artists from Cuba/ Estados de Intercambio: Artistas de Cuba ITEM LIBRARY SHELF NUMBER Cuenca, Arturo AS CUE Arturo Cuenca: Modernbundo . -
ASEA-UNINET 14Th Plenary Meeting in Innsbruck
ASEA-UNINET 14th Plenary Meeting in Innsbruck Austrian Activities 2013-2014 General Data and Facts 2013/2014 Exchange of numerous researchers and students for outgoing and incoming projects Important visits of delegations of several governmental bodies and partner universities More than 200 ASEA-UNINET projects of the Austrian member-universities were financially supported in 2011 and 2012 Continuation of the Thai-Austrian Program for Laos and Cambodia (Graduate scholarships at Thai universities with co-funding from Austria) General Activities ASEA-UNINET 2013/2014 Organisation of the ICT-EURASIA Request of additional Indonesian universities Conference at UDAYANA University with for ASEA-UNINET membership (Airlangga participation of ICT-experts from ASEAN, and Sumatra Utara). Preparation of EU (together with IFIP/UNESCO) memberships of universities in Myanmar Preparation for the establishment of an ASEA-UNINET Workshop on Building Austrian – ITB Software Engineering Center. Institutional Collaborations for Philippine Participating Austrian Universities: Vienna HEIs (Organized by Prof. Gisela Concepcion) University of Technology (Prof. Biffl) and in Manila . University of Linz (Prof. Küng). National Coordinator Meeting in Ioannina Official visit of deputy minister Agus Sartono (29th April – 3rd May 2012) to Vienna (ASEA-UNINET alumnus) Database which includes persons (>1200 Further active membership of ASEA- entries of alumni, scholarship holders, UNINET within the ASEM Education Hub scientists involved in projects) and projects -
SOUTHERN LIGHTS Depiction of a Tibetan Globe-Lamp
\ I I SOUTHERN LIGHTS Depiction of a Tibetan globe-lamp. The four swivelling concentric rings serve to hold the lamp in place, always keeping it upright. The lamp was popularized in the 16th century by Girolamo Cardano, whose name was given to its method of suspension. Its first appearance in Europe can be traced to the 9th century; however, it was in China over 1 000 years earlier, in the 2nd century BC, that the lamp was invented. SOUTHERN LIGHTS Celebrating the Scientific Achievements of the Developing World DAVID SPURGEON INTERNATIONAL DEVELOPMENT RESEARCH CENTRE Ottawa • Cairo • Dakar • Johannesburg • Montevideo • Nairobi New Delhi • Singapore Published by the International Development Research Centre P0 Box 8500, Ottawa, ON, Canada K1G 3H9 © International Development Research Centre 1995 Spurgeon, D. Southern lights celebrating the scientific achievements of the developing world. Ottawa, ON, IDRC, 1995. ix + 137 p. !Scientific discoveries!, !scientific progress!, /technological change!, !research and development!, /developing countries! — !North South relations!, !traditional technology!, !international cooperation!, /comparative analysis!, /case studies!, references. UDC: 608.1 ISBN: 0-88936-736-1 A microfiche edition is available. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior permission of the International Development Research Centre. IDRC BOOKS endeavours to produce -
A Citation Yuan Longping
Conferment of the Degree of Doctor of Science, honoris causa A Citation Yuan Longping Rice fields that are luxuriantly verdant in early spring and glittering gold in late autumn form an ideal picture that has recurred in the Chinese mind since ancient times, as it augurs well for the healtþ growth of crops and a rich harvest of grain. Today, the dream of bygone millenniums has come true, and the one who has realized this green dream by creating the magical rice of the East is Professor Yuan Longping, the "Father of Hybrid Rice". Professor Yuan Longping's family came from Dean in Jiangxi Province, and he himself was born in the Peking Union Medical College Hospital in 1930, the second of five boys. His father worked for the Beijing-Wuhan Railway and his mother attended a church-run secondary school. It was a warm and enlightened famlly, and his mother was the young Longping's first teacher of English. She also made sure that traditional values such as "to study more, to make progress and to do good to others" were effectively implanted in his young mind. Thus Professor Yuan has cultivated a studious disposition and a deep concern for the public good since an early age. It was during an outing to the countryside, while at primary school in Wuhan, that he became impressed by what he saw in a horticultural farm. The trees, flowers and fruit fascinated his young mind and kindled his interest in gardening and agriculture. He made a promise to himsell there and then, that he would make agriculture his lifelong pursuit, and to this day he has not deviated from that course. -
