Shakespear's Sister Break My Heart / Heroine Mp3, Flac, Wma

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Shakespear's Sister Break My Heart / Heroine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Break My Heart / Heroine Country: Germany Released: 1988 Style: House, Acid House MP3 version RAR size: 1979 mb FLAC version RAR size: 1950 mb WMA version RAR size: 1132 mb Rating: 4.6 Votes: 881 Other Formats: MP3 XM AHX APE VOX ADX DTS Tracklist Hide Credits Break My Heart (You Really) (Shep Pettibone 'House Mix') 1 Edited By – Chep Nunez*Engineer [Remix, Uncredited] – Bob RosaRemix, Mixed By – Shep 7:25 Pettibone Break My Heart (You Really) (Seven Inch Version) 2 3:32 Mixed By – Manu Guiot Heroine (Extended Version) 3 5:33 Mixed By – Manu Guiot Companies, etc. Phonographic Copyright (p) – FFRR Records Ltd. Copyright (c) – FFRR Records Ltd. Made By – PDO, Germany Marketed By – Metronome Published By – Warner Bros. Music Ltd. Published By – Make-Z-Music Published By – Orca Songs Credits Engineer – Gary Bradshaw Producer – Richard Feldman Written-By – Levy*, Feldman*, Fahey* Notes Published by Warner Bros. Music Ltd./Make-Z-Music-Orca Songs. Original sound recording made by London Records Ltd. ℗ 1988 FFRR Records Ltd. © 1988 FFRR Records Ltd. Printed in West Germany Marketed by Metronome Musik GmbH Made in West Germany Barcode and Other Identifiers Barcode: 0 42288 63562 8 Matrix / Runout: 886 356-2 01 / Rights Society: BIEM STEMRA Label Code: LC 7654 Distribution Code: BA 940 Other versions Category Artist Title (Format) Label Category Country Year Break My Heart / London 886 356-7 Shakespear's Sister 886 356-7 Europe 1988 Heroine (7", Single, Inj) Records Break My Heart (You London LONX 200 Shakespear's Sister LONX 200 UK 1988 Really) (12", Promo) Records Break My Heart (7", FFRR, London LONDJ 200 Shakespear's Sister LONDJ 200 UK 1988 Single, Promo) Records Break My Heart / FFRR, London 886 356-7 Shakespear's Sister Heroine (7", Single, 886 356-7 Europe 1988 Records Pap) Break My Heart (You London 886 356-1 Shakespear's Sister 886 356-1 Canada 1988 Really) (12") Records Related Music albums to Break My Heart / Heroine by Shakespear's Sister Bananarama - Preacher Man Shakespear's Sister - Break My Heart (You Really) Thompson Twins - Sugar Daddy Shakespear's Sister - You're History Shakespear's Sister - Run Silent The Communards - There's More To Love Michaela - Take Good Care Of My Heart Shakespears Sister - Long Live The Queens! Madonna - Keep It Together Madonna - The Immaculate Collection.

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3Fjowfoujoh $Mbttjdt
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 3 Thursday, January 23, 2020 3FJOWFOUJOH$MBTTJDT by Edmund Lawler Dan Schaaf (right) records dialogue for his latest project, “Dr. Mabuse: The Gambler,” with Sherri Waddle-Cummings. Photos by Paul Kemiel Suddenly, quite by accident, Dan Schaaf discov- ered a wildly creative artistic pursuit — breathing new life into classic silent fi lms by composing musi- cal scores and scripting dialogue performed by local stage actors. “Channel 20 used to run silent fi lms at midnight,” Schaaf recalls of his epiphany in the late 1990s. “They ran the Fritz Lang classic ‘Metropolis,’ a 1927 sci-fi that I had never seen. I fi gured I needed to see it once in my life, so I set the VCR to record it at midnight.” He watched it the next morning and was enchant- ed by the epic work of cinema from the legendary German director. But there was one problem. “It had this dreadful musical score that sounded like it came from a Laurel and Hardy comedy, and it had absolutely nothing to do with the fi lm,” Schaaf says. “I told myself, ‘I can do better than this.’” And he did. Schaaf, who fi rst began composing music as a Marquette High School student and later while studying English and electrical engineering at Pur- due University, penned a score for “Metropolis.” Un- Sherri Waddle-Cummings infuses emotion into her dialogue for the fi lm. Continued on Page 2 THE Page 2 January 23, 2020 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 Beacher Company Directory
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Shakespears Sister You're History Mp3, Flac, Wma
