PVOL. 09 FALLAP / WINTER 2010 ER Announcements Congratulations Blooming on Thomas Demand PVOL. 09 FALLAP / WINTER 2010 ER to SANAA, our Façade: Creates Edition DIRECTOR’S FOREWORD 02 2010 Laureates Rose II by to Benefit the ANNOUNCEMENTS 03 of the Pritzker Isa Genzken New Museum NEW MUSEUM DIGITAL ARCHIVE 04 Architecture FALL EXHIBITIONS Isa Genzken (b. 1948, ) is one of Thomas Demand has donated an Prize Germany’s most renowned artists, and its editioned artwork entitled Presidency to THE LAST NEWSPAPER 06 most notable sculptor. Over a more than benefit the New Museum. This image Sejima + Nishizawa / SANAA, architects forty-year career, Genzken has produced comes from a series depicting the Oval FREE 08 of the New Museum’s building at 235 an astonishingly varied body of work Office that appeared on the cover and Bowery, have been awarded the 2010 that includes photographic assemblages, inside the New York Times Magazine on VOICE AND WIND: HAEGUE YANG 10 Director’s Pritzker Prize, architecture’s highest three-dimensional objects, installations, November 9, 2008, following the election tribute. The purpose of the Pritzker Prize TRAVELING EXHIBITIONS and monumental, site-specific . of President Barack Obama. The original is to annually honor a living architect Her work has been exhibited all over group was acquired by the National who has produced consistent and BRION GYSIN: DREAM MACHINE the world and she has participated in Gallery of Art in Washington, and now significant contributions to humanity and every major international biennial from Demand has made a new image from the Foreword the built environment through the art of RIVANE NEUENSCHWANDER 11 Documenta to the Carnegie International series, especially for the New Museum. architecture. The judges cited the New and Skulptur Projekt, Munster. In 2007, UPCOMING EXHIBITIONS Museum as a key project in SANAA’s This fall will be a Digital Archive. For the first time, she represented Germany in the The photograph provides a timely body of work. Kazuyo Sejima is the momentous one for the New Museum’s historically Biennale, and in 2008, her work was exploration of the iconic American GEORGE CONDO: MENTAL STATES second woman to receive this honor and the New Museum. significant, groundbreaking, thirty- the subject of a midcareer retrospective Presidential Oval Office, called by many Ruye Nishizawa, at forty-three years old, LYNDA BENGLIS 12 In October, we will three-year history of exhibitions, that originated at the Ludwig Museum “the most powerful room in the world.” is the youngest winner in Pritzker history. Thomas Demand, simultaneously publications, and programs will in and traveled to London’s Demand portrays the room, famously Presidency, 2010 The Prize was awarded in a ceremony on EDUCATION INITIATIVES 13 present two epoch- be made available to scholars and Whitechapel Art Gallery. scrutinized for symbolism, absent Dye transfer print Ellis Island on May 17. 13 ¼ x 9 ¾ x 3 ¾ in defining group the public via the web. The Digital of the individuals who make world- PUBLIC PROGRAMS 14 (33.7 x 24.8 x 9.5 cm) exhibitions—“The Archive is the culmination of five Genzken has a distinguished history with altering decisions. The details left out Edition of 12 On Wednesday, May 19, the New Last Newspaper” years of work, under the direction public sculpture, and has works installed of Demand’s painstaking mockup make Courtesy the artist and STAFF PROFILE: Museum celebrated with a day of free Matthew Marks Gallery and “Free”—which of John Hatfield, Deputy Director, in public and private venues throughout the unreality of this scenario obvious, HERBERT PFOSTL 15 general admission. Hourly tours were look at different aspects of a crucial and Doron Ben-Avraham, Manager of Europe. Rose II was originally created and lend a discomfort to the strangely hosted by architecture experts from the SPECIAL EVENTS 16 issue for our new millennium: how Information Technology, and was made in 1993 and was reprised in 2008. It is familiar, yet impersonal, office on building’s original core architecture the production and distribution of possible by a generous grant from the Ruye Nishizawa and Kazuyo Sejima less a departure than a culmination of a display. Demand conceived the work as MEMBERS EDITION 18 team, including Jonas Elding, SANAA; information is shifting, and how this Henry Luce Foundation. practice that takes on grand themes like an object that is framed and displayed on Florian Idenburg, SO-IL; Toshihiro change has redefined public space and the way we perceive and define objects a desktop or other surface. We appreciate THANK YOU! 19 Oki, SANAA; Brett H. Schneider, public address. Both exhibitions are We also are inaugurating several other and images through our senses; the this generous contribution and the Guy Nordenson and Associates; and courageous undertakings, and also important projects, which are listed in implications of scale; and the integration support of Matthew Marks Gallery. Maddy Burke-Vigeland, Gensler. introduce new artists to the public. these pages. One is the second edition of architecture, nature, and mass culture. Justin Davidson, New York magazine “The Last Newspaper” is a discursive of the Bowery Artist Tribute publication For information about the edition Cover Image: architecture critic and winner of the Isa Genzken, Rose II, 2007. Stainless steel, aluminum, and lacquer, project—artists in residence will use (which accompanies this issue of the Although Genzken is a longtime resident please e-mail 314.96 in (800 cm) height. Courtesy David Zwirner, New York 2002 Pulitzer Prize also gave a tour. The the exhibition galleries as ongoing sites New Museum Paper). It pays homage of , she has had a forty-year love [email protected]. day drew over 1,500 visitors, who joined of production and exploration. “Free” to eight artists, as we continue to record affair with , which she us in celebrating this momentous feat! The New Museum is located at 235 Bowery examines how the web has influenced and document creative individuals from first visited as a student. Looking back (at Prince Street between Stanton and Rivington Streets, the approach and content of many young various disciplines who have lived and Toshi Oki leads a tour of the on that experience, she has commented, one and a half blocks south of Houston Street). New Museum’s building at The Bowery neighborhood now boasts artists working today. Together, these worked along this storied thoroughfare. “To me, New York had a direct link with 235 Bowery buildings by four Pritzker Prize- New Hours General Admission: $12 exhibitions exemplify the New Museum The Rethinking Contemporary Art sculpture…. [It] is a city of incredible winning architects: Norman Foster (257 Seniors: $10 as a place of challenge and discovery. and Multicultural Education guide, stability and solidity.” Rose II will be the Students: $8 Bowery), Thom Mayne (41 Cooper our revised and updated textbook for first public sculpture by Genzken in New 18 and under: FREE Union at Bowery), Herzog & de Meuron In response to visitation patterns and Members: FREE We will also be presenting a new artwork teachers and curriculum planning, will York. In a way, it can be seen as a floral (40 Bond Street at Bowery), and surveys, the New Museum is increasing on our façade, Rose II, a beautiful be released by Routledge later this year. tribute to a place she continues to love. Wednesday: 11 AM–6 PM SANAA’s New Museum. its public hours to better serve the Thursday: 11 AM–9 PM sculpture by Isa Genzken. It will be the public. We will now be open Wednesday Friday, Saturday, and Sunday: 11 AM–6 PM second in the series of rotating sculpture Finally, we are pleased to welcome Monday and Tuesday: CLOSED through Sunday at 11 a.m. (instead of installations on the exterior ledge of the Birdbath created by The City Bakery The Façade Sculpture Program is 12 p.m.). The Museum will continue Target Free Admission for Youth sponsored by building. Rose II evokes rebirth and an as the newest addition to our lobby. made possible by an endowment to host extended, free admission hours appreciation for the intensity and pain that Their wonderful café is already earning Hot Off the Press established by The Jacques and Free Thursday evenings from 7–9 p.m. on Thursday evenings from 7–9 p.m. can accompany beauty. It’s a wonderful rave reviews, and is open at 11 a.m. Natasha Gelman Trust. Special Admission prices will remain the same. Thanks to David Zwirner Gallery. metaphor for the Bowery and its Wednesday through Sunday. They have Ediciones Polígrafa is publishing a new renewal—and a major work of public art. even created a special treat, the New book about the New Museum’s building Subway: 6 to Spring Street or N or R to Prince Street. Museum Cookie! at 235 Bowery. SANAA: New Museum Bus: M103 to Prince and Bowery or M6 to Broadway and The unveiling of Rose II will also Prince. is a photographic essay by acclaimed The City Bakery celebrate the launch of another very Lisa Phillips architectural photographer Iwan Baan. For more information and detailed directions, please important project: the New Museum Toby Devan Lewis Director Opens Birdbath visit newmuseum.org/directions. The monograph will treat the New Museum’s design and construction in tel. 212.219.1222 Justin Davidson’s Cafe at the fax 212.431.5328 architecture tour of the depth, through images and writings, New Museum including a text by Lisa Phillips and newmuseum.org New Museum ANNOUNCEMENTS an interview with Kazuyo Sejima and Ryue Nishizawa. The publication will be distributed by D.A.P. under the series We are excited to announce that title Museum Building Guides, and is Birdbath created by The City Bakery has scheduled for release in late fall 2010. been chosen as the New Museum’s café operator. For the full story, see page 18. CONTENTS

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DIGITAL ARCHIVE 5

"Andrea Zittel: Critical Space" "Andrea Januray 26–May 27, 2006 “Critical Space” was the first Andrea of survey comprehensive in place take to work Zittel’s exploring States, United the own her used has artist the how day-to-day living—her needs food, to relating fantasies and furniture, clothing, and shelter— artwork. her for impetus the as "Andrea Zittel: Installation view, 2006. Space," Critical "Urs Fischer: Marguerite de Ponty" October 21, 2009– February 14, 2010 solo large-scale first this For presentation of Urs Fischer’s American an in work a created artist the museum, installations immersive of series environments hallucinatory and of both new productions and iconic works combined to gigantic of series a compose tableaux, walk-in and lifes still most the of one revealing exceptional talents working Service à la Urs Fischer, today. française (detail), 2009 Henry Luce Foundation "Live Forever: Forever: "Live Elizabeth Peyton" October 8, 2008– 2009 January 11, This first survey of Elizabeth an in work Peyton’s includedinstitution American more than 100 works made over fifteen years, with portraits of friends, family, fleeting and heroes, personal passions that comprised a visual biography of the snapshot a as well as artist popular decade’s a of culture. Elizabeth Peyton, Michelle and Sasha Obama Obama Barack to Listening National Democratic the at Convention, 2008 *Please note that catalogues will not be will not catalogues note that *Please and only fully website via our available in the at the New Museum accessible Resource Center. fifth-floor and wide range of individuals A supported this partners organizational deeply We are undertaking. significant grateful to the of the development for its major support Archive, for which none of this of the addition, we are would be possible. In support for its ARTStor grateful to key materials of the digitalization of guidance in our and for providing key Archive. planning for the

