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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
United States Patent (10) Patent No.: US 9,508,327 B2 Jackson (45) Date of Patent: Nov
USOO9508327B2 (12) United States Patent (10) Patent No.: US 9,508,327 B2 JacksOn (45) Date of Patent: Nov. 29, 2016 (54) PITCH ADJUSTMENT DEVICE FOR 2,998,742 A 9, 1961 Pratt STRINGED MUSICAL INSTRUMENTS 3.248,991 A * 5/1966 Cole ........................ G1OD 3/12 84/313 3,390,600 A 7/1968 Kelly, Jr. (71) Applicant: David H. Jackson, Dahlonega, GA 3,479,917. A 1 1/1969 Zitnik, Jr. et al. (US) 3,688,631 A 9, 1972 Jackson 4,080,864 A 3, 1978 Jackson (72) Inventor: David H. Jackson, Dahlonega, GA 4,080,865 A * 3/1978 Gfell ...................... G10D3/143 (US) 84,297 R 4,170,161 A * 10/1979 Kaftan ................... G10D3/143 (*) Notice: Subject to any disclaimer, the term of this 4.457,201 A 7/1984 Storey 84,297 R patent is extended or adjusted under 35 4,535,670 A 8, 1985 Borisoff U.S.C. 154(b) by 0 days. 4,742,750 A 5/1988 Storey 5,140,884 A 8, 1992 Bowden 5,323,680 A 6/1994 Miller et al. (21) Appl. No.: 15/082,972 5.438,902 A 8, 1995 Baker 5,542,330 A 8, 1996 Borisoff (22) Filed: Mar. 28, 2016 5,567,897 A 10/1996 McEwen (65) Prior Publication Data (Continued) Related U.S. Application Data http://duesenberg.de/en/guitars specials/pomona-6-lapsteel.html. (63) Continuation-in-part of application No. 14/640,693, (Continued) filed on Mar. 6, 2015, now Pat. No. 9,299,323. Primary Examiner — Robert W Horn (51) Int. -
Protecting an Artist's Legacy Through Estate Planning
PROTECTING AN ARTIST’S LEGACY THROUGH ESTATE PLANNING, PROBATE AND POST-DEATH ADMINISTRATION OF AN ARTIST’S RIGHTS Presented by: KENNETH W. PAJAK, Austin The Bannerot Law Firm, P.C. TAMERA H. BENNETT, ESQ. 132 W. Main Street Lewisville, Texas 75057 Written by: TAMERA H. BENNETT, ESQ. 132 W. Main Street Lewisville, Texas 75057 State Bar of Texas 20TH ANNUAL ENTERTAINMENT LAW INSTITUTE October 7-8, 2010 Austin CHAPTER 8.2 Protecting an Artist’s Legacy Through Estate Planning, Probate and Post-Death Administration of an Artist’s Rights Chapter 8.2 TABLE OF CONTENTS I. 2009-2010 ESTATE CASES OF INTEREST ........................................................................................................ 1 II. PLANNING THAT FAILS ..................................................................................................................................... 1 a. Estate of James Brown .................................................................................................................................... 1 b. Estate of Jack Kerouac .................................................................................................................................... 1 c. Estate of Darrell "Wayne" Perry ..................................................................................................................... 1 III. FAILURE TO PLAN .............................................................................................................................................. 2 a. Estate of Bobby Fischer ................................................................................................................................. -
STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items Through April 24
APRIL NEW RELEASE GUIDE STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items through April 24 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases April 2012 BONGO BEAT RECORDS! THE DIODES. ACTION/REACTION. 1980 PUNK HARD ROCK LP FINALLY AVAILABLE ON CD 6 BONUS TRACKS Cat: BB 1977-2 REMASTERED BY JOHN WILSON Label: Bongo Beat Records UPC: 777000197725 (MEAT BEAT MANIFESTO) Price: $8.15 EXTENSIVE LINER NOTES xhHHAAAy19772pz INCLUDES “CATWALKER” 7 7700-01977-2 5 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases April 2012 Welcome!! Welcome!! Caspar Babypants who has spawned his fifth album, HOT DOG! Kids music that parents will like also (what a concept!). This one has soon-to-be-mama Rachel Flotard from First we hope you’ve all recovered from SXSW - good to see so many of you there - we all Visqueen as a guest. experienced great music and some great food along the way; always a delight! Frank Black has a world beyond The Pixies; several of them actually. In addition to having Marvin the Mandolin Man - you know, that guy from Lone Justice, Marvin Etzioni - brand a happy homelife, he has managed to have outlets under the Black Francis moniker, with new double CD and LP on Nine Mile Records with guests Richard Thompson, LJ bandmate his band The Catholics and in a duo album with his wife Violet Clark under the name of Maria McKee, John Doe, Lucinda Williams, Steve Earle and more: great songs - a labor of .Grand Duchy We have cool vinyl this month from all three aggregations.. