Notes
I have followed C. K. Stead and Anthony Alpers in accepting the Journal of Katherine .Hansfield ( 1954) as an important and generally accurate source of biographical information. A study of Katherine Mansfield's original notebooks in the Alexander Turnbull Library (A. T. L.) does show that theJournal is a compilation, that Murry omitted some material, misread some words and possibly misdated some entries. Given the difficulty of the material he had to work with, however, I do not think that Murry was an irresponsible editor. Whatever the minor inaccuracies in his transcription and arrangement of the private notes Katherine Mansfield left, the fact remains that the published extracts do throw valuable light on her inner life. In the absence of a revised, definitiveJourna/, it would be ill-judged not to use the material that is at present available. :\1rs. :\1argart't Scott has gt>nerously shared with me her transcrip• tions of some of the material omitted from theJoumal. \\'hen quoting, therefore, I have sometimes corrected thC' publishedJouma/; otht>r extracts I have cited as unpublished. An effort has bet'n ·made to minimise the number of reference figures in the text. Because of the frequent quotations fi·om Katherine Mansfield's stories, Journal entries and Letlentojohn .tfiddleton .Hur~}', individual page numbers have not been cited. As far as possible, the source of the quotation and approximate date are implied in the text. \\'here specific reference is not made to the Journal, phrasrs such as 'Katherine :\1ansfield admitted privately' indicate that the source is the Journal. Similarly, references to her 'telling Murry', or 'writing to :VIurry'. indicate that the source is her Letters to John .\fiddle/on :\1ur~y. A similar method has been used with quotations from Murry and Ida Baker. U nlrss otherwise indicated, all quotations attributed to Murry are from Between Tu•o ll'orlds; lela Baker's comments, and Katherine Mansfield's letters to her, are from The .\!emories of L. .\!.
"'OTES TO THE PREFACE I. Conrad Aiken, 'The Short Story as Confession', Nation and Athenaeum, 14 July, 1923, p. 490. 2. Katherine Mansfield, Novels and Novelists, ed.J. M. Murry (London, 1930) p. 236. 3. Virginia Woolf, The Dia~y of Virginia Woolf, ed. Anne Olivier Bell (London, 1977) pp. 22~7. 4. The Journal of Katherine .\1an.ifield (London, 1954) p. 205 (hereafter cited as Joumal). 258 Notes 259
NOTES TO CHAPTER O~E: CHILDHOOD FA:-iTASIES I. 'Two Little Girls', in 'Extracts from a Notebook', Adelphi, 1931, p. 288. 2. Letter from Tom Mills in the Morris Collection, Alexander Turnbull Library (hereafter cited as A. T. L.). 3. Margaret Woodhouse (nee Wishart), 'Notes re K. M.' in A. T. L. 4. Journal, p. 102. 5. Ibid, p. 43. 6. MS. papers 119, A. T. L. 7. Ibid. 8. Queen's College Magazine, XXII (Mar 1904) 129-31. 9. MS. papers 119, A. T. L.
NOTES TO CHAPTER TWO: THE PAINS OF ADOLESCENCE I. All letters quoted from Katherine Mansfield to Sylvia Payne are in MS. papers 119 at the A. T. L. 2. Ibid. 3. R. E. Mantz and J. M. Murry, The Life of Katherine Mansfield (London, 1933) p. 198. 4. MS. papers 119, A. T. L. 5. Ibid. Fragmentary juvenilia hereafter cited are in MS. papers 119 at the A. T. L. unless otherwise identified.
NOTE TO CHAPTER THREE: •JULIET'
I. Turnbull Library Record, Ill, no. I (Mar 1970) 4-28.
NOTES TO CHAPTER FOUR: FORBIDDEN LOVE I. MS. papers 119, A. T. L.; quoted in Philip Waldron, 'Katherine Mansfield's Journal', Twentieth Century Literature ( 1974) p. 13. 2. Turnbull Library Record, Ill, no. 3 (Nov 1970) 133--6.