"Paul McCarthy" February 24–May 13, 2001 the of survey US first the As this work of Paul McCarthy, exhibition, with over three artistic varied his of decades production, highlighted the sculpture of fusion artist’s is which performance, and defined by often-controversial combinations of pop-culture clichés, social taboos, and Paul references. historical art Head Tomato McCarthy, , 1994 (Green) "Carroll Dunham" "Carroll October 31, 2002– February 9, 2003 museum major first this For survey of this highly influential New the painter, American Museum presented thirty-three paintings spanning a twenty demonstrating period, year Dunham’s Carroll prevailing from independence stylistic norms and his of combination idiosyncratic and cartooning, biomorphism, Dunham, Carroll figuration. , 2000 Killer Over the Water As the Archive continues to develop, develop, to Archive continues As the added as will be resources additional are digitized. more publications the New Museum’s John Hatfield, Ben- and Doron Deputy Director, Manager Museum’s the New Avraham, managed Technology, of Information Archive project, working the Digital designers, tirelessly with our software a new Whirl-i-Gig, to develop open source archive platform using Archive has technologies. Our Digital our rich array been designed to preserve as to support the of materials, as well the institution. continued growth of software Archive Digital our Moreover, other institutions will be accessible for It will provide to utilize and modify. extensive resources to the public to facilitate in-depth research on our including multifaceted search history, functionality and access to a growing library of multimedia resources. "William Kentridge" "William June 2–September 16, 2001 African South exhibition, This first Kentridge’s William artist country, this in survey career important of number a included preceded that works early film; in experiments first his combination potent a through satire, and modesty of Kentridge traces characters shaped by the political turmoil European of his home country, own culture, and the artist’s William identity. and history Cup Holding Kentridge, Soho and Stone to Ear (Drawing for the film Weighing...and ), 1996 Wanting Krzystof Wodiczko, and Andrea Zittel, Zittel, Andrea and Wodiczko, Krzystof recorded as well as others, many among live unique and works performative have we decade, last the Over events. think of series formative a assembled on discussions roundtable and tanks in issues important most the of some culture—architecture, contemporary museums, small and large of roles the of range a policies—with collecting and professionals arts international renowned unique insights. their offering list and description of all New A are available Museum publications catalogues online. Early exhibition digitized as (1977–85) have been permits, and will copyrighted materials materials for be available as resource educators, scholars, and the general public at the New Museum Resource In Center to view in their entirety.* addition to exhibition catalogues, the Archive contains descriptions of other published works including scholarly publications and early annual reports. "Cildo Meireles" November 18, 1999– March 5, 2000 This first exhibition of Cildo organized work Meireles’s by a US museum and the survey comprehensive most artist American South a of York, New in presented ever three than more included decades of production as well installations, room-scale five as and , dozen a drawings. thirty nearly Cildo Meireles, Entrevendo (Glimpsing), 1970 to 1994 "Fever: The Art of The "Fever: Wojnarowicz" David January 21–June 20, 1999 first the exhibition, This assessment systematic Wojnarowicz’s of David legacy, extraordinary work artist’s the chronicled in an extraordinarily broad range of mediums: painting, photography, writing, video, film, sculpture, graphics, art, performance of one as well as music, and most the art community’s passionate and articulate voices at the height of the AIDS crisis in the late 1980s and early 1990s. David Untitled Wojnarowicz, (Burning Child), 1984

"Carolee Schneemann: Up To To Up Schneemann: "Carolee Limits" And Including Her November 24, 1996– January 26, 1997 Carolee of presentation This work, Schneemann’s more than three decades the to leap her after cultural the of forefront awareness establishment’s performance watershed the with work Meat Joy (1964), was inspired by the need to meaningfully her influence the assess work has had and continues to have on artists who emerged during the present decade. Schneemann, Carolee (Thirty-six Body Eye Actions), 1963 Transformative "Nancy Spero: Since 1950" Works May 19–July 9, 1989 work turns Nancy Spero’s antiquity of pantheon the to possibilities expanded express to modern grafting feminine, the for enlarge that women of images even possibilities of range the of repertoire the onto further Spero, Nancy images. classical Sky Goddess diptych, 1986 Presenting the New Museum’s Digital Archive Digital the New Museum’s Presenting "Christian Boltanski: Boltanski: "Christian Lessons of Darkness" December 9, 1988– February 12, 1989 Darkness” of “Lessons purposes: two served an as functioned it introduction to Christian the from work Boltanski’s early 1970s to present, and focused more a provided it specific few a at look themes— childhood, and death— memory, remained have which concerns consistent throughout his career and made him one of Europe’s artists. influential most Boltanski, Christian Enfants Les Monument: de Dijon, 1986 "Ana Mendieta: Mendieta: "Ana Retrospective" A November 20, 1987– January 24, 1988 This first major retrospective work, Mendieta’s Ana of through which she developed a personal vocabulary in became body own her which performances, for medium the and art, body art, earth photo art, was presented as part of the New Museum’s commitment continuing to exhibiting the work of artists who have not received Ana recognition. significant Mendieta, Untitled, 1983 Hélio Oiticica, Adrian Piper, Carolee Carolee Piper, Adrian Oiticica, Hélio Wojnarowicz. David and Schneemann, group and theme-driven Innovative the an important part of exhibitions, the will be among history, Museum’s a Archive, in the Digital exhibitions Painting” which are: “‘Bad’ selection of On Representation (1978), “Difference: “Damaged and Sexuality” (1984–85), of the Goods: Desire and Economy To Receiver Object” (1986), “From Set” (1990), TV The Remote Control: Frameworks of “The Decade Show: (1990), “Africa Identity in the 1980s,” Art” African Explores: 20th Century USA” (2004), and Village (1991), “East inaugural exhibition, our new building’s “Unmonumental,” (2007–08). standard a set also has Museum New The for influential public programs and context. museum the in performances records important most our of Some such artists with conversations include Urs Deller, Jeremy Arcangel, Cory as Waters, John Rosler, Martha Fischer, "Hans Haacke: Unfinished Business" December 12, 1986– February 15, 1987 “One of the least apparent, though most politically Hans of aspects expedient, work is the way Haacke’s in which it addresses and For audience. its challenges while the ostensible subjects the are works Haacke’s of economic and, social specific conditions he bares, the real the is consequence political education, and transformation Wallis, of the viewer.”—Brian Hans Haacke catalogue. Hans Haacke, Oelgemaelde, Marcel a Homage , 1982 Broodthaers for the Archive to be a live resource, a live resource, to be Archive for the new art and with refreshed constantly to our open and accessible ideas, and audience. growing global began in Archive project The Digital ARTstor we partnered with 2007, when over 6,000 exhibition to digitize have created slides. In addition, we descriptions of chronological lists and by the organized over 365 exhibitions of all New New Museum, descriptions as well Museum-published catalogues, whose work as more than 3,000 artists institution. has been shown at the Archive will be Once launched, the public to learn a rich resource for the varied and about the New Museum’s historic undertakings. For example, the Archive documents pivotal exhibitions of work by artists such as John Baldessari, Lee Bul, Marlene Dumas, William Hans Haacke, Mona Hatoum, Ana Kentridge, Paul McCarthy, Mendieta, Ree Morton, Bruce Nauman, –September 9, 1984 "Currents: Martin Puryear" "Currents: July 28­ wood, with primarily Working disinterested is Puryear Martin equally in craftsmanship and the idea of designing pieces for others to execute, maintaining a balance between the intellectual and physical components of art; his work satisfaction unique the in revels well-conceived image an of hand. by wrought carefully and Reliquary, Martin Puryear, 1980 On Novemeber 10, the New Museum’s Museum’s 10, the New On Novemeber become available will Archive Digital Archive The Digital online. to the public as an active resource is envisioned students, scholars, arts for artists, and the general public professionals, the New Museum’s to learn about public exhibitions and past and recent will be Archive The Digital programs. our website, freely accessible through as well as onsite in our newmuseum.org, Center. fifth-floor Resource Archive Digital The New Museum’s time, provide a will, for the very first our programming complete chronicle of Records available history to the public. exhibitions, will encompass not only recordings of but audio and video culturally significant performances and discussions, and information on groundbreaking artists, world-renowned curators, and key institutional figures that have been a part of the New founding history—including Museum’s Our vision is Tucker. director Marcia "Golub" 22–November September retrospective This 1984 25, years forty nearly spanned career, of Leon Golub’s including an influential depicts that work of body the ravages of power on the of traces and society through power of influence the of metaphor the Leon Golub, mercenary. II, 1979 Interrogation "John Baldessari: Baldessari: "John 1966–1980" Work March 14–April 28, 1981 exhibition museum first This work Baldessari’s John of fifteen of span a over years showcased the wit, irreverence, intelligence, and breadth of knowledge oeuvre an in manifest artists many, to important John alike. public and is Baldessari, Everything this Painting, from Purged 1966–1980 Fall Exhibitions The Last Newspaper