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest
January 9, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest with Special Guest Sarah Siskind; Sonny Landreth and Cindy Cashdollar; Paul Cebar Tomorrow Sound; and Maceo Parker All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mike Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 Showcasing extraordinary songwriting and playing skills which demonstrate a high level of both technical ability and musicality, International Guitar Night has become a major force in live contemporary guitar music. This year’s version of North America’s premier touring guitar festival features guitarists from South America, Italy, England, and the United States. American “guitar poet” Brian Gore’s playing contains a “bounce and spaciousness all his own” (Los Angeles Times). He created International Guitar Night in 1995 and has released multiple albums and books on fingerstyle guitar. Italian steel-string guitarist Pino Forastiere fuses the classical, contemporary, and rock genres as he “employs a dazzling blend of slapping, tapping, strumming, altered tunings, and harmonics, combined with classical phrasing and a focus on distinct and addictive melodies” (Guitar Player). English fingerstyle guitarist Mike Dawes has developed a multifaceted repertoire of sound in his short but successful career, fusing Celtic, rock, jazz, and experimental music to create a product all his own. He has gained praise from artists like Gotye, Frank Turner, and Justin Hayward. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
VS-1 Virtual Strobe Tuner Guitar & Bass Supplement
peterson V-SAM Virtual Strobe Audio Metronome™ Tuner Quick Start for Guitar/Bass/Steel Guitar Whether you are new to Strobe Tuning or have previously owned a Peterson tuner, thank you for making Peterson your choice of tuner this time. The Peterson company is the sole manufacturer of true strobe tuners and is dedicated to the design and production of tuners that meet the expectations of the world’s most discerning ears. 2 Peterson V-SAM Guitar, Bass and Steel Guitar Guide Contents Page The basics ------------------------------------------------------------------- 4 Using the V-SAM for guitar & Bass ----------------------------------------- 5 Intonation ------------------------------------------------------------------ 6 Transposed Guitar Tuning --------------------------------------------------- 6 A word about temperaments ---------------------------------------------- 7 Using GTR temperament For Guitar ---------------------------------------- 7 Using BAS temperament For Bass ------------------------------------------ 8 Using S-E9 & S-C6 temperament For Steel Guitar ------------------------ 8 Using JST temperament For Dobro & Slide Guitar ------------------------- 9 Programming your V-SAM -------------------------------------------------10 Universal E9/B6 tuning for Steel guitar ----------------------------------- 10 How to use your tuner with the Buzz Feiten Tuning System® --------- 11 How to use your tuner with the Earvana Compensated Nut™ ------------ 11 Using the Metronome ----------------------------------------------------- 12 Using -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Basil Henriques the Earlier Method Is So Much More Friendly to Use