2013 Collection Number
Descriptive Summary for the M.S. Swaminathan Collection Title M.S. Swaminathan Collection Date 1954 - 2013 Collection Number MS001 Creator M.S. Swaminathan (born 7 August 1925) Extent 100 Cubic Ft. Repository Archives at M.S. Swaminathan Research Foundation, Chennai. Abstract M.S. Swaminathan is an agricultural scientist and plant geneticist, popularly known for his work on the ‘Green Revolution in India’. A collection of his research notes, annotated drafts, correspondences and photographs makes up the M.S. Swaminathan Collection at the Archives at M.S Swaminathan Research Foundation (MSSRF). Physical Location M.S. Swaminathan Research Foundation, Chennai. Language Represented in the Collection English, Hindi, Tamil and Japanese. Access The collection is open to researchers. Publication Rights Copyright is assigned to the M.S. Swaminathan Research Foundation. Permission for reproduction or distribution must be obtained in writing from the Archives at MSSRF. The user must obtain all necessary rights and clearances before use of material and material may only be reproduced for academic and non-commercial use. Preferred Citation Object ID, M.S. Swaminathan Collection, Archives at M.S. Swaminathan Research Foundation. Acquisition Information The material was initially located at three spaces within the Foundation: Dr. Parasuraman’s cabin (Principal Scientist associated with Coastal Systems Research at the foundation and formerly, the personal secretary of M.S. Swaminathan until 2013), the Bhoothalingam library, and office of the Chairperson at the Foundation. As of Nov. 02 2020, the bulk of the material is now in the cabin next to the office of the Executive Director. Biography Monkombu Sambasivan Swaminathan is a plant geneticist, agricultural scientist and scientific administrator. -
KCHO Cv Cast
KCHO Nueva Gerona, Isla de la Juventud, Cuba, 1970 Vive y trabaja en La Habana, Cuba PREMIOS 2007 Honor Prize, Instituto Superior de Arte, La Habana, Cuba 2001 Premio al Envío Cubano, IV Bienal del Caribe, Museo de Arte Moderno, Santo Domingo, República Dominicana 1999 Residence, Atelier Calder, Saché, Francia 1995 UNESCO Prize for Arts Promotion, UNESCO, París, Francia Grand Prize, Kwang Ju Biennial, Kwang Ju, Corea 1994 Ludwig Foundation scholarship , Ludwig Forum, Aachen, Alemania 1991 Salón Nacional de Profesores de Esculas se Arte, Centro Provincial de Artes Plásticas de Artes y Diseño, Havana, Cuba 1990 Asociación de Hermanos Saíz Prize, Municipal Salón de Artes Plásticas, Galería de Arte Nueva Gerona, Isla de la Juventud, Cuba EXPOSICIONES INDIVIDUALES (SELECCIÓN) 2014 Strange Day at the Beach , Centro de las Artes de San Agustín, Oaxaca, México The Thinker, The Ship , Kcho Study Romerillo, Laboratory for Art, La Habana, Cuba Via Crucis , Palazzo della Cancelleria, Ciudad del Vaticano, Roma, Italia 2013 Final Monument , Tega Gallery, Milán, Italia 2012 Gran Teatro de la Habana, La Habana, Cuba Between Melancholy and the Construction of the New Man, Malacón, La Habana, Cuba 2011 Anclado por un sueño (Anchored by a dream), Moncada Barracks, Santiago de Cuba, Cuba 2008 Kcho: Cadena de reunificación familiar, Marlborough Chelsea, Nueva York, USA 2007 El cuaderno del hombre de los pies de barro , Galería Juan Ruiz, Maracaibo, Venezuela El viaje , Museo de Arte Contemporáneo de Panamá, Ciudad de Panamá, Panamá Retrasando lo inevitable -
Death and the Invisible Hand: Contemporary Mexican Art, 1988-Present,” in Progress
DEATH AND THE INVISIBLE HAND: CONTEMPORARY MEXICAN ART, 1988-PRESENT by Mónica Rocío Salazar APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Charles Hatfield, Co-Chair ___________________________________________ Charissa N. Terranova, Co-Chair ___________________________________________ Mark Rosen ___________________________________________ Shilyh Warren ___________________________________________ Roberto Tejada Copyright 2016 Mónica Salazar All Rights Reserved A mi papá. DEATH AND THE INVISIBLE HAND: CONTEMPORARY MEXICAN ART, 1988-PRESENT by MÓNICA ROCÍO SALAZAR, BS, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES – AESTHETIC STUDIES THE UNIVERSITY OF TEXAS AT DALLAS December 2016 ACKNOWLEDGMENTS Research and writing of this dissertation was undertaken with the support of the Edith O’Donnell Institute of Art History. I thank Mrs. O’Donnell for her generosity and Dr. Richard Brettell for his kind support. I am especially grateful to Dr. Charles