The following is a conversation Benjamin Godsill: I know that part of art and projects do you think most easily that. During the course of the exhibition between the exhibition’s curators how this exhibition developed for us illustrate why we chose this title, and why StoryCorp will staff an office in the “The Last Newspaper” is about the development and aims was our interest in finding a new way it is not reliquary? gallery where they will be developing curated by Richard Flood, of “The Last Newspaper” of thinking about what audiences might and prototyping new ways to make their Chief Curator, and Benjamin encounter in a museum gallery. In RF: Well, when it comes to an artwork, extraordinary archive available. They will Godsill, Curatorial Associate. short, how is this exhibition going to be Luciano Fabro’s Pavimento (Tautologia) establish a “reference center” that will OCTOBER 6, 2010– different and why? (Pavement Tautology) was my starting be fully staffed and open to the public. Generous Lead Support Provided By JANUARY 9, 2010 point. Fabro created the work in 1967 and They will be working to find a new way Richard Flood: Our thinking was it really encapsulates a number of issues to make information available—really Third, Fourth, completely driven by the New in the exhibition, both conceptually navigable—and I think, for us, that is AND FIFTH floor Museum’s mission. We have a unique and literally. Every morning, you mop what all of the exhibition’s partners “The Last Newspaper” is also galleries heritage that is about challenging the the floor and then lay out yesterday’s have in common. In the artwork in the made possible by the generosity norm and embracing experimentation. newspaper to absorb the moisture. exhibition we have artists dissecting the of the Leadership Council of the Creating an environment that combines It’s a very old custom and definitively newspaper and, in most cases, attempting New Museum. EXHIBITION-RELATED an exhibition with ongoing social addresses the nature and disposability to illustrate how the information (or Additional support provided by the PROGRAMS discourse became a very tempting of “The Last Newspaper.” The first news) they report is always compromised State Corporation for Spanish Cultural newmuseum.org/events goal. And, once the concept was clear, people we approached to participate by time, by ideology, by space, etc. In Action Abroad, SEACEX and the the topic of the newspaper naturally in a residency were Max Andrews and all of the groups we have assembled and Spanish Government. OCTOBER 9 asserted itself. Artists have created so Mariana Canepa Luna, who are partners who will be inhabiting “offices” in the “The Last Newspaper” much extraordinary art in response to in Latitudes, a curatorial office based exhibition, we have partners working to Special thanks to The Bowery Hotel Artists in Conversation newspapers, and that art, in and of itself, in Barcelona. They have a wonderful find new possibilities for reporting and A selection of artists and provides a of the history of our flexibility in their projects, which structuring what is going on in the world. Luciano Fabro, Pavimento participants featured in “The time. As you know, when we started include overseeing public commissions, (Tautologia), 1967 Last Newspaper” engage preparing a checklist, the works that organizing in a discussion about their were inspired directly by a newspaper conferences, as use (and abuse) of the and contained that newspaper in the final well as initiating daily newspaper in their art realization became key to the exhibition multidisciplinary practices. Moderated by checklist. That kind of immediate artistic research and Benjamin Godsill, co-curator response also suggested the project’s title editorial of the exhibition. “The Last Newspaper.” programs. Our preliminary BG: Our primary fascination was conversations ARTISTS IN “THE LAST with artists who were using and often led quickly to NEWSPAPER” deconstructing the format of the the notion of a Alighiero e Boetti, Judith newspaper—they were not just pulling weekly newspaper Bernstein, Pierre Bismuth, Andrea Bowers, François apart the physical properties, but were produced in the Bucher, Sarah Charlesworth, interested in confronting forms of top- New Museum Luciano Fabro, Robert Gober, down power that seemed to have the over the course Hans Haacke, Karl Haendel, agency to say “this is what the news is.” of the residency. , Thomas The artwork included in the exhibition From this point, Hirschhorn, Emily Jacir, Larry is always an assault on the newspaper we moved pretty Johnson, Mike Kelley, Nate but also an homage. At the same time quickly into a Lowman, Sarah Lucas, Adam we had been discussing new ways of landscape of McEwen, Aleksandra Mir, making the galleries socially active organizational Angel Nevarez and Valerie spaces and learning from previous New residencies that Tevere, Adrian Piper, William Museum exhibitions—specifically Jeremy will animate the Pope.L, Allen Ruppersberg, Deller’s “It Is What It Is: Conversations social aspects of Dexter Sinister, Dash Snow, About Iraq” (2009), and, to a degree, the exhibition. Rikrit Tiravanija, Wolfgang “Urban China” (2009), which were What part of our Tillmans, and Kelley Walker. simultaneously on view. Those shows research and outreach has energized RF: I feel particularly lucky that so gave us the opportunity to see what your thinking the most? many of the people we are working with it looked like and how it felt to really have more than matched our enthusiasm PARTNER ORGANIZATIONS foster dialogue and exchange in the BG: I am really excited by StoryCorp’s for the project. Both the artists and IN “THE LAST NEWSPAPER” gallery spaces to envision the twenty- project. They are an award-winning organizations are looking at newspapers Blu Dot; Center for Urban first-century museum as a site for the group that has spent the last ten- and information dispersion through new Pedagogy; StoryCorps; production of ideas as well as for the plus years gathering narratives from lenses. I actually get the feeling that the Latitudes; Slought display of objects. Now of course, with Americans across the country and asking “global campfire” isn’t that remote a Foundation; INABA,Columbia University’s C-Lab; Joseph a title like “The Last Newspaper” there friends and relatives to interview each concept. Obviously, we are working with Grima and Kazys Varnelis/ can be a misunderstanding that we are other about their lives. The resulting utopians but they’re turning out to be very Netlab; with special projects presuming to hold a vigil for the death recordings are funny, historic, touching, practical ones who lead with their survival by Rachel Chandler and of the newspaper, or even that we are sociologically important, and deeply, skills. At its core, “The Last Newspaper” EXHIBITIONS FALL Jacob Fabricius as presuming that some of the practices deeply personal. While their audio is about people and their need to we have gathered will supplant the archives are available in the Library of communicate. If that need remains intact, newspaper. However, we were always Congress and some are broadcast on then civilization stays alive. more interested in the seriality of news, in NPR stations, there has been no way for Adrian Piper, Vanilla both the static artworks and in the active the general public to access this amazing Nightmares #9, 1986. Collection Walker Arts participants who will inhabit the galleries trove of stories. Now, the group will Center, Minneapolis, and produce our own newspapers. What use “The Last Newspaper” to change T. B. Walker Acquisition Fund, 2004

7 Trevor Paglen, Dead Military Fall Exhibitions Satellite (DMSP 5D-F11) Near the Disk of the Moon, 2010. Chromogenic print 30 x 40 in (76.2 x 101.6 cm). Courtesy the artist

“Free” is curated by Lauren Cornell, Executive Director of Rhizome and New Museum Adjunct Curator.

"Free" is made possible by a generous grant from The Andy Warhol Today, culture is more dispersed than ever before. The web has broadened both the Artist Trevor Paglen investigates forms of mass communication in his Artists featured in “Free” include Liz Foundation for the Visual Arts. quantity and kind of information freely available. It has distributed our collective information—be it personal, scientific, or Untitled (Black Video) (2009). Hendriks Deschenes, Aleksandra Domanovic, Lizzie Significant support is also provided experience across geographic locations; opened up a new set of creative possibilities; governmental data—that is masked from sourced anonymous comments from an Fitch, Martijn Hendriks, Joel Holmberg, by the New York State Council on and, coextensively, produced a set of challenges. This fall, the New Museum will present public view. In his new series of large- online video forum in which participants David Horvitz, Lars Laumann, Andrea the Arts, a state agency, and the Toby “Free,” an exhibition including twenty-three artists working across mediums—including scale landscape photographs, Paglen were responding to the leaked video Longacre-White, Kristin Lucas, Jill Devan Lewis Emerging Artists Fund. video, installation, sculpture, photography, the internet, and sound—that reflects artistic reveals classified information: federally of the execution of Saddam Hussein; Magid, Hanne Mugaas, Takeshi Murata, strategies that have emerged in a radically democratized landscape redefined by the sanctioned eavesdropping facilities deep some crude, some unsettled, some Rashaad Newsome, Lisa Oppenheim, Additional support provided by the Royal Norwegian Consulate General. impact of the web. The exhibition makes a case for a newly formed public art that OCTOBER 20, 2010– in West Virginia and the orbits of dead laissez-faire, the comments all Trevor Paglen, Seth Price, Jon Rafman, Artist travel is made possible, in responds to a vastly more connected society thats openness is still being negotiated. The JANUARY 23, 2011 spy satellites around the moon—all demonstrate the kind of freedom Clunie Reid, Amanda Ross-Ho, Alexandre part, by the Mondriaan Foundation, philosophy of free culture, and its advocacy for open sharing, informs the exhibition, but SECOND floor secret activity made visible with associated with being unidentifiable. Singh, Ryan Trecartin & Fitch & David Amsterdam, and the Office of is not its subject. Instead, the title and featured works present a complex picture of the Free extensive research and a long-range lens. Karp, and Harm Van Den Dorpel. Contemporary Art Norway. new freedoms and constraints that underlie our expanded public space. gallery Martijn Hendriks considers common

