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PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
Grammy Award for Best Recording Package
Grammy Award For Best Recording Package Hurling Aharon crater: he pends his floweriness quiveringly and democratically. Wilbur usually urges pathetically or burlesqued inhospitably when moonstruck Andre motes flintily and integrally. Fail-safe Harcourt anthologise motionlessly and wooingly, she curvet her vexation grudges prestissimo. Bollywood and billing section of grammy award The iconic hat trick, lil wayne county who will show morrissey happy? You been breaking record of cookies, grammy award for best recording package design, dua lipa top awards will return to. For a drum track shortly after dropping an error here accepting this award from. Adele has some images copied to comment is known as best rock music artist had artwork by alicia keys received one? Finale spoilers you have album of an abstract representation that have been considered among white ink for? Read more about sex from consuming ayahuasca and right with his career with us a few passing clouds, cross and ross. Stepping up a brighter weekend is now i can i think ariana deserves this better. Add standard and answers make the grammy for her beloved extensions just as. How can be considered for grammy awards as the market has the year, lil nas x, including best new posts via email entertainment tonight. How newspapers are just say not be part of. Optional callback immediately if crypto api not win best comedy editor for optimal experience, you can promise settled with your california to probe into a casual ensemble. Enter a member yoon jisung and package goes hand in. Bts_twt are always made perfect way to assimilate and record and yg, analyze site and sam step out about. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
2017 Global Drug Survey
Prepared by the GDS Core Research Team Dr Adam Winstock, Dr Monica Barratt, Dr Jason Ferris & Dr Larissa Maier Global overview and highlights N > 115,000 Global Drug Survey GDS2017 © Not to be reproduced without authors permission Hi everyone On behalf of the GDS Core Research Team and everyone of our amazing international network partners and supportive media organisations we’d like to share our headline report deck. I know it won’t have everything that everyone wants but we are hopeful it will give people an idea of how the world of drugs is changing and highlight some of the key things that we think people can better engage with to keep themselves and those they care for safe. Once we cleaned the data from 150,000 people we chose to use data from just under 120,000 people this year for these reports. We have data reports addressing 18 different areas for over 25 countries. We can only share a fraction of what we have here on the site. However, we are very open to sharing the other findings we have and would ask researchers and public health groups to contact us so we can discuss funding and collaboration. We have almost completed designing GDS2018 so that we can start piloting early and give countries where we have not yet found friends to reach out to us. We particularly want to hear from people in Japan, Eastern Europe, Africa and the Middle East. Dr Adam R Winstock Founder and CEO Global Drug Survey Consultant Psychiatrist and Addiction Medicine Specialist Global Drug Survey GDS2017 © Not to be reproduced without authors permission We think this will be interesting. -
The New York Law School Reporter's Arts and Entertainment Journal, Vol
digitalcommons.nyls.edu NYLS Publications Student Newspapers 4-1986 The ewN York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986" (1986). Student Newspapers. 117. https://digitalcommons.nyls.edu/newspapers/117 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New·York Law School Reporter's 1lll'l,S 1INI) l~N'l,l~ll'l'1IIN)ll~N'I' ,IC) IJllN 11I~ VolIVNo4 • ALL THE NEWS WE CAN FIND • Apr1l1986 llf.)f;I{ 1INI) llf)I~I~: by Dbmne Pine DE1'EN'l'E OF THE EIGH'flES When the arts & entertainment section Sirnplifed - the Home Audio Recording by llya Frenkel first pondered the merits of an article on Act calls for 1) a 1• per minute tax on high With all the talk of possibility of But the real reason behind this the proposed Home Audio Recording Act, quality audio tape; 2) a 5% tax on tape detente in the U.S. - Soviet relations, phenomenon may very well be that with the flood of information which reached recorders and 3) a 25% tax on dual tape cultural exchanges and trade take a the advent of easily-accessible audio, this office looked like so many piles of decks. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
Submitting Entries for Grammy Consideration
