Sunday by Sunday Musical Resources on Eucharist Themes
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~EXPOSITION of the BLESSED SACRAMENT~ O Salutaris Hostia
~EXPOSITION OF THE BLESSED SACRAMENT~ ~BENEDICTION OF THE BLESSED SACRAMENT~ Tantum Ergo Tantum ergo Sacramentum, Veneremur cernui, Et antiquum documentum, Novo cedat ritui; Praestet fides supplementum, Sensuum defectui. Genitori Genitoque, Laus et jubilatio, Salus, honor, virtus quoque, Sit et benedictio: Procedenti ab utroque, Compar sit laudatio. Amen. Divine Praises- please recite together in unison Blessed be God. Blessed be His Holy Name. Blessed be Jesus Christ, true God and true man. O Salutaris Hostia Blessed be the name of Jesus. O salutaris Hostia, quae caeli pandis ostium: Blessed be His Most Sacred Heart. Bella premunt hostilia, da robur, fer auxilium. Blessed be His Most Precious Blood. Uni trinoque Domino, sit sempiterna gloria, Blessed be Jesus in the Most Holy Sacrament of the Altar. Qui vitam sine termino, nobis donet in patria. Amen. Blessed be the Holy Spirit, the paraclete. Blessed be the great Mother of God, Mary most holy. Prayers at Exposition and Benediction Blessed be her holy and Immaculate Conception. Most Holy Trinity, Father, Son and Holy Spirit, Blessed be her glorious Assumption. I adore you profoundly Blessed be the name of Mary, Virgin and Mother. and I offer You the most precious Blessed be Saint Joseph, her most chaste spouse. Body, Blood, Soul and Divinity of our Lord Jesus Christ, Blessed be God in His angels and in His Saints. present here and in all the tabernacles of the world, in reparation for the outrages, sacrileges and indifferences with Holy God, We Praise Thy Name which He Himself is offended. Holy God, we praise Thy Name; Lord of all, we bow before Thee! And, through the infinite merits All on earth Thy scepter claim, all in heaven above adore Thee; of the most Sacred Heart of Jesus Infinite Thy vast domain, everlasting is Thy reign. -
Exposition of the Blessed Sacrament & the Divine Mercy Chaplet
Exposition of the Blessed Sacrament & the Divine Mercy Chaplet Song for Exposition – O Salutaris Hostia: O saving Victim, open wide O salutaris Hostia The gate of heaven to us below, Quae caeli pandis ostium, Our foes press on from every side; Bella premunt hostilia, Your aid supply, Your strength bestow. Da robur, fer auxilium. To Your great name be endless praise, Uni trinoque Domino Immortal Godhead, One in Three; Sit sempiterna Gloria, O grant us endless length of days Qui vitam sine termino In our true native land with Thee. Nobis donet in patria. Amen. Amen. Opening Prayer (prayed together): You expired, Jesus, but the source of life gushed forth for souls, and the ocean of mercy opened up for the whole world. O Fount of Life, unfathomable Divine Mercy, envelop the whole world and empty Yourself out upon us. O Blood and Water, which gushed forth from the Heart of Jesus as a fountain of Mercy for us, I trust in You! O Blood and Water, which gushed forth from the Heart of Jesus as a fountain of Mercy for us, I trust in You! O Blood and Water, which gushed forth from the Heart of Jesus as a fountain of Mercy for us, I trust in You! The Our Father (prayed together): Our Father, Who art in Heaven, hallowed be Thy name; Thy kingdom come; Thy will be done on earth as it is in heaven. Give us this day our daily bread; and forgive us our trespasses as we forgive those who trespass against us; and lead us not into temptation, but deliver us from evil. -
The Cathedral of Saint Paul Birmingham, Alabama