The exhibition catalogue will take the against her own horizon in America, form of a frequently updated website, with framing a common tendency to connect contributions by guest essayists including to a universal experience from a foreign author and critic Ed Halter, blogger vantage point. Artist Aleksandra Joanne McNeil, and entrepreneur Caterina Domanovic instigates a process of Fake, as well as related videos, articles, cultural transubstantiation in her work and artworks. 19:30 (2010)—for which she traveled around the former Yugoslavia collecting “Free” is inspired in part by “Dispersion” visual introductions of nightly news (2001–), an essay by the artist Seth Price shows from national television stations. that is available as a free online booklet She then uploaded these clips online EXHIBITION-RELATED (http://bit.ly/c4mguw) and will be featured and encouraged DJs to use them as the PROGRAMS newmuseum.org/events within the exhibition as a large-scale basis for new techno tracks—a genre of sculptural installation composed of nine music chosen because it is based on the OCTOBER 21 panels each imprinted with a page from creation of infinite variations of original “Free” Artists in the original booklet. The essay traces productions. Exhibited within the gallery Conversation the increased dispersion of culture, as a two-screen video installation, 19:30 Selected artists in "Free," by examining how its circulation and creates an unusual national archive while including Aleksandra reception has changed across mediums demonstrating how flexible the meaning Domanovic, Martijn Hendriks, from print, to video, and to the web. of media can be, by revealing how easily Amanda Ross-Ho, and Harm In light of the way we now experience obsolete culture from this former country Van Den Dorpel, discuss their political events and pop culture, Price (the nightly news sequences) can be work in relation to the show's questions the viability of public art as we rejuvenated into something vital with a themes. understand it. Price writes: “We should shift in context. recognize that collective experience DECEMBER 11 is now based on simultaneous private Other works in the exhibition explore Conversation with experiences, distributed across the strategies around the appropriation of Kickstarter field of media culture, knit together by digital imagery. Take No Photographs, Founded by Yancey Strickler ongoing debate, publicity, promotion, Leave Only Ripples (2009) by Clunie and Perry Chen in 2009, and discussion. Publicness today has as Reid is comprised of a series of found Kickstarter is "a new way much to do with sites of production and images the artist layers with hand-drawn to fund creative ideas and reproduction as it does with any supposed anarchic expressions. Dark Current ambitious endeavors." For physical commons, so a popular album (2010), a series of photographs by Andrea this panel, artists, curators, could be regarded as a more successful Longacre-White, explores the aesthetics and critics will assemble instance of public art than a monument of photographic degradation, through to discuss the merits, and challenges, of this new model tucked away in an urban plaza.” The images that the artist re-photographed for art creation. works in “Free” alight from Price’s countless times. Takeshi Murata, in a statements to demonstrate and explore the single-screen video making its premiere JANUARY 13 multiple ways artists utilize, appropriate, in this exhibition, explores the way public Finding Photography and reenact material sourced from a images are interpreted, transformed, This conversation with distributed public space. and personalized as they cycle through notable photographers and different contexts and hands. For this new founders of websites, such as For Lisa Oppenheim’s 35mm slideshow video, Murata used the 3-D modeling Tiny Vices, I Heart Photograph, projection The Sun is Always Setting program Cinema 4D to investigate the and Tumblr, will explore how Somewhere Else (2006), the artist notion of knockoffs through Popeye, a the web not only affects the sourced from Flickr snapshots of sunsets popular character that has been endlessly discovery of new photography, taken by US soldiers based in Iraq, and remixed online and whose copyright in but also its distribution, re-photographed the soldiers’ photos Europe recently expired. interpretation, and creation.

Lisa Oppenheim, The Sun is Always Setting Somewhere Else, 2006.

FALL EXHIBITIONS 35mm slide projection.

8 Courtesy the artist

10 FALL EXHIBITIONS the KoreanPavilionof53 of herexhibition“Condensation”for (2009). Originallyconceivedaspart colors andpatternsthatexistattheedge blinds, buthereinuncategorizable commercially manufacturedvenetian her otherinstallations, Yang employs not physicallypresent. As inmanyof shadows ofplacesandexperiences Arrangements—Voice andWind evokes natural light, stacked venetianblindsfloodedwith Consisting ofalabyrinthinesystem marks Yang’s practice. contemplative, sensorialexperiencethat New Museumvisitorsthekindof Biennale, theinstallationallows SeriesofVulnerable Voice andWind: Voice andWind Arrangements— Series ofVulnerable featuring thework Yang inNew York, by artistHaegue solo exhibition present thefirst Museum will This fall,theNew Haegue Yang rd Venice Fall Exhibitions possibilities of public engagement. space and time, Yang elaborates on the as metaphors for the vulnerability of Exploring transparency and improvisation element in the definition of the space. upon the visitors’ subjectivity as a key subtle olfactory experience, again calling blinds also infuse the installation with a integrated in and around the system of movement of visitors. Scent atomizers the blinds as suspended barriers and the intervals, alteringboththestabilityof the gallerygeneratewindatvarious Wind, commercial fans placed around of Vulnerable Arrangements—Voice and artificial sensoryexperiences.InSeries and asthesourceofmediated,even between objects, people, and ideas, electricity as an invisible connection As in her earlier works, Yang introduces different way.” contemplated, andcanbesharedina sphere, “wheretheselfiscaredforand the non-aestheticsofprivate design orperiodizationtoemphasize for thehomedefyrigidconceptsof of taste. These functionaldecorations 1

Berlin andSeoul. artist category. Yang livesandworksin inaugural Noon Award in theemerging received the8thGwangjuBiennale’s Artsonje Center, Seoul. The artist Biennale; andasoloexhibitionat Joo, February6,2009. 1. Haegue Yang inconversationwithEungie 55 the Anyang Public Art Project2007;the such asthe2006SãoPauloBiennial; in numerousinternationalexhibitions Haegue Yang’s workhasbeenincluded “10,000 Lives,”the8 Biennale, 2009;andmostrecently Center, Minneapolis;the53 “Brave New Worlds,” Walker Art Equality,” REDCAT, ; the 2008 Triennale; “Asymmetric th CarnegieInternational,Pittsburgh; th Gwangju rd Venice LOBB J Yang,” 53 “Condensation: Haegue Installation view, Voice and Wind, 2009. Vulnerable Arrangements— Haegue Yang, Seriesof O of the New Museum. provided by the Producers Council Haegue Yang” is generously Support for“Voice and Wind: of thiswork. Pavilion for the original presentation as Commissioner of the Korean and PublicPrograms.Jooalsoserved Director and Curator of Education curated by Eungie Joo, Keith Haring “Voice and Wind: Haegue Yang” is Chanruechachai 2009. Photo: Pattara anuary ctober rd Y , gallerY 20, 2010– 23, 2011 2011–February 2012). Modern Art, Dublin(November 15, conclude attheIrishMuseumof 17–October 16,2011); andwill 2011); Miami Art Museum,(July Art, (February12–June19, Scottsdale MuseumofContemporary (October 8,2010–January10,2011); Washington University, St.Louis Mildred LaneKemper Art Museum, Like Any Other”willtraveltothe “Rivane Neuenschwander: A Day S Next Photo: BenoitPailley Museum visitors. and photographing New Intern, for interviewing Brickman, Curatorial Thank you to Rebecca Villeurbanne Next S OCTOBER 3, 2010 THROUGH LAST CHANCE galler (October 16–November28,2010). Contemporain, Villeurbanne, France will travel to the Institute d’Art “Brion Gysin: Dream Machine” t econd . L ouis S S top top y

floor : : Neuenschwander and the public. about hisexperienceworkingwith Criminal Justice answers some questions the craft at the John Jay College of forensic artist and an instructor in artists. Here, Cary Lane, a professional first fell in love with to trained forensic visitors to describe the person they offering as it does the opportunity for (2005– ) artist isknown.HerworkFirstLove spirit for which this Brazilian Conceptual visitors and display the generosity of to direct interaction with the museum’s installations that open themselves up “A Day Like Any Other” features several Rivane Neuenschwander’s exhibition effects generatedbythedevice’s motion.” prairie type terrain, sparked from the light able to‘see’ landscapes;sortoflikearolling- Engaging withtheDreamachine today, I was experience here was very much different. psychedelic aspectsofthedevice.My only able to really experience the basic I attempted to foster imagery, but was in Oklahoma.Irememberhowbackthen set up a similar apparatus in my apartment “About twentyyearsago,afriendofmine ,CA Digger Barbour-Duncan mind tovisuallywander.” as it essentially provides a facility for your your ownheadinfrontoftheDreamachine, of the exhibition. You can get kind of lostweird, in I think it’s a really amazing componentto let go of understanding that opportunity as an art museum. That being said, if you’re able psychedelic experiencewithinthesettingof “It’s weirdtohaveanintendedpersonal/ New York, NY Emma Whisler What’s itlike tousea is one of the most exemplary,

Brion Gysin:DreamMachine Rivane Neuenschwander:

A DayLike Any Other

Traveling Exhibitions down, themovementcomesinwaves.” rhythm ofthelightsspeedsupandslows changing rapidly out on the street. The flashing lights,likemaybetrafficlights physically moving. It has the effect of by someexternalsource…likethey’re eyelids arevibrating,orbeingvibrated experience becomes. It feels like your “The closer you sit, the more intense the New York, NY (words are primarilyJaeger’s) Angela Jaeger and Alan Licht relaxing experience.” formation of different shapes. It was a of oranges and yellows, and I saw the open, both experiences were a visual blur Dreamachine with my eyes closed and in amuseum.Ilikedlookingatthe anticipate that sort of activity to be a really interesting experience; I didn’t “Interacting withtheDreamachine is United Kingdom Jennifer Martin and identifying eachwitness’ strengths pinpointing nuances. Understanding follow-up questions andstrategiesfor me visualizethefaceandformulate successful forensicdrawing.It helps CL: Listeningskillsareessential fora the faceshidingintheirpast? collaborating withparticipants torealize NM: What isakeyelement for youin drawings themselves. of finding the face, more so than in the project would lie in the interactive process to understand that the dynamism of this her workandtheviewer. Shereallyseems is veryinterestedinconnectionsbetween this projectitseemslikeNeuenschwander Cary Lane: Based on my involvement in during thisprocess? Neuenschwander’s artisticpractice New Museum: What didyoulearnabout

Dreamachine was seeing.” The music went so well with the images I discomfort Ihadfeltinitiallydisappeared. Jajouka track. That was amazing; all of the Dreamachine, the Master Musicians of which issupposedtobepairedwiththe Then, I turned on the music on the iPod, sensation was actually a bit uncomfortable. other geometric shapes in my eyelids. The around myeyes.Ibegantoseecirclesand without any music, I felt a sort of twitching “Initially, IexperiencedtheDreamachine Knoxville, TN Susan Spivey honored todraw her. deep lovehehad forhiswifeandIwas rounded featuresofherface.I felt the his wife’s 1940sbobhaircutandthe and didanexceptionaljobofdescribing However thewitnesswasvery stoic, on duty—welledupduringthe session. Several spectators—andevena guard after sixty-fiveyearsofmarriage. emotional wasthatshediedlastyear years ago! What madethisespecially love withherin1942. That’s sixty-eight wife’s facefromwhenhefirstfellin year-old participantwhodescribedhis CL: Nonemorethananinety-one- emotional momentsduringtheprocess? NM: Were thereanyparticularly a dividendofkeenlistening. elements withintheirstrengths—isalso and limitations—andguidingthemto what Iwassupposedtobeseeing.” participation. I liked that I didn’t know stressful. I didn’t expect this level of viewer of annoying, and eventually maybe even speed oftheflickeringlightbecamekind feeling. After a couple of minutes, the in that room made me feel. It was a weird “I cannot really describe the way sitting Colombia Felipe Florez

?