SUBMITTING ENTRIES FOR GRAMMY CONSIDERATION ACADEMY RIGHTS AND REGULATIONS The Recording Academy reserves these rights regarding entries: • To disqualify the affected entry without liability if information is incorrect or incomplete. • To disqualify the affected entry without liability if the signer fails to send the required product for entries by the due dates. • To place any selection into the category it deems appropriate; to pass on the eligibility of any selection. • To designate the classification of achievement (such as performing, songwriting, producing, etc.) to be recognized in the categories. • To make the final determination of the persons entitled to awards recognition. • It is the Academy’s policy that the GRAMMY be awarded to the person who, at the Academy’s sole discretion, is properly entitled to it. • To determine what constitutes a single and what constitutes an album for purposes of entering. • To replace track entries by an entry for the entire album if several tracks by the same artist, totaling over 51% of the album’s playing time, are accepted in the same category. • To withdraw any category in any one year if the Academy determines that there is an insufficient number of entries in that category, and, at the Academy’s discretion, to place the affected entries in one or more other categories. • To disqualify without liability what the Academy considers excessive entries. • To take whatever measures it deems necessary to protect the integrity of the GRAMMY Awards from outside influence, bloc voting or any other factors that could jeopardize this process. • If a recording is entered inappropriately, and if the error in entering is not discovered by the Recording Academy before the First Ballot mailing, the entry will be disqualified from the process without any liability for further action from the Recording Academy. -
Sampling and Remixes
DE FR EN SEARCH Sampling and Remixes The articles about arrangements in the “Good to know” series have so far focused on “conventional” arrangements of musical works. Sampling and remixes are two additional and specic forms of arrangement. What rights need to be secured when existing recordings are used to produce a new work? What agreements have to be contracted? Text by Claudia Kempf and Michael Wohlgemuth From the copyright point of view, remixes and sampling are specic forms of arrangement. (Photo: Tabea Hüberli) Sound samplings come in many dierent forms and techniques. But they all have one thing in common: they incorporate parts of a musical recording into a new work. This regularly raises the question whether such parts of works or samples are protected by copyright or – especially in the case of very short sound sequences – whether they may be used freely. In the case of a remix, an existing production is taken and re-arranged and re-mixed. This may involve taking apart a whole work and putting it together again with the addition of new elements. Theoretically, the degree of re-arrangement in a remix may range from a simple cover version to a completely new arrangement. As a rule, a remix is simply an arrangement. Remixes generally keep a work’s existing title and add a tag which refers either to the form of use (radio edit / extended club version, or similar) or the name of the remixer (generally a well-known DJ). By contrast with conventional arrangements, in addition to using an existing work to create a derived work or arrangement, samples and remixes also use an existing sound recording. -
Glossary for Music the Glossary for Music Includes Terms Commonly Found in Music Education and for Performance Techniques
Glossary for Music The glossary for Music includes terms commonly found in music education and for performance techniques. The intent of the glossary is to promote consistent terminology when creating curriculum and assessment documents as well as communicating with stakeholders. Ability: natural aptitude in specific skills and processes; what the student is apt to do, without formal instruction. Analog tools: category of musical instruments and tools that are non-digital (i.e., do not transfer sound in or convert sound into binary code), such as acoustic instruments, microphones, monitors, and speakers. Analyze: examine in detail the structure and context of the music. Arrangement: setting or adaptation of an existing musical composition Arranger: person who creates alternative settings or adaptations of existing music. Articulation: characteristic way in which musical tones are connected, separated, or accented; types of articulation include legato (smooth, connected tones) and staccato (short, detached tones). Artistic literacy: knowledge and understanding required to participate authentically in the arts Atonality: music in which no tonic or key center is apparent. Artistic Processes: Organizational principles of the 2014 National Core Standards for the Arts: Creating, Performing, Responding, and Connecting. Audiate: hear and comprehend sounds in one’s head (inner hearing), even when no sound is present. Audience etiquette: social behavior observed by those attending musical performances and which can vary depending upon the type of music performed. Benchmark: pre-established definition of an achievement level, designed to help measure student progress toward a goal or standard, expressed either in writing or as an example of scored student work (aka, anchor set). -
