Saturday, April 9, 2016 27Th Annual Benefit Art Auction
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PDF SVA Handbook 2020–21
2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014. -
Eric Aho BORN 1966 EDUCATION 1984
Eric Aho BORN 1966 EDUCATION 1984 - 88 BFA, Massachusetts College of Art, Boston, MA 1986 - 87 Diploma, Advance Studies in Printmaking, Central School of Art and Design, London, United Kingdom 1988 - 89 Graduate study, Instituto Superior de Arte, Havana, Cuba; Massachusetts College of Art, Boston, MA 1991 - 92 Postgraduate certificate, Institute of Art and Design, Lahti, Finland SELECTED SOLO EXHIBITIONS 2020 Eric Aho: Source, DC Moore Gallery, NY 2018 Eric Aho: Guide, DC Moore Gallery, NY Eric Aho: A Thousand Acres, Highland Center for the Arts, Greensboro, VT 2017-18 Eric Aho: Meeting Place, Tayloe Piggott Gallery, Jackson, WY 2017 Eric Aho: Inflection Point, DC Moore Gallery, New York, NY Eric Aho: Ice Houses, Hiram Butler Gallery, Houston, TX 2016 Eric Aho: Toward a Bright Opening, Catamount Arts, St. Johnsbury, VT Eric Aho: An Unfinished Point in a Vast Surrounding, New Britain Museum of American Art, CT Eric Aho: Ice Cuts, Hood Museum of Art, Hanover, NH Eric Aho, St. Botolph Club, Boston, MA 2015 Eric Aho: Wilderness Studio, DC Moore Gallery, New York, NY 2013 Eric Aho: Translation, DC Moore Gallery, New York, NY Eric Aho: In the Landscape, Federal Reserve Board, Washington, DC 2012 Transcending Nature: Paintings by Eric Aho, Currier Museum of Art, Manchester, NH 2011 Eric Aho: Covert, DC Moore Gallery, New York, NY 2010 Occurrence, Tory Folliard Gallery, Milwaukee, WI Eric Aho: Memory and Invention, Hidell Brooks Gallery, Charlotte, NC 2009 Eric Aho: Red Winter, DC Moore Gallery, New York, NY Eric Aho: Ice Box, Brattleboro Museum -
GFT Abbreviated Vita 030121
ABBREVIATED VITA (3.1.21) George F. Thompson 217 Oak Ridge Circle Staunton, VA 24401–3511 (c) 540-746-5263 [email protected] www.gftbooks.com PUBLISHING EXPERIENCE Book Publishing George has been immersed in the book publishing world since 1984 as a pioneering acquisitions editor and publisher, author/editor of 8 place-based books, and founder and director of 15 book series. He has developed and brought to publication more than 500 books, supported in part by more than $2,600,000 in financial support from numerous foundations, non-profit organizations, federal and state agencies, and other philanthropic donors. George’s books have garnered more than 115 major editorial awards, including “best-book” honors in 35 academic fields and categories. Historically, George’s books and book series appeal equally to the academic (scholar, student, professional) and general reader, and they consistently receive sterling reviews in academic and professional journals in addition to widespread attention in the larger world. GFT authors have been interviewed about their books on local and national public radio and television programs, including Twin Cities (MN) PBS, NPR’s Radiolab, the Diane Rehm Show, Cary Barbor on All Things Considered, Scott Simon’s Weekend Edition, KSFR’s “Cline’s Corner” (Santa Fe), KPNR’s “State of Nevada” (Las Vegas), WPFW’s “On the Margin” (DC), and WWNO’s “The Reading Life” (New Orleans). GFT books have received glowing reviews in professional journals such as Atlas Obscura, Environmental History, High Country News, Hyperallergic, Journal of Folklore Research, Journal of Historical Geography, Journal of the Society of Architectural Historians, Landscape Architecture, Lenscratch, LensWork, Library Journal, Panorama: Journal of the Association of Historians of American Art, photo district news (pdn), The Photo Review, Photographer’s Forum, and siteLINES. -
Group Sales and Benefits
Group Sales and Benefits 2019–2020 SEASON Mutter by Bartek Barczyk / DG, Tilson Thomas by Spencer Lowell, Ma by Jason Bell, WidmannCover by photo Marco by Jeff Borggreve, Goldberg Wang by / Esto. Kirk Edwards, This page: Uchida Barenboim by Decca by Steve / Justin J. Sherman, Pumfrey, Kidjo Terfel by Sofia by Mitch Jenkins Sanchez / DG, & Mauro Muti Mongiello. by Todd Rosenberg Photography, Kaufmann by Julian Hargreaves / Sony Classical, Fleming by Andrew Eccles, Kanneh-Mason by Lars Borges, Group Benefits Bring 10 or more people to any Carnegie Hall presentation and enjoy exclusive benefits. Daniel Barenboim Tituss Burgess Group benefits include: • Discounted tickets for selected events • Payment flexibility • Waived convenience fees • Advance reservations before the general public Sir Bryn Terfel Riccardo Muti More details are listed on page 22. Calendar listings of all Carnegie Hall presentations throughout the 2019–2020 season are featured Jonas Kaufmann Renée Fleming on the following pages, including many that have discounted tickets available for groups. ALL GROUPS Save 10% when you purchase tickets to concerts identified with the 10% symbol.