Family Senior Curator. curated by Laura Hoptman, Kraus “Brion Gysin:DreamMachine”was Bonakdar Gallery. Stephen Friedman Gallery, and Tanya is provided by Galeria Fortes Vilaça, Additional support for the catalogue Fund at the New Museum. and G. Mills Publications Diefenbach, andtheJ.McSweeney James-Keith (JK) Brown and Eric G. publication is made possible by Support for the accompanying Photography Fund. and The RobertMapplethorpe and Andrea and José Olympio Pereira, Ebers and J. Bruce Flatt, Ken Kuchin, Patricia Phelps de Cisneros, Lonti York, Fundación Cisneros / Colección Consulate General of Brazil in New Additional funding is provided by the Jacques and Natasha Gelman Trust. by a generous grant from The This exhibition is also made possible by agiftfromRomeroPimenta. exhibition venuesismadepossible The presentationof Council oftheNewMuseum. López, andtheLeadership Dimitris Daskalopoulos,Eugenio Any Other”isprovided by Neuenschwander: A DayLike Major leadsupportfor “Rivane Richard Flood, Chief Curator. Like Any Other” was curated by “Rivane Neuenschwander: A Day New Museum. Mills Publications Fund at the by the J. McSweeney and G. publication ismadepossible Support fortheaccompanying Peter Hatch. by SusanHancockandHilary Fund. Additional supportprovided Robert MapplethorpePhotography Robert LehmanFoundation,and The Lonti EbersandJ.BruceFlatt,the by generouscontributionsfrom This exhibitionisalsomadepossible American Art. Arte and the Terra Foundation for y Bernard Ruiz-Picasso para el provided bytheFundación Almine Generous grants have also been Philip Aarons. Akeroyd and Shelley Fox Aarons and Dream Machine”providedbyShane Major leadsupportfor“BrionGysin:

First Loveatall

TRAVELING EXHIBITIONS TRAVELING

11 12 UPCOMING EXHIBITIONS Elizabeth Goetz Museum of Art. Collection Marianna Kistler Beach Kansas State University, York, 2009. Collection DACS, London/VAGA, New New York. ©Lynda Benglis. Art. Courtesy Cheim&Read, Kistler Beach Museum of State University, Marianna Installation view, Kansas (299 x1,066.8 x243.8cm). pigments, 8 1/2 x 35 x 8 ft with phosphorescent 1971. Polyurethane foam Lynda Benglis, Phantom, Collection, Normandy (152.4 x121.9 cm). Springer Oil oncanvas, 60x48in Antipodular Portait, 1996. George Condo, Red 1957). Concentrating on twenty-five Condo (b. Concord, New Hampshire, of work by the American artist George the first retrospective of twenty five years in London, the New Museum will present Coorganized with the Hayward Gallery expanded for its New York debut. School of Design, will be significantly with the Museum of the Rhode Island consortium of museums in Europe along This exhibition, organized by a sculpture milieu will also be presented. on themachismoofNew York sculpture to create a potent commentary Benglis and a strategically placed bronze 1974 Artforum advertisement featuring interventions including the infamous material on Benglis’s landmark media The Graces (2003–05). Documentary recent works in polyurethane such as the 1980s and ’90s; and her more Props); pleated-metal sculptures of installation Primary Structures (Paula’s and quotidian materials; the 1975 1970s that incorporate gold leaf, glitter, video work;Torsos andKnotsofthe reliefs of the late 1960s; groundbreaking latex sculptures and bronze casts; wax includes her extraordinary early poured Spanning forty years, this exhibition would come to be called “anti-form.” by merging feminist content with what rigors of modernism and Minimalism and challenging work that questions the Louisiana), known for her pioneering Lynda Benglis (b.1941, Lake Charles, of the seminal American sculptor This is the first museum retrospective George Condo:MentalStates Upcoming Exhibitions in the US and in Europe, because of to two generations of figurative painters Condo’s work has been deeply influential humorously grotesque, features. ladies, despite their often fantastic, or butlers, businessmen, saints, or cleaning portraits remain recognizable as types: figure, costume, and attribute, Condo’s old-masterish attention to every detail of highly detailed naturalism that gives imaginary yet do not. Painted with a existed. Condo’s portraits are wholly depicts an individual who exists, or once entities. Conventionally, a portrait that spawned a race of entirely imagined developed “artificial realism” as an idea genre. Beginning in the mid-1980s, he a wholly unique way to interpret this a portraitist, but one who has devised Gorky. Condo has been most prolific as from Velásquez to Picasso to Arshile Western artistsofthepast500years— appropriation of elements of the greatest been innovative in its assimilation and comprehensive survey of a career that has as well, the exhibition will offer a years of painting, but including sculpture of materials. Most recently, she has to expand the possibilities of a range Benglis’s interest in process led her Phantom will be on display. an event of art historical importance that artist’s earlyachievements,anditistruly come to be considered the apex of the through photographs, these works have Benglis made at the time. Known mainly several site-specificensemblesthat University forty years ago, is one of Kansas State since it was created for an exhibition at first time in New York work, seenforthe enormous reliefs. This consisting of five sculptural grouping (1971), apolyurethane will includePhantom Museum exhibition significantly, the New Art. Even more Museum of American loan from the Whitney forty feet,willbeon measuring almost poured sculpture and most significant Benglis’s largest Contraband (1969),

Lynda Benglis Boijmans van Beuningen in . Kunsthalle, Frankfurt; and the Museum Hayward Gallery, London; the Schirn Condo: Mental States” will travel to the New Museumpresentation,“George Will Self and David Means. After the Museum; as well as the fiction writers Kraus Family Senior Curator at the New the Hayward Gallery; Laura Hoptman, essays by Ralph Rugoff, Director of be accompanied by a catalogue featuring centerpiece of the exhibition, which will styles, sizes, and types will be the of more than fifty portraits in myriad A dramatic installation of a collection in close collaboration with the artist. thematic sections or chapters developed from 1982 to now will be presented in edited collection of works dating is famously prodigious, and this tightly of the new century. Condo’s production focus of intense interest at the beginning the 1980s, his work again became the of his career in New York and Paris in subject matter. After the first blossoming stylistic versatility, and imaginative the artist’s astonishing technical ability, Providence; andtheNew Museum. Art, RhodeIsland SchoolofDesign, Le Consortium, Dijon;Museumof with the Van Abbemuseum, Eindhoven; Modern Art, Dublin,incollaboration organized bytheIrishMuseumof the exhibition. The retrospectiveis hardcover monographaccompanies gravity. A 300-page,fullyillustrated physicality, andsometimesevendefy still havegreatimmediacyand references, Benglis’s latestsculptures take thebodyandlandscapeasprimary paper, andgoldleaf.Continuingto experimented withplastics,castglass, floor galleries third andF May J possible by This exhibitionismade Senior Curator. Laura Hoptman, Kraus Family “Lynda Benglis” is curated by floor galleries lobb July February Panos Karpidas. Mental States” is provided by Lead support for “George Condo: of theHaywardGallery. Museum and Ralph Rugoff, Director Family SeniorCuratorattheNew co-curated by Laura Hoptman, Kraus “George Condo:MentalStates”is anuary 15, 2011 13, 2011 y ANDSECOND 26– 9– ourth

Initiatives Education galler Fifth floor September 26 THrough Project Library Bidoun as Hub: Museum Neuenschwander’s IWish Your Wish. (age sixteen) replenish Rivane Yuwei (age eighteen), and Joygill (age ninteen), Sally (age eighteen), Emmett (age seventeen), Nian y

likewise, the Museum has made a has had a profound effect on its culture; The teens’ imprint on the New Museum marketing strategies. public programs to exhibition design and the New Museum from gallery tours and apprentices learned the inner workings of visits. During the two-month program, seminars, hands-on training, and site from New Museum staff through contemporary art and culture by learning to develop an understanding of students with a unique opportunity Program, which provided six high school launched the Junior Museum Apprentice In July, G:Class at the New Museum it know we as East Middle the when War,Cold the of context the against World War,Second the set after period twentieth century—specifically,the debut, the Bidoun Library addresses the New York. ForitsNorth American envision a version of the library for as Hub partners invited Bidoun to recognition of this affinity, the Museum and a network of collaborators. In Library is at once a space, an archive, like the Museum as Hub—the Bidoun Middle East. Like the magazine—and Bidoun: Arts andCulture From the the workofquarterlymagazine Middle East. It evolves from and extends matter in, near, about, and around the Museum presents five decades of printed The Bidoun Library Project at the New and ZoyaKocur, ChitraGanesh,Lan countries; essaysbySusanCahan seven contemporaryartistsfromfifteen The bookincludesentriesonfifty- contemporary artintotheclassroom. practical resources to incorporate with the theoretical foundations and book provides educators and students the New Museum and Routledge, the educational pedagogy. Co-published by on the role of contemporary art in Education is a resource that focuses Contemporary Art and Multicultural The forthcomingpublicationRethinking Rethinking ContemporaryArtandMulticulturalEducation G:Class internstake theNewMuseumbystorm! Daniel Guzmán*, Rachel Harrison*, Sharon Fischer*, Carlos Garaicoa, Shilpa Gupta*, Cruzvillegas*, Hasan Elahi, Cao Fei*, Urs Use Interpretation*, Nikhil Chopra*, Abraham Ginger Brooks Takahashi*, Center for Land Bowers, MarkBradford*, Shaina Anand, Edgar Arceneaux, Andrea Education featuresworksbyandwritingson: Rethinking Contemporary Art and Multicultural at. lives and how they got to where they’re talk overlunch. Just tellingusabouttheir staff members and department heads and where we got to sit down with different really likedthe‘LunchandLearns’ Technical High School, explains: “I Joygill (agefifteen),fromBrooklyn to experience anything and everything.” whole. how thosepartsworktogetherasa of everything at the Museum and learned reflects: “I’ve gotten a taste of a little bit Baruch College Campus High School, graduate Yuwei (age eighteen), from significant impact on the teens. Recent Orientalism to its opposites.” Muslims, revolutionaries to royals, and War to the hot pant, Pan-Arabs to Black the oil boom to the Dubai bust, the Cold periodicals, on subjects ranging from guidebooks, andpamphlets and propaganda, monographs, and the project consists of “pulp fictions In thewordsofBidounlibrarians, acquired specifically for this exhibition. publications, most of which were The collection includes over 700 magazine. the newspaper, andtheperiodical book, the were word written the of forms predominant the which in period last the perhaps page, printed the of heyday the was It own. its into came through art. issues, andlocalglobalconflict democracy, history, environmental subjects includingidentity, activism, than fortylessonplansthatexplore Tuazon, andKara Walker; andmore That’s prettycool.”