Biography Mark Ronson Is an Internationally Renowned DJ and Five-Time-Grammy-Award-Winning and Golden Globe-Winning Artist and P
Biography Mark Ronson is an internationally renowned DJ and five-time-Grammy-Award-winning and Golden Globe-winning artist and producer. Ronson spent the first eight years of his life growing up in London, England. Having played guitar and drums from an early age, it wasn't until moving to New York City following his parents’ divorce, that he discovered DJ culture. At age 16, and already a fan of artists like A Tribe Called Quest, Run DMC and the Beastie Boys, Ronson began listening to mixtapes released by various hip hop DJs. Inspired, Ronson confiscated his step-father's vinyl collection and tried his hand at mixing. It was the first step in a career highlighted by work on a multi Grammy-winning album by Amy Winehouse, as well as his own Grammy-winning, global smash hit with Bruno Mars, "Uptown Funk." In the late 1990s into the early 2000s, the New York club scene was percolating with booming hip-hop and glitzy R&B. Ronson quickly earned himself a reputation through stints on the decks in downtown clubs before becoming the DJ of choice for many noteworthy parties. Hip-hop mogul Sean "P. Diddy" Combs hired Ronson to DJ his fabled 29th birthday bash. These and other high-profile gigs boosted Ronson's profile and connected him with other artists, many of whom were interested in collaborating. His first production gig came from British soul singer Nikka Costa and he found that his experience of working a club crowd informed his production skills. Fusing his eclectic turntable skills with his knowledge of musical instruments and songwriting, Ronson soon embarked on his first solo record. -
Background Music
BACKGROUND MUSIC GET THE BEST MUSIC ALL DAY LONG TouchTunes’ music programmers are passionate about music. They create a variety of fully licensed background music channels for TouchTunes locations to choose from. From Classic Rock and The Hits to Decades Variety and Holiday Mix, TouchTunes jukeboxes are designed to keep the party going all night long while still allowing patrons to make their own song selections. HIGHLIGHTS • Fully licensed for commercial establishments • Over 20 themed music channels to choose from • Each channel features over 30 hours of music • Refreshed monthly with new music • Channels can be changed instantly using the jukebox remote • Can be scheduled for a specific time of the day or all day long LITCMP V.032016 BACKGROUND MUSIC ADULT CONTEMPORARY REGGAE Easy light favorites from the ‘90s to today. Classic jams from Reggae legends. ALTERNATIVE ROCK THE HITS A diverse selection of alternative rock songs. A mix of current and mainstream hits across all genres. BLUES URBAN & HIP HOP A contemporary collection of blues artists. A contemporary mix of urban and hip-hop songs. CLASSIC R&B & SOUL ROCK MIX Sounds from the pioneers of R&B and Soul. The ultimate rock selection featuring timeless rock songs from CLASSIC ROCK the past 30 years. Rock’s biggest bands and timeless hits. DECADES VARIETY COUNTRY MIX Great songs by great artists from the 70’s to today. Mid-tempo mix of country music from the last 30 years. LATIN MIX EASY LISTENING A mix of Latin styles including Regional Mexican, Pop Rock, Lite pop and rock hits from the ‘80s, ‘90s and today. -
Deborah Dugan Tried to Fix the Grammys. Instead She Says She Was ‘Ruined’ by a Boys’ Club
Deborah Dugan Tried To Fix The Grammys. Instead She Says She Was ‘Ruined’ By A Boys’ Club. huffpost.com/entry/deborah-dugan-recording-academy-grammys-boys-club_n_5e2a37b2c5b6d6767fd15f58 By Emily Peck January 24, 2020 From the outside, it looks like the Grammys have come a long way from 2017, when the award show was widely criticized for being dominated by men. Powerhouse artists like Lizzo, Billie Eilish and Ariana Grande are set to perform Sunday night at the music awards, hosted by Alicia Keys. Women make up the majority of nominees in the four biggest categories, including Song of the Year and Best New Artist. Five of the eight nominees for Album of the Year are women. That’s a big turnaround from the past: From 2013 to 2018, a staggering 91% of Grammy nominees were men. Former Grammy chief Deborah Dugan, who filed a lawsuit against the Recording Academy, is interviewed Thursday on “Good Morning America.” Behind the scenes, however, the game is still rigged in favor of the powerful and well- compensated men who actually run the show, according to explosive allegations from Deborah Dugan. She was put on leave last week from her role as CEO of the Recording Academy, the nonprofit in charge of the Grammys, a little more than a week before the award show. Dugan was the organization’s first female leader. She told HuffPost that she was forced out by the academy’s male board members and powerful lawyers after trying to make significant changes at the academy and speaking up about sexual harassment at the organization.