THE CATHEDRAL OF SAINT PAUL BIRMINGHAM, ALABAMA THE MOST HOLY BODY AND BLOOD OF CHRIST JUNE 7, 2015 Welcome to the Cathedral of Saint Paul. The order of Mass can be found on page 3 in the Sunday’s Word booklets found in the pew racks or on the pew cards. Please follow this order of worship for today’s music. PRELUDE PRELUDE AND VARIATIONS ON “ADORO TE DEVOTE” GERALD NEAR ENTRANCE HYMN AT THAT FIRST EUCHARIST UNDE ET MEMORES ENTRANCE ANTIPHON (8:30 & 11:00AM) Cibavit eos PSALM 81:17 He fed them with the finest wheat and satisfied them with honey from the rock. KYRIE (5:00PM & 11:00AM) MASS VIII KYRIE (8:30AM) MASS Á 4 (BYRD) GLORIA MASS VIII THE LITURGY OF THE WORD The Mass readings can be found on page 105 of Sunday’s Word. FIRST READING EXODUS 24:3-8 RESPONSORIAL PSALM PSALM 116:12-13, 15-16, 17-18 Music: John Schiavone, © OCP Publications, Inc. SECOND READING HEBREWS 9:11-15 SEQUENCE (8:30 & 11:00AM) LAUDA SION Please join in singing the bolded verses of the sequence along with the cantor. ALLELUIA I am the living bread that came down from heaven, says the Lord; whoever eats this bread will live forever. GOSPEL MARK 14:12-16, 22-26 LITURGY OF THE EUCHARIST Page 7 in Sunday’s Word OFFERTORY O FOOD OF EXILES LOWLY INNSBRUCK OFFERTORY MOTET (8:30AM) O SACRUM CONVIVIUM GIOVANNI CROCE O sacrum convivium! in quo Christus sumitur: recolitur memoria passionis eius: mens impletur gratia: et futurae gloriae nobis pignus datur. -
Saints Alive
Welcome to Saints Alive For centuries the faith of our brothers and sisters, mothers and fathers has been fashioned, refined, colored and intensified by the sheer variety and passion of the lives of the great Christian saints. Their passions, their strengths and weaknesses, the immense variety of their lives have intrigued children young and old for ages. You may even have been named for a particular saint – Dorothy, Dolores, Anne or Elizabeth; Malachi, Francis or even Hugh. So why not celebrate some of those remarkable people through music? As we resume our trek along the Mission Road, we high- light music written in the Americas to celebrate the life and work of our city’s patron saint, Francis, as well as the lives and mission of other men and women venerated by the great musical masters. Saint Cecilia, patroness of music, is very much alive and present in a setting of “Resuenen los cla- rines” by the Mexican Sumaya. Bassani, an Italian who thrived in Bolivia when it was still called Upper Peru, pays homage to Saint Joseph in a Mass setting bearing his name. Its blend of self-taught craftsmanship and mastery of orchestration is fascinating, intriguing, even jolly. It’s as if Handel and the young Mozart had joined hands, jumped on a boat and headed to the heart of South America. What a nice addition to our library! Chants taught by the zealous, mission-founding Sancho have been sent our way – chants in his own hand, no less. Ignatius Loyola is represented by three short motets (that’s almost too glamorous a name for them, they are more folkish in their style) from Bolivia. -
Oratio-Sample.Pdf
REVISED SECOND EDITION RHYTHMS OF PRAYER FROM THE HEART OF THE CHURCH DILLON E. BARKER JIMMY MITCHELL EDITORS ORATIO (REVISED SECOND EDITION) © 2017 Dillon E. Barker & Jimmy Mitchell. First edition © 2011. Second edition © 2014. All rights reserved. ISBN 978-0-692-89224-4 Published by Mysterium LLC Nashville, Tennessee, U.S.A. LoveGoodCulture.com NIHIL OBSTAT: Rev. Jayd D. Neely Censor Librorum IMPRIMATUR: Most Rev. David R. Choby Bishop of Nashville May 9, 2017 For bulk orders or group rates, email [email protected]. Special thanks to Jacob Green and David Lee for their contributions to this edition. Excerpts taken from Handbook of Prayers (6th American edition) Edited by the Rev. James Socias © 2007, the Rev. James Socias Psalms reprinted from The Psalms: A New Translation © 1963, The Grail, England, GIA Publications, Inc., exclusive North American agent, www.giamusic.com. All rights reserved. Excerpts from the Revised Standard Version Bible, Second Catholic Edition © 2000 & 2006 by the Division of Christian Education of the National Council of Churches of Christ in the United States of America. Excerpts from the English translation of The Roman Missal © 2010, USCCB & ICEL; excerpts from the Rites of the Catholic Church © 1990, USCCB & ICEL; excerpts from the Book of Blessings © 1988, 1990, USCCB & ICEL. All rights reserved. All ritual texts of the Catholic Church not already mentioned are © USCCB & ICEL. Cover art & design by Adam Lindenau adapted from “The Angelus” by Jean-François Millet, 1857 The Tradition of the Church proposes to the faithful certain rhythms of praying intended to nourish continual prayer. Some are daily, such as morning and evening prayer, grace before and after meals, the Liturgy of the Hours. -