NOTES TO CHAPTER FIVE: THE CONSOLATION OF ART I. 'Vignette', Native Companion, Oct 1907. 2. Marie Bashkirtseff, The Journal of a Young Artist, 1860-1884, trs. Mary ]. Serrano (New York, 1899). 3. Turnbull Library Record, IV, no. I (May 1971) 10-11. 4. Typescript in Morris Collection, A. T. L. 5. MS. papers 119, A. T. L. 6. Ibid. 7. Quoted in Anthony Alpers, Katherine Mansfield: A Biography (New York, 1954) p. 84. 8. 'Vignettes' and 'Silhouettes' were published in Native Companion in October and November 1907 respectively. They are reprinted in Jean E. Stone, Katherine Mansfield: Publications in Australia, 1907-4)9 (Sydney, 1977). 9. Native Companion, Dec 1907. 260 Notes
NOTES TO CHAPTER SIX: EMOTION VERSUS WILL I. 'Katherine Mansfield: How Kathleen Beauchamp Came into her Own', New Zealand Railways Magazine, Sep 1933, pp. 6-7. See also Mantz and Murry, Life, pp. 269-71. 2. Typescript in MS. papers 119, A. T. L. (Published in the Wellington Evening Post, 13Jan 1909.)
NOTES TO CHAPTER SEVEN: LONDON AND A DUAL EXISTENCE I. Katherine Mansfield: The Memories of L. M. (London, 1971) p. 54. 2. Turnbull Library Record, IV, no. I (May 1972) 19-25.
NOTES TO CHAPTER NINE: LONELINESS AND ITS DANGERS I. William Orton, The Last Romantic (New York, 1937). Katherine Mansfield's references to her life with Orton, quoted by Murry in the Journal, are taken from The Last Romantic. 2. See The Urewera Notebook of Katherine Mansfield, ed. I. A. Gordon (New York, 1978).
NOTES TO CHAPTER TEN: MURRY AND THE THEME OF CHILDHOOD I. 'A Biographical Note on Katherine Mansfield' (1948), copy in A. T. L. 2. 'Mary', uncollected story published in the Idler, Mar 1910.
NOTE TO CHAPTER ELEVEN: REALITY VERSUS DREAM I. 'The House', uncollected story published in Hearth and Home, Nov 1912.
NOTES TO CHAPTER TWELVE: ROLE-PLAYING I. Ruth Herrick in 'They Were at School Together', New Zealand Listener, 25 Sep 1942. 2. 'A Biographical Note on Katherine Mansfield'. 3. The Scrapbook of Katherine Mansfield, ed. J. M. Murry (London, 1937) pp. 28-37. 4. Letter of Katherine Mansfield to Koteliansky in British Museum.
NOTES TO CHAPTER THIRTEEN: DEATH OF LITTLE BROTHER I. Letter from Margaret Woodhouse to G. N. Morris in Morris Collection, A.T.L. 2. Letter from Frieda Lawrence to Sylvia Berkman, Nov 1939. Copy in Morris Collection, A. T. L. 3. 'The Wind Blows' and 'The Apple Tree' were published in Signature, Oct 1915. 4. Copy in MS. papers 119, A. T. L. 5. Journal, p. 95.
NOTES TO CHAPTER FOURTEEN: 'PRELUDE' I. In October 1917 Katherine described to Dorothy Brett the feeling of Notes 261
'identification' with a duck which Kezia experiences in 'Prelude': 'When I write about ducks I swear that I am a white duck .... In fact this whole process of becoming the duck (what Lawrence would, perhaps, call this "consummation with the duck or apple") is so thrilling that I can hardly breathe, only to think about it. For although that is as far as most people can get, it is really only the "prelude". There fi>llows the moment when you are more duck, more apple or more Natasha than any of these objects could ever possibly be, and so you create anew.' 2. Beryl and Juliet both gaze at themselves in the mirror. Beryl sees her face as 'wide at the brows', her eyes 'a strange uncommon colour- greeny blue with little gold points in them'. Her mouth is 'rather large .... Her under- lip protruded a little.' She has a mass of'lovely, lovely hair ... brown and red, with a glint ofyellow'.Juliet's features are similar: 'Her hair ... fell in long straight masses of pale gold to her waist. Her forehead was high and square while there was an unusual fullness over her brows. Her eyes were a peculiar colour, almost approaching green .... Her mouth was full of sensitive curves- the underlip decidedly too full for regular beauty.' Moreover, both Beryl and Juliet are described as having distinctively beautiful hands.