The program takes a willingness Gallery Guide. during his shiftasa Neuenschwander exhibition with avisitor inthe Rivane Emmett (age seventeen) talks public programattheNewMuseum. *These artists have exhibited or presented a Yang*, Yin Xiuzhen,and Artur Żmijewski* Walker *, Nari Ward*, Kehinde Wiley, Haegue Sarah Sze,Rirkrit Tiravanija *,Danh Vo, Kara Lorna Simpson*, Jeff Sonhouse, SUPERFLEX*, Lara Schnitger*, Lisa Sigal *, Taryn Simon, Michael Rakowitz,PedroReyes*,Rigo23*, Peyton*, Annie Pootoogook, Walid Raad*, Catherine Opie, Clifford Owens, Elizabeth Rivane Neuenschwander*, Noguchi Rika, McKenzie*, Julie Mehretu*, Wangechi Mutu*, Daniel Joseph Martinez, Barry McGee*, Dave Margaret Kilgallen, An-My Lê, Glenn Ligon*, Emily Jacir, Michael Joo*, Lauren Kelley*, Leslie Hewitt, Huang Yong Ping, Runa Islam*, Hayes*, Susan Hefuna*, Jonathan Hernandez*, Townhouse Gallery, inCairo,Egypt. at ourMuseumasHubpartner, the will be re-envisioned for a new audience of the Bidoun Library Project, the library Following the New Museum installation Adventure Book. Terrorist Trap: A Choose Your Own Experience withTerrorism andThe between The Terrorist Trap: America’s the Bidoun Library, mapping the space these guidebooks act as glossaries for excerpts, andimagereproductions, ceiling. Combining textual fragments, by guidebookssuspendedfromthe clusters, introduced and contextualized carefully organized into thematic searches, thesedifferent textsare Sourced primarilythroughinternet

Naho Kubota Library Project, 2010. Photo: Museum asHub: Bidoun New York StateCouncilonthe Arts. Department ofCultural Affairs, andthe Family Foundation, the New York City Edison, theMayandSamuelRudin Fund oftheMacy’s Foundation,Con possible by The Bloomingdale’s Additional programsupportismade Workshop Programfor Teachers. Chase Professional Development support providedbytheJPMorgan New Museum. Additional endowment Fund forEducationProgramsatthe William Randolph Hearst Endowed Education ProgramsFund,andthe Brothers Fund,theSkadden, Arps and Youth Programs Fund, Rockefeller The KeithHaringFoundationSchool Endowment supportisprovidedby Agnes Gund. possible by a generous grant from Multicultural Education is also made Rethinking Contemporary Art and Sponsored by Programs attheNewMuseum. Hearst Endowed Fund for Education Fund, and the William Randolph Skadden, Arps EducationPrograms the Rockefeller Brothers Fund, the Endowment supportisprovidedby State Councilonthe Arts. Cultural Affairs and the New York the New York City Department of Museum as Hub is made possible by Foundation for Arts Initiatives. the Bohen Foundation, and the support of the Emirates Foundation, Bidoun would like to recognize the in partnership with Abu Dhabi Art. The Bidoun Library is presented bidoun.com From theMiddleEast. magazine Bidoun: Arts and Culture This exhibition is organized by the Employment Program. Development’s Summer Youth Department of Youth & Community Planning Council as part of NYC support of the Chinese-American Program wasmadepossiblebythe The JuniorMuseum Apprentice

EDUCATION

13 14 PUBLIC PROGRAMS Photo: DonaAnnMcAdams (original production) THEM,1986, courtesy theartist performance, 2008. Image Anne Waldman in Council oftheNewMuseum. provided bytheContemporary Additional supportisgenerously Ford Artists Talks Fund. provided by the Charlotte and Bill endowment supportgenerously Eve Steele and Peter Gelles, with Propositions ismadepossibleby Photo: C. Jones Mercer Union, Toronto, 2009. Street Poets and Visionaries, Kenneth Goldsmith at 25. This epiceventbringstogetherthree Ghost: PoetryMarathononSeptember closing weeksoftheexhibitionwith Our Gysinprogrammingculminatesinthe the artist Future. Image courtesy Sharon Hayes, IntheNear presented atPerformanceSpace122in and ChrisCochrane(music),originally collaboration with THEM, an intensely visceral interdisciplinary Houston-Jones revisitstheseminalwork process attheNewMuseum,Ishmael Over thecourseofanextendedrehearsal writer/director choreographer Museum showcasestheworkofdirector/ performance residencyseries,theNew As partofourRE:NEW RE:PLAY collective activitiesandpersonalactions. that exposedramaticfrictionsbetween and installation,creatingsituations artist whoworksinperformance,video, by Sharon Hayes,aNew York–based October 15–16features aProposition to propelthemforwardinuniqueways. responded to,“researched,”anddiscussed seminar session,thesedevelopingideasare intellectual practice.Overthecourseofa in aninvitedspeaker’s ownartisticor introduces atopicofcurrentinvestigation ideas indevelopment.Eachtwo-dayseminar Propositions isapublicforumthatexplores Ishmael Houston-Jones Young JeanLee. Dennis Cooper(text) Public Programs Ishmael Houston-Jones and YoungJean RE:NEW RE:PLAY: Gysin’s Poetry Marathon and Gysin’s Ghost: Propositions include Museum’s seventhfloor. Participatingpoets a daylongpoetryreadingontheNew generations ofpoetstoparticipatein 21–30, 2010. premiere atPerformanceSpace122October Museum residency, years later. ImmediatelyfollowingtheNew work anditsreconstructiontwenty-five and vital”( propelled thecreationofthis“aggressive 14), addressingtheartisticimpulsesthat AND NOW panel discussion)collectivelytitled a danceperformance,concert,and culminate inaseriesofprograms(including 1986. OpenrehearsalsattheNewMuseum Dragons FlyingTo Heaven). As partof and HERE Arts Center(Songsofthe Space 122(Church andPullman,WA), The Public Theater ( The Appeal), The Kitchen( directed herplaysatSohoRep( a Proposition by Young JeanLee,whohas public opinion. to rethinktheirrolesintheconstructionof which crowdsandindividualsareinvited speeches, andorganized demonstrationsin theater, Hayeshasstagedprotests,delivered language ofpoliticsandthedramaturgy of With interventionsthatareinspiredbythe Christian Bok,Mónicadela Torre, Village Voice (September 24–October November 12–13features THEM will have its 2010 Church), Performance ) performance Photo: ErikLee Snyder Martin, 2010. Max G. MortonandF. Sean The Shipment), Lear and THEM Lee Mayer, and Anne Waldman. Goldsmith, Tim Griffin,Bernadette Aaron Dilloway, JohnGiorno,Kenneth kaleidoscope of female gazes. gazes. female of kaleidoscope a through body female the reframing and framing media, visual through women of exploitation the overcome to trying of limits and possibilities the explores extravaganza multimedia This objectification. female of subject the attack to approach disorienting signature her uses Lee Young Jean writer/director Technology Show(December 16–19), Multimedia Feminist In Untitled Byron Kim(May20–21). 29), Doug Ashford (April29–30),and spring withChusMartinez(January28- Propositions havebeenconfirmedforthe series RE:NEW RE:PLAY. Additional performances inDecemberaspartofthe the NewMuseum,withwork-in-progress throughout themonthofNovemberat which willbeworkshoppedinresidence Feminist MultimediaTechnology Show to thedevelopmentofanewwork( Propositions, Leeexploresideaspertinent Untitled ), Videos from Brazil Experimental Filmsand of Constructing Views: Mario Peixoto (1931), part A still from Limite by Lee’s production of LEAR. Rehearsal for Young Jean Photo: Blaine Davis Young Jean Lee Photos: AnnaMackenzie contribute a list of recommended books books recommended of list a contribute NM: You wererecentlyinvitedto American Charles Burchfield. gentle bend like Robert Walser or the Hauser-type misfits of a more silent and the more marginal or locked away, Kaspar and away and it kind of started a love for That influencedmegreatlyasawayout great and radical Matthes & Seitz Verlag. German editions,publishedbythethen of Bataille and Artaud—in beautiful As a teenager I stumbled into the works reading was sanctuary, early on and still. incomprehensible when I was a child and away from. Everything seemed utterly Hungarian border, a good place to be class” in Styria, Austria near the HP: I grew up “futureless working some of your early influences? and how did you grow up, and what are NM: What’s your background? Where shaping things there. first as clerk and assistant buyer—fell into with booksallmylifeandgradually— store and asked for a job. I had worked show, walked down the stairs into the I had come to see the David Wojnarowicz yes. Back at its old location on Broadway, Herbert Pfostl: Something like ten years, involved withtheNewMuseum? ten years,right?Howdidyoufirstget a buyer for the New Museum for around New Museum: You’ve been working as New Museum Store Buyer Herbert Pfostl New MuseumStoreBuyerHerbertPfostl lets usinonhisinfluencesandwork. Radical Shimmer Artist, author, andveteran publishing company? your manycreations.Isitablog? A blogspot.com) isanotheroneof NM: BlindPonyBooks(blindpony. melody in a Robert Bresson film. in tone and gesture maybe like a Schubert murmurs, whispers.Notgrimeitherbut Aries to Wittgenstein. No statements but long forgotten”—170 fragments—from parables “from sources both known and of death,” composed like a sonata in create abookonthe“fairytaleforest and fragments from our readings to markings in books. We used my work but the memory of him. No diaries, no young without leaving anything behind HP: A very close friend of mine died the trulyliving.” What’s thisabout? death dedicated to “the deeply dead and book To DieNoMore, an anthology about Minta and James Walsh on the artist’s NM: You collaborated withKristofor ones that one reads to keep going. that are closest to my (art)work and the libraries. The books I live with are those HP: My books are spread over a few NM: What isyourpersonallibrarylike? ends inanunmarkedgrave. comes with troubled greatness. It usually underbelly of things and the despair that music, and pop tragedies. The seedy and funeral marches), old American ländler [a folk dance popular in Austria] ever swerving into a little disreputable, between Gustav Mahler (the very serious, cultural sensibilities are there, somewhere a wine-garden Austrian likemyself.My great. Very American and intoxicating for jazz cornetist, all rather apocryphal but Ondaatje bookwasonBuddyBolden,the and there is a Darger industry now. The book on him after that. But it’s out of print great. There did not need to be another I mention there—that edition was just as it is calculated. But the Darger book business is grotesque and as helpless grand, beautiful. The whole outsider art heartbreak and sinking signals, endlessly a collection of caustic fairy tales, all mentioned because as book it was like always shifting. The Prinzhorn book I asylum. The boundaries of course are HP: I liked doing it. Yes, a lot of art and sensibility? cultural your about me tell you Can dementia. and genius between similarity sees who Ondaatje, Michael asylums; in time spent whom of both Darger, Henry and Artaud ill; Antonin mentally the by made art cataloged who historian art the Prinzhorn, Hans art: and insanity between boundary flimsy a with do to have selections your of Many column. Libris” “Ex D.A.P.’s to well-regarded find anywhere else. are looking at something that you can’t it has worked beautifully—and I think we shoulders, by creating its own aura. So far programming, but by standing on its own a store that supports the Museum’s HP: Ihavechallengedmyselfto curate about the New Museum? NM: What do you find most challenging shimmer inboth. hopefully there will be gravity, a radical the conceptual and the object always, and hand-in-hand oran“alongside”between object and that is fine too. But I imagine a people. There is reading without the will always count for something to some and thatyoucantakeithomewith but the smell of things, the weight of it, be “kindled,” if only to save the paper, so many godawful books that should is such a flood of poor reading material, buying bookswillnotdisappear. There looking activity, a form of nostalgia. But HP: Ithinkreadingisabackwards- traditional publishing? between emerging technologies and NM: What’s your take on the relationship book form,soonerorlater. shows—but it all kind of comes to me in hobnob very much and I don’t see enough New Museum or outside of it. I don’t and arrange—wakingorsleeping,atthe doing—most of the time. I always look situation still because I do what I love HP: I don’t sleep much. But it’s a happy New Museum? much? What’s your life like outside of the do you find time to work? Do you sleep of output and what you take in. How NM: You get so much done, both in terms for that. criteria forallthings—tofall,toallow time there—andgetlost.Itwouldbemy what Iamafter. Iwantpeopletospend HP: That textIwrotetogivethefeelof riveting. One could spend days and days. time looking over everything there. It’s invite people to come back and spend and many of the beautiful dead”? You their ships at the bottom of the oceans with white stags and drowned sailors in saints and black robbers in their forests “drawings andpaintingsofanimals blogspot.com), where you record your Paper Graveyard(papergraveyard. NM: And what about Herbert Pfostl’s to my work. The tone is similar to the book and similar of gravity that I find missing elsewhere. and image) on subjects that have the sort life now as a garden for fragments (in text prelude toTo DieNoMore. It has its own HP: Blind Pony Books was created as