The Bear Facts Aloha..... The Tablature "The Girl in the Yellow Holoku" A song supposedly written The Tuners are the old `Lollypop` style and much easier to grip by Webley Edwards (Nov. 11, 1902 – Oct. 5, 1977) that the later `Butterbean` ones. What was obvious was that Lyrics probably by Randy Oness and the tune is taken although slightly weatherbeaten, the guitar hadn’t been used from the traditional melody “Moani Ke Ala" composed by much, as you can see from the picture the machine head gears Queen Lili`uokalani. still have the factory paint seal on the screw, and exhibit no sign Sung by Pua Almeida, but the most famous version is by of wear on the worm gear. Barney and Jules on the Capitol Album “Hawaiian Shores” T-904 1958. They are both playing the C13th tuning and swap back Pictures of the Stringmaster Mk1 and forth in the various sections. Download the track I suppose it actually shows as being played for just a few years from here:- http://www.waikiki-islanders.com/yellow.mp3 then laid up. The Chromework and fretboards are as new, it’s just There is also a backing track to play along with @ :- the paintwork that exhibits a very 1950’s patina, with the odd chip http://www.waikiki-islanders.com/yellowb/t.mp3 more so than wear marks on the body. An Expensive mistake A couple of years ago (Just before my birthday) I bid on a Tri- cone by accident and won the auction.. It WAS a bargain. Well, this year I did the same silly thing, I bid on a guitar just to be ‘in there’ when the auction was over and see who won it.. -
A News Letter for and About Our Members March 2018
PO Box 14003 Mill Creek, WA 98082 Celebrating Founded Our 35th Year In 1983 Visit us on the web at: www.nwwsms.com Volume 35 Issue 3 A News Letter For and About Our Members March 2018 Preserving the music that is too country for Jazz and too jazz for Country MEMBERSHIP REMINDER: It’s time to renew your membership for 2018! Become a member, renew or donate on-line or by mail. Mail your check to the NWWSMS, PO Box 14003, Mill Creek, WA 98082. To use PayPal or your credit card go to our website (under Join/Renew/Donate) or click on this link: Happy Birthday, Bob! (There is a book being written on the history of Cain’s Ballroom, but for now here’s the way we heard it told .) Pictured left, “The King of Bob Wills was born into a family of fiddlers where he Western Swing,” Bob Wills. He learned to play the fiddle and mandolin. As a young man, was born on March 6 in 1905 Wills performed at house dances, medicine shows and on and is captured in this photo the radio. On New Year’s Night 1935, he made his debut at celebrating his 64th birthday at Cain’s and the venue soon became known as “The Home of The Cain's Ballroom, Tulsa, Bob Wills.” OK, on March 1, 1969. As The Home of Bob Wills and The Texas And they still celebrate the Playboys from 1935 to 1942, the ballroom was especially birthday of Bob Wills at Cain’s significant for popularizing a new sound of western music Ballroom. -
Review of Jim Bruce's Ragtime and Blues Guitar Picking Course
Review of Jim Bruce's Ragtime and Blues Guitar Picking Course Learn to Play Finger Style Acoustic Blues Guitar Something great has happened for anybody wanting to learn how to play acoustic blues guitar. It's called Jim Bruce Ragtime and Blues Guitar Picking Course - From Texas to the Delta. Now there's a mouthful! So what is it? Well, pretty much as the title says, it's a guitar course for learning how to play ragtime and blues finger style acoustic guitar. Before I go on, let me just say this isn't something for the absolute beginner guitarist. If you aren't yet comfortable or reasonably fluent in playing common chords, then you probably aren't ready for this just yet, unless you are hyper determined! About the Course The course is quite straightforward. It jumps straight in and shows you how to play a collection of 40 blues songs from blues guitarists such as Blind Blake, Robert Johnson and Big Bill Broonzy to name but a few. Each of the songs are shown on video (MP4 format), first at normal speed and then broken down into small sections, played slowly. The video also uses split screen for showing the left and right hands independently and displaying on screen Tabs and chord diagrams. All of the songs also come with a printable pdf file with the full guitar Tab. Although Jim offers a few tips in the videos, you are expected to know certain things like how to read guitar tab and are already familiar with the basic chords.