Is the Sweetest City in the World Introduction
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
C O M M U N I Q
MINISTERE DE LA CONSTRUCTION, DU LOGEMENT REPUBLIQUE DE COTE D'IVOIRE DE L’ASSAINISSEMENT ET DE L'URBANISME Union - Discipline - Travail LE MINISTRE Abidjan, le N ________/MCLAU/CAB/bfe C O M M U N I Q U E Le Ministre de la Construction, de l’Assainissement et de l’Urbanisme a le plaisir d’informer les usagers demandeurs d’arrêté de concession définitive, dont les noms sont mentionnés ci-dessous que les actes demandés ont été signés et transmis à la Conservation Foncière. Les intéressés sont priés de se rendre à la Conservation Foncière concernée en vue du paiement du prix d'aliénation du terrain ainsi que des droits et taxes y afférents. Cinq jours après le règlement du prix d'aliénation suivi de la publication de votre acte au livre foncier, vous vous présenterez pour son retrait au service du Guichet Unique du Foncier et de l'Habitat. -
Côte D'ivoire Country Focus
European Asylum Support Office Côte d’Ivoire Country Focus Country of Origin Information Report June 2019 SUPPORT IS OUR MISSION European Asylum Support Office Côte d’Ivoire Country Focus Country of Origin Information Report June 2019 More information on the European Union is available on the Internet (http://europa.eu). ISBN: 978-92-9476-993-0 doi: 10.2847/055205 © European Asylum Support Office (EASO) 2019 Reproduction is authorised, provided the source is acknowledged, unless otherwise stated. For third-party materials reproduced in this publication, reference is made to the copyrights statements of the respective third parties. Cover photo: © Mariam Dembélé, Abidjan (December 2016) CÔTE D’IVOIRE: COUNTRY FOCUS - EASO COUNTRY OF ORIGIN INFORMATION REPORT — 3 Acknowledgements EASO acknowledges as the co-drafters of this report: Italy, Ministry of the Interior, National Commission for the Right of Asylum, International and EU Affairs, COI unit Switzerland, State Secretariat for Migration (SEM), Division Analysis The following departments reviewed this report, together with EASO: France, Office Français de Protection des Réfugiés et Apatrides (OFPRA), Division de l'Information, de la Documentation et des Recherches (DIDR) Norway, Landinfo The Netherlands, Immigration and Naturalisation Service, Office for Country of Origin Information and Language Analysis (OCILA) Dr Marie Miran-Guyon, Lecturer at the École des Hautes Études en Sciences Sociales (EHESS), researcher, and author of numerous publications on the country reviewed this report. It must be noted that the review carried out by the mentioned departments, experts or organisations contributes to the overall quality of the report, but does not necessarily imply their formal endorsement of the final report, which is the full responsibility of EASO. -
“Abidjan: Floods, Displacements, and Corrupt Institutions”
“Abidjan: Floods, Displacements, and Corrupt Institutions” Abstract Abidjan is the political capital of Ivory Coast. This five million people city is one of the economic motors of Western Africa, in a country whose democratic strength makes it an example to follow in sub-Saharan Africa. However, when disasters such as floods strike, their most vulnerable areas are observed and consequences such as displacements, economic desperation, and even public health issues occur. In this research, I looked at the problem of flooding in Abidjan by focusing on their institutional response. I analyzed its institutional resilience at three different levels: local, national, and international. A total of 20 questionnaires were completed by 20 different participants. Due to the places where the respondents lived or worked when the floods occurred, I focused on two out of the 10 communes of Abidjan after looking at the city as a whole: Macory (Southern Abidjan) and Cocody (Northern Abidjan). The goal was to talk to the Abidjan population to gather their thoughts from personal experiences and to look at the data published by these institutions. To analyze the information, I used methodology combining a qualitative analysis from the questionnaires and from secondary sources with a quantitative approach used to build a word-map with the platform Voyant, and a series of Arc GIS maps. The findings showed that the international organizations responded the most effectively to help citizens and that there is a general discontent with the current local administration. The conclusions also pointed out that government corruption and lack of infrastructural preparedness are two major problems affecting the overall resilience of Abidjan and Ivory Coast to face this shock. -