Hatfield and Dr. Charissa Terranova, co- chairs of this dissertation, for their guidance and encouragement. I thank Dr. Mark Rosen, Dr. Shilyh Warren, and Dr. Roberto Tejada for their time and commitment to this project. I also want to thank Dr. Adam Herring for his helpful advice. I am grateful for the advice and stimulating conversations with other UT Dallas professors—Dr. Luis Martín, Dr. Dianne Goode, Dr. Fernando Rodríguez Miaja—as well as enriching discussions with fellow PhD students—Lori Gerard, Debbie Dewitte, Elpida Vouitis, and Mindy MacVay—that benefited this project. I also thank Dr. Shilyh Warren and Dr. Beatriz Balanta for creating the Affective Theory Cluster, which introduced me to affect theory and helped me shape my argument in chapter 4. -
Natural Sciences). INSTITUTION United Nations Educational, Scientific, and Cultural Organization, Paris (France
DOCUMENT RESUME ED 085 211 SE 016 014 TITLE Report of Programme Commission II (Natural Sciences). INSTITUTION United Nations Educational, Scientific, and Cultural Organization, Paris (France). General Conference. PUB DATE 14 Nov 72 NOTE 58p. EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Conference Reports; Higher Education; *International Programs; Natural Sciences; *Policy Formation; Program Administration; *Program Budgeting; Program Planning; Science Programs; *Scientific Research IDENTIFIERS UNESCO ABSTRACT As the first part of the report of the Programme Commission II, a summary of discussions on plans for natural sciences and their applications is presented in this document. The two agenda items are:(1) detailed consideration of the 1973-74 draft program and budget and of the 1973-78 draft medium-term outline, and (2) desirability of adopting an international instrument on the status of scientific research workers. Besides the administrative aspects, the topics concentrate on science policy, promotion of scientific and technological research and higher education, environmental sciences, natural resources, and activities of the field science offices. The areas covered in environmental sciences include ecology, earth sciences, hydrology, and oceanography; and scientific and technological information is the main concern in discussions on scientific cooperation. The report of the working party on priorities for consideration by the commission is also discussed in detail with a copy included as an appendix. (CC) eng [Mm 17 C/96 General Conference -
A World of Quarterly Newsletter
United Nations Educational, Scientific and Cultural Organization The floating university p. 13 Natural Sciences A World of Quarterly Newsletter Vol. 2, No. 1 January–March 2004 IN THIS ISSUE EDITORIAL IN FOCUS The quiet revolution 2 Measuring progress towards knowledge societies cience is not a global endeavour, alas. Just as the world has its info-rich and info-poor, S so too it has its research-rich and research-poor. The digital divide is but a symptom NEWS of the scientific divide. But after the economy and communication, could science, in turn, be globalizing? Caroline 7 Keeping tabs on human Wagner thinks so. A Research Fellow at RAND, a non-profit think tank, she is convinced genetic data that ‘science is becoming a world system’. Wagner notes a 50% increase (to 15% of the total) in the number of articles being internationally co-authored in the ten years to 1997 8 Africa vows to step up – still the early days of Internet – and calculates that the global network of scientific investment in R&D collaboration consisted of 128 core countries in 2000. 9 Rebuilding Iraq’s universities One of the motors of broader international collaboration has been the development of ties between the diaspora and scientists at home, a process facilitated by the Web. Ana María Cetto 9 Mondialogo challenges wrote in UNESCO’s World Science Report 1998 that an estimated 40–60% of all Argentinian, students to engineer Chilean, Colombian and Peruvian researchers were working in industrialized countries ‘where their work is recognized and valued’. In Africa, Bience Gawanas has just deplored, at the First a better world NEPAD Ministerial Conference on Science and Technology (S&T), the haemorrhage of 10 Islam and Science author highly trained experts lost to the continent on account of poor working conditions. -
PERSONS • of the YEAR • Muslimthe 500 the WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 •