NOTES TO CHAPTER FIFTEEN: GARSINGTON AS FICTIO"i
I. Vera Brittain, Radc(yffe Hall: A Case of Obsceni~v (London, I Y68) p. 9.1. 2. Parts of Katherine Mansfield's letters to Ottoline Morrell were published in The Letters of Katherine Jfansfield, ed. J. M. Murry (London, 1928). All the letters to Ottoline Morrell quoted here are held at the Humanities Research Centre, University of Texas at Austin, Texas. 3. Murry's unpublished letters to Ottoline :'vlorrell are held at the Humanities Research Centre, Austin, Texas. 4. Ottoline at Garsington: The .Wemoirs of Lady Ottoline .Worrell, 1915-1918, rd. Robert Gathorne Hardy (London, 1974) pp. 190-2. 5. Ibid., p. 150. 6. The Autobiography of Bertrand Russell (London, 1968) I I, p. 21. 7. Ottoline at Gar sing ton, pp. 166-7. 8. Dorothy Brett and John Manchester, 'Reminiscences of Katherine Mansfield', Adam International Review, 1972 pp. 85-6. 9. Ottoline at Garsington, p. 149. 10. Ibid., pp. 186-7. II. Ottoline: The Early Memoirs, ed. Robert Gathorne Hardy (London, 1963) p. 62. 12. The 'translation', so to speak, of people into symbols was a game played at Garsington on at least one occasion when Katherine was present. Ottoline writes in Ottoline at Garsington (p. 150), '\Ve were plavin_g a game after dinner describing people by symbols, such as pictures, flowers, scents; unfortunately Katherine was described by some rather exotic scent such as stephanotis or patchouli, and although her name was not mentioned, we all knew and she knew what was meant. It was dreadful. The spite that was in the company maliciously flared out against her and hurt her.' 13. The link in Katherine Mansfield's mind between ':'vlarriage a Ia :\1ode' 262 Notes
;:nd Garsington is further confirmed by a letter she wrote to Ottolinc in .\ugust 1919: 'I long to sec these pictures: they .round so radiant. But there is alwaYs something fascinatim~, captiYating, about the name.r of pictures: "\\"oman Drying Herself'; "Woman in a Hammock"; "Lady on the Ter• race"., 14. Otto/ine at (;anin~;ton, pp. 166-7.
:\OH:S TO CHAPTER SIXTEE:\: "JE :\E PARLE PAS FRA~(.AIS'
I. Kathrrine .\lan.rfidd's Letters to john .'vfiddleton .\fur~y, 1913-1922 (London, 1951) p. 149. 2. Kathrrine .\lansfield and Other Literary Portraits (London, 1949) p. 12. 3. Edward\\' agenknecht, 'Katherine Mansfield', English journal, 1920, p. 274. 4. Je :'\e Parle Pas Fraw;ais' was published in its original form by the Heron Press, Hampstead, 1920. 5. Betu'ffn Tu·o Worlds (London, 1935) p. 465. 6. Francis Carco, Boheme d'Artiste (Paris, 1940).
:\OTES TO CHAPTER SEVE:\TEE:>;: THE :>;IGHT:\fARE MARRIAGE
I. E. D. \\'ittkower, A P~ychiatrist Looks at Tuberculosis (London, 1949) p. 103. 2. Ibid. :1. Brice Clarke, \f.D., 'Katherine :\Iansfield's Illness', Proceedings rif the Royal Socie~y of.Uedicine, XLVIII, no. 12 (1955) 1029-32.
:-;on:s TO CHAPTER EIGHTEE:\: 'THE \IA:-.1 WITHOUT A TEMPERAMDIT' I. IA/m of Katherinl' .lfamfie/d, p. I 92. 2. Ibid., p. 214.
:\OTES TO CHAPTER :\I:'>ETEE:'IO: 'DAUGHTERS OF THE LATE COLONEL'
I. Leiters of Katherine .\1an~field, p. 187. 2. Ibid., p. 213. 3. Unpublished letter to Sydney and Violet Schiff, British Museum. 4. Alpers, Katherine .\fanifie/d (London, 1954) p. 58.