* Sheku Kanneh-Mason Anne-Sophie Mutter BOOK AND PAY For concerts identified with the 25% symbol, groups that pay at the time of their reservation qualify for a 25% discount.* STUDENT GROUPS Michael Tilson Thomas Yo-Yo Ma Pay only $10 per ticket for concerts identified with the student symbol.* * Discounted seats are subject to availability and are not valid on prior purchases or reservations. Selected seats and limitations apply. Jörg Widmann Yuja Wang [email protected] 212-903-9705 carnegiehall.org/groups Mitsuko Uchida Angélique Kidjo Proud Season Sponsor October Munich Philharmonic The Munich Philharmonic returns to Carnegie Hall for two exciting concerts conducted by Valery Gergiev. -
Form • Color • Balance Recent Works • Mark Davis
1 FORM • COLOR • BALANCE Recent Works • MARK DAVIS Pucker Gallery • Boston 2 Déjà vu Standing mobile in brass, aluminum, steel wires, oil and acrylic colors 8.5 x 13 x 7" MD624 FORM • COLOR • BALANCE Recent Works • MARK DAVIS THE IMPRESSIONISTS PAINTED THE LIGHT. Looking back on the past three decades, he now Mark Davis sculpts the air itself. can boast numerous gallery and museum exhibi- As we define ourselves in space, Mark’s mo- tions, public and private commissions, and a large biles each define their own small universe of space. following of avid collectors in the Boston area and What is that space? Where does it come from? far beyond. Mark imagines it, and then sees it — and somehow There is an immediate temptation to compare that vision gets transferred to his hands, which his work to Alexander Calder, and the artist takes make it appear. no exception to this comparison; he greatly ad- Often, there is a whimsy in Mark’s work that is mires Calder, who was an inspiration early in his so reflective of the artist’s personality one is tempt- life and career. But at this point Mark’s visual vo- ed to make further comparisons. While sometimes cabulary has become a complete language — and deliriously sparky and colorful, his kinetic improvi- completely his own. sations are also rock solid and sure-footed, also like His use of color and form, and his emphasis the artist. on spatial relationships also conjures images of Mark has been creating fanciful and meticu- other artists who have influenced his work: Henri lously constructed mobiles for over 25 years. -
Canberra School of Art, the Australian Nationa
Born: New Jersey, 1971 Education 2000 Master of Arts, Visual Arts (by Research), Canberra School of Art, The Australian National University 1997 Bachelor of Fine Arts, Massachusetts College of Art, Boston, Massachusetts 1992-94 California College of Arts and Crafts, Oakland, California Selected Solo Exhibitions 2017 (upcoming) Gallery NAGA, Boston, Massachusetts (upcoming) Austin Art Projects, Palm Desert, California 2015 Afterlight, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2014 Mirari, Gallery NAGA, Boston, Massachusetts Friesen Gallery, Sun Valley, Idaho 2011 Lux, Heller Gallery, New York, New York 2008 Heller Gallery, New York, New York Galerie B, Baden-Baden, Germany 2007 Volo, Heller Gallery, New York, New York 2006 Sky / Water, Fuller Craft Museum, Brockton, Massachusetts 2005 Between Glances, Heller Gallery, New York, New York Sky / Water, Gallery Sklo, Seoul, Korea 2004 R. Duane Reed Gallery, St. Louis, Missouri 2003 R. Duane Reed Gallery, Ft. Lauderdale, Florida 2002 Between light and matter, Chappell Gallery, New York, New York Sky / Water, Chappell Gallery, Boston, Massachusetts Selected Group Exhibitions 2016 (upcoming) Masterworks from the Kaplan-Ostergaard Collection, The Crocker Art Museum, Sacramento, California (catalogue) Color and Light, Embassy of the United States, Panama City, Panama (catalogue) Korean Galleries Art Fair, presented by Gallery Sklo, Seoul, Korea American Art: 1945 to the Present, Mobile Museum of Art, Mobile, Alabama 2015 Korean International Art Fair, Seoul, Korea, presented by Gallery Sklo, -
Born: New Jersey, 1971 Education 2000 Master Of