Caecilia V82n04 1955
A REVIEW OF CATHOLIC CHURCH and SCHOOL MUSIC VOLUME 82 Number 4 ------------------------------------------------------MAY - JUNE, 1955 CONTENTS General Decree Concerning Rubrics for Missal and Breviary .... 122 Rules for Choir at Mass Based on Purpose of Each Prayer .......... 124 Catholic Choir Terminology ........................................................ 126 Rev. Cletus Madsen The Harmonic Basis of Plain chant Accompaniment .................... 127 Bernard lones Dom Dominic Johner, O.S.B. (1874-1955) ............ _................. 130 Rev. Francis Brunner, C.Ss.R. Everybody in the Act .................................................................... 131 Rev. Mr. Robe1·t Wurm Our Music This Month ................................................................ 132 Music Supplement .............................................................. 133 - 148 o Sacrum Convivium and Tantum Ergo - John Lee o Salutaris Hostia - P. de la Rue Tantum Ergo Sacramentum - Vittoria o Cor Mariae Immaculatum - Sr. M. Florentine, PHJC Magnificat, 0 Salutaris Hostia and Tantum Ergo from "Five Motets" - J. J. McGrath Reviews ......................................................................... ................. 149 Rev. Francis I. Guentner, S.j. How to Discover Polyphonic Masterworks ................ _................ _ 152 Rev. Clement I. McNaspy, S.I. Summer Schools - 1955 (Continued) ........................................ 154 Names - People - Doings ..................................... _...................... 157 Editorial Staff: Louis -
Adoro Te Devote
Adoro Te Devote Eucharistic Adoration in the Spirit of St Thomas Aquinas St Saviour’s Church, Dominick St (D1) Some of the best loved Eucharistic hymns - Adoro Te Devote, Tantum Ergo, Panis Angelicus - were written by one man, the Dominican Friar St. Thomas Aquinas. The Dominican Friars of St. Saviour's Priory, which has been in existence for nearly 800 years, will mark the 50th International Eucharistic Congress by inviting renowned preachers to explain the rich delights of these Eucharistic hymns, all in the presence of the Blessed Sacrament, exposed for our veneration. The preachers include Wojciech Giertych OP, the Pope's personal theologian; Paul Murray OP, a celebrated spiritual writer; John Harris OP, well-known for his ministry to young people; and Terence Crotty OP, a Scripture scholar. The evening events will also include music and silent adoration, and will conclude with the Office of Compline, sung by the Dominican community, and the ancient tradition of the Salve Regina procession. Finally, on Saturday, St Saviour's will host a day-long festival of Eucharistic adoration. Come and join us, as we contemplate the source and summit of our faith, 'in which Christ is received, the memory of His Passion is renewed, the soul is filled with grace, and the pledge of future glory is given to us' (St Thomas Aquinas). Mon 11 June, 8pm Fri 15 June, 8pm Wojciech Giertych OP (Papal Theologian) John Harris OP Pange Lingua Verbum Supernum Prodiens Sat 16 June, 11am-6pm Tues 12 June, 8pm Eucharistic Adoration in St Saviour's Church Paul Murray OP (Professor of Spiritual Theology, Angelicum) Adoro Te Devote Thurs 14 June, 8pm Terence Crotty OP Lauda Sion . -
St. Columba Religious Education Hymns for Eucharistic Adoration O