:\OTES TO CHAPTER TWE:\TY: :\lORE THRILL! :'lOG THAC'I LOVE- HONESTY I. Lellers of Katherine Mansfield, p. 294. 2. Copy of letter toj. B. Pinker, 3 May 1922, in A. T. L. 3. Unpublished letter from Murry to Lucy O'Brien, Humanities Research Centre, Austin, Texas. 4. Leiters of Katherine .\fansfield, p. 407. 5. Ibid., p. 387. 6. Ibid., pp. 366-7. 7. Personal note from Maude :\1orris to the author. 8. Mantz and Murry, Life, p. 114. 9. Ibid., p. 117. :Votes 263
:-.IOTES TO CHAPTER TWE:-.ITY-O:>;E: 'AT THE BAY' I. Frank O'Connor, 'An Author in Search of a Subject', in The Lone(v Voice (Cleveland, 1963) p. 140. 2. Marvin Magalaner, The Fiction of Katherine J1ansfie/d (Carbondale, Ill., 1971) p. 39. 3. In Katherine Mansfield's juvenilia there is a clear correlation between the heat of the sun and masculine potency. The sun is depicted as a lover in two early poems, 'The Rangitaki Valley' and 'The Awakening River'. '0 mystical marriage of Earth I With the passionate summer sun!' Katherine Mansfield writes in 'The Rang-itaki Valley'. In 'The Awakening River', the river 'lies on silver pillows, the sun leans over her. I He warms and warms her, he kisses and kisses her.' The author warns the river, 'Be careful, my beautiful waking one! You will catch on fire.· There is a similar metaphor in the prose fragment, 'Radiana and Guido'. Radiana tells her lover, 'My soul is like a great stretch of sand on which the sun has shone all the long day- it is dried up, parched, hot.' Guido replies, 'It is as though I had a great torch in my heart that leaps up and flames and burns all over my body .... Let me pour into you the fire that is consuming me.' As late as 1915, Katherine ~lansfield called her brother 'my little sun'; and she named the male protagonist in the I !J 18 story, 'Sun and Moon', Sun. 4. Magalaner, The Fiction of Katherine J1ansfield, p. 129. 5. Katherine Mansfield's juvenilia shows the association in her mind between the sea and womanhood, especially the sea-as-mother. In a 1903 poem (MS. papers 119, A. T. L.) she wrote, 'The great sad ocean shall be our mother I We are tired and she will rock us, brother.' In an adolescent prose fragment the heroine is depicted listening to 'a wonderful, agitating sound- the call of her savage, lawless mother- the sea.' In a 1907 vignette, 'By ·the Sea', the sea is likened to an enticing woman. In two poems written in 1911, 'The Sea Child' and The Sea', the sea is portrayed as a threatening female force. The sea is a rejecting mother in 'The Sea Child'; in 'The Sea' the personified ocean alternates between teasingly sadistic offers of love- and rejection.
The Sea called - I lay on the rocks and said: 'I am come.' She mocked and showed her teeth, Stretching out her long green arms. 'Go away!' she thundered.