Born: New Jersey, 1971 Education 2000 Master of Arts, Visual Arts (by Research), Canberra School of Art, The Australian National University 1997 Bachelor of Fine Arts, Massachusetts College of Art, Boston, Massachusetts 1992-94 California College of Arts and Crafts, Oakland, California Selected Solo Exhibitions 2018 Demiror, Friesen Gallery, Sun Valley, Idaho 2017 Aubade, Gallery NAGA, Boston, Massachusetts Galerie B, Baden-Baden, Germany 2016 Lustrare, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2015 Afterlight, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2014 Mirari, Gallery NAGA, Boston, Massachusetts Friesen Gallery, Sun Valley, Idaho 2011 Lux, Heller Gallery, New York, New York 2008 Heller Gallery, New York, New York Galerie B, Baden-Baden, Germany 2007 Volo, Heller Gallery, New York, New York 2006 Sky / Water, Fuller Craft Museum, Brockton, Massachusetts 2005 Between Glances, Heller Gallery, New York, New York Sky / Water, Gallery Sklo, Seoul, Korea 2004 R. Duane Reed Gallery, St. Louis, Missouri 2003 R. Duane Reed Gallery, Ft. Lauderdale, Florida 2002 Between light and matter, Chappell Gallery, New York, New York Sky / Water, Chappell Gallery, Boston, Massachusetts Selected Group Exhibitions 2017 40th Anniversary: Artists A-K, Gallery NAGA, Boston, Massachusetts Revelo, Friesen Gallery, Sun Valley, Idaho Recent Acquisitions, The Newport Art Museum, Newport, Rhode Island 2016 Korean International Art Fair, Seoul, Korea, presented by Gallery Sklo, Seoul, Korea Glass for the New Millennium: Masterworks from the Kaplan-Ostergaard -
D E M I R O R Nicole Chesney D E M I R O R
D E M I R O R NICOLE CHESNEY D E M I R O R Exhibition on view August 2018 DEMIROR | Latin translation; to wonder (I wonder how / why), to be amazed, utterly astonished My work explores the relationship between light, space, visual perception, and imagination. Mirrors represent the human desire to see and reflect that which is desired. My paintings reveal to the viewer their own imagined space — a desirous, inner landscape or an unknowable, future dreamscape. –NC Brim | oil painting on acid-etched and mirrored glass | 36” x 48” x 1” | 2018 | $ 38,000. Arose | oil painting on acid-etched and mirrored glass | 32” x 48” x 1” | 2018 | $ 34,000. Divum | oil painting on acid-etched and mirrored glass | 54” x 60” x 1” | 2018 | $ 65,000. Chesney’s paintings are entirely impossible to capture in photography. They can only be experienced to be appreciated. With two Chesney’s in my personal collection, I have the joy and privilege of living with her work in addition to representing this career for which my endorsement could not be higher. –Andria Friesen Aphros 3 | oil painting on acid-etched and mirrored glass | 36” x 24” x 1” | 2018 | $ 19,000. Gleam | oil painting on acid-etched and mirrored glass | 30” x 36” x 1” | 2018 | $ 25,000. Billow | oil painting on acid-etched and mirrored glass | 30” x 63” x 1” | 2018 | $ 42,000. NICOLE CHESNEY: A MEDITATION ON LIGHT AND COLOR Sabina Dana Plasse | SVPN Magazine August 2018 To experience the latest work of Nicole Chesney is to lose oneself to a dream or somnambulistic state of mind with the longing or craving of beauty and serenity. -
Contact: Karen Frascona Grace Munns 617.369.3442 617.369.3045 [email protected] [email protected]
Maud Morgan Prize – Annette Lemieux, p. 1 Contact: Karen Frascona Grace Munns 617.369.3442 617.369.3045 [email protected] [email protected] FOR IMMEDIATE RELEASE MUSEUM OF FINE ARTS, BOSTON, AWARDS 2017 MAUD MORGAN PRIZE, HONORING A MASSACHUSETTS WOMAN ARTIST, TO ANNETTE LEMIEUX BOSTON (January 31, 2017)—The Museum of Fine Arts, Boston (MFA), announced today that Boston-based Annette Lemieux (born 1957) is the recipient of its 2017 Maud Morgan Prize, which honors a Massachusetts woman artist who has demonstrated creativity and vision, and who has made significant contributions to the contemporary arts landscape. Ranging from painting to photography to found-object assemblage, Lemieux’s conceptual works confront urgent subjects such as the horror of war, the nature of time, the elusive truth of memory and the relationship between personal experience and cultural history. Currently a Senior Lecturer on Visual and Environmental Studies at Harvard University, she has influenced younger generations of artists as a teacher for more than 20 years. The Museum has collected Lemieux’s works since the late 1980s, cultivating a sustained belief in her practice. As part of the Prize, the artist will receive a $10,000 award, and an exhibition of her work will be Annette Lemieux presented at the MFA in the summer. “Annette is fearless about tackling timely socio-political issues in her artwork. She is a careful observer of the world and a thoughtful commentator on important issues of our time,” said Matthew Teitelbaum, Ann and Graham Gund Director of the MFA. “We look forward to working closely with her and sharing her voice with a wide and appreciative public.” Born in Norfolk, Virginia, Lemieux received a Bachelor of Fine Arts in painting from the Hartford Art School, University of Hartford in 1980. -
RISD and Photography, June 5, 2008-October 26, 2008