Herbert PfostlHerbert Blind Pony Books 2008 Pfostl,Herbert To DieNoMore,

PROFILE

15 EVENTS 17 NEW MUSEUM SPRING GALA NEW MUSEUM Mary honoring Gala Spring Museum New The 7 at place took Hoffmann Maja and Heilmann party year’s This 2010. 22, April on Trade World Vanessa featured a Brazilian theme, music by After Party! Many da Mata, and our first ever Alice Braga thanks to our Honorary Co-Chairs Gala fabulous our and Costa, Francisco and and Eisenberg, Mitzi Aarons, Fox Shelley Chairs Charlotte Ford. From top left: Susan Feinstein; Jack Pierson; David David Pierson; Jack Feinstein; Susan left: top From Katharine Huntington, Anne Grimaldi, Elizabeth Heller; Shelley and Aarons Phil Dolan; Wallis and Zarrella, Vanessa Heillmann; Mary and Giorno John Aarons; Fox Fernanda Lindgren, Heide Hoffmann; Maja Mata; da Desiree Ford; Charlotte Henderson; Julie and Motta, Mitzi Maluca; Phillips; Lisa and Braga Alice Rogers; and Sobieski Leelee Lazarus; Joan and Charles Eisenberg; All photos © PatrickMcMullan.com Christopher Bollen. SKIN SKIN RIVANE RIVANE From top left: Jeffrey Jeffrey left: top From Powell, Paige Deitch, and LaChapelle, David Gioni;Massimiliano de Michaela and Simon Brosnan; Pierce Pury; Lauper, Cyndi Brant, Peter Dakis and Koons, Jeff Joannou; Bec Stupak and Malcolm Stuart; Michael and Phillips Lisa Stipe; © photos All Edge. The PatrickMcMullan.com " FOR PARTY OPENING THE FROM SELECTIONS FRUIT: " COLLECTION JOANNOU DAKIS OPENING PARTY FOR " OPENING PARTY NEUENSCHWANDER: LIKE ANY OTHER" A DAY From top left: Richard Flood and Rivane Rivane and Flood Richard left: top From Aarons, Fox Shelley Gonzalez, Manuel Neuenschwander; Bottoms, Io Ngo, Chau Iraola; Jose and Joo, Eungie Lucy Dilf; Svetlana and Sagan, Sasha Dunst, Kirsten Carlos Dennison; Ellyn and Dennison, Saul Dennison, Nate and Linden, Hannah Theroux, Justin Quirarte, All photos © PatrickMcMullan.com Lowman. ART STUDY TOUR ART STUDY New Museum Trustees, Leadership Council Members, Members, Council Leadership Trustees, Museum New South to traveled Members Council Producers and led Gwangju and Seoul to Tour Study Art an for Korea of Curator and Director Haring Keith Joo, Eungie by artist explored group The Programs. Public and Education studios, private collections, and museums, and attended by directed Biennale, Gwangju the of opening grand the the at Exhibitions Special of Director Gioni, Massimiliano New Museum. - NEW MUSEUM BLOCK PARTY BLOCK NEW MUSEUM a hosted Museum New the 2010, 24, July On activities art and tours, performances, free of day highlights year’s This Park. Roosevelt D. Sara in Hisham by performances musical included Adam Matta and Akira Bharoocha (hishamb.net) AZ (post- Postcards to (adammatta.com) and and Gerdes Benj by project a cardstoaz.info), invited are visitors which in Hayshida, Jennifer Arizona in neighbors their to postcard a write to the implementation of the controver by affected Block year’s This 1070. SB law immigration sial 2,370 with yet, successful most our was Party in attendance! neighbors and art lovers BRION GYSIN: GYSIN: BRION

Photos: Adi Shniderman Adi Photos: P-Orridge; Ben Olson, Cassandra Jones, and Heidi Lee. Lee. Heidi and Jones, Cassandra Olson, Ben P-Orridge; ; Beaut; Genesis Breyer Breyer Genesis Beaut; ; the Dreamachine visitors using From top: James Pfeiffer and Laura Hoptman; Hoptman; Laura and Pfeiffer James top: From Factory Complaint With live music by John Zorn, Beaut, and York York and Beaut, Zorn, John by music live With VIEWING FOR " FOR VIEWING " MACHINE DREAM PARTY AND PRIVATE PRIVATE AND PARTY