Shakespears Sister You're History mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: You're History Country: Australia Released: 1989 Style: New Wave MP3 version RAR size: 1658 mb FLAC version RAR size: 1834 mb WMA version RAR size: 1600 mb Rating: 4.5 Votes: 104 Other Formats: AAC VQF DTS TTA AC3 MP1 MP3 Tracklist Hide Credits You're History A1 Engineer – David BiancoProducer – Jimmy Iovine, Richard Feldman, Shakespears Sister*Written-By – Detroit*, Seymour* Dirty Mind A2 Engineer [Mix] – Alan Moulder You're History B1 Engineer – David BiancoProducer – Jimmy Iovine, Richard Feldman, Shakespears Sister*Written-By – Detroit*, Seymour* Dirty Mind B2 Engineer [Mix] – Alan Moulder Companies, etc. Phonographic Copyright (p) – FFRR Records Ltd. Copyright (c) – FFRR Records Ltd. Marketed By – PolyGram Records Pty. Limited Recorded At – Chapel Studios, LA Mixed At – Studio De La Grande Armée Recorded At – Manor Mobile Published By – Warner/Chappell Published By – Copyright Control Credits Written-By – Feldman*, Fahey* Notes "You're History" Recorded at The Chapel (Los Angeles). Mixed at The Grande Armee (Paris). "Dirty Mind" Recorded on The Manor Mobile in Leningrad, Russia, November 1988. ℗ 1989 FFRR Records Ltd. © 1989 FFRR Records Ltd. Original sound recording made by FFRR Records Ltd. Marketed in Australiasia by Polygram Records under exclusive licence. Made in Australia. Complete program appears on both sides. Other versions Category Artist Title (Format) Label Category Country Year F 112, 886 You're History (7", FFRR, F 112, 886
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The Heart of Oracle” - in Under an Hour
“The Heart of Oracle” - in Under an Hour Martin Widlake Database Performance, Architecture & Training Ora600 Limited [email protected] http://mwidlake.wordpress.com Twitter - @mdwidlake ORA600 Ltd 1 Abstract Yes, this really is an overview of how the Oracle RDBMS engine works in under an hour. The Oracle database engine is a highly complex system. However, at it's core, what it does 95% of the time is a relatively simple set of processes. You need know no more than what a SELECT statement is but by the end of this session you will understand how Oracle puts data into the database, how it is taken out, what consistent gets really are, why redo is crucial, how everything is just tables, indexes and SQL and the way each session sees only real data even as it changes. All of this can be understood at a general level in 50 45 minutes {but I will talk fast…Faster } ORA600 Ltd 2 Who am I and why am I doing this Talk? • Doing Oracle since “Right Said Fred” and “Shakespears Sister” were in the charts, mostly as a developer, development DBA, DB Designer & Performance guy. • Started as a Form 2.3/Reportwriter 1.1 “builder” and kept asking stupid questions like “How does that work then?”. Becoming a DBA-type was inevitable. I’m still asking the same question. • It seems to me there are very few “intro” talks anymore, so I’ve started doing some. (They’re harder to prepare than “Geek” talks…) • I’d love to know what you think, positive or negative.
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It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1
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Brecik - All the Way
q feature: BRECIK - ALL THE WAY During this time in isolation I have been sitting back and listening to artists that I really enjoy and their greatest hits. I felt really inspired and as I sat there listening to a few tracks of my own, I was really proud of the colourful history of these tunes. I thought… there’s no better time to put all of my best tracks together, some that were released as singles and some that probably should have been! So I decided to create a few new songs, release songs that have never been heard before and bring back my previous hits to create the greatest hits collection ‘BRECIK – ALL THE WAY…’ After releasing three albums and three EP’s I gratefully had plenty of favourite tracks to select from. Considering the amazing feedback and some very special dm’s on Instagram, I concentrated on the songs and what they meant to me and why I originally decided to record them. It was a lot of fun, and from these conversations ‘BRECIK – ALL THE WAY’ was created. Twenty Five tracks that really define me as an artist and my life through music. ‘BRECIK – ALLTHE WAY…’ starts pretty much at the beginning with one of the first songs I ever recorded ‘Breakaway’ a cover of the 80’s Big Pig classic, I hadn’t long been living in Melbourne was out doing a few gigs but I really wanted to cement my own sound. My latest track is a fantastic new version of The True Queen of Australian music, Kate Ceberano’s ‘Bedroom Eyes’.