RISD and Photography, June 5, 2008-October 26, 2008 This inaugural show celebrates the creation of the Museum’s first exhibition space dedicated to photography: The Bill and Nancy Tsiaras Gallery in honor of Aaron Siskind. On view are highlights from the work of many exceptional photographers who have been associated with RISD. Not only have they made important contributions to the history of the medium, but many have also been instrumental to the growth of the collection. The development of the Museum’s holding in this area is closely tied to the founding of RISD’s Photography Department. Harry Callahan was hired in 1961 to initiate the program, and Aaron Siskind joined him in 1971. Callahan and Siskind were two of the 20th century’s most influential photographers, admired for their unique approaches to the medium as well as for their teaching. They drew remarkably talented students to the College, an occurrence that continues under today’s faculty. One of the earliest programs in the country, the department was founded before photography was widely considered an art form even among museums. Happily, RISD’s Museum staff was enthusiastic about photography and set about acquiring its images with advice from the new department shortly after Callahan’s arrival. Close connections with prominent RISD faculty and alumni have remained crucial to the development of the collection. To this day, Siskind and Callahan’s association with the College continues to attract gifts to the Museum. In fact, it was their friendship with Bill and Nancy Tsiaras that led to the support for this new dedicated gallery. -
Report of the President, Bowdoin College 1987-1988
Bowdoin College Bowdoin Digital Commons Annual Report of the President Special Collections and Archives 1-1-1988 Report of the President, Bowdoin College 1987-1988 Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/presidents-reports Recommended Citation Bowdoin College, "Report of the President, Bowdoin College 1987-1988" (1988). Annual Report of the President. 97. https://digitalcommons.bowdoin.edu/presidents-reports/97 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Annual Report of the President by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Report of the President 1987— 1988 BOWDOIN COLLEGE Brunswick, Maine Digitized by the Internet Archive in 2013 http://archive.org/details/reportofpresiden19871bowd Report of the President 1987— 1988 BOWDOIN COLLEGE Brunswick, Maine Composed by Partners Composition, Utica, New York Printed by Salina Press, East Syracuse, New York Report of the President To the Trustees and Overseers of Bowdoin College: I have the honor of submitting the following report for the academic year 1987— 1988. Last year's report was devoted largely to a discussion of Bowdoin's successful reaccreditation review. I enjoyed the opportunity to pass along the many good things said about Bowdoin, while acknowledging that Bowdoin, like all institutions, had some challenges still to meet. The report concluded with a discussion of those steps being taken to ensure that each challenge would be addressed. This year's report will in part continue to address those concerns as I review the accomplishments of the College. -
FFN-Spring-2012-Newsletter.Pdf
Finlandia Foundation® Spring 2012 http://www.finlandiafoundation.org OVER $80,000 DONATED BY COLE ESTATE By Trent Blackburn, Seattle Lodge Leonard and Rauha Cole were longtime members of the the Seattle Lodge and the Theosophical Society in America (TSA). The TSA encourages the study of science, philosophy, and comparative religion. Both were deep thinkers, widely read, and compassionate. They also participated in the peace movement in Berkeley, California. Mrs. Cole was born in Finland, and was proud of her national heritage, as a result. She maintained membership status in the Finlandia Foundation National as a way of keeping in touch with her homeland. Rauha left Finland as a teenager to accept work as a nanny in South SOIVA INTERNATIONAL MUSIC America. From there she moved to the US where she met Leonard through her friend Aino Kunz who was also from Finland. Leonard CAMP 2012 delivers significant and Rauha married in 1955 and joined the TSA in 1957. Leonard was treasurer of the Seattle Lodge for ten years until 1963, when Finnish-based instruction they moved to California. Leonard was employed by the University By Dennis Anderson, Trustee of California at Berkeley, retiring from his position as chief internal American music students, ages 11-17 with a minimum of three years auditor in 1981. of experience, are invited take advantage of the world-renowned In 2004, the Coles moved back to Seattle, Washington, to be nearer Finnish educational system. Finlandia Foundation National is their lifelong friends, the late John Kunz and Aino Kunz. By that partnering with Concordia College in Moorhead, Minnesota, to time, Leonard was diagnosed with Parkinson’s disease, which made offer the 2012 Soiva International Music Camp from June 17-24.