Music and Rights in West Africa
MUSIC AND RIGHTS IN WEST AFRICA A cross-curricular teaching resource exploring the power of music with ages 7–11 Photo: Aubrey Wade Teachers’ overview 9 Introduction 4 Aims 4 Structure 5 Differentiation 5 Taking it further with Oxfam Education 5 Taking it further with Oxjam 5 Global Citizenship 6 Knowledge and understanding 6 Skills 6 Values and attitudes 6 Detailed lesson outlines 7 Lesson 1: Introduction to West Africa 9 Lesson information 9 Activity outline 10 Pupil sheet: Maimouna’s story 11 Background notes for teachers 12 Lesson 2: Exploring West African music 9 Lesson information 13 Activity outline 14 Pupil listening sheet 17 Background notes for teachers 18 Lesson 3: Exploring rights 9 Lesson information 19 Activity outline 20–22 Pupil sheet: Oumou Sangaré’s album ‘Seya’ 23 Pupil sheet: Sounsoumba – Oumou Sangaré 24 Pupil sheet: Wele, Wele Wintou – Oumou Sangaré 25 Background notes for teachers 26–30 Lesson 4: Raising Her Voice 9 Lesson information 31–32 Activity outline 33 Background notes for teachers 34 Photo: Kieran Doherty Teachers’ overview Raising Her Voice is an exciting Aims series of lessons that enables you • To provide real-life information to stimulate pupils’ interest in to deliver a cross-curricular project music and human rights. that will inspire and motivate pupils • To promote an awareness and appreciation of West African musical styles and instruments, and of diversity in West to learn about the role of music in African music. social change. Focusing on West • To provide opportunities to consider examples of how the Africa, this pack will guide learners rights of women and girls can be denied, and ways in which women in West Africa are using music to speak up for the through an exploration of aspects of protection of their rights. -
BESTILLINGER Kan Skje Hele Året, Også Mellom NORDISK PROFIL: MÅNEDENS ALBUM; KAN Hvert Medlemsblad Etter Fristen for SJÄLV! ANDERS NORUDDE Avbestillinger
1 INNHOLD BESTILLINGER kan skje hele året, også mellom NORDISK PROFIL: MÅNEDENS ALBUM; KAN hvert medlemsblad etter fristen for SJÄLV! ANDERS NORUDDE avbestillinger. For noen titler har vi gjerne et viss bufferlager. MEN vær likevel klar over at for de fleste tit- NORDISK PROFIL: I HEITASTE SLÅTTEN - ler ligger vi ikke inne med stort NYUTGIVELSE MED ÅNON EGELAND, PER MIDTSTIGEN lager. Våre bestillinger til leveran- dører vil stort sett være basert på responsen fra medlemmene i tids- intervallet fra bladet kommer ut og NORDISK PROFIL: NORSKE VISETRUBADURER inntil fristen for avbestilling. Vi går hele tiden tomme for tidligere og populære titler. Sett derfor alltid ÅPEN PROFIL; PÅSKEPAKKE MED ROKIA TRAORE opp alternativer, eller kontakt oss om det er en spesiell tittel du gjer- OG BAUL BISHWA ne skulle bestille fra tidligere med- lemsblader. Se gul bestillingsku- pong midt i bladet. ÅPEN PROFIL; MUSIKK FRA AFRIKA BESTILLING AVBESTILLING ÅPEN PROFIL; LATI N AMERIKA OG BRAZIL INNMELDING kan skje på A-del på gul serviceku- pong. Denne kan sendes i post el- BALKANSK PROFIL; MAIPAKKE MED KRETISK ler på faks. Bestilling/Avbestilling/ OG RUMENSK DANSEM USIKK Innmelding kan også skje via e-mail eller på telefon i tiden mellom klok- ken 0900 og 1600. Erfaring viser at det i tider med mye trafikk, kan det BALKANSK PROFIL: MUSIKK FRA KYPROS være litt vanskelig å nå oss på tele- fon. Post, faks og E-mail er derfor å foretrekke. Se gul bestillingskupong midt i bladet og sørg for at du kjen- KELTISK PROFIL: MÅNEDENS ALBUM: MAIPAKKE ner og følger medlemsreglene på MED KEVIN O’CONNOR OG SEÁN WHELAN side 4. -
Universal Music Group and Leading African Streaming Service Boomplay Expand License to Cover 47 Countries Across the Continent