NOTES TO CHAPTER TWE;"~;TY-TWO: HAU:'o/TED BY DEATH I. Magalaner, The Fiction of Katherine Mansfield, p. 129. 2. Saralyn Daly, Katherine Mansfield (New York, 1965) p. 109. 3. Undiscovered Country: The New Zealand Stories of Katherine J1.ansfield, ed. I. A. Gordon (London, 1974). 4. Typescript dated 18 March 1922 in A. T. L. 264 Notes
:-;oTE::; TO CHAPTER Tln::-;T'i-THREE: POSTSCRIPT l. Letters of Katherine .'vfansfield. p. 413. 2. All thr letters cited from Katherine Mansfield to Ida Baker are taken from Katherine .\1ansfield: The .\1emories of L. .\1. (London, 1971). 3. Letters to John Jliddleton .\1urry, p. 656. 4. Leiters of Katherine .\1anJfield, p. 398. 5. Ibid., p. 398. 6. Ibid., p. 503. 7. A. R. Orage, 'Talks with Katherine Mansfield', Century Magazine, May 1924, pp. 36-40. Select Bibliography
I. BY KATHERINE MANSFIELD
In a German Pension (London: Stephen Swift, 1911). Prelude (Richmond, Surrey: Hogarth Press, 1918). Je Ne Parle Pas Fran~ais (Hampstead: Heron Press, 1920). Bliss and Other Stories (London: Constable, 1920; New York: Alfred A. Knopf. 1921). The Garden Party and Other Stories (London: Constable, 1922; New York: .\!fred A. Knopf, 1922). The Dove's Nest and Other Stories, ed. J. M. Murry (London: Constable, 192J: New York: Alfred A. Knopf, 1923). Poems, ed.J. M. Murry (London: Constable, 1923; New York: Alfred A. Knopf, 1924). Something Childish and Other Stories, ed. J. M. Murry (London: Constable, 1924). American edn: The Little Girl (New York: Alfred A. Knopf, 1924). The journal of Katherine Mansfield, ed. J. M. Murry (London: Constable. 1927; New York: Alfred A. Knopf, 1927); Definitive Edition. ed. J. M. Murry (London: Constable, 1954). The Letters of Katherine Jfansfield, ed. J. ~C Murry, 2 vols (London: Constable, 1928); I vol. (New York: Alfred A. Knopf, 1929). The Aloe, ed. J. M. Murry (London: Constable, 1930; ~ew York: Alfred A. Knopf, 1930). Novels and Novelists, ed. J. M. Murry (L0ndon: Constable. 1930). Stories by Katherine Mansfield (New York: Alfred A. Knopf, 1930). The Scrapbook of Katherine Jfansfield, ed]. M. Murry (London: Constable, 1937; New York: Alfred A. Knopf, 1940). Collected Stories of Katherine Mansfield (London: Constable, 1945). Katherine Mansfield's Letters to john .'v/iddleton Murry. 1913-1922, ed. J. M. ~furry (London: Constable, 1951; New York: Alfred A. Knopf, 1951). 'The Unpublished Manuscripts of Katherine Mansfield', transcribed and ed. Margaret Scott in six parts, in Turnbull Libra~y Record (Wellington) new ser.: I. 'juliet': III, no. I (Mar 1970) 4-28. 2. Juvenilia from 1906: III, no. 3 (Nov 1970) 128-36. 3. Juvenilia, c. 1907-8, and fragments of the play 'A Ship in the Harbour' (Apr 1917): IV, no. I (May 1971) 4-20. 4. Worishofen fragment, 'Elena and Peter': V, no. I (May 1972) 19-25. 266 Select Bibliography
5. ·The Laurels', fragment of a play written and acted at Garsington, Christmas 1916: VI, no. 2 (Oct 1973) 4-8. 6. Two 'Maata' fragments (1913): IV, no. I (May 1974) 4-14. 'Brave Love' ( 1915), transcribed by Margaret Scott, m Lamifall (Christchurch) XXVI, no. I (Mar 1972) 3-30.
II. SELECTED CRITICISM AND BIOGRAPHY
Alpers, Anthony, Katherine Mansfield: A Biography (~ew York: Alfred A. Knopf, 1954). Now superseded by The Life of Katherine .'.fansfield (London: Jonathan Cape, 1979; New York: Viking Press, 1980). [Baker, Ida], Katherine Mansfield: The Memories of L. M. (London: Michael Joseph, 1971 ). Berkman, Sylvia, Katherine Mansfield: A Critical Study (New Haven, Conn.: Yale University Press, 1951). Daly, Saralyn, Katherine .'vl.ansfield (New York: Twayne, 1965). Magalaner, Marvin, The Fiction of Katherine Mansfield (Carbondale, Ill.: Southern Illinois University Press, 1971). Mantz, Ruth Elvish, and Murry,J. M., The Life of Katherine Mansfield (London: Constable, 1933). Meyers, Jeffrey, Katherine Mansfield: A Biography (London: Hamish Hamilton, 1978). Morrell, Lady Ottolint>, Ottoline: The Enr(v Memoirs, 1873-1915, ed. Robert Gathorne Hardy (London: Faber and Faber, 1963). --Ottoline nt Gnrsin.l!,ton, 1915-1918, ed. Robert Gathorne Hardy (London, Faber and Faber, 1974). Murry, John Middleton, Between Two Worlds: An Autobiography (London: Jonathan Cape, 1935). Index
Katherine Mansfield's juvenilia, letters, poems and storv ti·agrnents arc listed under Kathaine Mansfield. Titles of Katherine \lansti(·ld's indi• vidual stories and hooks arc listed separately.