EVENTS

16 The New Museum gratefully acknowledges the support of the following individuals, corporations, foundations, public agencies, and members that support our annual programs Members Edition THANK and general operations. Sincere thanks to all New Museum Members whose support is crucial to our mission and program. YOU! The New Museum Paper is supported, in part, by a generous gift from Hugh J. Freund. Susan Batton and Graeme Birchall Maja Thomas CONTEMPORARY COUNCIL MEMBER LEADERS PREMIUM MEMBERS Graeme Birchall first got involved at the After moving back to New York after New Museum because he wanted to embrace The Andy Warhol Foundation Carnegie Corporation William Randolph Hearst years in Los Angeles, Susan Batton and contemporary art. Rather than “waste a for the Visual Arts of New York Foundation Maja Thomas wanted to support the New perfectly good lifetime not appreciating Museum and its programs, which they feel something that many others obviously “are among the most innovative.” did,” Birchall became involved in the New Museum and now encourages everyone Thomas, a Grammy award-winning he meets to do the same. His favorite part of being involved with the Contemporary Spotted! Engman Stacy producer, is the Senior Vice President of Hachette Digital, engaged in the digital Council has been the introduction to new For more information on transformation of the publishing business. ideas and new viewpoints and “the access Deluxe and Premium Stacy Engman Membership …A group of New Museum Batton is a museum professional, most to people that I’d otherwise not encounter.” Members strolling down the Birchall thought that I Wish Your Wish contact Joyce Sitterly at BOARD OF TRUSTEES The John S. and James L. Knight Foundation SUPPORTERS PRODUCERS COUNCIL DELUXE MEMBER recently editing the book Modern Views [email protected] alleyway to Freeman’s for by Rivane Neuenschwander was “a very Shelley Fox Aarons Panos Karpidas American Express Susan Almrud dinner after seeing “Rivane Inspired by the Mies van der Rohe or 212.219.1222 x228 interesting, beautiful, and successful work.” Dieter Bogner Nate Lowman AOL Inc. Deborah and Richard Born Neuenschwander: A Day Like Stacy Engman, the Chief Curator of Farnsworth House and the Philip Johnson New York State Council on the Arts However, his favorite New Museum James-Keith Brown Roland Augustine and Lawrence Luhring Rebecca and Martin Eisenberg Any Other” and “Brion Gysin: Contemporary Art at the National Arts Glass House published by Assouline. She Saul Dennison, President Anna Parkina Trust Louise Eliasof and James Sollins Dream Machine.” happening to date has been the new building For more information on Club, joined the New Museum as a is looking forward to a new position as Jon V. Diamond Peter Morton Foundation Melva Bucksbaum and Raymond Learsy Susan L. and Arthur Fleischer, Jr. at 235 Bowery. Council Membership Member this year, bringing sparkle and Managing Director of Dia:Beacon this fall. contact Rachel Coker at David Droga Romero Pimenta Citi Private Bank Stacey and Robert Goergen François Pinault …Member Josh Solon flare with her larger-than-life style and [email protected] Lonti Ebers Con Edison Carol and Arthur A. Goldberg Eva Presenhuber indulging in a delectable personality. The always-fashionable and A visit to Marilyn Minter’s studio was their or 212.219.1222 x260. Mitzi Eisenberg Shannon Connelly Marsha and Michael Gustave Skadden, Arps, Slate, Meagher & Flom LLP pretzel croissant from Stacey and Rob Goergen Susan Feinstein The Cowles Charitable Trust Susan Hancock beaming Engman calls the New Museum most memorable activity as Members. Sotheby’s Birdbath created by The City “one of our city’s gems” and says it “feels They enjoy the crowds at openings that William E. Ford Exposure USA Elizabeth R. Hilpman and Byron Tucker PRODUCERS COUNCIL MEMBERS There are many ways in Stephanie French Steven A. and Alexandra M. Cohen Susan Freedman Barbara S. and Gedale B. Horowitz Bakery, the New Museum’s like an adventure every time” she visits. “feel like a combination of fashion show, new café, where Members which you can support the John Friedman Foundation, Inc. Fundación Cisneros / Colección Patricia Lisa Ivorian-Jones She calls our Pritzker Prize-winning carnival, and theater piece.” Their favorite enjoy 10 percent off. Locals to the SoHo neighborhood, Stacey New Museum beyond a cash Sunny Y. Goldberg Target Phelps de Cisneros Tina Kim and Jaewoong Chung building “an urban obstacle course or Member benefits are tours of personal donation. To learn about the The Teiger Foundation and Rob Goergen have been regulars at Lola Goldring General Atlantic LLC Paul J. Leaman some sort of jungle gym for adults.” collections, because they love to see how New Museum’s planned Manuel E. Gonzalez Terra Foundation for American Art Greene Naftali Gallery Francine LeFrak and Rick Friedberg the New Museum for years. They joined …New Museum Director people live with art. giving program, please call Ellie Gordon Hilary and Peter Hatch Jane K. Lombard the Producers Council in 2010 as a way 212.219.1222 x260. of Special Exhibitions, As a curator, Engman appreciates the Julia Gruen CONTRIBUTORS Hermès Iris Zurawin Marden Massimiliano Gioni, giving to get more involved through studio visits, Altoids “sensitivity to the more daring shows that They also collect, focused on emerging David Heller Inter Rhône on behalf of HL Group Jennifer McSweeney and Peter Reuss Museum Trustees, Leadership collection tours, and artist talks with our Asian Cultural Council she feels the New Museum does very well.” artists for the freshness of the work, as well Maja Hoffmann The L Magazine Byron R. Meyer Council Members, and curators. Stacey Goergen, as Director of Ruth Horowitz André Balazs / The Standard, New York Lutron Electronics Co., Inc. George P. Mills Producers Council Members as the opportunities for involvement with Bank of America th SmartSpaces, which puts contemporary Dakis Joannou Martek Biosciences Barbara and Howard Morse an exclusive tour of the 8 And very importantly, Engman the artists, and seeing the work grow and art into storefronts, and a former Michèle Gerber Klein The Bloomingdale’s Fund of the Macy’s May and Samuel Rudin Family Foundation Kathleen O’Grady Annual Gwangju Biennale in understands that “in order to have these change over the years. Recent additions Foundation Gwangju, South Korea. curator at the Whitney Museum Jill Kraus Kathleen McDonough and Ed Berman Ruth Miles Pite sorts of experiences, we must support are by Mika Tajima and Tia Pulitzer. BNP Paribas of American Art, is constantly Ken Kuchin Metro Pictures Judith and Donald J. Rechler our progressive institutions through Joan Lazarus The Bowery Hotel Ray and Katie Murphy Lisa A. Schiff inspired by the artists she meets. …Member Daphne Muller membership.” Toby Devan Lewis Calvin Klein, Inc. Michael Nachman June and Paul C. Schorr She says her favorite “tends to longingly selecting the Eugenio López Chandelier Creative Mario Palumbo and Stefan Gargiulo Lyndley M. and Samuel C. Schwab wish “to be on a holiday change weekly depending on the James C.A. McClennen, Vice President Chatterjee & Lal Kelly and Gerry Pasciucco Kimberly and Tord Stallvik at the beach” from Rivane work I have seen or which artist Catherine Orentreich John Cheim and Howard Read, Cheim & Read Prada Michael Ward Stout Neuenschwander’s piece I have most recently spoken William A. Palmer Consulate General of Brazil in New York Room & Board Courtney Finch Taylor and Scott F. Taylor I Wish Your Wish. with!” and raves about many of Nancy Delman Portnoy Consulate General of Switzerland in New York Andrea Rosen Fern and Lenard Tessler the New Museum’s exhibitions. Aby Rosen Creative Link for the Arts Lyn M. and George M. Ross Constance and Jack Tilton Droga5 Urs Fischer’s breadth of work, Ron Rosenzweig Russia TV1 Wiesje and Jack van Hulst …Council Member Debbie Paul T. Schnell, Vice President Hugh J. Freund State Corporation for Spanish Cultural Action Laurie and David Wolfert Mary Heilmann’s full-of- Harris enjoying the studio Laura Skoler, Vice President Gagosian Gallery Abroad and the Spanish Government Rosina Lee Yue and Bert A. Lies visit with Tom Sachs along life paintings, Tomma Abts’s Jerome L. Stern Galeria Fortes Vilaça Shaw Contract Group with other Members, who captivating compositions, and Dianne Wallace Goldman, Sachs & Co. Melissa and Robert Soros sipped tequila and nibbled on Paul Chan’s projections have all Havaianas pigs in a blanket. John S. Wotowicz, Treasurer StratREAL Foundation USA TOURISM SPONSOR: made great impressions. Interview Magazine Sy Syms Foundation MVP/NY Lisa Phillips, Toby Devan Lewis Director, ex-officio Kenyon & Kenyon LLP Yasuo Taguchi Drew Lebby Team America Inc. List current as of August 2010 Melissa Plastic Dreams Members at the party and private viewing Susan Batton and Maja Thomas Stacey and Rob Goergen FRIENDS Teen Vogue for “Brion Gysin: Dream Machine” Photo © PatrickMcMullan.com Shane Akeroyd National Endowment for the Arts Terra Networks USA Photo: Adi Shniderman The Brant Foundation, Inc. New York magazine Neda Young Brookfield Andrea and José Olympio Pereira Henry Buhl Nancy and Fred Poses LEADERSHIP COUNCIL Birdbath created by The City Bakery Burger Collection, Hong Kong Pro Helvetia, Swiss Arts Council Monica and Cesar Cervantes Christie’s Robert Lehman Foundation Mikaella and Dimitris Daskalopoulos Opens at the New Museum! Sadie Coles Pamela Kiecker Royall and William A. Royall Nathalie and Charles de Gunzburg Amalia Dayan and Adam Lindemann Mrs. Lily Safra Pauline Karpidas Sikkema Jenkins & Co. The City Bakery is considered one of the leading baked-good proprietors in the city. According to New Jeffrey Deitch Sandra and Panos Marinopoulos Silverstein Properties York magazine, “The City Bakery is a thing apart: gorgeously eclectic, culinarily inspired, effortlessly Thomas Demand Catriona and Simon Mordant Deutsche Bank Per Skarstedt Patrizia Sandretto Re Rebaudengo and seasonal.” They’ve been in business for twenty years, and come to us with considerable retail Fundación Almine y Bernard Ruiz-Picasso para Eve Steele and Peter Gelles Augustino Re Rebaudengo experience. More recently, The City Bakery has expanded with several storefront satellite operations el Arte Stephen Friedman Gallery Maria de Jesus Rendeiro and João Oliveira SUPPORT branded as Birdbath created by The City Bakery. Their products—like their pretzel croissant and G-Star Superfad Rendeiro chocolate chip cookies—are widely sought after, and their reasonable prices make them even more Gavin Brown’s enterprise Tanya Bonakdar Gallery Ellen and Michael Ringier appealing. Customer service is a critically important part of The City Bakery’s business and they are Barbara Gladstone David Zwirner Tony Salamé also environmentally conscious, as they focus on locally grown food and are on the forefront of green Agnes Gund Pamela S. and Arthur Sanders practices. We all look forward to enjoying their fresh, delicious food at Birdbath! Hauser & Wirth, New York Elisa Sighicelli and A. Ruben Levi New Museum Members receive a 10 percent discount. Henry Luce Foundation MEMBERSHIP

The Jacques and Natasha Gelman Trust 19 18

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