UNIVERSAL MUSIC GROUP AND LEADING AFRICAN STREAMING SERVICE BOOMPLAY EXPAND LICENSE TO COVER 47 COUNTRIES ACROSS THE CONTINENT Home > News > Universal Music Group and leading African streaming service Boomplay expand license to cover 47 countries across the continent New licensing agreement will significantly boost the availability of UMG’s African and International repertoire to music fans across Africa New markets include South Africa, Ethiopia, Côte d’Ivoire, Cameroon and Senegal; with UMG catalog now also widely available across French-speaking territories for first time LAGOS and SANTA MONICA, March 17, 2021 – Boomplay, the leading music streaming and download service based in Africa and Universal Music Group (UMG), the world leader in music-based entertainment, today announced a new landmark licensing agreement that will extend licensing of UMG’s global music catalog from 7 to 47 countries across the African continent, as part of an extended relationship that will benefit African musicians and talent and expand the listening experience for Boomplay users across Africa. In 2018, UMG became the first major global music company to license music to the service, which has continued to grow its audience reach and influence across Africa in recent years. Boomplay’s catalog currently stands at more than 50 million tracks and it boasts the largest repertoire of local African content globally, with 50million monthly active users (MAU). The renewal and expansion of this licensing deal with UMG, will enable African music fans across the continent to experience the best in both domestic African and International talent. As one of the first entrants in Africa, Boomplay has been at the forefront of the music streaming market since 2015 and has a deep understanding of the local market. -
Côte D'ivoire
CÔTE D'IVOIRE: Progress in the peace process allows cautious optimism for IDPs A profile of the internal displacement situation 7 June, 2007 This Internal Displacement Profile is automatically generated from the online IDP database of the Internal Displacement Monitoring Centre (IDMC). It includes an overview of the internal displacement situation in the country prepared by the IDMC, followed by a compilation of excerpts from relevant reports by a variety of different sources. All headlines as well as the bullet point summaries at the beginning of each chapter were added by the IDMC to facilitate navigation through the Profile. Where dates in brackets are added to headlines, they indicate the publication date of the most recent source used in the respective chapter. The views expressed in the reports compiled in this Profile are not necessarily shared by the Internal Displacement Monitoring Centre. The Profile is also available online at www.internal-displacement.org. About the Internal Displacement Monitoring Centre The Internal Displacement Monitoring Centre, established in 1998 by the Norwegian Refugee Council, is the leading international body monitoring conflict-induced internal displacement worldwide. Through its work, the Centre contributes to improving national and international capacities to protect and assist the millions of people around the globe who have been displaced within their own country as a result of conflicts or human rights violations. At the request of the United Nations, the Geneva-based Centre runs an online database providing comprehensive information and analysis on internal displacement in some 50 countries. Based on its monitoring and data collection activities, the Centre advocates for durable solutions to the plight of the internally displaced in line with international standards. -
Redalyc.People and Sounds": Filming African Music Between Visual
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España D´Amico, Leonardo People and sounds": filming African music between visual anthropology and television documentary Trans. Revista Transcultural de Música, núm. 11, julio, 2007, p. 0 Sociedad de Etnomusicología Barcelona, España Available in: http://www.redalyc.org/articulo.oa?id=82201106 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative People and sounds”: Filming African music between visual anthropology and televi... Página 1 de 10 Revista Transcultural de Música Transcultural Music Review #11 (2007) ISSN:1697-0101 People and sounds”: Filming African music between visual anthropology and television documentary Leonardo D'Amico Università di Ferrara Università di Siena Abstract Watching music, and not only listening to or writing about it, is a priority to deepen in the knowledge of traditional music both in Europe and elsewhere. Since visual anthropology was born, there have been different ways to convey this idea. Through a review of the documentary films produced from the fifties until the present time, the paper shows the historical changes on the film industry priorities with regard to world music portrayals. The dialectal tension between fictional and ethnographic approaches has been a constant. This paper supports the premise that auteur films can reach ethnomusicological level, although not being scientific, and have an added poetical value of great help in this field. -