PERSONS • OF THE YEAR • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • C The Muslim 500: 2018 Chief Editor: Prof S Abdallah Schleifer The World’s 500 Most Influential Muslims, 2018 Deputy Chief Editor: Ms Farah El-Sharif ISBN: 978-9957-635-14-5 Contributing Editor: Dr Tarek Elgawhary Editor-at-Large: Mr Aftab Ahmed Jordan National Library Deposit No: 2017/10/5597 Editorial Board: Dr Minwer Al-Meheid, Mr Moustafa Elqabbany, and Ms Zeinab Asfour © 2017 The Royal Islamic Strategic Studies Centre 20 Sa’ed Bino Road, Dabuq Researchers: Lamya Al-Khraisha, Moustafa Elqabbany, PO BOX 950361 Zeinab Asfour, and M AbdulJaleal Nasreddin Amman 11195, JORDAN http://www.rissc.jo Consultant: Simon Hart All rights reserved. No part of this book may be reproduced Typeset by: M AbdulJaleal Nasreddin or utilized in any form or by any means, electronic or me- chanic, including photocopying or recording or by any in- formation storage and retrieval system, without the prior written permission of the publisher. Views expressed in The Muslim 500 do not necessarily re- flect those of RISSC or its advisory board. Set in Garamond Premiere Pro Printed in The Hashemite Kingdom of Jordan Calligraphy used throughout the book provided courtesy of www.FreeIslamicCalligraphy.com Title page Bismilla by Mothana Al-Obaydi • Contents • page 1 Introduction 5 Persons of the Year—2018 7 Influence and The Muslim 500 9 The House of Islam 21 The Top 50 89 Honourable Mentions 97 The 450 Lists 99 Scholarly -
Abusing UNESCO: President Teodoro Obiang of Equatorial Guinea
BRIEFING PAPER Abusing UNESCO: President Teodoro Obiang of Equatorial Guinea FEBRUARY 2012 THIS BRIEFING PAPER EXAMINES the on-going effort by President Teodoro Obiang of Equatorial Guinea to abuse the reputation and standing of the United Nations Educational, Scientific and Cultural Organization (UNESCO) by Using the establishment of a UNESCO science prize to launder the image of his regime, which is accused of extensive human rights abuses, and which has several senior officials who are subjects of at least three separate anti-corruption investigations in the US and Europe; and Appointing his son as Equatorial Guinea’s Deputy Permanent Delegate to UNESCO, which could endow him with diplomatic immunity in the face of criminal money laundering investigations in France. The UNESCO-Obiang Prize The UNESCO-Obiang Nguema Mbasogo International Prize for Research in the Life Sciences was approved in October 2008 when the Executive Board of the United Nations Educational, Scientific and Cultural Organization (UNESCO) accepted the offer of $3 million from President Teodoro Obiang Nguema Mbasogo of Equatorial Guinea to endow an award in his name.i The prize was scheduled to be awarded in June 2010, but was suspended indefinitely by the UNESCO Executive Board in October 2010 due to a lack of consensus among members as to whether to proceed with the prize in light of significant allegations of human rights abuses and corruption relayed by civil society and government leaders. Following a failed attempt to reinstate the prize in May 2011, President -
Art History: International Art Exhibitions
FRICK FINE ARTS LIBRARY ART HISTORY: INTERNATIONAL ART EXHIBITIONS Library Guide Series, No. 42 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* What Is an International Art Exhibition? International art exhibitions have a long history that has its roots in the 19th century. Salon exhibitions took place in Paris from 1667 onwards under the auspices of the French Royal Academy of Painting and Sculpture and were held on a biennial basis from 1855 onwards. That same year the Salons were held in the Palais de ‘l’Industrie constructed for the World’s Fair that year. A number of rival salons were established and in 1881 the government withdrew official support from the main Salon and handed over its direction to artists. Afterward, the Salon began to lose its prestige and influence in the face of competition from various independent exhibitions such as the Salon des Independents (1884), the Societe Nationale des Beaux-Arts (1890) and the Salon d’Automne (1903). The end of the 19th century was a time marked by an internationalist spirit that celebrated technological advancement and the accumulation of wealth through global colonial structures. The institution of world’s fairs was one feature of that spirit, the first one being held in London during 1851. Many of the fairs that followed throughout the 19th and 20th centuries included art buildings to display works by the current artists of the day. At times it is difficult to distinguish biennial and triennial art exhibitions from international art festivals, art fairs or trade shows. The first art fair one in the twentieth century was the 1913 Armory Show in New York which was open to progressive painters usually neglected.