Aiken, Conrad, ix Beauchamp, Gwcndolinc (K. \I.'s 'Aloe, The', 116, 118, 119, 120, 122, sister).'), 7, 218-19 123, 126, 127, 128, 132, 133. I:H, Beauchamp, Harold ( K. \I.'s bthn). 138, 218, 235 4<>. 17-21, 47. G:~-·L 7lJ. HI-:~. Alpers, Anthony, 161, 200, 258n 110-11, lbb. 174. l'lO, 1%-7. Arnim, Countess Elizabeth von, 211, 2()'), 208-10, 21 'l, 2:~6. 241, 256 24·."J-7 'At Lehmann's', 32, 63, 65-6, 213, Beauchamp, .Jeanne ( K. \I.'s sistn), 214 4, 212 'At the Bay', 4, 32, 80, 96, 212, 219, Beauchamp, Leslie IK. \I.'s brother). 222-34, 235, 237, 246, 252 4-fi, 22, 7~l. 10 I, IO.i-fi, I 0'1-lfi. Athenaeum, 15.), I 78 1%, IS'), 166, 16H, l
267 268 Index
Brittain, Vera, 136 'Germans at Meat'. 63-4 Gertler, Mark, 161, 210 Campbell, Gordon, 91, 92, 94, 112, Gibson, Robert, 199 138 Gordon, Ian, 245 Cannan, Gilbt>rt, 140 Grandmother: see Dyer, :\irs Joseph Carco, Francis, 94, 95, 97, 100, 112, 'Grasshopper, The', 151, 153 161, 162, 191 Gurdjielf Institute, 250-5 Chaddie: 1ee Beauchamp, Charlotte C:hekhov, Anton, IS I, 153 Hampstead, 168-9, 177, 197 'Child-\\'ho-\\'as-Tired, The', 4, 66 Hastings, Beatrice, 63, I 00, 192, 209 Clarke, Dr Brict>, 168 Hawthorne, Nathaniel, 43 Cornwall, 136, 164-6, 169 'Her First Ball', 4, 45, 65, 213, 214, Cosmic Analo17!v, 252 216-18, 235 Homer, 153, 186 Daly, Saralyn, 223, 226, 242 'Houst>, The', 86, 89 'Dau,ghtt>rs of the Late Colonel', 198, 'How Pearl Button \Vas Kidnapped', 200-5, 210, 215, 246 4, 79, 80-1, 213 De Quincey, Thomas, 43 Dickens, Charles, 107, 126, 185 Ibsen, Henrik, 18 'Doll's Houst>. The', 4, 21 :~, 214, 'Ideal Family, An', 235 218-21 'In Confidence', 141-2 Dostoevsky, Fyodor, 162, 16:~, 193 a r.erman Pension, 32, 62-71, 128, Over, lsohel :\1arion (K. M.'s aunt), In 190, 211, 224, 246 4, 131 Dwr, :\1 rs J osr-ph ( K. :\1. 's grand• mother), 4-7, 218-19 'Je Ne Parle Pas Fran~ais', 32, 43, 87, 96, 154-63, 169, 170, 171, 173, Edie: see Bendall, Edith 204 E. K. B.: m Bendall, Edith Journal of Katherine Manffield, The, Eliot, T. S., .12 20-256 passim, 258n Elizabeth: Iff :\rnim, Countess Joyce, James, x, 192 Elizabeth von Jun,g, Carl Gustav, 224, 226 Erpfimlor. The, 242 Karori, 219 'FairyStory,A',86, 106-9,110, Ill, Katherine Mamfield: The Memories of 112, 114-1.1, 220 L M., 72, 199, 258n 'Fly, The', 20\ 235, 236, 241-7 Khayyam, Omar, 107 Fontainebleau, 250-1, 253, 255 Kleine, D. \V., 151 'Frau Brechenmacher Attends a Koteliansky, S. S., 96, 97, 248, 254 \\'edding', 32. 63-5, 74, 83, 246 'Frau Fischer', 66 'Lady's Maid, The', 198-200 Freud, Sigmund, x, I 72 Lais, 72 Fullerton. J innie, 189. 197, 199 Lawrence, D. H., x, 91, 112, 136, 138, 191, 193, 261n 'Garden Party. The', 4, 65, 235-41, Lawrence, Frieda, 91, 106 248 !.etters from the Underworld, 162 Garsington, 136-43, 150-3, 261 n 'Little Boy, The', 79 Gathorne Hardy, Robert, l.'il 'Little Girl, The', 4, 79, 80, 82-4, 85, Georgt>, \\'. L., 143 213, 246 Index 269