Le Zouglou Dans L'espace Publique En Côte-D'ivoire (1990-2007)
UNIVERSITÉ DU QUÉBEC À MONTRÉAL LE ZOUGLOU DANS L'ESPACE PUBLIQUE EN CÔTE-D'IVOIRE (1990-2007) THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN SCIENCE POLITIQUE PAR HERMAN DEPARICE OKOMBA OCTOBRE 2009 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.ü1-2üü6). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» 11 REMERCIEMENTS Comme le disent les sages africains, les remerciements sont une preuve de gratitude et un hommage aux bénédictions reçues. Décider d'entreprendre une thèse n'est pas chose aisée. Réussir à la terminer est encore plus difficile. -
World Bank Document
The World Bank Abidjan Urban Mobility Project (P167401) Public Disclosure Authorized Public Disclosure Authorized Combined Project Information Documents / Integrated Safeguards Datasheet (PID/ISDS) Appraisal Stage | Date Prepared/Updated: 08-May-2019 | Report No: PIDISDSA26942 Public Disclosure Authorized Public Disclosure Authorized Apr 24, 2019 Page 1 of 26 The World Bank Abidjan Urban Mobility Project (P167401) BASIC INFORMATION OPS_TABLE_BASIC_DATA A. Basic Project Data Country Project ID Project Name Parent Project ID (if any) Cote d'Ivoire P167401 Abidjan Urban Mobility Project Region Estimated Appraisal Date Estimated Board Date Practice Area (Lead) AFRICA 06-May-2019 28-Jun-2019 Transport Financing Instrument Borrower(s) Implementing Agency Investment Project Financing THE REPUBLIC OF COTE Ministry of Transport D’IVOIRE Proposed Development Objective(s) The Project Development Objective is to improve accessibility to economic and social opportunities and to increase efficiency of the public transport system along the Yopougon-Bingerville corridor and its feeder lines in Abidjan. Components Implementation of the East West BRT Yopougon-Bingerville Strengthening of SOTRA and restructuring of the feeder system to mass transit lines Organisation of the informal transport sector and last mile accessibility Human Capital Development and Operational Support PROJECT FINANCING DATA (US$, Millions) SUMMARY-NewFin1 Total Project Cost 540.00 Total Financing 540.00 of which IBRD/IDA 300.00 Financing Gap 0.00 DETAILS-NewFinEnh2 Private Sector Investors/Shareholders Equity Amount Debt Amount Government Contribution 10.00 IFI Debt 400.00 Apr 24, 2019 Page 2 of 26 The World Bank Abidjan Urban Mobility Project (P167401) Government Resources 10.00 IDA (Credit/Grant) 300.00 Non-Government Contributions 40.00 Other IFIs 100.00 Private Sector Equity 40.00 Commercial Debt 90.00 Unguaranteed 90.00 Total 50.00 490.00 Payment/Security Guarantee Total 0.00 Environmental Assessment Category A-Full Assessment Decision The review did authorize the team to appraise and negotiate B. -
Republic of Cote D'ivoire the Project for the Development of the Urban
Republic of Côte d'Ivoire Ministry of Construction, Housing, Sanitation and Urban Development (MCLAU) REPUBLIC OF COTE D’IVOIRE THE PROJECT FOR THE DEVELOPMENT OF THE URBAN MASTER PLAN IN GREATER ABIDJAN (SDUGA) FINAL REPORT VOLUME I INTRODUCTION AND SUMMARY MARCH 2015 JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) Oriental Consultants Global Co., Ltd. Japan Development Institute International Development Center of Japan Asia Air Survey Co., Ltd. Exchange Rate EUR 1.00 = FCFA 655.957 = USD 1.31 = JPY 139.42 September 2014 S CHEMA DIRECTEUR d’ U RBANISME du G RAND A BIDJAN Table of Contents VOLUME I INTRODUCTION AND SUMMARY Abbreviations v Executive Summary 1.0 Overview of the Project ................................................................................ 1 1.1 Project Objectives ........................................................................................... 1 1.2 Study Area and Planning Area of Greater Abidjan .......................................... 1 1.3 Current Conditions .......................................................................................... 2 1.4 Review of Master Plan 2000 ........................................................................... 4 1.5 Socio-Economic Framework ........................................................................... 5 2.0 Urban Master Plan and Other Project Related Tasks ................................. 7 2.1 Key Planning Issues ........................................................................................ 7 2.2 Vision .............................................................................................................