St. Columba Religious Education Hymns For Eucharistic Adoration O Salutaris Hostia Phonetic Pronounciation O Salutaris Hostia Oh Sal-you-tar-is Hos-tee-ah Quae coeli pandis ostium Quay chay-lee pan-dis oh-oh-stee-oom Bella premunt hostilia Bell-ah pray-moo-oon ho-steel-ee-ah Da robur fer auxilium Dah row-ber fear-ear aux-zil-ee-oom Uni trinoque Domino Ooh-knee tree-no-quay Do-me-no Sit sempi terna Gloria Seat sem-p tear-nah Glor-or-ee-ah Qui vitam sine termino Quee vee-tam see-een-nay tear-me-no Nobis donet in patria. Amen. No-bees dough-nay-ay in pah-tree-ah. Ah-men. Tantum Ergo Tantum ergo Sacramentum Tahn-toom err-go Sac-rah-men-toom Veneremur cernui Ven-eer-ay-moo chair-new-ee Et antiquum documentum Eht ahn-tee-quoom dock-you-men-toom novo cedat ritui No-vo chay-dat rit-too-ee Praestet fides supplementum Pray-stet fee-days soup-lay-men-toom Sensuum defectui Sen-so-om day-fect-too-ee Genitori, Genitoque Gen-knee-tor-ree Gen-knee-tow-quay Laus et jubilatio Lause eht ju-bee-ee-lah-see-oh Salus, honor, virtus quoque Sal-loose on-er veer-tus quo-quay Sit et benediction Seat eht ben-ay-dic-see-ee-oh Procedenti ab utroque Pro-chen-den-tee ah-boo-toe-quay Compar sit laudatio. A-men Com-par sit lah-dah-see-ee-oh. Ah-men. Holy God We Praise Thy Name Holy God, we praise thy name; Lord of all, we bow before thee; all on earth thy scepter claim; all in heaven above adore thee. -
Adoration by Candlelight Oct 26.Pdf
Prelude: Soleil du Soir (In Manus Tuas Domine) – Jean Langlais (1907 – 1991) Procession – Adoro Te Devote 1. Godhead here in hiding, whom I do 3. Bring the tender tale true of the adore,Masked by these bare shadows, Pelican;Bathe me, Jesu Lord, in what shape and nothing more,See, Lord, at Thy bosom ranBlood whereof a single Thy service low lies here a heartLost, all drop has power to winAll the world lost in wonder at the God thou art. forgiveness of its world of sin. 2. Seeing, touching, tasting are in thee 4. Jesu, whom I look at shrouded here deceived:How says trusty hearing? that below,I beseech thee send me what I shall be believed;What God's Son has thirst for so,Some day to gaze on thee told me, take for truth I do;Truth face to face in lightAnd be blest for Himself speaks truly or there's nothing ever with Thy glory's sight. Amen. true. O Salutaris Hostia – Edward Elgar (1857 – 1934) O salutaris Hostia O Saving Victim opening wide Quae coeli pandis ostium. The gate of heaven to all below. Bella premunt hostilia; Our foes press on from every side; Da robur, fer auxilium. Thine aid supply, Thy strength bestow. Uni trinoque Domino To Thy great name be endless praise Sit sempiterna gloria: Immortal Godhead, One in Three; Qui vitam sine termino, Oh, grant us endless length of days, Nobis donet in patria. In our true native land with Thee. Amen. Amen. Mt 3: 13-17 Then Jesus came from Galilee to John at the Jordan to be baptized by him. -
Liber Hymnorum. the Latin Hymns of the Lutheran Church
!"#$!" % $&'()*'$!" +, -'$$.!/ 0'&1!& 6)$ !"#$#5( !--'(2!* 3&!)) 45&$ /',(!, #( CONTENTS Page Hymn CALENDAR, OR TABLE OF FIXED FEASTS xi TABLE OF HYMN ASSIGNMENTS 7eir Yearly Course xii Proper & Common of Saints xiv HYMNS IN ENGLISH #. 7e Daily O8ce [9] 9 ##. Times & Seasons [:9] ;< ###. Church Dedication [=>] =< #1. Proper of Saints [?@] == 1. Common of Saints [>=] @A 1#. Hymns of the Procession & Mass [99:] >9 1##. Additional Songs & Chants [9;:] >= 1###. Spiritual Songs [9:>] 9BA HYMNS IN LATIN #. 7e Daily O8ce [9=:] 9 ##. Times & Seasons [9@>] ;< ###. Church Dedication [;99] =< #1. Proper of Saints [;9=] == 1. Common of Saints [;<=] @A 1#. Hymns of the Procession & Mass [;?9] >9 1##. Additional Songs & Chants [;@:] >= 1###. Spiritual Songs [;A@] 9BA INDICES #. First Lines with Hymn Number & Author [;>@] ##. Authors with Hymn Numbers [:B9] ###. First Lines with Melody Numbers [:B:] #1. Comparison of the Melodies among the Sources [:B=] THE HYMNS IN THEIR YEARLY COURSE Numbers refer to the same hymn in both the English & the Latin sections. THE DAILY OFFICE From the Octave of Epiphany to Invocavit; from Trinity Sunday to Advent. Hymn Hymn Compl. Te lucis ante terminum . 9 On Saturdays a!er the Su%rages may be Matins Nocte surgentes. ;–: sung the hymn Serva Deus verbum tuum . >= Te Deum . ;: Ferial Vespers— Lauds Ecce jam noctis . < Sun. Lucis Creator optime. >–9B or Nocte surgentes. ;–: Mon. Immense cæli Conditor . 99–9; Prime Jam lucis ordo sidere. .= Tues. Telluris ingens Conditor. 9:–9< Terce Nunc sancte nobis Spiritus . .? Wed. Cæli Deus sanctissime . 9=–9? Sext Rector potens verax Deus . .@ 7ur. Magnæ Deus potentiæ. 9@–9A None Rerum Deus tenax vigor. .A Fri. -