'Little Governess, The', 32, 6.1, LETTERS TO: 98-100 Baker, Ida Constance, 167, 169, Lost Girl, The, 19:1 249-51
/ 0yrical Ba//ad•, 213 Beauchamp, Harold, Ill, 247 Beauchamp, Jeanne, 212 Brett, Dorothy, I 78, 194, 252, Maata, 17, 37,38 254-5, 260-ln Maeterlinck, Maurice, 18 Koteliansky, S, S,, 96-7, 248, 254 Mae;alaner, Marvin, 157, 223, 226, Morrell, Lady Ottoline, 136-7, 242 140, 149-50, 178, 184, 191-2, 'Man \Vithout a Temperament. The', 197 32,45,184-8,189,197,200,204 Murry,John Middleton, 82, 100-1, ~fanhoukhin, Dr, 241, 249, 2.10 142-3, 154, 155, 161-3, Mansfield, Katherine (horn Kathleen 16.1-70,172,174,179-83,189, Mansfield Beauchamp) 191-3, 195-9,206-10, 251, JUVENILIA: 253-5, 258n 'By the Sea', 263n Murry, Richard, 208, 212 'Die Einsame', 9-11 12 15 20 29 Payne, Sylvia, IS, 16, 18, 33, 55, 93, 41, 114, 195, 246 , , , , 137 'Education of Audrey, The', 48-.12, Rice, Anne Estelle, 196 56, ,'i7, 78, 114 Schiff, Svdnev and Violet 197 'His Ideal', 8-9, 10, II, 12, 29, 57, Trowell: Arn~ld, 38 ' 194 POD1S: 'In the Botanical Gardens', 4S ':\wakenine; River, The' (poem) 'In the Darkness' (poem), 7 263n 'juliet', 25-32, 33, 35, 48, .16, 57, 'Grandmother, The'. 6, I 06 114, 126, 131, 132,246, 251 'In the Rangitaki Valley' (poem), 'Juliet Dclacours', 21-2 110 263n 'Les Deux Etrangeres', J9, 20, 246 ':-.lew Husband, The', 182 'Leves Amores', 45, 46, 51 ':"light-scented Stock', 140-1, 152 '~1an, the Monkey and the Mask, 'Scarlet Tulips', ;J 7 The', 41-2, 44 'Sea, The', 263n 'Misunderstood', 16, 17, 20, 39, 42 'Sea Child, The', 263n 'My Potplants', 12-14, 15, 16, 21, 'Son.~~; of the Camellia Blossom', 57 45-6, 110, 137, 194 'Storm, The', 73 'One Day', 7 'To God the Father', 73 'Radiana and Guido', 263n 'To L. H. B.', 112-13 'Silhouettes', 44, 45 'So I am standing the Test' (poem), STORY FRAG:I-1E:"TS: 44 'Apple Tree, The', 106 'Summer ldylle', 37 'Dark Hollow', 93-4, 95 'This is my world, this room of 'Elena and Peter', 59-60, 61, 190 mine' (poem), 44 'Kezia and Tui', 110 'Three Twentieth Century Girls', 'Six Years After', 245-6 78-9 See also specific books and stories 'To a Little Child' (poem), 6, 8 'Vignettes', 44-5, 224 Mantz, Ruth, 17, 37, 219 'What You Please', 22-4 'Marriage a Ia Mode', 96, 141, 150-3, 'Your Birthday', 7 204 270 Index 'Married Man's Story, A', 44, 45, 87, Pater, Walter, 19, 43 169-74, 178, 183, 204 Payne, Sylvia, 15, 16, 18, 