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\/irinia Woo /\iscean Number41 Fall 1993 Stuart speculates that Asquith might have read Between The Acts TO THE READERS: I The June meeting was another success, and not flooded. Arpi before making the film. Margaret Rutherford played the Miss Sarafian's highlights only hint at the richnesses . The Society decided LaTrobe character and sports an Ethel Smyth hat. to consider ideas for the MLA session during the June conference so And in the grab-bag. Sonya Rudikoff writes that any reader they could be published for consideration in the Fall Miscellany. with a spare £250,000 might be interested in purchasing the Final vote would be at MLA as usual, but this arrangement would Wissett farmhouse where Vanessa Bell, Duncan Grant, and David mean that those who cannot be at MLA still would have a voice in Garnett served out World War I doing farm work. She says she is those choices. This procedure will begin June 1994 at the Fourth always amazed "that such places have their own independent his Annual Conference. tory as real estate properties!" Janet Mullaney, editor and pub Paul Connolly, Director of the Institute for Writing and Thinking, lisher of BellesLettres, is going to have Virginia Woolfs handwrit is organizing the Woolf conference, "Re: READING, Re: WRITING, ing analyzed for a future issue . She also apprised me of an auction Re: TEACHING VIRGINIA WOOLF," June 9-12 at Bard College, of Woolf's pen nibs. Any interested parties out there? Annandale-on-Hudson, NY. Papers should pay particular attention I would like to express my appreciation and gratitude to the to issues of teaching Woolf.
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Gothic Intertextuality in Shakespears Sister's Music Videos
Text Matters: A Journal of Literature, Theory and Culture Number 10 Literature Goes Pop / Literar(t)y Article 12 Matters 11-24-2020 Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos Tomasz Fisiak University of Lodz Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Visual Studies Commons, and the Women's Studies Commons Recommended Citation Fisiak, Tomasz. "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos." Text Matters: A Journal of Literature, Theory and Culture, no.10, 2020, pp. 194-208, doi:10.18778/ 2083-2931.10.12 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Number 10, 2020 http://dx.doi.org/10.18778/2083-2931.10.12 Tomasz Fisiak University of Lodz Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos1 A BSTR A CT The following article is going to focus on a selection of music videos by Shakespears Sister, a British indie pop band consisting of Siobhan Fahey and Marcella Detroit, which rose to prominence in the late 1980s. This article scrutinizes five of the band’s music videos: “Goodbye Cruel World” (1991), “I Don’t Care” (1992), “Stay” (1992), “All the Queen’s Horses” (2019) and “When She Finds You” (2019; the last two filmed 26 years after the duo’s turbulent split), all of them displaying a strong affinity with Gothicism.
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It Was the Reunion No One Ever Thought They'd See But, 26 Years After A
he 1993 Ivor Novellos should have been one of the greatest moments of Marcella Detroit’s life. The singer-songwriter, one half of the mega-selling pop group Shakespears Sister, was on-stage to collect the band’s Ivor for Best Contemporary Collection Of Songs for their smash hit album, Hormonally Yours. Sadly, the other half of Shakespears Sister, former Bananarama member Siobhan Fahey, had other ideas. Fahey did not Tattend the ceremony, but her publisher, 2005 Music Week Strat Award winner Peter Reichardt of EMI, read out a statement that made it clear the band was finished and wished Detroit “all the best for the future”, before declaring: “All’s well that ends well”. The trouble was that, while Detroit knew all was definitely not well between her and her musical partner, this was the first time she’d heard that the band was officially over. “Getting that confirmation was very emotional for me,” says Detroit, 26 years later. “I have to admit I went back to the table and sobbed silently to myself…” Yes, as splits go, Shakespears Sister’s was as messy and public as humanly possible. But, as with most things to do with this most intriguing of pop groups, there was more to it than met the eye. And now that they are, against all odds, back together (“Hell froze over and pigs have flown!” declares Detroit), it’s time to get to the bottom of it all, once and for all… eeting Siobhan Fahey and Marcella Detroit at their manager’s office in 2019, on the day Shakespears Sister’s return is formally announced, you’d never know they didn’t speak to each other for 25 years.
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DJ Uthyrning
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1 Giant Leap Dreadlock Holiday -- 10Cc I'm Not in Love
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