Gerald Near—List of Music for Organ, Organ Transcriptions, Organ and Instruments, Harpsichord and Hymns with Annotations Prepared by Steven Egler, Revised March 2017
Gerald Near—List of Music for Organ, Organ Transcriptions, Organ and Instruments, Harpsichord and Hymns with Annotations Prepared by Steven Egler, Revised March 2017 AE=Aureole Editions MSM=MorningStar Music Publishers OP=Out of Print Organ Solo Carillon on a Ukranian Bell Carol. AE, 2006. AE151. Dedicated to Dr. Steven Egler. Note: Based upon the familiar “Carol of the Bells.” Chantworks: Organ Music for the Church Year based upon Gregorian Chant melodies. Set I—Advent, Christmas, Epiphany. AE, 1997. AE42. 1. “Veni, Veni Emmanuel” (“O Come, O Come Emmanuel”)-- Advent 2. “Conditor Alme Siderum” (“Creator of the Stars of Night”)-- Advent 3. “Vox Clara Ecce Intonat” (“Hark! A Thrilling Voice Is Sounding”)--Advent 4. “Divinum Mysterium” (“Of the Father’s Love Begotten”)-- Christmas 5. “O Solis Ortus Cardine” (“From east to west, from shore to shore”)--Christmas 6. “Christe, Redemptor Omnium” (“Jesu, Redeemer of the world”)—Christmas; Partita: Theme & Four Variations 7. “A Sola Magnarum Urbium” (“O More Than Mighty Cities Known”)--Epiphany Set II—Lent, Passiontide, Easter. AE, 1998. AE43. 1. “Audi, Benigne Conditor” (“O Master of the world, give ear”)-- Lent 2. “Jam, Christe, Sol Justitæ” (“Now, Christ, Thou Sun of righteousness”)—Lent 3. “Ex More Docti Mystico” (“The fast, as taught by holy lore”)— Lent 2 4. “Vexilla Regis Prodeunt” (“The royal banners forward go”)— Passiontide 5. “Pange Lingua Gloriosi” (“Sing my tongue the glorious battle”)—Passiontide 6. “Lustris Sex Qui Jam Peractic” (“Thirty years among us dwelling”)—Passiontide 7. “Ad Cœnam Agni Providi” (“The Lamb’s high banquet we await”)—Easter 8. “Aurora Lucis Rutilat” (“Light’s glittering morn bedecks the sky”)—Easter Set III—Ascension, Pentecost, Trinity, Corpus Christi, Morning, Evening. -
A Latin-To-Maltese Literary and Religious Translator Ivan Said*
Fr Albert M. Grech O.P. (1883-1942): A Latin-to-Maltese literary and religious translator Ivan Said* The 1930s are considered to be a crucial era for modern Maltese: In 1934, the British Colonial Government recognised Maltese as an official language, together with English, ending once and for all the great Language Question which had dragged on since the previous century. Thus, Maltese became one of the official languages of the colony’s administration, used throughout the Law Courts and the Civil Service at the expense of the long-established Italian language. From the literary point of view, this decade gave us some of the best Maltese classics, both in prose and in poetry, particularly in 1938, the year our national poet Dun Karm completed his magnum opus Il-Jien u Lilhinn Minnu, Karmenu Fr Albert M. Grech O.P. Vassallo published his book of poems Nirien and the year when Ġino Muscat Azzopardi, Ġużè Aquilina, Ġużè Ellul Mercer and Ivo Muscat Azzopardi published their novels in Maltese. It was during this same year that Fr Albert M. Grech O.P., a Dominican Latinist, finished the translation from Latin to Maltese of the first two books of L-Enejjija, Vergil’s Aeneid. Two years earlier, this fervent lover of Maltese published L-Għanjiet dwar l-Ewkaristija, a translation from Latin of St Thomas Aquinas’ five Eucharistic hymns. Who was Fr Albert M. Grech O.P. Carlo Grech was born in Sliema on 7th October 1883 to Mikiel and Karmena Xuereb. On 22nd November 1898 he joined the Dominican Order and took the name of Albert.