26, 33, 55, 'Mary', 79, 80 93, 137, 200 Menton, 189, 197, 198 Picton, 216 Merimee, Prosper, 44 Picture of Dorian Gray, The, 41 'Millie', 75-7 'Poison', 96 Mills, Tom, 4, 47 Po.rseHed, The, 193 Milton, John, 107 'Prelude', 4, 32, 46, 65, 80, 96, 'Mimi': see Bartrick-Baker, Vere 116-35, 140, 203, 213, 218, 'Miss Brill', 96 222-4, 227-9, 235, 246, 261n 'Mr Reginald Peacock's Day', 32, 96 Proust, Marcel, ix, 210, 222 Modem Fiction Studies, 242 Prufrock, 52 'Modern Soul, The', 66, 67-8, 71 'Psychology', 32, 96 Monaghan family, 219 Montana, 212, 249 Queen's College, 7, 17, 18, 33, 43, Moore, Lesley ('L. M.'): see Baker, 131, 216, 219 Ida Constance Morrell, Lady Ottoline, 136-42, Rainbow, The, 191 149-53, 166, 178, 184, 191-2, Randogne, 250 197, 210, 261n Rhythm, 79, 85, 86, 90 Morrell, Philip, 142, 151 Rice, Anne Estelle, 164, 196 Morris, Maude, 216-17 Ridler, Rose, 106 Murry,John Middleton, x, 38, 59, 73, Rousseau, Jean-Jacques, ix 78-9, 82, 86-7, 90-7, 100-1, Ruddick, Marion, I 7 105-6, 110, 112-13, 116, Russell, Bertrand, 136, 138, 139 136-40, 142-3, 151, 153, 154-6, 161-70, 172-4, 177-84, 189-99, Saunders Lane, 236, 240 206-12, 248-51, 253-5, 258n Schiff, Sydney and Violet, 197 Murry, Richard (born Arthur Scrapbook of Katherine Mansfield, The, Murry), 208, 212 110 Shakespeare, William, 107 New A./?e, 63, 71, 141 Sierre, 250 'New Dresses', 4, 79, 80, 81-2, 85, 'Sixpence', 4 106, 213, 246 'Something Childish But Very New Zealand, 18-19, 20, 33, 39, 43, Natural', 86, 87-9, 90, 97, 100 48, 55, 61, 74-5, 109, 113-14, Stallman, R. W., 242 131, 169, 174, 212, 216, 218-19, Stead, C. K., 258n 224, 235, 255 Strachey, Lytton, 140, 153 'Stranger, The', 246 O'Connor, Frank, 222 'Suburban Fairy Tale, A', 4 Open Window, I 06 Sullivan, J. N., 156 Orage, A. R., 252, 256, 257 'Sun and Moon', 4, 263n Orton, William, 72, 73 'Sunday Lunch', 85-6 Ospedaletti, 178, 179, 182, 184, 189, Symons, Arthur, 43, 44, 107 194, 196 Tennyson, Alfred, Lord, 126 Paris, 86, 90, 92, 94, 97, 100, 162, 192, Tinakori Road, 236 241' 249 'Tiredness of Rosabel, The', 86 Index 271
Tolstoy, Leo, 18, 43, 234 Wellington, 4, 55, I 06, I 09, I 74, 216, Trowell, Arnold, 17, 20, 23, 26-7, 34, 236 36, 38,39,48-9, 51,56-7 Westmin.>ler Ga;;.ette, 86 Trowell, Garnett, 57, 63 Wilde, Oscar, 41, 66, 107, 210 'Wind Blows, The', 106 \\'ittkower, Dr E. D., 166, 167-8 Uly.rses, 192 'Woman at the Store, The', 32, 73-5 Ureweras, 74 Woodhouse, Margaret, 5, 106 Woolf, Leonard, 139 'Voyage, The', 45, 213, 214-16, 217 Woolf, Virginia, x, 139, 166 Wordsworth, William, 213, 234 \\'iirishofen, 59 Wagenknecht, Edward, 1.)6 Waterlow, Sydney and Marjory, 143 Zola, Emile, 43